Labor costs may also be considered in claiming the ITC, the law explains: «Expenditures for labor costs properly allocable to the onsite preparation, assembly, or
original installation of the property described in subsection (d) and for piping or wiring to interconnect such property to the dwelling unit shall be taken into account for purposes of this section.»
Salcedo re-creates
the original installation of these works as they were first shown in Bogotá in 1990.
Here is footage of
the original installation of the sculpture being sited by Henry Moore at the Stifford Estate, 1st July 1962, with his assistant Clive Sheppard.
This exhibition draws on the special collections of the Research Library at the Getty Research Institute to recreate
the original installation of Sea Tails and reveal the working process of its creators.
The above image shows
the original installation of Eureka, (2000), in Ghent, Belgium.
In the last decade, the Museum's second floor galleries have alternated between showcasing Noguchi's
original installation of the gallery spaces and exhibitions highlighting Noguchi's work through the lens of his contemporaries and teachers, specific genres of his production, and his working process.
He talks about the importance of
the original installation of the Leviathan, which was created for the Grand Palais in Paris in 2011, and the monumental installation in the atrium of the Martin - Gropius - Bau: Symphony for a Beloved Sun.»
Not exact matches
Meanwhile, the company's solar
installations have dropped nearly 40 % in the past few months, as it continues to transition away from the
original lease - financing model Lyndon pioneered and more toward loans (which have leapt from representing 2 %
of its sales to 31 %).
As the tradition developed and the community moved farther and farther away from eyewitness knowledge, the moment
of this declaration, or designation, or
installation, was moved farther and farther into the earthly life, being associated first with the transfiguration — which was itself probably an
original resurrection appearance moved forward into the earthly life --
SolarCity's
original 2014 agreement with the state required that in addition to 1,460 factory workers, it hire an additional 2,000 workers statewide for its
installation business and another 1,440 contractors and suppliers, for a total
of 4,900 jobs.
«The Sundance Film Festival brings the most
original storytellers together with the most adventurous audiences for its annual program
of dramatic and documentary films, shorts, New Frontier films,
installations, performances, panel discussions, and dynamic music events.
Moreover, in their deployment
of original material the
installations are also highly attentive to the politics
of mise en scene.
The project was delivered on time in a challenging timescale despite exceptionally high levels
of rainfall during the programme, and the green field site immediately adjacent to the
original school was highly constrained which made the building
installation phase more complex.
BMW improved Iso's
original in many ways, not the least
of which was the
installation of a tried and true motorcycle engine.
The mirror mounts in the place
of your
original mirror... simple
installation makes this a clear and easy choice for backup safety!
IAP WINDOW CONVERSION KIT — Includes two pieces
of tempered automotive safety glass, two upper window channels, four anti-rattle weather - strips, and
installation instructions; Get Cal - look windows and retain function; One - piece window glass fits into stock window area; Eliminates factory vent window and division bar; Choose from clear or gray - tinted glass;
Original doorstops must be removed for easy
installation.
Original BMW Vehicle Accessories are warranted for the New Vehicle Limited Warranty period (4 Years / 50, 000 miles) when the
installation occurs before the first delivery
of a new vehicle.
STREET SCENE 5 - PIECE COMPLETE BODY KIT, URETHANE, MATTE BLACK — Includes 1 chin spoiler, 1 left side skirt, 1 left rear skirt, 1 right side skirt, and 1 right rear skirt; Made
of tough, yet flexible urethane; Improves the over-all look
of your vehicle; Installs using supplied double - sided tape and hardware from
original side skirts; Requires preparation and paint prior to
installation.
The Factory Image
installation processes are always removing all data from an Android device restoring it to its
original state, which is a great deal for users
of Nexus 10 that have previously installed custom ROMs or have applied any other similar changes to their tablet.
In 2002, the summit
of Mount Caroline Livermore, which had been flattened in the 1950s to build the Nike missile radar and tracking
installation, was re-contoured to resemble its
original appearance, and increased 16 feet in height as a result.
Each
original watercolor image is then reproduced and fired onto tiles
of the highest quality and durability by renowned local tile artist, Michael King, who personally supervises the
installation of each tile image in its permanent floor or wall location
of each pedestrian rest area.
