Sentences with phrase «organizing shows of his work»

The artist Sydney Croskery organized this show of works by artists she admires to consider the different ways each individualizes their process.

Here in New York, there has been real excitement about the pair of designers, especially since Paul Kasmin organized a show of their work on Park Ave.. But one assumes Kasmin is having the same sourcing problems as his London counterpart, Ben Brown, that Gleadell discusses here:

The gallerist was introduced to Gilliam through the contemporary art star Rashid Johnson, who organized a show of his work at the gallery in 2013.

Hauser & Wirth's artists today include some Los Angeles - based favorites — Diana Thater, Paul McCarthy, Mark Bradford — and adding Schimmel to the Hauser & Wirth outpost helped the gallery win representation of Mike Kelley's estate, despite Gagosian organizing shows of his work before his death in 2012.

Not exact matches

The state's propensity to assign individuals identities through voter registration lists and social security numbers or more generally to reinforce conceptions of individual rights serves as an example; the roles of educational systems (through individualized test scores) and professional careers (organized around cumulative skills attached to the individual's biography) provide further examples.7 This work is important because it shows the dependence of self - constructs on markers in the culture at large: the self is understood not only in terms of internal development but also as a product of external reinforcement.

I can only hope that this attempt is taken more seriously than the largely muted and clearly unsuccessful protests of late last season... although the plane writing escapade brought some much - needed attention to the matter, it failed to resonate with fence - sitters and those who had just recently fell off the Wenger truck... without a big enough showing of support the whole endeavor appeared relatively weak and poorly organized, especially to the major media outlets, whose involvement could have significantly changed what was to follow... but I get it, few wanted to turn on their club, let alone make a public display of their discord... problem is, they are preying on that vulnerability, in fact, their counting on you to keep your thoughts to yourself... who are you to tell these fat cats how to steal your money... they have worked long and hard to pull the wool over your eyes... they even went so far as to pay enormous sums of cash to your once beloved professor to be their corporate spokesmodel so that the whole thing would be more palatable... eventually the club made it appear as if this was simply a relatively small fringe group of highly radicalized supporters, which allowed the pro-Wenger element inside the club hierarchy to claim victory following the FA Cup win... unfortunately what has happened to this club can't be solved by FA Cups or a few players coming in, the very culture of this club needs to be changed and that starts at the top... in order to change the unhealthy and dysfunctional narrative that has absorbed this club we need to remove everyone who presently occupies a position of power... only then can we get back to the business of playing championship caliber football, which should always be the number one priority of this organization... on an important side note, one of the most devastating mistakes made in the final days of this hectic and poorly planned transfer window didn't have to do with the big name players like Sanchez or Lemar, but the fact that they failed to secure Jadon Sancho, who might even start for Dortmund this season... I think they might seriously regret this oversight... instead of spending so much time, energy and manpower pretending that they were desperately trying to make big moves, they once again lost the plot due to their all too familiar tunnel vision

Constanza came up with the idea of an eco-conscious fashion event and worked in conjunction with City Councilman Ydanis Rodrguez's office to organize the first show, which took place in 2011.

Gov. Andrew Cuomo, facing a primary challenge from actress and education advocate Cynthia Nixon, has been under increasing pressure to show he's the true champion of the left, bringing him closer to his allies in organized labor, who have fled the Working Families Party.

Previous work from Dekker and colleagues had shown that points of interaction along the chromosome influence gene expression and are the reason why different cell types are organized differently in three dimensions.

«We show here that the hippocampus contributes to the generalization of concepts and works with the ventromedial prefrontal cortex in real time to organize experiences according to their similarities and differences.»

Their work shows that ants self - organize by interacting with the structures they build thanks to the addition of a pheromone to their building material.

Our work using genome - wide RNAi screens has shown that rather small numbers of molecular components are required to organize each of these compartments.

It's often messy - there are usually project remnants and toys strewn about - but the making of a home isn't always tidy work and I love showing you how you can make and style and organize your way to a home you love.

