Sentences with phrase «organizing center of life»

Not exact matches

Along with pastoring The Way Christian Center in the Bay Area, I serve as the director of the LIVE FREE Campaign, a faith - based movement committed to organizing the moral voice and actions of the faith community to end gun violence and mass incarceration.

Whether we are speaking of pastoral psychology as a more or less loosely organized body of principles which informed the daily work of increasingly larger numbers of ministers educated in the better seminaries, or whether we are talking about pastoral psychology in its more professional manifestations in the form of institutional chaplaincies or church - related counseling centers, the sociological origins of the movement tended to render it ineffective in relating to the specific problems and life - styles of the poor.

«I» means something different in these two instances, and this difference expresses itself in quite different structures of existence, but in each case «I» refers to that center which tries to organize the whole psychic life.

It means that while she lived, she was necessarily the organizing, unifying center of her life.

Campus Jewish life has moved closer to the center of concern of the organized American Jewish community.

In a ghetto of New York, an Interfaith Counseling Service has been organized with a membership of more than one hundred local clergymen who refer their troubled parishioners to the center for help for a broad variety of problems in living.

The Indian recognized, as few Westerners have done before modern times, how much of the psychic life is organized around centers largely independent of the seat of existence.

The Workers» Center of CNY organized the march, in collaboration with the CNY Solidarity Coalition, Black Lives Matter Syracuse and the Syracuse Peace Council.

Inspired by a real life heist in London, «Snatch,» centers on a group of twenty - something, up and coming hustlers who stumble upon a truck load of stolen gold bullion and are suddenly thrust into the high - stakes world of organized crime.

Informed by a real life gold bullion heist in London, the show centers on a group of twenty - something, up and coming hustlers who stumble upon a truck load of stolen gold bullion and are suddenly thrust into the high - stakes world of organized crime.

Snatch «will carry the spirit» of the film and feature all new characters; inspired by a real life London heist, it «centers on a group of twenty - something, up - and - coming hustlers who stumble upon a truck load of stolen gold bullion and are suddenly thrust into the high - stakes world of organized crime.

First and most obvious, we've organized the entire, massive K — 12 system around an age - based, grade - level, 180 - days - per - year calendar; around mostly self - contained and generally low - tech classrooms; and around a pedagogical model centered on a single teacher teaching a uniform curriculum to twenty to thirty children for a prescribed amount of time each day, children who don't have much in common except that they're more or less the same age and (usually) live in pretty much the same community.

Process and Materials, 1960 - 1990,» Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA «Artificial Nature,» curated by Jeffrey Deitch, Deste Foundation for Art, The House of Cyprus, Athens, Greece «Stendahl Syndrome: The Cure,» Andrea Rosen Gallery, New York, NY «Mind Over Matter: Concept and Object,» Whitney Museum of American Art, New York, NY, October 3 — January 6, 1991 Galerie Sophia Ungers, Cologne, Germany, with L.C. Armstrong, Gretchen Faust, Eva Hesse, Rebecca Horn, Robin Kahn, Jutta Koether, Patty Martori, and Rosemarie Trockel «Liz Larner, Rosemarie Trockel, Meg Webster,» Stuart Regen Gallery, Los Angeles, CA 1989 «Whitney Biennial 1989,» Whitney Museum of American Art, New York, NY «The Desire of the Museum,» Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, NY Galerie Ryszard Varisella, Frankfurt, Germany «David Cabrera, Larry Johnson, Liz Larner,» 303 Gallery, New York, NY «Archaeology II,» Roy Boyd Gallery, Los Angeles, CA «Specific Metaphysics,» organized by Pat McCoy, Sandra Gering Gallery, New York, NY 1988 «Nayland Blake, Liz Larner, Richard Morrison, Charles Ray,» 303 Gallery, New York, NY «A Drawing Show,» curated by Jerry Saltz, Cable Gallery, New York, NY «Re: Placement,» L.A.C.E., Los Angeles, CA «Life Like,» curated by Marvin Heiferman, Lorence Monk Gallery, New York, NY Stadtmuseum, Graz, Austria, curated by Peter Pakesch; represented the U.S. along with Jennifer Bolande, Jon Kessler, Mike Kelley DAG, Los Angeles, CA 1987 «Room 9,» Tropicana Hotel, Los Angeles, CA «Nothing Sacred,» Margo Leavin Gallery, Los Angeles, CA «1987 Annuale,» L.A.C.E., Los Angeles, CA Jeffrey Linden Gallery, Los Angeles, CA; curated by John Baldessari «Reworks: Recent Sculpture,» New Langton Arts, San Francisco, CA «L.A. Hot and Cool,» M.I.T. Visual Arts Center, Cambridge, MA

