She is also responsible for
organizing contemporary exhibitions and the growth of the permanent collection, as well as overseeing the institution's primary acquisition councils, the Collections Council and the International Director's Council.
Today, MoMA PS1
organizes contemporary exhibitions in unique, classroom - sized galleries that honor the school's original architecture.
Previously Chong was Associate Curator of Painting and Sculpture at MoMA, where
he organized contemporary exhibitions and acquired works for the museum's collection.
Not exact matches
«Generations of black abstract painters never seem to be celebrated,» says Valerie Cassel Oliver, senior curator at the
Contemporary Arts Museum Houston, where she recently
organized «Black in the Abstract,» a two - part
exhibition that focused on the history of African American painters working in abstraction.
From that center atrium, one could head left into «The Family Tree of Russian
Contemporary Art,» an
exhibition organized by Sasha Obukhova, who is in charge of the Garage's 200,000 - volume archive.
In 2017, in addition to
organizing and installing
exhibitions by Wangechi Mutu, John Bock, and Carol Bove, Grachos served as guest curator of the Keshet Award
organized by the Herzliya Museum of
Contemporary Art in Herzliya, Israel.
But her rediscovery on a larger stage dates from the pioneering 1989
exhibition in New York that was
organized by Munroe at the short - lived Center for International
Contemporary Arts.
Solo
exhibitions of her work have been
organized at Colorado Springs Fine Arts Center, CO (2017); Portland Art Museum, OR (2017); Museum of
Contemporary Art, San Diego (2016 and 2011); McNay Art Museum, San Antonio, TX (2016); Museum of Fine Arts Houston, Texas (2012 and 2014);
Contemporary Art Museum St. Louis, MO (2013); the Joslyn Art Museum in Omaha, NE (2013); Centro de Arte Contemporáneo de Málaga, Spain (2009); Albright - Knox Gallery, Buffalo, NY (2008); and San Jose Museum of
Contemporary Art, San Jose, CA, traveled to the Kemper Museum in Kansas City, MO and Albright - Knox Gallery in Buffalo, NY (2006).
Traveled to the Rhode Island School of Design, Providence, Rhode Island (April 30 - May 23, 1965), Museum of Fine Arts, Boston, Massachusetts (June 4 - 27, 1965), Detroit Institute of Fine Arts, Detroit, Michigan (July 9 - August 1, 1965), Minneapolis Institute of Arts, Minneapolis, Minnesota (August 10 - September 5, 1965), University of Illinois, Urbana, Illinois (September 17 - October 10, 1965), City Art Museum of St. Louis, St. Louis, Missouri (October 22 - November 14, 1965),
Contemporary Arts Center, Cincinnati, Ohio (November 22 - December 16, 1965), Joslyn Art Museum, Omaha, Nebraska (January 28 - Februrary 20, 1966), Denver Art Museum, Denver, Colorado (March 4 - March 27, 1966), Seattle Art Museum, Seattle, Washington (April 8 - May 1, 1966), Palace of Legion of Honor, San Francisco, California (May 13 - June 5, 1966), Fine arts Gallery of San Diego, San Diego, California (June 17 - July 10, 1966), Fort Worth Art Center, Fort Worth, Texas (July 22 - August 14, 1966), Des Moines Art Center, Des Moines, Iowa (September 1 - September 20, 1966), Tennessee Fine Arts Center, Nashville, Tennessee (September 30 - October 23, 1966), Birmingham Museum of Arts, Birmingham, Alabama (November 4 - November 27, 1966), Art Gallery of Toronto, Toronto, Canada (December 10, 1966 - January 5, 1967), Cornell University, Ithaca, New York (January 15 - February 28, 1967), Ringling Museum of Art, Sarasota, Florida (March 7 - April 9, 1967), Columbia Museum of Art, Columbia, South Carolina (April 21 - May 14, 1967) Barbarigo — Berman — Gischia — Hartung — Mitchell — Music — Pulga — Riopelle, Galleria d'Arte Hausammann, Cortina d'Ampezzo, Italy (opened February 6) U.S.A. Peinture Nouvelle, traveling
exhibition organized by U.S. Embassy in Paris
Organized by the Virginia Museum of Fine Arts in partnership with the Munch Museum in Oslo, the
exhibition was conceived and
organized by John B. Ravenal, Executive Director of deCordova Sculpture Park and Museum and former Sydney and Frances Lewis Family Curator of Modern and
Contemporary Art at the VMFA.
Alexandra Terry is Associate Curator at the Museum of
Contemporary Art Santa Barbara (MCASB), where she is responsible for planning,
organizing, and implementing
exhibitions.