I recently had the pleasure of working along side the stunning HK brand Kaprice at a resent charity catwalk show that DRESS ME was involved in organizing, and literally I felt I had no other choice — the kaftan they dressed me in for the nights event!

Using the point values for the tasks (which show the relative size of a task compared to other items that I assigned them on the project requirement list), students organize their teams around the work by attaching their names to a card, writing the estimated number of days needed to complete the task, and moving the task card into the Busy column.

If you don't have a lengthy relevant work history, talk up your experiences that would show how much of a team player or multi-tasker you are (such as a big home renovation project you took on for your parents, charities you've helped, or events you have organized).

Learn about buying your first car, organizing your finances, getting good credit and more with our entertaining videos & infographics that show you how the world of money works.

The FOTAS volunteers, who work on bookkeeping, social media, and special fundraising events; who work with FOTAS Fix - a-Pet and curbing the population of community cats; who organize and work on special fundraising and on - site events; who foster mamma dogs and cats and all their progeny, who care for animals designated for transfer; who shuffle animals to off - site adoption events; who greet the public and man the front desk, walk the dogs, love up the cats, work with play groups, and show animals to potential adopters — the dramatic and steady increase in the Shelter's live release rate since 2009 (84 % so far this year) is directly related to their efforts; and

At the vanguard of the major encyclopedic museums is the Philadelphia Museum of Art, which organized a Castle retrospective in 2008 and a show of work by untrained artists from the collection of Jill and Sheldon Bonovitz in 2013.

The year leading up to that solo show was a tremendous learning experience in terms of shaping my voice, organizing my work structure, and refining my creative process.

At the Renwick show, which was organized by Andrew Perchuk, deputy director of the Getty Research Institute, and Glenn Adamson, there's a work where the artist turned both a base — or, as the jargon has it, a foot — that resembles a soup bowl, as well as the vase it supports, upside down.

Other monographic shows of his work at the Parrish Art Museum include: The Prints of Roy Lichtenstein, a major exhibition organized by the National Gallery of Art, Washington, D.C., (1995), and Roy Lichtenstein: American Indian Encounters (2006) that paired his paintings with Native American artifacts from the Montclair Art Museum.

Featuring work by more than a score of artists like Max Beckmann, Otto Dix, Oskar Kokoschka, and August Sander, the show is curated by Olaf Peters, who also organized the Neue Galerie's 2014 «Degenerate Art» exhibition, examining the derisive treatment to which Hitler's regime subjected progressive artists from 1937 onward.

The whereabouts of the painting after the Armory Show is unclear, but in 2005 the work was exhibited in a major Bluemner exhibition that Barbara Haskell organized at the Whitney Museum of American Art in New York, and while the accompanying catalogue indicates that the painting is one of the 1911 — 1912 canvases that Bluemner reworked in 1916 — 1917, it does not identify the earlier painting as the one that was in the Armory Show.

It is a small show, consisting of only 29 works of widely varying scale, drawn from a larger exhibition organized by the Pérez Art Museum Miami.

I wanted to organize a show that celebrated the artworks that exist in this more problematic zone of «wall works;» challenging and painterly pieces that, if on the floor, might be called a sculpture, but ultimately resist the pressure to be paintings.

Every year before the BOS, Arts in Bushwick organizes a big fancy art show of works donated by the community, which are then raffled off.

Openings: «Matt Mignanelli and Ryan Wallace» and «Flat Field» at Bleecker Street Arts Club This new space hosts two shows: a two - person affair with work by Matt Mignanelli and Ryan Wallace, organized by Jessica Hodin, and a group show called «Flat Field,» which was put together by East Hampton's Halsey McKay Gallery and features the work of Patrick Brennan, Chris Duncan, Joseph Hart, Lauren Luloff, Reuben Lorch Miller, Hilary Pecis, Matt Rich and Ryan Steadman.

In March 2014, the gallery reopened in an expanded bi-level space at 170 Suffolk Street, allowing our artists the opportunity to evolve their practices to a larger scale while working in a more flexible environment, and for the gallery to host a greater number of organized shows, curated both in - house and by guest curators.

