Incidentally, Martin Scorsese was
the original director of this film but was fired for working too slowly.
Not exact matches
StarTalk airs on Monday nights at 11 p.m. ET, and features the scientist interviewing cultural and political figures like George Takei
of the
original «Star Trek» series,
film director Christopher Nolan and former President Jimmy Carter.
The truly amazing part
of the play's history is that it was originally conceived for the husband - wife
film - star team
of Charles Laughton and Elsa Lanchester 50 years ago, with the great
director James Whale (the
original Frankenstein) attached to helm the production.
Though
director George Sluizer (The Vanishing) originally ceased production
of Dark Blood when the
film's young star Phoenix died tragically at 23, the
film arrived onscreen nearly 20 years after its
original scheduled release date.
The
original director of A Prayer for the Dying, Franc Roddam, left the production midway through shooting due to disputes with the producers, and star Mickey Rourke later attempted to disassociate himself from the
film.
Harvey and his staff also programmed
original and uncut versions
of films which had only played American theaters in altered form (including Heaven's Gate, Once Upon a Time in America, Pat Garrett and Billy the Kid, and The Leopard) long before the concept
of the «
director's cut» had currency beyond the most hardcore
of film fans.
The unanimously - praised
film with a modest budget
of $ 23 million deservedly won seven Academy Awards, including Best Picture, Best
Director (the first for Spielberg), Best Cinematography (Janusz Kaminski), Best Adapted Screenplay, Best
Original Score (John Williams), Best Editing (Michael Kahn), and Best Art Direction.
In addition to rumors
of a bloated budget and unrest on the set between
director Mark Forster and star Brad Pitt, the
film's
original release date was pushed back six months to accommodate major rewrites and additional shooting.
While the choreography is generally fairly minimal (at least for this sort
of mega-production), first time
film director Phyllida Lloyd (who helmed the
original stage version) has woven together a tightly edited and exceedingly well shot
film that capitalizes on the music wonderfully while never worrying too much about such nettlesome items as character or motivation, providing enough other movement that one ultimately doesn't miss huge dance numbers a la Robbins or Fosse that much in the long run.
Audrey Wells («Under the Tuscan Sun»), who adapted the screenplay from the 1997 Japanese
film on which it is based, has missed the point
of the
original, and
director Chelsom doesn't have a clue, either.
Take a Pulitzer Prize - winning author's first
original screenplay, attach a respected
director whose last
film was considered a disappointment by many, and add a cast that includes Michael Fassbender (one
of the highlights
of that disappointing
film), Brad Pitt, Javier Bardem, Penelope Cruz, and Cameron Diaz, and you have a solid formula for one
of the most anticipated
films of the year.
So far so gripping, but despite the promise
of the
original tale, this
filmed adaptation from
director Rupert Goold feels oddly underwhelming.
Original director Wes Craven and original screenwriter Kevin Williamson come back for more, and do so with the willingness of an entirely new cast and the old one, an unprecedented feat seeing as how the last film was made eleven year
Original director Wes Craven and
original screenwriter Kevin Williamson come back for more, and do so with the willingness of an entirely new cast and the old one, an unprecedented feat seeing as how the last film was made eleven year
original screenwriter Kevin Williamson come back for more, and do so with the willingness
of an entirely new cast and the old one, an unprecedented feat seeing as how the last
film was made eleven years prior.
Sandbox was nominated for a Juno Award, East Coast Music Awards, and a Casby Award.Smith has mixed sound for such
films as The Weight
of Water and Serendipity.He had been a long - time friend
of Trailer Park Boys
director Mike Clattenburg, and met Robb Wells (Ricky), and John Paul Tremblay (Julian) while sound mixing on the
original TPB feature.
Really interesting documentary about
director James Cameron and his crew exploring the remains
of the Titanic with their adorable
filming robots, comparing the wreck to
original footage and telling the stories
of the people involved in the tragic catastrophe.
The
original film celebrated the diverse inclinations
of the horror genre, while also poking fun at it thanks to veteran
director Craven helming the vehicle.
Steven Spielberg's
film is a paean to the essential role
of a free press, one the
director felt he had to make in 2017 (he first read Liz Hannah's
original script earlier this year and rushed it into production).
Anyone who pays even the faintest bit
of attention to the behind - the - scenes goings - on in Hollywood must be aware that its
original directors Phil Lord and Chris Miller — the guys behind The LEGO Movie and 21 Jump Street — had a creative disagreement with Lucasfilm, leaving the
film in the safe - as - cotton - wool - padded - houses hands
of Ron Howard (a close chum
of one George Lucas).
