Over the years McCormick Gallery has published
original exhibition catalogs on a wide variety of artists.
Original Exhibition Catalog, for Jean - Michel Basquiat — A Retrospective; Musée Cantini, Marseille, France, 1992 Illustrated cover with flaps, 192 pages; 9 x 12 inches (30 x 23 cm) A...
PIctured here, cover of
the original exhibition catalog designed by Sheila de Bretteville.
Not exact matches
With more than 100 works from the
original exhibition and a big, richly illuminating
catalog, «The Armory Show at 100: Modern Art and Revolution» at the New - York Historical Society offers an excellent opportunity to ponder such questions.
Other projects in the works include artist and outreach workshops for at - risk youth groups and women's groups focusing on the power of autobiography and self - discovery and an
original work of fiction inspired by the artwork on view at Girls» Club to be featured in the upcoming
exhibition catalog, to be published in Spring 2014.
Trained in twentieth - century Modernist avant - garde movements, she has continued her investigations of subcultures, outsider artists, and emerging art movements with such
original work as the essay «A Partial and Incomplete Oral History of the Mission School» in the BAMPFA
catalog Barry McGee; the
exhibition catalog Energy That Is All Around; and the introduction to Bruce Conner: The Afternoon Interviews.
In his opening
catalog remarks Agee contended that, «This
exhibition of some thirty works brings together for the first time the full range of one of the most
original and stunning accomplishments of the 1960s.»
Designed by Augusto Mendoza, of Books Are Nice, the 108 - page, full color
catalog features essays by independent curator and writer Sue Spaid, a forward by Girls» Club creative director Michelle Weinberg, a curatorial statement by Carol Jazzar and an
original work of poetry by Denise Duhamel inspired by the
exhibition.
Coupled with these writings are
original texts from each artist collected in the form of a journal /
exhibition catalog and presented as part of the
exhibition.
Distinct from an
exhibition catalog or even a monographic survey, artist books typically combine images, texts and
original works for certain price points, but are conceived as self - contained works of art in themselves.
Published in conjunction with Lévy Gorvy's
exhibition of the work, this fully illustrated
catalog features a newly commissioned essay by Michael Bracewell based on a recent interview with the artists, an
original poem by Kostas Anagnopoulos, newspaper reviews from the Sonnabend
exhibition and a facsimile of the postal sculpture A Day in the Life of George & Gilbert, the Sculptors (1971).
For the 1937
exhibition AAA produced its first print portfolio of
original zinc plate lithographs, instead of documenting the exhibit with a
catalog.
«At the time, the gestalt of the show was understandably overwhelming for many who viewed it, a quality unique to the
original exhibition and impossible to replicate through any contemporary restaging,» [12] Cooper admits in the
catalog.
Designed by Augusto Mendoza, the 108 - page, full color
catalog features essays by independent curator and writer Sue Spaid, a forward by Girls» Club creative director Michelle Weinberg, a curatorial statement by Carol Jazzar and an
original work of poetry by Denise Duhamel inspired by the
exhibition.
This
exhibition catalog expands upon our gallery guide with an
original essay by Mark Alice Durant.
The accompanying
exhibition catalog includes a segment of an unpublished
original transcript of an interview between Tom E. Hinson, art historian and Emeritus Curator of Photography, Cleveland Museum of Art (OH), and Jack Tworkov recorded at his Provincetown studio in 1975.
This
exhibition catalog expands on our gallery guide with
original essays by Joshua Chuang, chief curator at the Center for Creative Photography and Sandra S. Phillips, senior curator of photography at the San Francisco Museum of Modern Art.
This
exhibition catalog expands on our gallery guide with
original essays by Vince Aletti and Claire Barliant.
Thompson Gallery
exhibitions have traveled to other museums and galleries nationwide, documented by
catalogs that provide in - depth interpretive analyses based on
original scholarship.
The
exhibition catalog offers thoughts on the artist's work, with 100 quotations by Roland Barthes and two
original texts by Jean - Michel Ribettes and German philosopher Heinrich Heil.
The
catalog for this show contains
original texts by Luciano Caprile, Jonathan Goodman, Fundación Pablo Atchugarry and Pietro Dormia as well as press releases and photographs from other major
exhibitions of Atchugarry's work.
The
original selections for the
exhibition of works by Kenneth Noland, Jules Olitski and Frank Stella for which this is the
catalog, were made by Michael Fried for the Fogg Art Museum at Harvard.