Sentences with phrase «original gamer audience»

Not exact matches

Original content has proven a big draw for video - streaming platforms such as Netflix, Amazon, Hulu and HBO GO: HBO's Game of Thrones alone scored the network its largest audience ever, while Netflix's original series of Marvel's Daredevil grabbed nearly 4.4 million viewers in its first Original content has proven a big draw for video - streaming platforms such as Netflix, Amazon, Hulu and HBO GO: HBO's Game of Thrones alone scored the network its largest audience ever, while Netflix's original series of Marvel's Daredevil grabbed nearly 4.4 million viewers in its first original series of Marvel's Daredevil grabbed nearly 4.4 million viewers in its first 11 days.

A game can tell an engrossing story with original ideas and characters, but its gameplay must connect with the audience.

Again this isn't the original ghost recon, they were good games but this is streamlined more for a wider audience its fun but stands apart from its predecessors.

Fans of the original Blitz should get everything they want out of this game and new comers should definitely check it out but this title may only appeal to a certain nostalgic audience.

Will Wright's first original post-Sims game, the evolution simulator first wowed rapt audiences at the 2005 Game Developers Conferegame, the evolution simulator first wowed rapt audiences at the 2005 Game Developers ConfereGame Developers Conference.

I think it's very interesting how the design seems savvy to that audience, with the first part of the game where the hero is alone feeling very similar to the original game.

The series will premiere exclusively on Rooster Teeth's streaming service, which launched in 2016 and has attracted 250,000 subscribers with original content geared for a niche gamer audience.

The steady stream of unlockable rewards harks back to Coffee Stain Studios» effort to source its audience for ways to improve upon the original game.

The aim is no doubt to find a new audience, plus recapture lapsed fans who were drawn into the original by flashy CG - only TV commercials and cocky magazine ads suggesting that «the guys who make cartridge games» would want to shuffle off this mortal coil after seeing FF7 action.

It is unclear how much of that is due to the original French film, 1998's Le dîner de cons (titled The Dinner Game for English audiences), written and directed by the oft - translated Francis Veber (who is also responsible for the movies that became Fathers» Day, The Birdcage, The Toy, and Three Fugitives).

But more than that, it's a starkly original film that plays on its audience's immersion in the culture of sitcoms, video games, and comics.

TOCA Touring Cars was perfectly timed to take advantage of both improving gaming hardware and the huge following of late - 90s BTCC racing, while the original Colin McRae Rally game neatly coincided with WRC regulations and brought its namesake to an even wider audience than his 1995 WRC victory had done.

I don't know who (or what program) translated this from its original language, but it really is unacceptable in a game marketed to an English speaking audience.

The original Nvidia Shield Portable was an endearing, oddball product that resonated with gamers, but had limited appeal with mainstream audiences.

Ultimately they just expand the potential audience for these games, and they cost just a small fraction of the original budget, so what's with all the hate?

Assault on Dark Athena not only fully re-imagines the original game for a new audience on current systems with boosted HD power, pushing the limits of the Starbreeze engine; but it also fixes some of the original's flaws — it was too short and lacked a multiplayer mode.

I imagine they optimized for the two systems best aligned to the game - PS4 has the sheer # 1 install base numbers, whereas Switch is a perfect audience match [having been the sole base of the original release - some of those will re-buy again].

For me, when reviewing a reboot, especially if I'm intimately familiar with the original material, it's important to remember that the game is being targeted at two audiences; the original fans, and potential new fans.

You have a couple of other great games, like Divinity Original Sin 2 and Cuphead, which were critically cheered, but are in genres that are often overlooked by the mainstream audience.

This week, at the risk of alienating some of our sim racing - loving audience, we give our initial impressions of Carmageddon Max Damage, the latest violent vehiclar combat game from original developer Stainless Games out now for consoles and PC.

The original, which can only be described as Monopoly meets Magic: The Gathering as players take turns to lay down monster cards on a looping board of tiles, has since been ported to the PlayStation, Nintendo DS, PSP and PS3 in Japan and the PS2 in the US, but Revolt marks its first appearance in Europe, giving publisher NIS America the difficult task of trying to distil this complex card game to a new, unsuspecting audience.

Now you want to sell your console to people that want expensive quality games, at the risk of alienating your original audience (the very people that made Ouya possible on Kickstarter, but who cares?).

This concept is already there in the original game, what is new is the strict sequence making it more apparent what is expected of the player, and thus reducing the obscurity of the puzzles — as well as opening up the games to a far wider audience.