Halo Wars 2 is set some 28 years after the
original game, with Captain James Cutler and the rest
of his crew awaking from cryo - sleep to find themselves embroiled in a battle versus a rogue Covenant outfit — dubbed The Banished — for control
of Installation 00, The Ark itself.
Malani hand draws directly onto the prints in ghostly white ink, analogous to the mesmerizing moving images in the
original installation, and compiles a range
of complex narratives bringing together the past and present.
Also included is a text by David Gray, who responds to Marianne Stockebrand's
original essay about the Münster
installation; he reveals the dialogues around Sandback's practice at the time and helps us reconstruct the way the influence
of his vertical works has continued to grow in the thirty years since.
Typically staged in sparse, carpeted
installations, her shorts combine
original video and found footage, all related in one way or another to the theme
of death — light viewing, you know?
Positioned in the gallery's atrium is the spatially dominant highlight
of the exhibition: an
installation made
of reclaimed iron hospital beds that had once been used in the
original military hospital depicted in the photographs.
Fueled by personal experience and memory, the
installations dematerialize the
original functions
of the objects and represented places, and ask the viewer to consider not just the materials and artworks themselves but also the lost utopian projects
of the time, and their forgotten values.
Her more recent work has included performative
installations, variously incorporating ritual dance, sand painting,
original music and videos, and cross-cultural references to the crafts
of indigenous cultures around the world.
NADA, dear to first - time collectors for its
original material and low prices, held back on its usual outré
installations, but did well with artfully crafted work such as a David Adamo bubblegum - pink deflated balloon and sold out
of affordable, artist - made limited - edition souvenirs.
One
of the most
original voices in contemporary Brazilian art, Adriana Varejão's diverse practice comprises painting, sculpture and
installation.
Hawkinson works across a wide range
of media, from sculpture,
installation, and painting, to photography and collage, and many
of is highly
original works include moving components and sound, inventing new ways for seeing and thinking about the world around us.
Online, in the digital recreation
of the
original 1959 exhibition Paintings by Clyfford Still, at www.clyffordstill1959.org, users can explore all
of the works in the
original exhibition, materials used to plan the exhibition, such as diagrams and notes, vintage
installation photographs, and other ephemera.
Lynn Hershman Leeson, Lorna, 1979 - 84, earliest interactive laser disc, created with
original software, this
installation includes a recreation
of objects in Lorna's room in the TV: including a remote, television set, wallet, watch and furniture all in «video colours», plus two storyboard prints.
MoMA's Woman II by de Kooning and Mondrian's Large Composition with Red, Blue and Yellow (borrowed from a private collection) will be shown alongside vintage gallery announcements, posters and photos
of the
original exhibition
installations.
In the 18th Street Pasillos Gallery, a dynamic collaboration
of artists and skaters join forces to debut a group
installation of their
original psychedelic and picturesque skate deck art works.
This element
of the
installation is an exciting and somewhat subversive reference to the renovation
of the space into a gallery, highlighting as it does the hybridisation
of styles that the Serpentine Sackler itself displays: the
original gunpowder store's red - brick functionality, with its classicised facade, and the organic white plastic and glass extension attached to its left side by Zaha Hadid Architects, 208 years later.
The most directly «finished» images, those Starling set out to make using the drawing
of the
original installation, are framed, matted, and glazed.
With mirrored panels in addition to the
original frames
of the windows, the
installations allow the viewers to easily draw themselves into their own experiences and memories for interpretation.
The
original monuments are not mentioned by name in the work, rather each
installation is accompanied by a vinyl text on the wall that describes an aspect
of these monuments in mostly general terms.
The Enclave, a six channel immersive video
installation, which was featured on CNN and part
of the Venice Biennale, built upon his
original Infra series.
In many
of his works, Esparza engages a cross-cultural dialogue through his meticulous manipulation
of deconstructed Mexican serape blanket thread, and in some cases includes pieces
of the
original Mexican garment loosely connected to a thread
installation.
The exhibition included a video
of the same
installation in the marshes
of the Entre Ríos province, which was its
original source
of inspiration.
