Sentences with phrase «original exhibition at»

Explore an interactive, virtual recreation of Clyfford Still's original exhibition at the Albright Art Gallery in Buffalo, New York, in 1959.

Housed in a special viewing chamber, it is the first time the sculpture has been viewable in the UK since it's original exhibition at White Cube in 2007 («Beyond Belief»).

Not exact matches

Waldemar Behn is featuring its award - winning brands DANZKA Vodka and Dooley's the Original Toffee Cream liqueur on its stand H52, Green Village at the TFWA World Exhibition in Cannes.

I tend to sell more prints than originals, I did start by selling my original work in galleries but as soon as I started selling prints I stopped because it worked out more cost effective to sell online, so I still have a large proportion of my original work, I hope to have an exhibition at some point.

The Northampton - based writer then sparked the British invasion of American super hero comics with Watchmen, which has some of its original art by Dave Gibbons featured at the exhibition.

Not For Sale at the moment A rare KRAM IT 250 RV in UK Rotax LC engine with plenty of power This bike is very original and mostly very usable Start, runs Inhabited by the same family for over 6 centuries, the Château de Cheverny, its gardens, its labyrinth and its 3D Tintin exhibition will give family a...

No longer bred for work, but strictly for exhibition, many breeds became non-functional at their original work.

After several years developing game prototypes, freelancing and working as a game designer at NYC's This is Pop, he was awarded a commission to produce an original game for the NYU Game Center's No Quarter exhibition.

Opening: «Pixar: The Design of Story» at Cooper - Hewitt National Design Museum This exhibition is a rare peek into the design process behind the creation of Pixar favorites like Toy Story, Wall - E, Up, Brave, The Incredibles, and Cars, including relics such as rarely seen paintings, sculptures, hand - drawn sketches, and other original artwork.

Coinciding with the World Illustration Awards exhibition at Somerset House, running from 31 July until 28 August 2017, will be the Summer Screen Prints show with Print Club London, which will showcase original screen - prints depicting films from this year's Film4 Summer Screen at Somerset House season.

[10] Jones notes that Riley investigated Seurat's pointillism by painting from a book illustration of Seurat's Bridge at an expanded scale to work out how his technique made use of complementary colours, and went on to create pointillist landscapes of her own, such as Pink Landscape (1960), [10] painted soon after her Seurat study [13] and portraying the «sun - filled hills of Tuscany» (and shown in the exhibition poster) which Jones writes could readily be taken for a post-impressionist original.

In keeping with the momentous spirit of the original project, the replica will be destroyed at the close of the exhibition.

This juried exhibition will consist of two - dimensional, original, botanical art, some of which includes some specimens found at Wave Hill.

With more than 100 works from the original exhibition and a big, richly illuminating catalog, «The Armory Show at 100: Modern Art and Revolution» at the New - York Historical Society offers an excellent opportunity to ponder such questions.

Jointly produced by CSM and the DAM, an original video featuring interviews with Bradford; Rebecca R. Hart, curator of modern and contemporary art at the DAM; and CSM director Dean Sobel is also included in the exhibition.

Presented within The Roundhouse — a 17,000 sq. ft space built in 1881 and designed by Burnham & Root — at the DuSable Museum of African American History, the exhibition will present an intimate dialogue between original productions and pre-existing works to open during the sixth edition of EXPO CHICAGO (September 13 — 17), and will run concurrently through the 2017 Chicago Architecture Biennial (September 16, 2017 — January 7, 2018).

In light of this, it's interesting to look at the upcoming Swann lot, which consists of five original postcards advertising a Berlin version of the Entartete Kunst show (the original took place in Munich in 1937, traveling thereafter around Germany and Vienna), a broadside for the exhibition, and five photographs of Julius Lippert, state commissioner of Berlin, at the March 3, 1938, opening.

The exhibition will be twenty (25) original pictures of residents in eastern North Carolina and shown at the Greenville Museum of Art in 2017.

Among the reconstruction of the original shows, give a closer look at the rooms dedicated to Giorgio Morandi and to the Futurists exhibitions at the 3rd Roma Biennale in 1925 where Giacomo Balla has presented «CanarinGatti - Gatti Futuristi» (1923/24): a joyful artwork conceived as a colorful roll film where a cat tries to chase a songbird, originally made for the bedroom of Tommaso Marinetti «s daughter.

An original 28 - page zine designed by visionary designer Rick Owens on the occasion of his exhibition «Furniture» at MOCA Pacific Design Center.