Toby Kamps (Blaffer Art Museum, University of Houston) returns as curator of Spotlight, Formerly Curator of Modern and
Contemporary Art at the Menil Collection, Kamps has
organized solo
exhibitions by artists including Claes Oldenburg, Ellsworth Kelly, Vanessa Beecroft, Danny Lyon, Wols (Wolfgang Schulze) and Torolab, a Tijuana design collective.
This
exhibition is
organized by the
Contemporary Arts Center, New Orleans, and curated by Aaron Levi Garvey.
Mackler has
organized exhibitions at The Museum of
Contemporary Art, Los Angeles (MOCA); The Hammer Museum, Los Angeles; Artissima LIDO, Turin, Italy; and Frieze Projects, New York amongst others.
Selected group
exhibitions include The Forever Now:
Contemporary Painting in an Atemporal World, the Museum of Modern Art, New York (2014 — 2015); 30 Americans,
organized by the Rubell Family Collection, Miami, traveling to
Contemporary Arts Center, New Orleans (2014), Frist Center for the Visual Arts, Nashville (2013 — 2014), Milwaukee Art Museum (2012), Chrysler Museum of Art, Norfolk, Virginia (2012), Corcoran Gallery of Art, Washington D.C. (2011 — 2012), North Carolina Museum of Art, Raleigh (2011), and Rubell Family Collection, Miami (2008 — 2009); Variations: Conversations in and Around
Contemporary Painting, Los Angeles County Museum of Art (2014); Body Doubles, Museum of
Contemporary Art, Chicago (2014); Angel of History, Beaux - arts de Paris: L'école nationale supérieure (2013); and In the Holocene, MIT List Visual Arts Center, Cambridge, MA (2012).
During his lifetime, Felix Gonzalez - Torres (1957 - 1996) was the subject of several important museum
exhibitions, including Felix Gonzalez - Torres: Traveling (1994) at the Museum of
Contemporary Art, Los Angeles, the Hirshhorn Museum and Sculpture Garden, Washington D.C. and The Renaissance Society at the University of Chicago, and a retrospective
organized by the Solomon R. Guggenheim Museum, New York (1995), which traveled to the Centro Galego de Arte Contemporánea, Santiago de Compostela, and ARC - Musée d'Art Moderne de la Ville de Paris.
To celebrate the official opening of Ballroom Marfa, a new cultural center in Marfa, Texas, independent curator and consultant Alexander Gray and the Ballroom staff have
organized the group
exhibition, OPTIMO: Manifestations of Optimism in
Contemporary Art.
As Victoria L. Valentine writes in an extended preview for Culture Type, «The Seattle Art Museum (SAM) is
organizing a major
exhibition of three critically recognized African American artists... The
exhibition will explore how their distinct approaches to figuration and history painting have recast the Western canon and challenged perceptions of race and representation in a
contemporary context.»
Lesley Heller Workspace, New York, NY Claxons (four - person
exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person
exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person
exhibition)
Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person
exhibition), Season, Seattle, WA Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person
exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern &
Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person
exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person
exhibition), Brooklyn, NY French Kiss,
organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city
organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person
exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (
organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person
exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY
The museum
organizes and presents leading - edge
exhibitions that travel to institutions worldwide, including Southern Accent: Seeking the American South in
Contemporary Art (2016 - 17), Archibald Motley: Jazz Age Modernist (2014), Wangechi Mutu: A Fantastic Journey (2013), The Vorticists: Rebel Artists in London and New York, 1914 - 1918 (2010) and Barkley L. Hendricks: Birth of the Cool (2008).
We helped
organize a remarkable group
exhibition, Rooted Rhetoric, of
contemporary American conceptual artists at Castel dell» Ovo, the Norman fortress that sits out on the bay.
The
exhibition is
organized by Julie Rodrigues Widholm, Pamela Alper Associate Curator at the Museum of
Contemporary Art Chicago.
Solo
exhibitions from the past decade include those
organized by Museo Archeologico Nazionale, Naples, 2003; Astrup Fearnley Museum of Modern Art, Oslo, 2004 (traveled to the Helsinki City Art Museum, 2005); Château de Versailles, France, 2008; Museum of
Contemporary Art Chicago, 2008; The Metropolitan Museum of Art, New York, 2008; Neue Nationalgalerie, Berlin, 2008; Serpentine Gallery, London, 2009; Scottish National Gallery of Modern Art, Edinburgh, 2011; Fondation Beyeler, Basel, 2012; and Schirn Kunsthalle Frankfurt and Liebieghaus Skulpturensammlung, Frankfurt, a joint
exhibition in 2012.
The presentation at P.S. 1 includes selections from the
exhibition organized by Elizabeth Armstrong, Senior Curator at the Museum of
Contemporary Art, San Diego.
