Sentences with phrase «original gelatin silver prints»

«Our massive collection of these rare original gelatin silver prints and the moment is ripe with the current renewed excitement surrounding space travel.

Alexander Alland A plan for the use of photography as a means of combating enemy propaganda among our national, racial, and religious groups, 1942 11 1/2 x 9 inches Presentation folder containing 48 original gelatin silver prints and clippings from newspapers and magazines

Not exact matches

MALICK SIDEBE, «Self - Portrait,» 1956 (gelatin silver print in original frame of reverse - painted glass, tape, cardboard, string).

Andy Warhol Arches, circa 1976 - 1986 Four gelatin silver prints sewn together with thread - unique Original exhibition label on verso 28 x 22 inches

Through vintage gelatin silver prints, contact sheets, original issues of Life, and a significant selection of unpublished photos from the series, the exhibition examines unspoken conflicts between photographer, editor, subject, and truth.

Designed to give a broad public greater access to Warhol's photographs, the program donated over 28,500 of Warhol's original Polaroids and gelatin silver prints to more than 180 college and university museums and galleries across the country.

Ernest C. Withers, American, 1922 - 2007, In Front of Clayborn Temple, Sanitation Workers Strike, Memphis, March 28, 1968, Gelatin silver print, printed from original negative in 1999, Memphis Brooks Museum of Art purchase with funds provided by Ernest and Dorothy Withers, Panopticon Gallery, Inc., Waltham, MA, Landon and Carol Butler, The Deupree Family Foundation, and The Turley Foundation 2005.3.32 © Withers Family Trust

Gelatin silver print made from the original negative.

Original silver gelatin print mounted on board and aluminium, 40 x 27 inches.

In addition, smaller photographic works from the Looking for Langston Vintage Series will be displayed in their original form as silver gelatin works printed on Ilford paper.

Silver gelatin print, 1994, from original negative, 35.5 x 27.5 cm.

Of the original ten sets of fifty - six vintage gelatin silver prints, only four have remained intact.

Working with an even earlier Talbot negative, Sugimoto's toned gelatin silver print, Photogenic Drawing 008, Lace, c. 1839, 2008, greatly enlarges and interprets Talbot's original photogenic drawing negative Lace, circa 1839.

Consisting of 71 vintage gelatin silver prints and five typed sonnets, this original unpublished album is the third of three monumental albums produced in collaboration between the two artists — the first, New York, N.

Each original silver gelatin lith print is unique.

Garry Winogrand, John F. Kennedy, Democratic National Convention, Los Angeles, 1960, gelatin silver print, posthumous print made from original negative on the occasion of the Garry Winogrand exhibition organized by the National Gallery of Art and the San Francisco Museum of Modern Art, courtesy Center for Creative Photography, The University of Arizona, © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

Content: Over 220 framed objects including vintage gelatin silver and platinum prints and contemporary prints from Vishniac's original negatives, as well as over 150 ephemeral objects and 5 audiovisual elements.

Garry Winogrand, Democratic National Convention, Los Angeles, 1960, gelatin silver print, posthumous print made from original negative on the occasion of the Garry Winogrand exhibition organized by the National Gallery of Art and the San Francisco Museum of Modern Art, courtesy Center for Creative Photography, The University of Arizona, © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

Garry Winogrand, New York, c. 1969, gelatin silver print, posthumous print made from original negative on the occasion of the Garry Winogrand exhibition organized by the National Gallery of Art and the San Francisco Museum of Modern Art, courtesy Center for Creative Photography, The University of Arizona, © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

Garry Winogrand, Richard Nixon Campaign Rally, New York, 1960, gelatin silver print, posthumous print made from original negative on the occasion of the Garry Winogrand exhibition organized by the National Gallery of Art and the San Francisco Museum of Modern Art, courtesy Center for Creative Photography, The University of Arizona, © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

Garry Winogrand, Metropolitan Opera, New York, c. 1951, gelatin silver print, posthumous print made from original negative on the occasion of the Garry Winogrand exhibition organized by the National Gallery of Art and the San Francisco Museum of Modern Art, courtesy Center for Creative Photography, The University of Arizona, © The Estate of Garry Winogrand, courtesy Fraenkel Gallery, San Francisco

George Martin (1926 - 2016) Summer of Love, 2006 The complete portfolio, 2006, comprising a first edition, deluxe copy of the book «Summer of Love», signed and numbered from the edition of 350 in black ink by Martin, a gelatin silver print, signed and numbered from the edition of 350 in pencil by Frank Herrmann, and a limited edition t - shirt by Peter Blake, published by Genesis Publications Limited, Guilford, all housed with the original printed box and drawstring cloth bag, folio, overall size 37 x 29 x 6 cm (14 1/2 x 11 3/8 x 2 1/4 in), George Martin (1926 - 2016), Summer of Love, 2006, The complete portfolio, 2006, comprising a first edition, deluxe copy of the book «Summer of Love», signed and numbered from the edition of 350 in black ink by Martin, a gelatin silver print, signed and numbered from the edition of 350 in pencil by Frank Herrmann, and a limited edition t - shirt by Peter Blake, published by Genesis Publications Limited, Guilford, all housed with the original printed box and drawstring cloth bag, folio, overall size 37 x 29 x 6 cm (14 1/2 x 11 3/8 x 2 1/4 in) Read more

Conceived in 1991 and continuing today, Gamboa's Chicano Male Unbonded comprises nearly 100 portraits and counting, each a gelatin silver print made from the original 35 mm negative.

While the photogravures of Mazátlan insist on a more gestural relation to the image, abstracting it from its origin, the Looking for Langston photographs are presented both in their original form as silver gelatin works printed on Ilford paper and as large scale works where Julien has used both digital and analogue techniques to create an immersive, cinematic experience.