Sentences with phrase «organizing curator at the museum»

Lynne Warren is the organizing curator at the Museum of Contemporary Art, Chicago.

Not exact matches

«Generations of black abstract painters never seem to be celebrated,» says Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston, where she recently organized «Black in the Abstract,» a two - part exhibition that focused on the history of African American painters working in abstraction.

The 2018 New Museum triennial will be organized by Gary Carrion - Murayari, who is a curator at the museum, and Alex Gartenfeld, the deputy director and chief curator of the Institute for Contemporary Art in Miami, the New York Times reported... ReaMuseum triennial will be organized by Gary Carrion - Murayari, who is a curator at the museum, and Alex Gartenfeld, the deputy director and chief curator of the Institute for Contemporary Art in Miami, the New York Times reported... Reamuseum, and Alex Gartenfeld, the deputy director and chief curator of the Institute for Contemporary Art in Miami, the New York Times reported... Read More

The 2016 edition of the Hammer Museum's biennial, «Made in L.A.,» will be organized by Aram Moshayedi, a curator at the museum, and Hamza Walker, the director of education and associate curator at the Renaissance Society in Chicago.This marks the... ReaMuseum's biennial, «Made in L.A.,» will be organized by Aram Moshayedi, a curator at the museum, and Hamza Walker, the director of education and associate curator at the Renaissance Society in Chicago.This marks the... Reamuseum, and Hamza Walker, the director of education and associate curator at the Renaissance Society in Chicago.This marks the... Read More

Organized by the Virginia Museum of Fine Arts in partnership with the Munch Museum in Oslo, the exhibition was conceived and organized by John B. Ravenal, Executive Director of deCordova Sculpture Park and Museum and former Sydney and Frances Lewis Family Curator of Modern and Contemporary Art at the VMFA.

Alexandra Terry is Associate Curator at the Museum of Contemporary Art Santa Barbara (MCASB), where she is responsible for planning, organizing, and implementing exhibitions.

Bringing the World into the World is organized by Hitomi Iwasaki, Director of Exhibitions and Curator at the Queens Museum.

The Whitney Museum of American Art named members of its curatorial staff Jane Panetta, associate curator at the museum, and Rujeko Hockley, an assistant curator, to organize the forthcoming biennial which will open in MaMuseum of American Art named members of its curatorial staff Jane Panetta, associate curator at the museum, and Rujeko Hockley, an assistant curator, to organize the forthcoming biennial which will open in Mamuseum, and Rujeko Hockley, an assistant curator, to organize the forthcoming biennial which will open in May 2019

Toby Kamps (Blaffer Art Museum, University of Houston) returns as curator of Spotlight, Formerly Curator of Modern and Contemporary Art at the Menil Collection, Kamps has organized solo exhibitions by artists including Claes Oldenburg, Ellsworth Kelly, Vanessa Beecroft, Danny Lyon, Wols (Wolfgang Schulze) and Torolab, a Tijuana design collcurator of Spotlight, Formerly Curator of Modern and Contemporary Art at the Menil Collection, Kamps has organized solo exhibitions by artists including Claes Oldenburg, Ellsworth Kelly, Vanessa Beecroft, Danny Lyon, Wols (Wolfgang Schulze) and Torolab, a Tijuana design collCurator of Modern and Contemporary Art at the Menil Collection, Kamps has organized solo exhibitions by artists including Claes Oldenburg, Ellsworth Kelly, Vanessa Beecroft, Danny Lyon, Wols (Wolfgang Schulze) and Torolab, a Tijuana design collective.

«Carrie Moyer: Pirate Jenny» was organized by Ian Berry, Dayton Director of the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, in collaboration with the artist, and was organized in - house by Tim Peterson, SCAD chief curator of exhibitions.

The exhibition is organized by Julie Rodrigues Widholm, Pamela Alper Associate Curator at the Museum of Contemporary Art Chicago.

The presentation at P.S. 1 includes selections from the exhibition organized by Elizabeth Armstrong, Senior Curator at the Museum of Contemporary Art, San Diego.

On view at the Phillips Collection through May 2012 and organized by Easton as guest curator with the Van Gogh Museum's Edwin Becker, the Indianapolis Museum's Ellen W. Lee and Eliza Rathbone of the Phillips, «Snapshot» presents 70 paintings, prints and drawings by seven Post-Impressionists who were part of the Parisian avant - garde Nabis group — including Pierre Bonnard, Maurice Denis, Felix Vallotton and Vuillard, as well as the lesser - known artists George Hendrik Breitner, Henri Evenepoel and Henri Riviere — alongside over 200 of their photos, all taken on Kodak's first handheld camera, which was invented in 1888.