DICK DINMAN & EDDIE MULLER DISPENSE A DOUBLE DOSE
OF DANA: The Warner Archive has just released on Blu - ray legendary director Fritz Lang's last two American - made edge - of - your - seat thrillers WHILE THE CITY SLEEPS and BEYOND A REASONABLE DOUBT in their original wide screen SuperScope incarnations and popular film noir author and TCM host Eddie Muller rejoins producer / host Dick Dinman as they both salute the unjustly underrated star of both films, Dana Andrew
OF DANA: The Warner Archive has just released on Blu - ray legendary
director Fritz Lang's last two American - made edge -
of - your - seat thrillers WHILE THE CITY SLEEPS and BEYOND A REASONABLE DOUBT in their original wide screen SuperScope incarnations and popular film noir author and TCM host Eddie Muller rejoins producer / host Dick Dinman as they both salute the unjustly underrated star of both films, Dana Andrew
of - your - seat thrillers WHILE THE CITY SLEEPS and BEYOND A REASONABLE DOUBT in their
original wide screen SuperScope incarnations and popular
film noir author and TCM host Eddie Muller rejoins producer / host Dick Dinman as they both salute the unjustly underrated star
of both films, Dana Andrew
of both
films, Dana Andrews.
Nashville (1975) is maverick
director / producer Robert Altman's classic, multi-level,
original, two and a half - hour epic study
of American culture, show - business, leadership and politics - and one
of the great American
films of the 1970s.
Screenwriter Ray Bradbury masterfully captures the allegorical elements in the Herman Melville
original without sacrificing any
of the
film's entertainment value (Bradbury suffered his own «great white whale» in the form
of director Huston, who sadistically ran roughshod over the sensitive author throughout the
film).
Tags 12 years a slave american hustle bafta barkhad abdi best actor best actress best adapted screenplay best
director best
film best
original screenplay best supporting actor best supporting actress british academy
of film and television arts cate blanchett chiwetel ejiofor gravity jennifer lawrence lupita nyong» o oscar oscars philomena rush
Special features include audio commentary with
director Michael Ritchie and actress Jean Louisa Kelly, as well as an isolated score track and
original cut
of the
film in standard def.
Said Focus World touting the feature:» Focus World acquired writer /
director Julia Ducournau's Raw out
of Cannes where we fell in love with her bold and
original voice and the genre - bending style; Raw is a
film that both hard - core genre fans and art - house audiences will absolutely love.»
Thankfully the
film, although not as good as the
original trilogy, delivers pretty much all you'd expect from both star &
director in the fourth part
of the series.
Director J.J. Abrams is clearly a fan
of the
original films; this shines through in Star Wars: The Force Awakens.
Blade Runner 2049
director Denis Villeneuve reveals which version
of the
original film he believes to be canon for the sequel.
Having an Academy Award nominated
director, Hampton Fancher (screenwriter from the
original film) and Ridley Scott (
director of Blade Runner) as executive producer would ordinarily be a winning combination.
A smaller
film like Before Midnight was never going to be in with a shot for any
of the main categories but its witty and intelligent script, co-written by
director Richard Linklater and stars Julie Delpy and Ethan Hawke, should have scored an
original screenplay nod.
Special Features High - definition digital transfer from the 2004
Film Foundation restoration, with uncompressed monaural soundtrack Archival introduction to the
film by
director Jean Renoir «Around the River,» a 60 - minute 2008 documentary by Arnaud Mandagaran about the making
of the
film Interview with filmmaker Martin Scorsese from 2004 Audio interview with producer Ken McEldowney from 2000 «Jean Renoir: A Passage Through India,» a new video essay by
film writer Paul Ryan Trailer Plus: An essay by
film scholar Ian Christie and
original production notes by Renoir
Director: Colin Trevorrow Project: «Jurassic World,» i.e. «Jurassic Park 4,» which after years
of rumors and suppositions is now set for June 12, 2015, the 22nd anniversary
of the
original film's release.
We could be getting a
Director's Cut according to Scream Factory: «We are working on putting together a version that will be close to Blatty's
original script using a mixture
of various
film and video tape sources that we have been provided with.
Robert Totten / Don Siegel — «Death
Of A Gunfighter «(1969) A flawed, but nevertheless interesting, minor Western that fits neatly into the revisionist movement in the genre at the end of the 1960s / beginning of the 1970s, «Death Of A Gunfighter» is best remembered as the film that birthed the name «Alan Smithee» (or here in its original spelling, «Allen Smithee»), which became the standard DGA pseudonym when a director took their name off a movie for the next thirty year
Of A Gunfighter «(1969) A flawed, but nevertheless interesting, minor Western that fits neatly into the revisionist movement in the genre at the end
of the 1960s / beginning of the 1970s, «Death Of A Gunfighter» is best remembered as the film that birthed the name «Alan Smithee» (or here in its original spelling, «Allen Smithee»), which became the standard DGA pseudonym when a director took their name off a movie for the next thirty year
of the 1960s / beginning
of the 1970s, «Death Of A Gunfighter» is best remembered as the film that birthed the name «Alan Smithee» (or here in its original spelling, «Allen Smithee»), which became the standard DGA pseudonym when a director took their name off a movie for the next thirty year
of the 1970s, «Death
Of A Gunfighter» is best remembered as the film that birthed the name «Alan Smithee» (or here in its original spelling, «Allen Smithee»), which became the standard DGA pseudonym when a director took their name off a movie for the next thirty year
Of A Gunfighter» is best remembered as the
film that birthed the name «Alan Smithee» (or here in its
original spelling, «Allen Smithee»), which became the standard DGA pseudonym when a
director took their name off a movie for the next thirty years.