Taking place at two venues, the show opens with a daring and
original selection
of new performance work, sculptural
installation, painting and photography, each exploring a point
of view as unique as the show's many Us's.
These include Still Living, an
installation composed
of eighty ash strips held under tension - a work that emerged from a dream about building a bamboo fishing pole - and
Original River, a hollowed - out, riverine tree trunk filled with thousands
of quartz pebbles sifted from Mississippi River sands over the course
of two years.
Developing from her
original practice as a painter, Jo now creates work,
installations and interventions through a variety
of media.
The
original 35 mm format slideshow
installation of The Ballad
of Sexual Dependency was recently presented at the Museum
of Modern Art, on view until 16 April 2017.
For the Turner Prize show, she expanded the size
of the
original installation, enlarging the table and adding more and more teacups and even more video footage.
Detail view
of installation at Galerie Lelong, New York, 2015 Installation with LED lights, aluminum, video projection and six lightboxes with black and white transparencies Variable dimensions Original photograph by Koen Wessing (1942 - 2011): Estelí, Nicaragua, September 1978 The collection and copyright of Koen Wessing is administered by the Nederlands Fotomuseu
installation at Galerie Lelong, New York, 2015
Installation with LED lights, aluminum, video projection and six lightboxes with black and white transparencies Variable dimensions Original photograph by Koen Wessing (1942 - 2011): Estelí, Nicaragua, September 1978 The collection and copyright of Koen Wessing is administered by the Nederlands Fotomuseu
Installation with LED lights, aluminum, video projection and six lightboxes with black and white transparencies Variable dimensions
Original photograph by Koen Wessing (1942 - 2011): Estelí, Nicaragua, September 1978 The collection and copyright
of Koen Wessing is administered by the Nederlands Fotomuseum, Rotterdam
In 2005, the artist opened lesser new york in her Williamsburg loft, which was a response to Greater New York (2005) but it was lesser; it was a greater response to the lesser limits
of the art world that she saw reflected in PS1's concurrent survey; this lesser exhibit /
installation was organized under the auspices
of a «fia backström production,» a lesser production
of curated ephemera such as press releases, invites, posters, and so on culled from found materials and the work
of a greater local network
of friends and peers; the lesser aesthetics
of dejecta, pasted directly onto the walls, reflects a greater decorative pattern, not unlike Rorschach images
of a lesser art industry itself within a critique
of a greater institutional relationship to art production; as such, the lesser display
of curated ephemera (from nonartists and artists alike) not only comments on the greater vortex
of art and capital, but also serves as a lesser gesture toward something like a memorial wall, not unlike a collection
of posters on the greater Berlin Wall, or a lesser improvisational 9 - 11 wall, or, more recently, a greater Facebook wall, or the lesser construction wall surrounding the Second Avenue gas explosion in the East Village, all pointing to a lesser memorial for the greater commodified institution
of art consumption; whereas in Backström's lesser new york each move repels consumption by both the lesser value
of the pasted paper and its repetition, which dispels the greater value
of precious
originals; so the act
of reinstalling lesser new yorkten years later at Greater New York — the very institution that rejected her a decade earlier — speaks to the nefarious long arm
of Capitalism that can morph into an owner
of its own critique; so that lesser new york is greater than its initial critique, greater than a work
of institutional critique: it is a continuous institutional relationship, a lesser critique that keeps on giving in its new contexts; the collective spirit
of artists working together playfully is lesser, whereas the critique
of how artists can imagine working alongside the institution is greater, or vice versa; the lesser gesture
of a curated mixed - media
installation in one's home with no clear identification and no commercial validity becomes untethered when it is greater, and this particular lesser becomes greater in the Greater New York (2015) context; still, the instabilities
of the organizing systems by Backström continue to put pressure on both the defining features
of art production in both the lesser context and the decade - later greater one; further, the greater question
of what constitutes an art as a lesser art becomes a dizzying conundrum when the greater art institution frames the lesser to be greater, when the lesser is invested in its lesser relationship to the greater.
Like Smithson's mid -»60s «site and non-site» works, the Dig
installations function as fragments
of the
original site, as evidence
of the process
of unearthing, as pointers to a collective local memory and as reminders
of the structures
of aesthetic and social taxonomy and
of the museum itself.