Sentences with phrase «original fright»

Fans of both the original Fright Night and its remake that hits theaters today will recognize some useful items here.

Whether you're a fan of the original Fright Night or have never seen a frame of it, the structure of the new film takes a bit of getting used to.

The original Fright Night, while fondly remembered, falls firmly into the first category, and its remake is a solid if uninspired effort.

Rock Paper Dead is the new horror film made by Tom Holland, director of the original Fright Night, Child's Play and Thinner.

In a recent post via his official Twitter page, the original Fright Night director confirmed the following information:

I'd never actually seen the original Fright Night, so a couple of weeks ago I took the time to track down that 1985 film.

Not exact matches

Special features include an isolated score track with music by Michael Hoenig, Audio Commentary with Chuck Russell and Horror Authority Ryan Turek, Friday Night Frights at the Cinefamily featurette and an Original Theatrical Trailer.

«Fright Night» 2011 stands on its own as a decent enough film that gives nods to the original.

Would you believe it, a remake that's so good it surpasses the original (bare in mind, 1985 Fright Night is a classic) and a vamp movie that's actually scary.

Crimson Peak reveals the first fright before the opening title, yet 15 minutes into the film this original screenplay feels more like a Jane Austin adaptation than a horror movie, and that isn't a complaint.

And while cheap frights are served by the game's zombie natives on occasion, its tortured antagonists, manifestations of guilt - driven grief and open world elements present a far more ambitious game than the 2014 original.

Fright Night is a superior remake because it understands what it was that actually worked about the original and develops it in the update.

Although remakes are ten - a-penny these days, and mostly not a patch on the original, THN is excited about FRIGHT NIGHT — with a strong cast, great source material, and its tongue (and fangs) wedged firmly in the cheek, this could be the horror hit of the year.

Unfriended, a fiendishly clever new fright flick, may be the most ingenious addition to the genre since the original Paranormal Activity.

It's hard to deny that recent remakes Friday the 13th (2009), Fright Night (2011), Fame (2009) and so on all figured their namesake originals would provide millions of free marketing and extra dollars at the box office, but by virtue of being remakes of well known, and usually quite popular, films they have to work harder to convince audiences that they are worth the time.

When it comes to things that matter — pesky little matters such as story, characters, structure, suspense — this «Fright Night» does bubkes to advance the original.

Insidious certainly redressed this imbalance by damping the comedy and amping the scares — and this remake also puts more emphasis than the original on fright - filled set - pieces, multiplying the clown dolls, showing us a limbo full of writhing, gooey corpses, and even throwing in some power - tool peril for good measure.

Creature Features has contributed audio elements and / or visuals to numerous original motion picture soundtracks, including: The 5,000 Fingers of Dr. T, The Abominable Dr. Phibes, Battlestar Galactica: Volume One, The Danny Elfman & Tim Burton 25th Anniversary Music Box, Dr. Phibes Rises Again, Ernest Saves Christmas, Fright Night, Greystoke: The Legend of Tazan, Lord of the Apes, Harry and The Hendersons, The Haunted Palace / Premature Burial, House of Usher, Hook, Invasion of the Saucer Men, Jack The Giant Killer, Laserblast, Little Shop of Horrors, Loch Ness, Mad Monster Party, The Monster Squad, The Omega Man, Poltergeist, Ravagers, and Those Magnificent Men In Their Flying Machines.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

«The whole world is dying of panicky fright,» reads the title that opens Todd Haynes's startling and original Poison.

0:00 — Intro / Jay's Trip 17:25 — Review: Fright Night 51:55 — Review: Conan the Barbarian 1:15:40 — Trailer Trash: Ghost Rider: Spirit of Vengeance 1:20:35 — Other Stuff We Watched: Hot Coffee, Score: A Hockey Musical, A Beginner's Guide to Endings, Liberia 77, Trigger, Pontypool, Daydream Nation, Small Town Murder Songs, Major League, Crazy Stupid Love, Final Destination 5, Field of Dreams, Master Chef, Fright Night, Child's Play, Whatever Works, Billy Madison, Baseketball, Fright Night: Part II, Louie: Season 1 2:09:50 — Junk Mail: TF3, Pirates 4, Favourite Batman and West Memphis 3, Original Planet of the Apes Origin Story, Reversible DVD and Blu - ray Covers, Good Books on the Filmmaking Process, Amazon.com, Film Junk Action Figures 2:34:25 — This Week's DVD Releases 2:36:55 — Outro

Ghostbusters: The Video Game launches across six platforms on June 19, that same day the original comedic fright fest releases on Blu - ray.

Though it does blink on and off near baddies (pig / human hybrids), I feel the game loses some of the fright factor of the original because you are never forced to be in the dark.

I'm thinking classic House of the Dead though, with frights and horrors aplenty; whilst I loved House of the Dead: Overkill and its «B - movie» vibe, I'd rather have the «incredibly cheesy but takes itself seriously» feel of the original games.

And while cheap frights are served by the game's zombie natives on occasion, its tortured antagonists, manifestations of guilt - driven grief and open world elements present a far more ambitious game than the 2014 original.

; an ambitious new durational work by Goshka Macuga that includes two motorised tables, artist - made costumes and two dancers performing an original choreography by Mbulelo Ndabeni on the moving tables; and an actor reading Mark Wallinger's surreal and humorous text inspired by iconic American artist Bruce Nauman and the vivid experience of stage fright.