The gallery further organized an exhibition of the artist's early work in 2004 - 2005, and, more recently, a show in 2014 that focused on work from the 1990s, which was accompanied by a catalogue published by David Zwirner Books, with essays by Eva Badura - Triska, Veit Loers, and Bernhard Riff.

The MCA show, organized jointly with the Museum of Modern Art in New York and the Dallas Museum of Art, is the first major consideration of her work in a U.S. museum.

The show, organized by the ICA's senior curator, Jenelle Porter, consists of installations of painted plaster sculptures, as well as cast porcelain and cast paper vessels, an array of large - scale works on paper, and some mouth - blown crystal vessels.

Atlanta's High Museum of Art, which organized the exhibition, recently acquired «Para III,» a hot - colored and loosely arranged 1959 work that doesn't fit into any of Louis's series, and is treating the painting as the show's signature piece.

This group show was organized in response to increasingly visible, lawful violence against black bodies and features works by five of the center's artists - in - residence — Marcus Kiser + Jason Woodberry, Shaun Leonardo, Dread Scott, and Charles Williams.

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

His work has been included in numerous group exhibitions including the ground - breaking «New Realists» show at the Sidney Janis Gallery, New York (1962), «Dokumenta IV» and «Dokumenta VI» (1968, 1977), the Venice Biennale (1988), and «Pop Art» (1991 - 1993) organized by the Royal Academy of Arts, London.

The works shown during this event all make use of hypertext — text that is organized in a nonlinear manner so that it can be read in any order.

The departure was short - lived, however, ending when Hoptman returned to the city as a senior curator at the New Museum, bringing in works by painters like Elizabeth Peyton, George Condo, and Tomma Abts while also organizing seminal exhibitions including «Unmonumental: The Object in the 21st Century» — the influential show of provisional - looking sculpture that famously included a lot of paint — and «Younger than Jesus,» the first iteration of the museum's Triennial.

The show, organized by More Art and curated by Karen Azoulay, features works by eleven artists who use the Victorian technique of floriography, in which messages are encoded into flower arrangements and translated using a specialized «floral dictionary.»

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

A two venue group show organized by Sperone Westwater will explore elements of chance and failure and include work by artists whose pieces play with predetermination and self - imposed rules.

At MIT he organized shows of AA Bronson, Cerith Wyn Evans, and a retrospective of the work of Kate Ericson and Mel Ziegler.

«It is especially fitting for the Greenwich Historical Society to organize and mount this anniversary exhibition as it is a key repository for archival material from the Armory Show as well as a major holder of works by MacRae,» Dr. Larkin said.

Monographic shows of Hume's work were organized at the Kestnergesellschaft, Hannover, and the Kunsthaus Bregenz, Austria, in 2004, and Modern Art Oxford mounted a survey show of his Door paintings in 2008.

Martin's work has been the subject of nearly 100 solo shows and two retrospectives including the survey Agnes Martin organized by the Whitney Museum of American Art, New York, which later traveled to Milwaukee, Miami, Houston, and Madrid (1992 — 94), and Agnes Martin: Paintings and Drawings 1974 — 1990 organized by the Stedelijk Museum, Amsterdam, with subsequent venues in France and Germany (1991 — 92).

«Hog's Curve,» a group exhibition organized by Joseph Hart, and a solo show of work by Mr. Hart, through Saturday.

Opening: «Splotch» at Sperone Westwater and Lesley Heller Workspace A two venue group show organized by Sperone Westwater will explore elements of chance and failure and include work by artists whose pieces play with predetermination and self - imposed rules.

«Our paintings have always been recognized as a turning point in Turner's work in a movement that began in the teens and accelerated in the»20s,» said Susan Grace Galassi, the senior curator at the Frick Collection who organized the show, «moving away from naturalism towards a more poetic treatment of topographical subject matter, and towards a more imaginative treatment of light and color.»

This exhibition is the first comprehensive survey in America of Sturtevant's 50 - year career, and the only institutional presentation of her work organized in the United States since her solo show at the Everson Museum of Art in 1973.

I first became aware of Gina Beavers» work in a group show that artist and occasional curator Eddie Martinez organized several years ago.