Our studio had its first ever $ 1 billion worldwide grossing
film in Michael Bay's hit «Transformers: Dark
of the Moon;» we successfully re-launched our «Mission Impossible» franchise with Tom Cruise, JJ Abrams and Brad Bird; our latest installment in the «Paranormal Activity» franchise had another $ 100 million dollar success; our first
original animated
film «Rango,» from
director Gore Verbinski, earned rave reviews and more than $ 100 million at the domestic box office; and we released global phenomenon «Super 8,» directed by JJ Abrams, who will now direct the newest «Star Trek» for 2013.
Ray's
film owes a large debt
of gratitude to
director Juan José Campanella's
original, as most
of the strong thematic elements have carried over.
The release will be a 3 - disc unrated
director's cut with the
film coming on DVD and Blu - ray along with a CD
of the soundtrack's
original score by the extremely talented Bruno Nicolai.
Capturing the magic
of Spielberg's
original film and, to a lesser extent, his underrated follow - up is no easy task, but while
director Colin Trevorrow («Safety Not Guaranteed») is unable to reproduce the sense
of awe and terror found in the first movie, he does deliver an entertaining summer blockbuster with «Jurassic World.»
Previous conversations with 10 Cloverfield Lane
director Dan Trachtenberg have taught us the events
of that movie don't take place on the same exact timeline as the events
of the
original film, but there seem to be some aspects that do cross over into the separate
films» alternate timelines.
Not even the
original cast and
director could replicate the magic
of the
original film just a few years later when the disappointing Ghostbusters 2 had been released, so what chance could an entire remake
of the series with different actors playing different characters have?
Produced by Peter Jackson through WingNut
Films,
director Neill Blomkamp manages to convey a
film that adds elements
of films like Children
of Men, Cloverfield, and even E.T., to bring an
original and thought inducing story to an audience who is ready to welcome the substance.
Jordan Peele, who scored two personal nominations for best
director and
original screenplay, as well as two more nominations for «Get Out,» seemed almost stunned, reacting with a gif
of Kaluuya in one
of the
film's iconic scenes and asking «What's the opposite
of the sunken place?»
«The Shape
of Water» leads all
films this year with 14 nominations including Best Picture, Sally Hawkins for Best Actress, Richard Jenkins for Best Supporting Actor, Octavia Spencer for Best Supporting Actress, Guillermo del Toro for both Best
Director and Best
Original Screenplay alongside Vanessa Taylor, Dan Laustsen for Best Cinematography, Paul Denham Austerberry, Shane Vieau, and Jeff Melvin for Best Production Design, Sidney Wolinsky for Best Editing, Luis Sequeira for Best Costume Design, Best Hair and Makeup, Best Visual Effects, Best Sci - Fi or Horror Movie, and Alexandre Desplat for Best Score.
To Ron Hutchinson, co-founder and
director of The Vitaphone Project, which since 1991 has collected and restored countless
original soundtrack discs for early sound short
films and features, including the recent Warner Bros. restoration
of William A. Seiter's 1929 «Why Be Good?»
Wonder
of wonders, we get another
film that recalls the fun
of the first, with
original director Sharon Maguire again at the helm (she sat out the second one).
The writer -
director's unique focus on responsibility — and its limits — led to the creation
of the year's most haunting and
original film.
Jordan Peele, who scored two personal nominations for best
director and
original screenplay, as well as two more nominations for «Get Out,» seemed almost stunned, reacting with a gif
of Kaluuya in one
of the
film's iconic scenes and asking...
Included are video interviews with
director Mike Leigh (whose
film Topsy Turvy dealt with the
original genesis
of «The Mikado») and with Gilbert & Sullivan scholars Josephine Lee and Ralph MacPhail Jr..
In addition to offering the
film in its
original or extended cut, disc one includes a commentary track for each with
director Ridley Scott and actor Russell Crowe, and a 79 - minute documentary about the historical basis
of elements
of the
film, entitled The Scrolls
of Knowledge, which can be watched in whole or by topic.
The unusual nature
of this year's Oscar season is that all five
of the
films named today are by writers and
directors who wrote
original screenplays.
Director Paul Thomas Anderson, who helmed two
of the most
original films of the last five years, has fashioned a nearly flawless hat trick: a unique treatise on love and anguish centered on a truly unlikely star.