Other recent solo exhibitions include Fred Wilson, Objects and Installations 1979 — 2000, a retrospective organized by the Center for Art, Design and Visual Culture at the University of Maryland, which traveled to seven venues nationally from 2001 — 04, including Saratoga Springs, Berkeley, Houston, Andover, Los Angeles, Chicago and ending its run at the Studio Museum in Harlem; Life's Link at the Savannah College of Art and Design Museum of Art in 2012; Fred Wilson: Works 2004 — 2011 at the Cleveland Museum of Art in 2013; and Fred Wilson: Local Color, Studio Museum in Harlem in 2013.

2005 «From the Studio: Wish You Were Here...», Co-dependent: Artists, Artist / Curators, & Curators Select Artists @ The Living Room, Miami, FL, organized by Franklin Sirmans Remnants and Relics: Reinterpretations in African American Art, Jamaica Center for Arts and Learning, Queens, NY, organized by Heng - Gil Han (with catalog) Divine, The Cathedral of St. John the Divine and LeRoy Neiman Gallery, Columbia University, New York, NY, organized by Bruce W. Ferguson and Milena Honigsberg James E Lewis Museum of Art, Morgan State University, Baltimore, MD) Watershed Kiln Gods, Gallery 1448, Baltimore, MD)(with catalog)

The Frist Center for the Visual Arts celebrates its tenth year and continues to gain prominence as a major center for art exhibitions with the 2011 Ingram Gallery exhibition schedule that includes the Frist - organized Vishnu: Hinduism's Blue - Skinned Savior, Warhol Live: Music and Dance in Andy Warhol's Work and the stunning exhibition of Egyptian antiquities, To Live Forever: Egyptian Treasures from the Brooklyn MCenter for the Visual Arts celebrates its tenth year and continues to gain prominence as a major center for art exhibitions with the 2011 Ingram Gallery exhibition schedule that includes the Frist - organized Vishnu: Hinduism's Blue - Skinned Savior, Warhol Live: Music and Dance in Andy Warhol's Work and the stunning exhibition of Egyptian antiquities, To Live Forever: Egyptian Treasures from the Brooklyn Mcenter for art exhibitions with the 2011 Ingram Gallery exhibition schedule that includes the Frist - organized Vishnu: Hinduism's Blue - Skinned Savior, Warhol Live: Music and Dance in Andy Warhol's Work and the stunning exhibition of Egyptian antiquities, To Live Forever: Egyptian Treasures from the Brooklyn Museum.

If only it were that easy... Carmen Argote's performance curated and produced by 18th Street Arts Center for the REDCAT - organized Pacific Standard Time Festival: Live Art LA / LA is an amateur motorcycle rally organized around an architectural mind map of the artist's...

Living Under the Same Roof: The Marieluise Hessel Collection and the Center for Curatorial Studies is the result of an intensive research and teaching program organized by Ana Paula Cohen during her time as curator - in - residence at CCS Bard.

Jesse Hamlin reports in the San Francisco Chronicle: «In April, the artist, who lives mostly in Paris, e-mailed Professor Harley Shaiken, director of the Center for Latin American Studies, who had organized the show, to say he'd decided to give the works to UC Berkeley.

Examples include Patio Taller, a performance space and grass - roots educational center in the industrial zone of San Antón that organizes a «theater of the oppressed» to address issues affecting their community; the collective transformation of the hillside town of El Cerro, Naranjito into a living mural that is socially and artistically charged; intergenerational workshops known as Escuelas Oficios (Trade Schools) that are recuperating artisanal traditions threatened by modernization and colonialism, such as weaving, lace making, and basketry; the revitalization of blighted properties and neighborhoods through participatory urban design of community centers, public parks, urban gardens, and food cooperatives; and the aesthetic and physical reclaiming of public space through movement by artist Noemí Segarra.

