Sentences with phrase «original gallery settings»

Not exact matches

Of course, this easily could have been expanded into the two - disc set that the film deserves, had there been an audio commentary, a presentation of each «Pooh» featurette in its original form, a more extensive art gallery, a featurette on the theme park attractions, a longer making - of documentary, and an additional audio option.
If the completist inside you opts to pick up this set at its reasonable release date discount pricing, you'll likely want to still keep the Toy Box, if only for the worthwhile extras from that set which have not been ported over here, such as the Tin Toy short, several animation featurettes, more expansive art galleries, original story treatments, sound effects - only track, and the making - of documentary that has been unfavorably abbreviated.
«Seinfeld: The Apartment» will be open through till Sunday, featuring original items from the TV set, a memorabilia gallery and an interactive fan experience.
Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.
TOY STORY 2's Cast of Characters All - New Design Gallery Slideshows Watch the evolution of the characters, sets and color design through these brand new slideshows assembled from hundreds of pieces of original art used to design Toy Story 2.
(He showed videotapes of the objects in their original settings in the people's homes on television monitors in the gallery; viewers could listen to the lenders» narration on headphones.)
The gallery's later name, «Park Place, The Gallery of Art Research, Inc.,» adopted when the gallery moved from its original Park Place loft to Greenwich Village in 1965, also indicates the group's interest not so much in promoting a set style or ideology but its commitment to process over pgallery's later name, «Park Place, The Gallery of Art Research, Inc.,» adopted when the gallery moved from its original Park Place loft to Greenwich Village in 1965, also indicates the group's interest not so much in promoting a set style or ideology but its commitment to process over pGallery of Art Research, Inc.,» adopted when the gallery moved from its original Park Place loft to Greenwich Village in 1965, also indicates the group's interest not so much in promoting a set style or ideology but its commitment to process over pgallery moved from its original Park Place loft to Greenwich Village in 1965, also indicates the group's interest not so much in promoting a set style or ideology but its commitment to process over product.
Housed in a former Victorian warehouse, our beautiful gallery spaces are set over two floors, displaying a range of contemporary fine art, sculpture, original prints and jewellery, quality craftsmanship and design led homewares from over 200 artists every season.
Late last month, the collaborative filled the prestigious front room of Houston's McClain Gallery with a show of large, many - layered mixed - media works that riff on Arnold Böcklin's late 19th - century «Isle of the Dead,» substituting the Hudson River, a garbage dump and the New York skyline for the original's dreamy setting.
The Kettle's Yard gallery was set up in 1957 by Jim Ede, a former Tate curator and a collector of 20th Century art, who bought and remodelled the original row of cottages.
The work generally restores the gallery spaces to their original layout, with areas set aside for education, the shop & café, and a new glass lift — greatly improving access for disabled visitors.
Represented South Africa in Lisbon at the Gulbenkian Foundation Represented South Africa at the Venice Biennale 1969 Work reproduced under the category World Painting in Encyclopaedia Britannica 1971 Represented South Africa at Sao Paulo Biennale, Brazil Invited to International exhibition Xilografia Contemporanea Bologna, Italy - Galeria Chalet Della Rose Exhibition of «Icons» at Totem - Meneghelli Gallery, Johannesburg 1972 Retrospective exhibition at Pretoria Art Museum Exhibition at William Humphrey's Art Gallery, Kimberley Exhibited at National Museum, Bloemfontein 1973 Created the Assassination of Shaka portfolio of 43 original three colour woodcuts with Stephen Gray's poetry 1974 Represented South Africa at the National Art Museum in Athens Exhibition at Royal Belgian, Congo Museum, Tervuren, Belgium Exhibition of The Assassination of Shaka at the Kunshistoriches Museum, Vienna Exhibition of paintings at the Goodman Gallery, Johannesburg 1976 Awarded Medal of Honour for painting by the Suid Afrikaanse Akademie vir Wetenskap en Kuns Presented with set of commemorative medallions - 1820 Settlers National Monument Foundation for contribution to art in South Africa Exhibition of wood panels and ten landscapes, a portfolio of original woodcuts with poetry by Stephen Gray at Goodman Gallery, 1977 Exhibition of panels, totems, woodcuts, drawings and jewellery Art Gallery of the University of Stellenbosch 1978 Relocated from Johannesburg to Cape Town 1980 Tapestries at South African National Gallery Tapestry Exhibition, Cape Town 1981 First Cape Town one - man exhibition «Passage through an Alien Land», at Wolpe Gallery, Cape Town Taught painting, drawing, print - making and sculpture in Nyanga and District 6, Cape Town 1983 Exhibition «Judean Walls».
An unusual installation for a gallery, the setting for the exhibition is in the original, c 1700s section of the Garden's newly renovated and restored Center House, considered to be one of the oldest structures in Stockbridge.
Set for completion in February 2018, the new centre is named Artem, meaning «to conceal art in its original form» and will boast a mix of exclusive international retail brands, carefully selected boutiques and lifestyle shops, artisanal eateries as well as a prestigious curated Art Gallery.
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