Sentences with phrase «original orchestral»

Zur also composed, conducted and produced the original orchestral themes for DISNEY FANTASIA: MUSIC EVOLVED, the breakthrough musical motion video game inspired by Walt Disney's classic animated film «Fantasia.»

Each music level is a zany tribute to a well - known piece of music (with the exception of a wonderful original orchestral piece) drawing inspiration from sources as varied as Anthrax, Survivor and Ram Jam.

I am the producer; Rory Young is the engineer who coproduces every aspect of the postproduction; and Chris Kubie writes and creates the original orchestral music.

More than 25 years since Legend «s release, only Jerry Goldsmith's original orchestral & synth - embellished score has received a definitive CD release (via Silva Screen), whereas Tangerine Dream's electronic replacement score for the North American edit has yet to be issued on disc in its complete unexpurgated form.

(Note: original orchestral score extracts are also available on several compilation CDs.)

Not exact matches

With regards to musical style, I want the music remain true to its origins and retain its alien spirit, but taking on an orchestral / electronic hybrid approach could be a suitable enhancement over the original trilogy.

«We started by going back to the original sheet music used for the recording sessions, tracked the edits made to these cues as heard in their final state in the film, and then re - edited / re-orchestrated the sheet music to reflect the changes and account for the live orchestral forces.

The DD 5.1 configuration of the original four - track stereo mix presents Leonard Rosenman's weak, distracting score to good, orchestral effect, for what it's worth.

Leone - style close - ups fetishise narrowed eyes under low, wide brims; horses gallop across widescreen plains in clouds of dust; a rowdy saloon falls deafeningly silent upon the entrance of a stranger; low - slung shots worship the seven walking in a line; a thrilling orchestral score features breakout horns, plucked banjo strings and hints of Elmer Bernstein's galvanising original music; and Red Harvest dons Stars»n' Stripes war paint.

Audio seems to be faithfully represented on a monaural LPCM track that adequately conveys the orchestral dynamics of Tim Souster's (surprisingly compelling) score and maintains enough fidelity to the original recording that you can hear the sound edits between lines of dialogue.

The picture is graced with a spooky grandeur: snowy vistas, long - vacated buildings and a starkly forlorn, percussion - heavy orchestral score by Michael Giacchino that harkens back to Jerry Goldsmith's landmark original.

The film's Dolby 5.1 mix reflects the care director Singer and editor / composer Ottman invested in the various sound effects, overlapping dialogue, and orchestral soundtrack elements, and the mix faithfully recreates the original theatrical experience.

Bava's choice of music (and composer) has sometimes been very uneven: Carlo Rustichelli's romanticized and treacly music for Whip and the Body detracted from the film's pinched, sadistic sequences; Libra's prog - rock score for Shock felt at times like an effects - ridden mimic of Goblin's supernatural score for Dario Argento's Suspiria; and Stelvio Cipriani's muzak for the original Italian version of Baron Blood deserved to be replaced by Les Baxter's more eerie, orchestral score when AIP initially released that film in North America.

One of the most original and charming films of the year, it is an imaginative interpretation of the Snow White fairy tale that combines the visual power of silent cinema with the dramatic force of an orchestral score to create an entirely unique method of storytelling.

While the orchestral soundtrack sadly didn't make it to the 3DS, all voice acting is included from the original game with a fresh coat of polish.

The Return of a Legendary Composer - The illustrious Hitoshi Sakimoto, original composer of the Valkyria Chronicles series and countless other emotional epics, returns to provide a sweeping orchestral score for Valkyria Chronicles 4.

If you're old enough to remember seeing Disney's music film Fantasia — either during the original release in theaters (you must be really old), VHS, TV or even the sequel that came out in 1999, I'm pretty sure that you most likely imagined what would have happened if you were in the apprentice's shoes, making objects dance around the room at your leisure to the tune of epic orchestral pieces.

They especially praised Hamauzu, both for his work in the original soundtrack and in arranging the themes for Piano Collections Final Fantasy X. Several tracks, especially «Suteki da ne» and «To Zanarkand», remain popular today, and have been performed numerous times in orchestral concert series, as well as been published in arranged and compilation albums by Square as well as outside groups.

Original composition by Nobuo Uematsu Conducted by Arnie Roth Orchestral performance by Prima Vista Philharmonic Orchestra

Wonderboy III's original chiptune score has been re-recorded as an orchestral one in one of the more impressive adaptations in many years.

While he modernised the chiptune originals with new orchestral and rock samples, most arrangements were conservative ones and were heavily downgraded for the DS.