Published in conjunction with a traveling
exhibition organized by SFMOMA, this volume introduced new work by Jasper Johns, one of the most important artists of the
contemporary period.
This major touring
exhibition organized by the National Gallery of Art (Washington, DC) examines the shifting identity of American self - taught artists and offers an unprecedented overview of their profound impact on the evolution of modern and
contemporary art.
In addition, Hollein has
organized a number of major
exhibitions in modern and
contemporary art, larger survey shows, and special projects such as the American pavilion at the Seventh Venice Architecture Biennale (2000) and the Austrian pavilion at the Venice Art Biennale (2005).
As Senior Curator of The
Contemporary Austin, Heather Pesanti has
organized monographic
exhibitions of Marianne Vitale, Do Ho Suh, and Robert Therrien, with forthcoming projects by Monika Sosnowska, John Bock, and Wangechi Mutu.
His
exhibition Stray Light,
organized by the Museum of
Contemporary Art, Chicago (2011) travelled to the Studio Museum in Harlem and the Carnegie Museum of Art, Pittsburgh (2014), among other galleries.
This
exhibition is
organized by Crystal Bridges Museum of American Art, and was curated by Lauren Haynes, Curator of
Contemporary Art, Crystal Bridges; and Chad Alligood, Chief Curator of American Art, The Huntington Library, Art Collections, and Botanical Gardens.
In October 2013, Dallas will premiere a major traveling
exhibition and the first comprehensive survey to be
organized in the United States on the work of
contemporary American artist Jim Hodges.
Landers» work has been included in numerous museum
exhibitions including: «Slightly Unbalanced,»
organized by the Independent Curators International, «Superconscious, Automatisms Now,» at the
Contemporary Arts Museum Houston, «Destroy Athens,» 1st Athens Biennial, Greece, and «Defamation of Character» at the P.S. 1
Contemporary Art Center, New York.
Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group
exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University
exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve
Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary
Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University
Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for
Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni
Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University
Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An
Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University
Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (
organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York
Exhibitions presented in The Brown Foundation Gallery feature work by leading internationally - recognized artists working at the vanguard of contemporary art, as well as thematic exhibitions organized around questions central to the nature of art and
Exhibitions presented in The Brown Foundation Gallery feature work by leading internationally - recognized artists working at the vanguard of
contemporary art, as well as thematic
exhibitions organized around questions central to the nature of art and
exhibitions organized around questions central to the nature of art and life today.
Important retrospective
exhibitions have been
organized posthumously at institutions around the world, including the Museum of
Contemporary Art, Chicago; Badischer Kunstverein, Karlsruhe, Germany; IVAM Centro Julio Gonzalez, Valencia, Spain; the Whitney Museum of American Art, New York; and the Museum of
Contemporary Art, Los Angeles.
Traveled to the Finch College Museum of Art, New York (October 16 — November 25) and the Albright - Knox Art Gallery, Buffalo, New York (January 8 — February 2, 1974) Visual R&D: A Corporation Collects — the Ciba - Geigy Collection of
Contemporary Paintings, University Art Museum, University of Texas at Austin (June 10 — August 12) American Drawings, 1963 — 1973, Whitney Museum of American Art, New York (May 25 — July 22) National Invitational Exhibit: The Explosive Decade, University of Wisconsin at Milwaukee Fine Arts Galleries (May 2 — 20, 1973) Women Choose Women (
organized by Women in the Arts), The New York Cultural Center, New York (January 12 — February 18) 1973 Biennial
Exhibition:
Contemporary American Art, Whitney Museum of American Art, New York (January 10 — March 18)
Contemporary American Painting from New York Galleries, Wilmington Society of Fine Arts, Wilmington, Delaware (April 20 — May 27)
A full - color catalog will document the
exhibition and include an introduction by Catharina Manchanda, SAM's Jon & Mary Shirley Curator of Modern &
Contemporary Art, who
organized the
exhibition.
Solo
exhibitions include: the Institute of
Contemporary Art, Boston; Nick Cave: Sojourn, Denver Art Museum; Nick Cave: The World is My Skin, Trapholt Museum, Denmark; Freeport 006: Nick Cave, Peabody Essex Museum, Salem, MA; Fantastic 2012, Lille 3000, Le Tripostal, Lille, France; and HEARD • NY, a large - scale performance in Grand Central Terminal
organized by Creative Time.
Cowan's work has been included in the cross-medium
exhibition Condensed Matter Community
organized by the University of Wisconsin - Madison's Physical Sciences Laboratories and in as if form were some pitcher at Fourteen 30
Contemporary in Portland, Oregon.
The DMA is the premiere venue for the major traveling
exhibition and the first comprehensive survey to be
organized in the United States on the work of
contemporary American artist Jim Hodges, a former TWO x TWO for AIDS and Art honoree.