This presentation is the second chapter of an exhibition that started life at Spike Island in Bristol, and will recycle all of the original materials.

To mark the milestone, Williams is curating a spring exhibition at Kavi Gupta featuring his work with the other four original members of the collective — Jeff Donaldson (1932 - 2004), Wadsworth and Jae Jarrell, and Barbara Jones - Hogu (1938 - 2017).

Well, the New - York Historical Society has an exhibition to celebrate, featuring 100 works from the original show itself: The Armory Show at 100: Modern Art and Revolution revisits those heady days when the American art world was changed forever.

A recent exhibition at Fraenkel Gallery in San Francisco examined the ways in which artists have been drawn to records and their covers as mediums for original works of art.

Online, in the digital recreation of the original 1959 exhibition Paintings by Clyfford Still, at www.clyffordstill1959.org, users can explore all of the works in the original exhibition, materials used to plan the exhibition, such as diagrams and notes, vintage installation photographs, and other ephemera.

Just around the corner from its original location, the Hall of Issues is featured in the exhibition «Inventing Downtown» at NYU's Grey Art Gallery, which charts the emergence of 14 artist - run galleries in downtown Manhattan.

Friday July 27 Tubman Mahan Gallery (6:30 pm to 8:30 pm) Russ McIntosh's Double Take solo first solo exhibition at the gallery features digital images that challenge the viewer to look beyond the initial composition and see beyond the original composition.

The exhibition is centered around this new suite, consisting of nine original screen prints each rendered at a monumental size of 80 x 30 inches, which mimic the size of the paintings.

At deCordova, they will create original, temporary sculptures that respond to the Museum's unique exhibition spaces.

Other projects in the works include artist and outreach workshops for at - risk youth groups and women's groups focusing on the power of autobiography and self - discovery and an original work of fiction inspired by the artwork on view at Girls» Club to be featured in the upcoming exhibition catalog, to be published in Spring 2014.

2015 Dec. 17 — Tom Loughman Appointed 11th Director and C.E.O. of the Wadsworth Atheneum Museum of Art Nov. 23 — Wadsworth Atheneum Museum of Art Welcomes Seven New Appointees to Board of Trustees Nov. 18 — Wadsworth Atheneum Museum of Art Appoints Henry R. Martin 30th President of the Board of Trustees Nov. 17 — Susan L. Talbott Appointed to Rank of Chevalier in the Order of Arts and Letters by French Minister of Culture UPDATED Oct. 16 — «Warhol & Mapplethorpe: Guise & Dolls» Opens Oct. 17 at Wadsworth Atheneum Sept. 21 — Wadsworth Atheneum Museum of Art's MATRIX 173 Features Artist Mark Dion Aug. 31 — Unveiling of Galleries Marks Completion of Major Renovation, Secures Future for Wadsworth Atheneum Aug. 26 — Commissioned Artwork by Jack Pierson Illuminates Hartford's Main Street at Wadsworth Atheneum Aug. 24 — Wadsworth Atheneum to Present First Exhibition to Pair the Work of Andy Warhol and Robert Mapplethorpe July 1 — Wadsworth Atheneum Celebrates Grand Reopening with Original Artwork by Artist James Welling June 30 — Wadsworth Atheneum Celebrates Grand Reopening with Original Artwork by Artist James Welling June 23 — Director's Choice Exhibition Examines Contemporary Portraiture in Photography at Wadsworth Atheneum June 23 — Exhibition Exploring Connecticut Artist's Influence on 20th Century Art Opens July 3 June 1 — Advance Exhibition Schedule 2015 — 2016 May 18 — «Mark Bradford / MATRIX 172» Opens June 4 at Wadsworth Atheneum Museum of Art April 16 — Student Artworks Take Center Stage at the 42nd Hartford Youth Art Renaissance UPDATED March 23 — 34th Annual Fine Art & Flowers Takes Place May 1 — 3 at Wadsworth Atheneum Jan. 21 — «Michael C. McMillen / MATRIX 171: SIDESHOW» Opens Jan. 31 at Wadsworth Atheneum Jan. 21 — New Galleries of Post-War and Contemporary Art to be Unveiled at Wadsworth Atheneum Jan. 13 — Wadsworth Atheneum's Board of Trustees Steps Up to Support Museum with $ 1.5 Million

(The original incarnation, Untitled (Looking Up), 2012, was first seen in a solo exhibition at Stephen Friedman Gallery in London and stood just over thirty - three inches tall.