Max Brand: no solid footing --(trained) duck fighting a crow is organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum of Modern Art, with the assistance of Jocelyn Miller, Curatorial Assistant, MoMA PS1.

Halil Altindere: Wonderland is organized by Klaus Biesenbach, Director MoMA PS1, and Chief Curator at Large, The Museum of Modern Art, with Margaret Aldredge, Curatorial Assistant, MoMA PS1.

Teatro Romano is organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum of Modern Art, with Margaret Aldredge, Curatorial Assistant, MoMA PS1

Landers» work has been included in numerous museum exhibitions including: «Slightly Unbalanced,» organized by the Independent Curators International, «Superconscious, Automatisms Now,» at the Contemporary Arts Museum Houston, «Destroy Athens,» 1st Athens Biennial, Greece, and «Defamation of Character» at the P.S. 1 Contemporary Art Center, Newmuseum exhibitions including: «Slightly Unbalanced,» organized by the Independent Curators International, «Superconscious, Automatisms Now,» at the Contemporary Arts Museum Houston, «Destroy Athens,» 1st Athens Biennial, Greece, and «Defamation of Character» at the P.S. 1 Contemporary Art Center, NewMuseum Houston, «Destroy Athens,» 1st Athens Biennial, Greece, and «Defamation of Character» at the P.S. 1 Contemporary Art Center, New York.

Respini previously served as Curator at The Museum of Modern Art, where she organized the critically acclaimed retrospectives Cindy Sherman, Robert Heinecken: Object Matter, and Walid Raad, as well as exhibitions with artists Klara Liden, Anne Collier, Leslie Hewitt, and Akram Zaatari.

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

Enter «High Times, Hard Times: New York Painting, 1967 - 1975,» a brave if deficient exhibition organized by Independent Curators International, which concludes its three - stop tour at the National Academy Museum.

Jeff Elrod: Nobody Sees Like Us is organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum of Modern Art with Eliza Ryan, Assistant Curator, MoMA PS1.

As part of Kraftwerk — Retrospective 1 2 3 4 5 6 7 8, the installation at MoMA PS1 is organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum of Modern Art, with the assistance of Eliza Ryan, Curatorial Assistant, MoMA PS1 and Lizzie Gorfaine, Project Coordinator, Exhibitions, MoMA PS1.

The exhibition is curated by Ann Goldstein, Director, Stedelijk Museum, Amsterdam; in cooperation with the Mike Kelley Foundation for the Arts; and organized at MoMA PS1 by Connie Butler, formerly The Robert Lehman Foundation Chief Curator of Drawings at The Museum of Modern Art, now Chief Curator, Hammer Museum, Los Angeles; and Peter Eleey, Curator and Associate Director of Exhibitions and Programs, MoMA PS1.

«They were self - taught — she was exceedingly academic,» said Mr. Platzker, who is organizing the show with Cornelia Butler, chief curator at the Hammer Museum in Los Angeles, where the exhibition will go after MoMA, before it tours internationally.

Most recently, she held the position of Adjunct Curator of American Art at the Indianapolis Museum of Art, where she organized the major touring retrospective Hard Truths: The Art of Thornton Dial, an exhibition that Time Magazine called «triumphant» and The Wall Street Journal named one of the best shows of 2011.

Both of these artists are included in a new exhibition at The Whitney Museum of American Art Flatlands organized by curators Elisabeth Sherman and Laura Phipps.

Prior to going to the Carnegie, he was a curator at the Whitney Museum of American Art, where he organized four Biennials, as well as exhibitions on Richard Artschwager and «The New Sculpture 1965 - 7.»

Though criticized at the time, his now legendary 1976 solo exhibition, organized by the visionary curator John Szarkowski at The Museum of Modern Art, New York — the first presentation of color photography at the museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker Museum of Modern Art, New York — the first presentation of color photography at the museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker Evans.

The often rewarding, sometimes exasperating «America Is Hard to See» (the title is a line from a Robert Frost poem) exhibition at the new Whitney Museum of American Art on Gansevoort Street was organized by an in - house team led by Donna de Salvo, chief curator of the mMuseum of American Art on Gansevoort Street was organized by an in - house team led by Donna de Salvo, chief curator of the museummuseum.

