Sentences with phrase «organizing curator of this exhibition»

In a kind of ironic way, being drawn to good - old fashioned painting on canvas gave her a lot of space, a lot of freedom to explore ideas,» said Scott Rothkopf, the Whitney Museum's chief curator and organizing curator of this exhibition.

«When one sees the caliber of many of Ida O'Keeffe's works, it seems incredible that she has remained relatively unknown — especially given the fame of her sister, Georgia,» said Sue Canterbury, organizing curator of the exhibition and The Pauline Gill Sullivan Associate Curator of American Art at the DMA.

Not exact matches

«Generations of black abstract painters never seem to be celebrated,» says Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston, where she recently organized «Black in the Abstract,» a two - part exhibition that focused on the history of African American painters working in abstraction.

In 2017, in addition to organizing and installing exhibitions by Wangechi Mutu, John Bock, and Carol Bove, Grachos served as guest curator of the Keshet Award organized by the Herzliya Museum of Contemporary Art in Herzliya, Israel.

«Jettisoning the silence that has been imposed on women of all races and religions and classes and sexual orientations is important for all of these artists,» said Deborah Frizzell, an independent curator who organized the exhibition with guest curator Harry J. Weil, and Wave Hill's senior curator Jennifer McGregor and curator of visual arts Gabriel de Guzman.

This Thursday, Nov 30 at @IPCNY: Exhibition tour with curator Masha Chlenova at 6PM of» #RussianRevolution: A Contested Legacy» followed by a Performative reading organized by artist #YevgeniyFiks at 7PM.

Organized by the Virginia Museum of Fine Arts in partnership with the Munch Museum in Oslo, the exhibition was conceived and organized by John B. Ravenal, Executive Director of deCordova Sculpture Park and Museum and former Sydney and Frances Lewis Family Curator of Modern and Contemporary Art at the VMFA.

Alexandra Terry is Associate Curator at the Museum of Contemporary Art Santa Barbara (MCASB), where she is responsible for planning, organizing, and implementing exhibitions.

Bringing the World into the World is organized by Hitomi Iwasaki, Director of Exhibitions and Curator at the Queens Museum.

Toby Kamps (Blaffer Art Museum, University of Houston) returns as curator of Spotlight, Formerly Curator of Modern and Contemporary Art at the Menil Collection, Kamps has organized solo exhibitions by artists including Claes Oldenburg, Ellsworth Kelly, Vanessa Beecroft, Danny Lyon, Wols (Wolfgang Schulze) and Torolab, a Tijuana design collcurator of Spotlight, Formerly Curator of Modern and Contemporary Art at the Menil Collection, Kamps has organized solo exhibitions by artists including Claes Oldenburg, Ellsworth Kelly, Vanessa Beecroft, Danny Lyon, Wols (Wolfgang Schulze) and Torolab, a Tijuana design collCurator of Modern and Contemporary Art at the Menil Collection, Kamps has organized solo exhibitions by artists including Claes Oldenburg, Ellsworth Kelly, Vanessa Beecroft, Danny Lyon, Wols (Wolfgang Schulze) and Torolab, a Tijuana design collective.

«Carrie Moyer: Pirate Jenny» was organized by Ian Berry, Dayton Director of the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, in collaboration with the artist, and was organized in - house by Tim Peterson, SCAD chief curator of exhibitions.

Gray Matters is the first exhibition organized by Michael Goodson since he assumed the role of Senior Curator of Exhibitions at the Wex, and the survey enriches a calendar year of programming in which every artist featured in our galleries is a woman.

To celebrate the official opening of Ballroom Marfa, a new cultural center in Marfa, Texas, independent curator and consultant Alexander Gray and the Ballroom staff have organized the group exhibition, OPTIMO: Manifestations of Optimism in Contemporary Art.

Mr. Lowry and Ms. Heiss, with Tom Finkelpearl (Program Director of P.S. 1), led a team of curators who participated in the selection of artists and organized the exhibition.

Maria Lassnig is organized by Peter Eleey, Curator and Associate Director of Exhibitions and Programs, and Jocelyn Miller, Curatorial Assistant at MoMA PS1, and organized in collaboration with the Neue Galerie Graz — Universalmuseum Joanneum.

The exhibition is organized by Julie Rodrigues Widholm, Pamela Alper Associate Curator at the Museum of Contemporary Art Chicago.

The presentation at P.S. 1 includes selections from the exhibition organized by Elizabeth Armstrong, Senior Curator at the Museum of Contemporary Art, San Diego.