KJM If we agree that making paintings and the compulsion to depict things is not unique, not particularly special, and you're describing some exhibitions that get made about painting, that then reduce the pictures to something like wallpaper, and if we go back to the original point I was trying to make when we started the conversation, about what people want to hear when they hear artists talk about what they do, the question persists: When you're looking at paintings, what are you looking for?

In Revisiting Paradise, Langsam will present a new series of watercolor paintings and graphite drawings based on images of the campus» brutalist brick buildings and the original blueprints from the 1971 MoMA exhibition and catalogue Architecture for the Arts: The State University of New York College at Purchase, curated by Arthur Drexler.

The presentation will be accompanied by a digitized version of the original Robert Irwin catalogue, published by the Whitney at the time of his 1977 exhibition, which includes an ambitious combination of images, project plans, and theoretical texts written by Irwin himself as well as biographical and exhibition information compiled by the exhibition's curator, Richard Marshall.

The Islands I - XII (1979), a group of seven white paintings, each marked with nearly invisible pencil lines (and that Martin considered a single piece), sadly was not included in the LA County exhibition, but was included in the original show at the Tate.

Its freshly cut cornerstone is the Minnesota Street Project, three converted warehouses at the city's industrial edge that will comprise the non-profit San Francisco Arts Education Project, temporary exhibition spaces, dining from Daniel Patterson Group, and 10 commercial galleries, including vital, younger spaces like Et al and a number displaced from their original locations by rising rents.

Through a collection of paintings, photographs, textile designs, and mannequins styled in original fashions that replicate his photographic strategies, the exhibition will enable visitors to make connections between Sheeler's photographic experimentations at Condé Nast and how the artist translated this work into the industrial paintings and photographs that established his career.

The work by Lisa Gordon has been featured in solo exhibitions and museum shows across the United States, including Coors Western Art Exhibit & Sale in Denver, CO (2016 & 2017), Cowgirl Up at the Desert Caballeros Western Museum in Wickenburg, AZ (2006 & 2007), Heart of the West at the Cowgirl Hall of Fame in Fort Worth, TX (2005 - 2007), Originals at the Albuquerque Hall of Fame in Albuquerque, NM, and more.

Tuymans's portraits will be shown alongside Raeburn's originals in a forthcoming exhibition hosted by the Talbot Rice Gallery at the University in the fall of 2015.

The exhibition featured the original door that stood at the entrance of the Ferus plus a full - scale re-creation of the gallery's 1960 solo Bengston exhibition.

Her architectural inversions, which turn our notions of man - made environments inside - out, have been wowing art lovers since the original 1997 «Sensation» exhibition at the Royal Academy in London.

Russ McIntosh's Double Take solo first solo exhibition at the gallery features digital images that challenge the viewer to look beyond the initial composition and see beyond the original composition.

[9] As well in January 2010 The Ferus Gallery reopened its doors at the original site at 723 N La Cienega in Los Angeles under the directorship of Tim Nye of Nyehaus and Franklin Parrasch Galleries with an exhibition entitled Ferus Gallery Greatest Hits Vol.

The 1951 three - panel White Painting is believed to have been painted over almost immediately as Untitled [matte black triptych](ca. 1951, fig. 2).6 In fact, there is no exhibition history or any other evidence to indicate that White Painting [three panel] was extant between 1951 and 1968; 7 in those years, most of the original White Paintings had slipped out of existence, their canvases used as the supports for other pieces.8 Though artists throughout history have created new works on used canvases, Rauschenberg did so with an unusual frequency and ease, particularly in the early 1950s.9 Looking back at that period some ten years later, he commented, «Today I wouldn't do that....

An original oil on un-stretched canvas by Jackie Felix, currently featured in the exhibition at Benjaman Gallery «Over the Fence».

While the 1994 show featured Judd's works as well as two drawings by Kazimir Malevich, a recent 2017 exhibition curated by Flavin Judd, also at Galerie Gmurzynska, included 20 drawings and two paintings by the Suprematist artist and also featured a cadmium - red floor piece by Judd that was shown in the original exhibition in Moscow.

We are proud to present Stuart McAlpine Miller's beautifully executed debut exhibition of never - before - seen original art at Castle Fine Art, Bruton Street in London.

To illustrate this aspect of his art, the exhibition includes a group of original photographs by the artist Thomas Eakins (1844 — 1914) and his circle, which Fischl has referenced, and at times quoted, in his work.

She has had two more solo shows in the interim: Original Skin, an exhibition of print works and paintings at David Krut Projects in 2011; and Mainly Benoni at Nirox Projects in 2012.