Philadelphia Museum of Art, Philadelphia, USA Hannah Arendt Denkraum, International art exhibition in former Jewish girls» school, August Strasse, Berlin, Germany Transformation from our collection, Kunstmuseum Liechtenstein, Vaduz, Liechtenstein The Grand Promenade, Emst, National Museum of Contemporary Art, Athens, Greece Into Me / Out of Me, PS1 Contemporary Art Center, Long Island City, New York, USA Infinite Painting, Contemporary Painting and Global Realism, Villa Manin, Codroipo, Italy Surprise, Surprise, Institute of Contemporary Arts, London, England Alexanderplatz Underground Station (line U2), Berlin, organized by NGBK, Berlin, Germany Metropolitanscape, paesaggi urbani nell «arte contemporanea, Palazzo Cavour, Turin, Italy Draft Deceit, Kunstnernes Hus, Oslo, Norway Group Show, Special Exhibition Space, Arndt & Partner, Berlin, Germany La Force de l'art, Grand Palais, Paris, France People, Museo d'arte contemporanea Donnaregina, Naples, Italy Eretica, Civica Galleria d'Arte Moderna, Palermo, Italy Into Me / Out of Me, KW Institute for Contemporary Art, Berlin, Germany Dedica, 20 anni della galleria Alfonso Artiaco, PAN, Palazzo delle Arti, Naples, Italy 2005 The Blake Byrne Collection, MOCA, Los Angeles, California, USA Leçon Zéro, Galerie Chantal Crousel, Paris, France Take Two: Worlds and Views, Contemporary Art from the Collection, MoMA, New York, USA Short Cuts, Bass Museum of Art, Miami, Florida, USA Drawing from the Modern, 1975 - 2005, MoMA, New York, USA On Paper, Arndt & Partner, Berlin, GermanyColleción Alfonso Artiaco, fuera de la vista, fuera de la mente, Palacio de Sástago, Zaragoza, SpainUniversal Experience: Art, Life, and the Tourist's Eye, Hayward Gallery, London; MCA, Chicago, Illinois, USA 25 Years, Anniversary Exhibition, Galerie Chantal Crousel, Paris, FranceDe lo Real y lo Ficticio: Arte Contemporaneo de Francia, Museo de Arte Moderno, Mexico Emergencies, Museo de Arte Contemporaneo di Castilla y Leon, Leon 10 Year Anniversary Exhibition, Stephen Friedman Gallery, London, England Dyonisiac, Centre Georges Pompidou, Paris, France Monuments for the USA, CCA Wattis Institute for Contemporary Arts, San Francisco, CA; White Columns, New York, USA Material Time / Work Time / Life Time, Reykjavik Arts Festival, Living Art Museum, Reykjavik, Iceland Bidibidobidiboo, Fondazione Sandretto Re Rebaudengo, Turin, Italy Paisaje.

Marking the 200th anniversary of his birth and organized in partnership with the Concord Museum in Thoreau's hometown of Concord, Massachusetts, the show centers on the journal he kept throughout his life and its importance in understanding the essential Thoreau.

1987 Art — to — Wear Fashion Show, Boutique and Luncheon, The Cleveland Center for Contemporary Art, USA Malerei — Wandmalerei, Grazer Kunstverein, Stadtmuseum Graz, Austria Drawings from the Eighties, Carnegie Mellon University Art Gallery, Pittsburgh, USA Art Against Aids, M. Knoedler & Co, New York, USA (Benefit exhibition and auction for the American Foundation for Aids Research) Avant Garde in the Eighties, Los Angeles County Museum, USA Romanticism and Classicism, The QCC Art Gallery, Queensborough Community College, Bayside, New York, USA Working Woman, The Harcus Gallery, Boston, USA Stations, IAC (Centre International d'art Contemporain de Montreal), Canada The Success of Failure, Laumeier Sculpture Park and Gallery, Saint Louis, USA, traveled to Johnson Gallery, Middlebury College, Middlebury, Vermont; University of Arizona Museum of Art, Tucson, AZ (Exhibition organized and circulated byIndependent Curators Incorporated, New York) The Importance of Drawing, Fuller Goldeen Gallery, San Francisco, USA Still Life: Beyond Tradition, Visual Arts Museum, New York, USA Not So Plain Geometry, and Prints in Paris, Crown Point Press, New York, USA Faces, Crown Point Press, San Francisco, USA (Prints by Alex Katz, Francesco Clemente, Chuck Close and Pat Steir) and Recent Publications D'ornamentationi, Daniel Newburg Gallery, New York, USA A Decade of Pattern: Prints, Pieces and Prototypes from the Fabric Workshop, The Graduate School of Fine Arts, University of Pennsylvania at the Institute of Contemporary Art, Philadelphia, USA Stephen Antonakos, Michael Singer, Robert Stackhouse, Pat Steir, 19th Bienal de Sao Paulo, Brazil (Panorama of seven drawings by Steir) For 25 Years: Crown Point Press, Museum of Modern Art, New York, USA Drawings, Sylvia Cordish Fine Art, Baltimore, USA, The West Company, St. Paul, MN, Art and the Law (Traveling exhibition) Images of Stone: Two Centuries Artists» Lithographs, Sarah Campbell Blaffer Gallery, University of Houston, USA, traveled toSan Angelo Museum of Fine Arts, San Angelo, TX; Tyler Museum of Art, TX; Aspen Art Museum, Aspen, CO..

