Sentences with phrase «original camera negative»

That goes for whether you see it in 2D or 3D, high - def or standard def, which is a good thing, given that this particular high - definition transfer — which Warner Home Video touts as employing «a 4K scan of the original camera negative» — is something less than pristine.

The 4K release has been produced from a new 4K scan of the original camera negative, a remaster supervised by the film's director of photography, Bill Pope.

White of the Eye (Scream Factory, Blu - ray + DVD), the cult thriller from Donald Cammell (co-director of Performance), makes its disc debut in a Blu - ray combo pack mastered from the original camera negative.

The film itself has been recently given a spectacular 4K restoration from the original camera negative for this Blu - ray.

THE BLU - RAY DISC The new 1.78:1, 1080p Blu - ray transfer of Final Exam from Scream Factory is sourced from Code Red's scan of the original camera negative.

The first of several films to be adapted from Barker's seminal Books of Blood series, Rawhead Rex has garnered a strong cult following over the years — now clawing its way to the surface in a stunning new 4K restoration from the original camera negative.

Arrow Academy presents Images as a brand - new restoration from a 4K scan of the original camera negative.

THE BLU - RAY DISC Likewise amazing, Criterion's Blu - ray release presents The Innocents in its original CinemaScope aspect ratio of 2.35:1, in a 1080p transfer the liner notes describe as «created in 4K resolution on an Oxbery wet-gate film scanner from the 35 mm original camera negative.»

As stated in the included booklet: «Supervised by director of photography Yorick Le Saux and approved by director Olivier Assayas, this new digital transfer was created in 2K resolution on an ARRISCAN film scanner from the 35 mm original camera negative.»

THE BLU - RAY DISC Scream Factory went back to the original camera negative for their Blu - ray edition of Sleepaway Camp, with documentary footage of the 2K scanning process to prove it.

Presented and remastered in 4K from the original camera negative, the 1080p presentation of the classic film has a 1.66:1 widescreen aspect ratio and a restored LPCM Mono track, both of which are of very high quality.

For the first time since the original release, this 70 mm print of 2001: A Space Odyssey was struck from new printing elements made from the original camera negative.

NEW 4K Scan Of The Interpositive With Additional «Director's Cut» Footage From The Original Camera Negative

Arrow gives the film its American Blu - ray debut in a transfer newly mastered from a 2K restoration from the original camera negative, with both the Italian and English language soundtracks (note that American actor Mitchell's voice in the English version is one of many dubbed by Paul Frees) and newly translated subtitles for the Italian version.

New restoration from a 4K scan of the original camera negative by Arrow Films, approved by director Abel Ferrara and director of photography Ken Kelsch

From the opening scene, an almost monochromatic chiaroscuro composition with strong diagonal lines (it was shot in an actual snowstorm), it's clear that Arrow's 1.85:1, 1080p transfer, sourced from a 2K scan of the original camera negative, is on the money.

With a video bitrate running at a posh 31 Mbps, the Criterion transfer is sourced from the original camera negative with colour - timing supervised by Haneke himself.

Every tiny bit of the detail available in the original camera negative is apparent on screen, from subtle textures of dirt on faces and skin to wood, grass, straw, and stone.

Newly scanned and restored in 2k from 16 mm original camera negative 2.

A true photochemical film recreation, this print was struck from new printing elements made from the original camera negative.

In one of this disc's extras, Haneke mentions how the digital intermediate (DI) process allowed him to get unusually sharp monochrome images, and mastering the Blu - ray directly from DI elements allows technicians to keep all but the finest grain from the original camera negative at bay.

Cinematographer Michael Ballhaus oversaw the digital restoration, mastered in 4K from the original camera negative and supervised by the Rainer Werner Fassbinder Foundation.

Projection of a fine grain print, restored from the original camera negative.

It was sourced from the original camera negative, which sports a really drab color palette.

Special Features: • Brand new 2K transfer from the original camera negative • High Definition Blu - ray (1080p) and Standard Definition DVD presentations • Optional English SDH subtitles for the deaf and hard of hearing • Audio commentary with co-writer and producer Mardi Rustam, make - up artist Craig Reardon and stars Roberta Collins, William Finley and Kyle Richards • New introduction to the film by director Tobe Hooper • Brand new interview with Hooper • My Name is Buck: Star Robert Englund discusses his acting career • The Butcher of Elmendorf: The Legend of Joe Ball — The story of the South Texas bar owner on whom Eaten Alive is loosely based • 5ive Minutes with Marilyn Burns — The star of The Texas Chain Saw Massacre talks about working on Eaten Alive • The Gator Creator: archival interview with Hooper • Original theatrical trailers for the film under its various titles Eaten Alive, Death Trap, Starlight Slaughter and Horror Hotel • US TV and Radio Spots • Alternate credits sequence • Reversible sleeve featuring original and newly commissioned artwork by Gary Pullin • Collector's booklet featuring new writing on the film, illustrated with original archive stills and posters

Formats: Blu - ray / DVD Combo with a new 4K restoration from the original camera negative.