I think Nintendo have done a good job having their target audience as family, which is a very broad and safe approach but I think they should consider making some original RPG's and FPS games for hardcore gaming, which I think wont take away that the Wii is a good console for kid's.

Yes, new games would be nice to have too, but selling a ton of the originals and building a whole new audience is the best way to show Capcom there is a demand and a market for more of them.

We've seen Bungie struggling to keep providing a large and hungry audience with new and exciting content up to the same groundbreaking standard as the original game, and we've seen it in the whole industry time and time again.

In other words, it's playing to a very specific audience, one who fell in love with the original point and click games.

The idea is that the two Sushee games will bring the Fear Effect IP to an audience of existing fans looking to recapture the spirit of the original games and new players who missed them the first time around.

And even for a supposed kid's game, the stories were always so cool with unexpected twists and turns (some of them sort of surprising given it was for a younger audience) the narrative of the original trilogy is one of my absolute favorite things about it.

To many, it doesn't matter that the changes to 3D will help the game reach a wider audience, and it doesn't matter that developer Nicalis worked with Daisuke «Pixel» Amaya, the creator of the original, to create the update.

The team strives to develop original multiplatform games with diverse feature sets that appeal to a broad audience, and to have fun in the process!

The team strives to develop original multi-platform games with diverse feature sets that appeal to a broad audience, and to have fun in the process!

Zelda Forever may not be the original puzzle platformer that old - school gamers are used to, but as a free download this game will impress the hardcore Zelda audience.

Fans remember the original games very fondly and we want to preserve that essence — which we have excellent experience of doing at Eidos - Montréal — whilst also introducing THIEF to a brand new, next - generation, audience, Our goal is to deliver the fantasy of being Garrett, THE master thief, and we're building this game around that core experience.»

It still appeals to the same audience as all the previous retro games; People who are fans of the original.

Making its way to PC for the first time, this edition of the game remains faithful to the Wii original, but brings all its charming, sassy fun to a new audience.

«With our 30th anniversary this year, it's the perfect time to revisit one of our classic and most beloved titles,» said Takashi Matsumoto, CEO of Natsume Atari Inc. «The original programmer, designer, and sound creator of Wild Guns are excited to have an opportunity to revisit their game many years later, and bring it to a modern Sony audience.»

«Wild Guns was an instant cult classic when it launched a little over 20 years ago, and fans have continued to love the franchise on Nintendo platforms over the years,» said Hiro Maekawa, President and CEO of Natsume Inc. «We're very excited to be working with Natsume Atari Inc. and the original development team to bring the game to the PlayStation 4 audience.»

The millennial audience which grew up with the original Pokémon games and anime are now in their late 20's and early 30's making them the perfect demographic for a new mobile gaming experience that features a nostalgic brand.

Following that success, I remade Games.com, AOL's category leading casual games platform, by bringing in more metrics and audience research to inform content programming, helping shift the mix towards original exclusive online games created for AOL by top casual game developers.

Things like Jason bringing his original Zelda game on stage and talking about his passion, Amy Andersson stopping to say a few words between performances including a moment to talk about her Wind Waker that she used to conduct part of the show, were little things that prevented any disconnect from the audience during the first tour in 2012.

It is exciting that there is still much love for this old franchise and hopefully we see more remasters, reboots and remakes of older experiences, both to please original fans and to share some early video games with a younger audience.

The new and highly original GAMEHOTEL DEATHMATCH series will feature four teams, each composed of world - renowned game designers and courageous audience volunteers.

ORIGINAL GAMES Engaging in a relaxed conversation with the host and the audience, Takahashi revealed: «I did not want to create a sequel, because I'm against writing sequels.»

The original game garnered so much praise and developed such a large audience that it quickly became a re-release machine for Capcom.

This open - world Pac - Man game set in the same universe of the Disney XD cartoon has some fun platforming, but don't expect a classic experience similar to the original game, as it's aimed at a younger audience.

It's a fine tribute to a decades - old classic and an excellent example of how to adapt a traditionally hardcore game to a changing audience without losing what made the original property so special.

The aim here seems to be to make WRC 5 accessible to a wider audience, and the wide stages resemble Milestone's original WRC game circa 2010.

The original show had a lot of audience participation, so that is what Rocket Lolly is trying to also bring to the game with the whole friend sharing aspect.

The first game, developed by what was then known as Psygnosis, launched alongside the original system in 1995 and was one of the main games that sold the PlayStation brand to an older audience.