Reflecting on a pivotal moment in their life as it reflects to art and their respective disabilities, 15 young artists are represented in this annual juried show of painting, photography and multi-media work organized by VSA Arts, an affiliate of the John F. Kennedy Center.

In 2008, Live Forever, a survey of Peyton's paintings and drawings organized by the New Museum in New York traveled to the Walker Art Center, Minneapolis, MN; the Whitechapel Art Gallery, London; and the Bonnefanten Museum, Maastricht, Holland.

Like the 2000 Whitney Biennial, which called on six curators in regional institutions to organize that popular survey of American art, State of the Art bodes well for urban and rural artists living outside major art centers.

The First Hawaiian Center exhibition program was the idea of then First Hawaiian Bank chairman and chief executive officer Walter A. Dods, Jr., who invited The Contemporary Museum, Honolulu (now Honolulu Museum of Art Spalding House) to organize exhibitions focused on the work of artists living and working in the islands, artists born and / or raised here who moved away for training and to develop their careers, and artists from elsewhere who visited Hawai`i and then made work inspired by their experiences here.

New York and North Adams, Massachusetts, Drift of Summer, RM Gallery, Auckland, New Zealand Observe / Recognize, Berlin Gallery at Legends Santa Fe, Santa Fe, New Mexico 2010 Collision, Rhode Island School of Design Museum, Providence, Rhode Island Lush Life, Invisible Exports Gallery, New York, New York Everyday Mystics, Patricia Sweetow Gallery, San Francisco, California Vantage Point, Recent Acquisitions, Smithsonian National Museum of the American Indian, Washington DC Raw State, Shelby Street Gallery, Santa Fe, New Mexico New Paintings, Staley Wise Gallery, New York, New York Alluring Subversions, Timken Art Center, California College of The Arts, San Diego, California Currents, University of Northern Colorado, Greeley, Colorado organized by Cicely Cullen 2009 On Stellar Rays, Lover, New York, New York, organized by Kate Gilmore and Candice Madey Signs Taken For Wonders, Jack Shainman Gallery, New York, New York, organized by Isolde Brielmaier, Surveillance, Affirmation Arts, New York, New York, organized by Rachel Vancellete Solution, DiverseWorks, Houston, Texas, organized by Janet Phelps Eiteljorg Museum, Recent Acquisitions, Eiteljorg 2008 - 09 Fellows, Indianapolis, Indiana The Banality of Good, Claremont Graduate University, Claremont, California, organized by Chris Christion Currents, Metro Visual Arts Center, Denver, Colorado, organized by Cicely Cullen Relevant, Nathan Cummings Foundation, New York, New York, organized by Amerinda 2008 Blueballs, Production Fund LAB, New York, New York, organized by Jackie Saccoccio Visions, Flushing Town Hall Projects, Flushing, New York, organized by Omar Lopez - Chahoud Voices of the Mound, Institute of American Indian Arts, Santa Fe, curated by Linda Lomahaftewa - Singer Kentler International Drawing Space and Long Island University, Native Voices, New York, New York 516 Arts, Cautionary Tales, Albuquerque, New Mexico, curated by Holly Roberts Jersey City Museum, 1 × 1 Project, Shameless, Jersey City, New Jersey, curated by Rocio Aranda Alvarez Circa Art Fair, Puerto Rico, with Samson Projects Volta 4, Basel, Switzerland, with Samson Projects 2007 SONOTUBE, Santa Barbara Contemporary Arts Forum, Santa Barbara, California, curated by Miki Garcia Off The Map, The National Museum of the American Indian, Smithsonian Institution, New York, New York, curated by Kathleen Ash - Milby New England School of Art and Design, Boston, Massachusetts, organized by Charles Giuliano Postmillennial Black Madonna (in two parts): Paradise @ MoCADA, and Inferno @ Skylight Gallery, Brooklyn, New York Newark Open 2007, Newark, New Jersey, organized by Omar Lopez - Chahoud 2006 The Aldrich Museum of Contemporary Art, No Reservations, Ridgefield, Connecticut, curated by Richard Klein Paul Kopeikin Gallery, Paperworks, Los Angeles, California, curated by Daria Brit Shapiro Westport Arts Center, BROOKLYN, Westport, Connecticut, curated by Amy Simon State University of New York, Paumanoka, Stony Brook, New York, curated by Stephanie Dinkins The Jersey City Museum, Tropicalisms, Jersey City, New Jersey, curated by Rocio Aranda - Alvarado ARCO, Madrid, Spain, with Samson Projects MACO Art Fair, Mexico City, Mexico with Samson Projects 2005 Le Désert de Retz, Massimo Audiello, New York, New York, curated by David Hunt Alona Kagan Gallery, From the Root to the Fruit, New York, New York, curated by David Hunt Out of Bounds, Wave Hill, Glyndor Gallery, Bronx, New York, curated by Jennifer McGregor Evolving Pattern, New Jersey State University, Jersey City, New Jersey, organized by Midori Yoshimoto Play, Iandor Fine Arts, Newark, New Jersey, curated by Jomo Jelani Heywood Artists Alliance AIR Exhibition, Cuchifritos Gallery, New York, New York 2004 The Urge That Binds, Samson Projects, Boston, Massachusetts Jersey City Museum, Jersey (New), Jersey City, New Jersey, curated by Dr. Rocio Aranda New American Talent, The Jones Art Center for Contemporary Art, Austin, Texas, selection by Jerry Saltz The Space Between Words, Kean University, Union, New Jersey, curated by Judith Page Timeless / Timeliness, Aljira Center for Contemporary Art, Newark, New Jersey, curated by Dominique Nahas Super Salon, Samson Projects, Boston, Massachusetts, curated by Camilo Alvarez