(«The Knights» Theme», The Order 1886 [shared w / Jason Graves]-RRB-; nominated — Hollywood Music in Media Awards, «Best Score — Videogame» (ABZU); nominated — Movie Music UK 2015, «Best Video Game Score» (Assassin's Creed: Syndicate); winner — Movie Music UK 2015, «Best Original Song» («Underground,» Assassin's Creed: Syndicate [shared w / Tripod]-RRB-; winner — International Film Music Critics Association, «Best Original Score for a Video Game» (Assassin's Creed: Syndicate); winner — Annual Game Music Awards, «Best Score, Cinematic / orchestral» (Assassin's Creed: Syndicate); nominated — Annual Game Music Awards, «Artist of the Year: Western Composer» (Assassin's Creed: Syndicate, Sunset); nominated — MundoBSO.com, «Best Videogame Soundtrack» (Assassin's Creed: Syndicate); winner — IGN.com, Best of 2015, «Best Original Music» (Assassin's Creed: Syndicate); nominated

(«Underground», Assassin's Creed: Syndicate [shared w / Tripod]-RRB-; nominated — Game Audio Network Guild Awards, «Best Audio for an Indie Game» (The Banner Saga); winner — Game Audio Network Guild Awards, «Best Soundtrack Album» (The Banner Saga); nominated — Game Audio Network Guild Awards, «Best Original Instrumental» («Of Our Bones, The Hills», The Banner Saga); nominated — BSO GoldSpirit Awards, «Best Score for a Video Game» (The Banner Saga); nominated — International Film Music Critics Association, «Best Original Score for a Video Game» (The Banner Saga); nominated — SXSW Gaming Awards, «Excellence in Musical Score» (The Banner Saga); nominated — NAVGTR Game Awards, «Original Dramatic Score, New IP» (The Banner Saga); nominated — Annual Game Music Awards, «Best Score, Cinematic / orchestral» (The Banner Saga); nominated — Annual Game Music Awards, «Artist of the Year: Outstanding Contribution, Western Composer» (The Banner Saga, Soul Fjord); nominated — Annual Game Music Awards, «Outstanding Achievement: Music Production» (The Banner Saga); winner

Gorgeous serene vocals then shrine away the darkness in a majestic fashion polished off by a full orchestral sound of the original Legend of Zelda theme.

Game Informer hailed Jason's original score for SONY»S supernatural hit UNTIL DAWN as a «superb dynamic orchestral score» and GameSpot called it «a chilling soundtrack... which crescendos and subsides to highlight panic, terror, and anguish.»

Those who've played the original Dragon's Crown back in 2013 on the PS3 or Vita (or both platforms) and want to know what's new will find much sharper visuals (if they own 4K TV's), a new orchestral soundtrack (the original is also selectable) and thanks to a recent patch, cross-platform multiplayer and save data with Dragon's Crown Pro.

The Halo Wars 2 Original Game Soundtrack boasts 38 tracks of glorious orchestral music performed by the Hollywood Studio Symphony.

The soundtrack is an obvious homage to the original Xenoblade, too; gone are the contemporary beats of Hiroyuki Sawano that rocked Xenoblade Chronicles X, and instead there are some obvious homages to the original game, with orchestral tracks accompanying your running across the wide open fields, more somber tunes in the claustrophobic areas, and a rocking electric guitar kicking in when battles begin.

And hell, because LEGO Jurassic World incorporates the orchestral soundtrack and even original voice work from the films, there's more than enough nostalgic driven charm to keep the Dinosaur Train a-chuggin».

The music CD, combining electronic and orchestral aspects of Haneda's Wizardry releases, comes in a DVD box with original artwork depicting the series» iconic green dragon.

The original soundtrack was composed and performed by indie rock band Kovalski, whose sound is not only influenced by»70s orchestral rock and Italian Giallo soundtracks but «intensely linked» to Dead Synchronicity: Tomorrow Comes Today's plot and art style.

The stars have finally lined up to create an orchestral version of the original music.

A strong runner - up to Horizon Zero Dawn for the top game OST of 2018, Valkyria: Azure Revolution Original Soundtrack as you'd expect is far more in the traditional JRPG vein, though composer Yasunori Mitsuda takes some impressive strides in modernizing the genre with robust orchestral arrangements and high production values.

Afrika Original Soundtrack is the quintessential outdoor adventure score, melding captivating themes with a grand orchestral performance, while emulating classic adventure movie scores in the best way.

With a penchant for creating powerful emotions and memorable themes, Hulick's original scores range from fantasy landscapes and sweeping sci - fi to orchestral bombast, intimate piano and small string ensembles.

Many people prefer that software designers take the original game, modify the graphics to a 32 - bit color palette, add a magnificent orchestral score, and release it as a «what could have been» title had technology allowed it.

Sure, it's easier to appreciate it in a sweeping orchestral arrangement like Dragon Quest VIII, but even as a chiptune in the original game, the music and especially the theme is perfect: epic, heroic - sounding, and passes the important test of being able to be heard a billion times throughout the game on repeat and not get annoying.

and, like most Kirby games, a beautiful musical score that will, sadly, probably become underappreciated (the game playfully uses orchestral pieces for most stages, whether original or remixed tunes, while the aforementioned secret stages pull a classic track right out of Kirby's past).

Dragon's Crown returns in glorious HD with a new orchestral soundtrack five years after it's original release on the PS3.

Fully remastered with beautifully enhanced graphics that support up to 4K resolution, an impressive orchestral soundtrack, brand - new narrative, major gameplay improvements, Xbox Live support for multiplayer and Achievements, the Definitive Edition brings back the original feeling of Age of Empires, but even better than ever.