Previously an independent curator, Morris organized, among other projects, Decoys, Complexes and Triggers: Women and Land Art in the 1970s at SculptureCenter, New York; 9 Evenings Reconsidered: Art, Theatre and Engineering, 1966 for the List Visual Arts Center, MIT, Cambridge, Massachusetts; and two exhibitions, Gloria: Another Look at Feminist Art of the 1970s and Food at White Columns, New York.

The exhibition, organized by guest curator Fumio Nanjo, director of Tokyo's Mori Art Museum, and Asia Society's in - house curator Dominique Chan, presents works that explore the artist's burgeoning understanding of life's transience.

As Senior Curator of The Contemporary Austin, Heather Pesanti has organized monographic exhibitions of Marianne Vitale, Do Ho Suh, and Robert Therrien, with forthcoming projects by Monika Sosnowska, John Bock, and Wangechi Mutu.

The Art Amnesty is organized by Peter Eleey, Curator and Associate Director of Exhibitions and Programs, MoMA PS1, with Jocelyn Miller, Curatorial Assistant.

This exhibition is organized by Crystal Bridges Museum of American Art, and was curated by Lauren Haynes, Curator of Contemporary Art, Crystal Bridges; and Chad Alligood, Chief Curator of American Art, The Huntington Library, Art Collections, and Botanical Gardens.

The exhibitions will take place in 2014, 2016, and 2018 and will be organized by a different team of curators, from locations throughout the Western Hemisphere.

AAC also presents themed group exhibitions organized either by our Director of Exhibitions or by prominent guesexhibitions organized either by our Director of Exhibitions or by prominent guesExhibitions or by prominent guest curators.

Landers» work has been included in numerous museum exhibitions including: «Slightly Unbalanced,» organized by the Independent Curators International, «Superconscious, Automatisms Now,» at the Contemporary Arts Museum Houston, «Destroy Athens,» 1st Athens Biennial, Greece, and «Defamation of Character» at the P.S. 1 Contemporary Art Center, New York.

Respini previously served as Curator at The Museum of Modern Art, where she organized the critically acclaimed retrospectives Cindy Sherman, Robert Heinecken: Object Matter, and Walid Raad, as well as exhibitions with artists Klara Liden, Anne Collier, Leslie Hewitt, and Akram Zaatari.

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara Universityexhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara UniversityExhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara UniversityExhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara UniversityExhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

A full - color catalog will document the exhibition and include an introduction by Catharina Manchanda, SAM's Jon & Mary Shirley Curator of Modern & Contemporary Art, who organized the exhibition.

In the fall of 2011, Ballroom Marfa will mount the exhibition AutoBody, which showcases a single new work and installation, North of South, West of East, by emerging film and video artist Meredith Danluck, alongside the sculptural works of Liz Cohen, Matthew Day Jackson and Jonathan Schipper, organized by curator Neville Wakefield.

As a curator of performance, Tancons organized the first New York solo exhibitions of artists Robin Rhode at Artists Space (2004) and Ralph Lemon at the Kitchen (2007) as well as one of the first showcases of Paul D. Miller aka DJ Spooky's Re-Birth of a Nation project at Paula Cooper Gallery.

Prior to this position, Gule was Curator of Contemporary Collections at the Johannesburg Art Gallery, where he organized a number of significant exhibitions including: Meschac Gaba's «Tresses and Other Projects» (2007), Kay Hassan's «Urbanation» (2008), and Tracey Rose's «Waiting for God» (at Johannesburg Art Gallery [2011] and the Bildmuseet, Umeå, Sweden [2011 — 12]-RRB-.

As part of Kraftwerk — Retrospective 1 2 3 4 5 6 7 8, the installation at MoMA PS1 is organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum of Modern Art, with the assistance of Eliza Ryan, Curatorial Assistant, MoMA PS1 and Lizzie Gorfaine, Project Coordinator, Exhibitions, MoMA PS1.

In this, the eighth of our interviews, we talk with Nigerian - born Okwui Enwezor who, after a distinguished early career as curator in the United States, organized exhibitions in Europe, where now he is director of the Haus der Kunst, Munich.

The exhibition is curated by Ann Goldstein, Director, Stedelijk Museum, Amsterdam; in cooperation with the Mike Kelley Foundation for the Arts; and organized at MoMA PS1 by Connie Butler, formerly The Robert Lehman Foundation Chief Curator of Drawings at The Museum of Modern Art, now Chief Curator, Hammer Museum, Los Angeles; and Peter Eleey, Curator and Associate Director of Exhibitions and Programs, MoMA PS1.