The departure was short - lived, however, ending when Hoptman returned to the city as a senior curator at the New Museum, bringing in works by painters like Elizabeth Peyton, George Condo, and Tomma Abts while also organizing seminal exhibitions including «Unmonumental: The Object in the 21st Century» — the influential show of provisional - looking sculpture that famously included a lot of paint — and «Younger than Jesus,» the first iteration of the museum's TrieMuseum, bringing in works by painters like Elizabeth Peyton, George Condo, and Tomma Abts while also organizing seminal exhibitions including «Unmonumental: The Object in the 21st Century» — the influential show of provisional - looking sculpture that famously included a lot of paint — and «Younger than Jesus,» the first iteration of the museum's Triemuseum's Triennial.

She also acted as founding Curator for the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, where she organized the acclaimed Global Feminisms exhibition in 2007.

Meanwhile, at François Pinault's Punta Della Dogana museum, the eminent French collector has engaged LACMA director Michael Govan to join Palazzo Grassi curator Caroline Bourgeois in organizing a similarly ambitious exhibition.

The show was organized by Robert Storr, the artistic director of the biennale and a former curator at the Museum of Modern Art in New York.

Rocío Aranda - Alvarado is the curator at the Jersey City Museum where she organizes exhibitions of historical and contemporary art, drawing on the permanent collection and work by established and emerging American artists.

After seeing Ms. Tompkins's work in a show that Mr. Leon had organized at the Richmond Art Center, Mr. Rinder, then a curator at the Berkeley Art Museum and Pacific Film Archive, organized her first solo exhibition in 1997.

Meg Cranston in The Afghan Carpet Project organized by Hammer curator Ali Subotnick at the Hammer Museum, Los Angeles June 13 - September 27, 2015.

While Mr. Sultan used imagery from newspaper photos as his source material, the paintings have powerful resonance today, said Alison Hearst, an assistant curator at the Modern Art Museum of Fort Worth, which organized the show.

The exhibition is organized by Carolyn Peter, director at the Laband Art Gallery, Loyola Marymount University and former associate curator at the Grunwald Center for the Graphic Arts, Hammer Museum.

Ian Alteveer is associate curator in the Department of Modern and Contemporary Art at The Metropolitan Museum of Art, where he recently organized the 2015 Roof Garden Commission: Pierre Huyghe.

, 1976 is organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum of Modern Art, with Margaret Aldredge, Curatorial Assistant, MoMA PS1, Richard Wilson, Chief of Installation, MoMA PS1, and Vito and Maria Acconci.

Anthony Elms (Associate Curator at the Institute of Contemporary Art in Philadelphia) organized his curatorial vision as an answer to the question architect Marcel Breuer posed in his notes for the plans for the Whitney Museum on Madison Avenue: «What should a museum look like, a museum in Manhattan?&Museum on Madison Avenue: «What should a museum look like, a museum in Manhattan?&museum look like, a museum in Manhattan?&museum in Manhattan?»

Disorderly Conduct is organized by the Orange County Museum of Art and curated by Karen Moss, curator of collections and director of education & public programs at OCMA and co-presented by the haudenschildGarage, La Jolla.

Joyce Pensato: I KILLED KENNY is organized by Jeffrey Uslip, Curator - at - Large for the Santa Monica Museum of Art.

Modern Women: Single Channel is organized by Alexandra Schwartz, Curator of Contemporary Art at the Montclair Art Museum and co-editor of Modern Women: Women Artists at The Museum of Modern Art.

After taking on the role of Chief Curator at ICA / Boston in 2015, she organized Lebanese conceptual artist Walid Raad's first major North American museum survey, which is currently on view at Museo Jumex after stops at ICA / Boston and MoMA.

During nearly twelve years of experience in the field, she has organized over forty exhibitions, mostly as curator at the Miami Art Museum (1996 - 2000) and The Bronx Museum of the Arts (2002 - 05).

This exhibition is organized by Klaus Biesenbach, P.S. 1 Chief Curator, and Curator, Department of Film and Media at The Museum of Modern Art.

Join ArtTable for an exclusive curator - led tour of The Long Run at the Museum of Modern Art, with Paulina Pobocha, associate curator, and Cara Manes, assistant curator, who organized this collection exhibition in consultation with their department head, Ann Temkin, chief curator of painting and sculpture.

The exhibition comes with the acquisition of more than 100 pieces of art from the Gilbert and Lila Silverman Fluxus Collection Gift and was organized, in part, by Klaus Biesenbach, MoMA's chief curator at large who also worked on the museum's upcoming Björk exhibit.

With the push for recognizing heretofore undervalued black artists animating museums these days, this exhibition — organized by Ruth Fine, a former curator at the National Gallery of Art, in Washington — offers an excellent occasion not only to assess the significance of Mr. Lewis and his art.