Brand new restoration from a 4K scan of the original camera negative, with newly remastered stereo 2.0 and 5.1 DTS - HD MA audio options.s Formats: Blu - ray.

Criterion presents the US home video debut of the film in a new 2K digital restoration mastered from the original camera negative.

Previously on DVD from Sony, it makes its Criterion debut on a 2K digital transfer from a new 35 mm fine - grain print struck from the original camera negative.

Blood and Black Lace (Arrow / MVD, Blu - ray + DVD), Mario Bava's 1964 landmark, is my pick for the birth of the giallo, and the mix of poetic, haunting beauty with Grand Guignol gore and a bent of sexual perversity is beautifully serves in this astounding 2K restoration from the original camera negative.

The 1.37:1 images come straight from the original camera negative.

The picture quality is superior to previous releases, as Martin Scorsese supervised a 4k scan of the original camera negative.

The Criterion edition is mastered from a new high - definition scan of the original camera negative.

The restoration was produced from the original camera negative at Sony Colorworks in Culver City California.

After a number of archival film elements were scanned at 4K resolution at Warner Bros.» in - house Motion Picture Imaging lab in Burbank, the original camera negative of the film came to light, providing the basis for the majority of the restoration — that is, until the negative's inferior final reel necessitated dipping into another archive altogether.

Criterion's BD release, sourced from the original camera negative, puts the lie to all of those earlier versions with its richly - textured shadows, searing whites, and twinkling 35 mm film grain.

Special Features 4K Scan Of The Original Camera Negative With Standard Definition Inserts Slay Bells Ring: The Story Of Silent Night, Deadly Night — Featuring Interviews With Writer Michael Hickey, Co-Executive Producers Scott J. Schneid And Dennis Whitehead, Editor / Second Unit Director Michael Spence, Composer Perry Botkin, And Actor Robert Brian Wilson Oh Deer!

Klowns is presented in 1080p high definition with a widescreen aspect ratio of 1.85:1 and a new English 5.1 DTS - HD MA (Master Audio) lossless track born of a new 4K scan of the original camera negative.

Also, Kino Lorber Studio Classics has set Edward Ludwig's Javaro (1954) for release on Blu - ray / Blu - ray 3D and DVD, mastered from a 4K scan of the original camera negative and a 2K scan of the IP, with 3D restored by the 3D Film Archive.

This edition comes from a new 2K digital transfer from the original camera negative supervised by Gilliam and it is a great improvement over all previous American disc releases.

Brand new 4K restorations of both the Theatrical Cut and the Director's Cut from the original camera negatives produced by Arrow Films exclusively for this release, supervised and approved by director Richard Kelly and cinematographer Steven Poster

Limited Edition box set (3000 copies) containing The Night Evelyn Came Out of the Grave and The Red Queen Kills Seven Times Brand new 2K restorations of the films from the original camera negatives High Definition Blu - ray (1080p) and Standard Definition DVD presentations Original Italian and English soundtracks in mono audio (lossless DTS - HD Master Audio on the Blu - ray Discs) Newly translated English subtitles for the Italian soundtracks Optional English subtitles for the deaf and hard of hearing for the English soundtracks Limited Edition 60 - page booklet containing new writing by James Blackford, Kat Ellinger, Leonard Jacobs and Rachael Nisbet

Features both Blu - ray and DVD editions of the films, newly remastered from a 2K restoration from original camera negatives and featuring both Italian and English language soundtracks with optional English subtitles.

Not exact matches

makes its Blu - ray premiere in a stunning Special Edition, with a crisp HD transfer remastered from the original 35 mm camera negative.

Exclusive new digital restoration from the original 35 mm camera negative, with uncompressed monaural soundtrack on the Blu - ray edition

Formats: Blu - ray with new 4K restoration of the film from the camera negative in its original 2.35:1 aspect ratio, produced by Arrow Video exclusively for this release; with original mono Italian and English soundtracks.

These episodes haven't been just remastered from the existing film masters, they actually went back to the original 35 mm camera negatives and redone all the visual effects, all in high definition.

Vinegar Syndrome proudly presents this madcap gore fest in its Blu - ray debut, fully uncut and newly restored from its original 35 mm camera negative!

The 1080p 1.66 X 1 digital High Definition image transfer on Virgin Suicides has stunning color grading (also a 4K scan from the original 35 mm camera negative), making the film look as great as it ever has and not only increases its smooth density, but its realism and naturalism, no matter how dream - like it gets.

Produced directly from the 16 mm camera reversal master, the 35 mm negative was also beginning to fade but not nearly to such an extent as the camera originals and the release prints.