As an independent curator, Cameron has organized several influential exhibitions, including Art and Its Double (1987) and El Jardn Salvage (1991) at Fundacio la Caixa in Barcelona; Cocido y Crudo (1995) at the Centro de Arte Reina Sofia in Madrid; and retrospectives of Peter Saul and Kenny Scharf.

This exhibition is organized by Klaus Biesenbach, P.S. 1 Chief Curatorial Advisor and Chief Curator, Department of Media, The Museum of Modern Art.

This exhibition is organized by Howard Singerman, Phyllis and Joseph Caroff Chair, Department of Art and Art History, Hunter College with Sarah Watson, Acting Director and Curator, Hunter College Art Galleries and Annie Wischmeyer, Assistant Curator, and will be accompanied by an illustrated catalogue featuring an essay by Howard Singerman.

In the summer of 2015, SITE Sana Fe will present the exhibition Unsuspected Possibilities, a collaboration between artists Leonardo Drew (b. 1961), Sarah Oppenheimer (b. 1972) and Marie Watt (b. 1967), and organized by SITE's Curator Janet Dees.

This exhibition is organized by ICA's curatorial department under the leadership of Eva Respini, Barbara Lee Chief Curator, with Jessica Hong, Curatorial Associate.

Hammer senior curator Anne Ellegood organized the Hammer's presentation of the exhibition.

Most recently, she held the position of Adjunct Curator of American Art at the Indianapolis Museum of Art, where she organized the major touring retrospective Hard Truths: The Art of Thornton Dial, an exhibition that Time Magazine called «triumphant» and The Wall Street Journal named one of the best shows of 2011.

From 2007 through 2010, as Curator at Middlesbrough Institute of Modern Art (mima), Delahunty organized such significant exhibitions as British Surrealism & Other Realities, 2008; Katy Moran: Paintings, 2009; Ellsworth Kelly: Drawings 1954 — 62, 2010; and A Certain Distance, Endless Light: A

Both of these artists are included in a new exhibition at The Whitney Museum of American Art Flatlands organized by curators Elisabeth Sherman and Laura Phipps.

In the last decade as AFAM's curator, Anderson, a brilliant scholar, organized extraordinary exhibitions of Martin Ramirez and Henry Darger and oversaw shows of Adolf Wolfli and Thomas Chambers — four of the greatest artists of the 20th century.

Prior to going to the Carnegie, he was a curator at the Whitney Museum of American Art, where he organized four Biennials, as well as exhibitions on Richard Artschwager and «The New Sculpture 1965 - 7.»

Though criticized at the time, his now legendary 1976 solo exhibition, organized by the visionary curator John Szarkowski at The Museum of Modern Art, New York — the first presentation of color photography at the museum — heralded an important moment in the medium's acceptance within the art - historical canon and solidified Eggleston's position in the pantheon of the greats alongside Henri Cartier - Bresson, Robert Frank, and Walker Evans.

As examples, in 1976 the Museum mounted the exhibition 200 Years of American Sculpture, organized again by Marcia Tucker with a group of other curators.

The often rewarding, sometimes exasperating «America Is Hard to See» (the title is a line from a Robert Frost poem) exhibition at the new Whitney Museum of American Art on Gansevoort Street was organized by an in - house team led by Donna de Salvo, chief curator of the museum.

If his current survey, organized by Luis Perez - Oramas, MoMA's curator of Latin American art, and Karen Grimson, a curatorial assistant, has been a long time coming, he regularly turns up in exhibitions devoted to the now - popular theme of global modernism.

He was curator at the Institute of Contemporary Arts (ICA), London from 2007 to 2010, where he curated and organized exhibitions and events including Nought to Sixty, Talk Show (with Will Holder), Calling Out Of Context (with Jamie Eastman), Cosey Complex (with Maria Fusco), Billy Childish — Unknowable But Certain (with Matthew Higgs) and Chto Delaof Contemporary Arts (ICA), London from 2007 to 2010, where he curated and organized exhibitions and events including Nought to Sixty, Talk Show (with Will Holder), Calling Out Of Context (with Jamie Eastman), Cosey Complex (with Maria Fusco), Billy Childish — Unknowable But Certain (with Matthew Higgs) and Chto DelaOf Context (with Jamie Eastman), Cosey Complex (with Maria Fusco), Billy Childish — Unknowable But Certain (with Matthew Higgs) and Chto Delat?