She engages in research, organizing projects, curatorial practices that attend to the lived experiences of the black Diaspora — centering the experiences of black women most vulnerable to the violence of poverty, carcerality, polluting environments, reproductive legislation, economic exploitation, and housing discrimination.

In 1999, his first museum solo exhibition of photographs opened at the Wexner Center for the Arts, in Columbus, OH; and a 2004 retrospective, titled Change of Life, was organized by the New Museum in New York, and traveled internationally to Switzerland, and across the U.S. to The Warhol Museum, Pittsburg, PA., and The Orange County Museum of Art, Newport Beach, CA.

The university's Center of Excellence in Environmental Toxicology has organized a working group with researchers at other top universities including Columbia, Johns Hopkins and the University of North Carolina to investigate and analyze reports of nausea, headaches, breathing difficulties and other ills from people who live near natural gas drilling sites, compressor stations or wastewater pits.

Friendship Centers of Lee County, located in Fort Myers, offers comprehensive services to support families and aid seniors in living independent lives.4 The center offers companionship, care, and socialization for elderly loved ones in the «Living Room» during the day, provides meals via delivery as well as its neighborhood Friendly Café, and organizes volunteers for programs like Friendship at Home, RELIEF Volunteer Respite andliving independent lives.4 The center offers companionship, care, and socialization for elderly loved ones in the «Living Room» during the day, provides meals via delivery as well as its neighborhood Friendly Café, and organizes volunteers for programs like Friendship at Home, RELIEF Volunteer Respite andLiving Room» during the day, provides meals via delivery as well as its neighborhood Friendly Café, and organizes volunteers for programs like Friendship at Home, RELIEF Volunteer Respite and more.

IT WOULD BE MY PRIVILEGE TO HELP YOU TO LEARN: * Get into your heart * Quiet your mind * Organize your thinking * Experience «Being Present» * Be real with yourself and others * Get comfortable with discomfort * View challenges as opportunities to grow * Get clear on what is happening inside of you * Learn to be centered and calm during turmoil * Accept «what is» without resisting, in order to feel peace * Become aware of your feelings without getting lost in them * Feel more comfortable about facing fears and the unknown * Step out of your thoughts and view them from a calm place inside * Learn to take clear, conscious action steps in life that are guided by your inner wisdom.