Marketta Seppälä is a distinguished
contemporary art curator who has
organized exhibitions worldwide, and worked with Ms. Heiss when she brought the ambitious international
exhibition Animal.
Prior to this position, Gule was Curator of
Contemporary Collections at the Johannesburg Art Gallery, where he
organized a number of significant
exhibitions including: Meschac Gaba's «Tresses and Other Projects» (2007), Kay Hassan's «Urbanation» (2008), and Tracey Rose's «Waiting for God» (at Johannesburg Art Gallery [2011] and the Bildmuseet, Umeå, Sweden [2011 — 12]-RRB-.
Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York
Exhibition, One Art Space, New York, NY Inaugural
Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story,
Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT
Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and
Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis
Exhibition,
Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA
Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture
Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis
Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY
Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor,
organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts
The Museum of
Contemporary Art Cleveland is
organizing and hosting a traveling survey
exhibition of Grabner's work that will open in the fall of 2013.
DeCordova Sculpture Park and Museum's Curatorial Department seeks a Curatorial Assistant to provide support for the daily and long - term operations of the department which include
organizing and implementing
contemporary art
exhibitions, programming the 30 - acre Sculpture Park, and managing a permanent...
Touring
exhibition organized by the American Federation of Arts which traveled to Southern Illinois University, Carbondale (January 31 — February 26, 1960); John Herron Art Museum, Indianapolis (March 12 — April 2, 1960); Andrew Dickson White Museum of Art, Cornell University, Ithaca (April 19 — May 5, 1960); Holiday Art Center, Watch Hill, Rhode Island (July 22 — August 15, 1960); Atlanta Public Library, Georgia (December 14, 1960 — January 4, 1961); and Wells College, Aurora, New York (February 23 — March 13, 1961) 1959 Annual Exhibition of Contemporary Painting, Whitney Museum of American Art, New York (December 9, 1959 — January 31, 1960) Two Centuries of American Art, 1750 — 1950, The Art Institute of Chicago (October — December) V Bienal do Museu de Arte Moderna de Sao Paolo, Museu de Arte Moderna, Sao Paolo, Brazil (September 21 — December 31) Vitalità nell «arte, Palazzo Grassi, Venice, Italy (August —
exhibition organized by the American Federation of Arts which traveled to Southern Illinois University, Carbondale (January 31 — February 26, 1960); John Herron Art Museum, Indianapolis (March 12 — April 2, 1960); Andrew Dickson White Museum of Art, Cornell University, Ithaca (April 19 — May 5, 1960); Holiday Art Center, Watch Hill, Rhode Island (July 22 — August 15, 1960); Atlanta Public Library, Georgia (December 14, 1960 — January 4, 1961); and Wells College, Aurora, New York (February 23 — March 13, 1961) 1959 Annual
Exhibition of Contemporary Painting, Whitney Museum of American Art, New York (December 9, 1959 — January 31, 1960) Two Centuries of American Art, 1750 — 1950, The Art Institute of Chicago (October — December) V Bienal do Museu de Arte Moderna de Sao Paolo, Museu de Arte Moderna, Sao Paolo, Brazil (September 21 — December 31) Vitalità nell «arte, Palazzo Grassi, Venice, Italy (August —
Exhibition of
Contemporary Painting, Whitney Museum of American Art, New York (December 9, 1959 — January 31, 1960) Two Centuries of American Art, 1750 — 1950, The Art Institute of Chicago (October — December) V Bienal do Museu de Arte Moderna de Sao Paolo, Museu de Arte Moderna, Sao Paolo, Brazil (September 21 — December 31) Vitalità nell «arte, Palazzo Grassi, Venice, Italy (August — October).
Venues for solo
exhibitions include: the Institute of
Contemporary Art, Boston; Nick Cave: Sojourn, Denver Art Museum; Nick Cave: The World is My Skin, Trapholt Museum, Denmark; Freeport 006: Nick Cave, Peabody Essex Museum, Salem, MA; Fantastic 2012, Lille 3000, Le Tripostal, Lille, France; and HEARD • NY, a large - scale performance in Grand Central Terminal
organized by Creative Time.
As curator at the Delaware Center for the
Contemporary Arts in 2008 - 09, she
organized numerous group and solo
exhibitions.
At the MOP Foundation she curated annual
exhibitions in the UK and UAE, managed yearly residency and scholarship programs for emerging artists,
organized an ongoing series of panel discussions and lectures, and nurtured emerging artists selected from the MOP
Contemporary Art Prize.
The event, to which admission is free, is part of the HB Public calendar of special events that Pirelli HangarBicocca
organizes around each
exhibition with the aim of promoting
contemporary culture through all disciplines.