Sentences with phrase «original orchestral score»

(Note: original orchestral score extracts are also available on several compilation CDs.)

Not exact matches

The DD 5.1 configuration of the original four - track stereo mix presents Leonard Rosenman's weak, distracting score to good, orchestral effect, for what it's worth.
Leone - style close - ups fetishise narrowed eyes under low, wide brims; horses gallop across widescreen plains in clouds of dust; a rowdy saloon falls deafeningly silent upon the entrance of a stranger; low - slung shots worship the seven walking in a line; a thrilling orchestral score features breakout horns, plucked banjo strings and hints of Elmer Bernstein's galvanising original music; and Red Harvest dons Stars»n' Stripes war paint.
Audio seems to be faithfully represented on a monaural LPCM track that adequately conveys the orchestral dynamics of Tim Souster's (surprisingly compelling) score and maintains enough fidelity to the original recording that you can hear the sound edits between lines of dialogue.
The picture is graced with a spooky grandeur: snowy vistas, long - vacated buildings and a starkly forlorn, percussion - heavy orchestral score by Michael Giacchino that harkens back to Jerry Goldsmith's landmark original.
Bava's choice of music (and composer) has sometimes been very uneven: Carlo Rustichelli's romanticized and treacly music for Whip and the Body detracted from the film's pinched, sadistic sequences; Libra's prog - rock score for Shock felt at times like an effects - ridden mimic of Goblin's supernatural score for Dario Argento's Suspiria; and Stelvio Cipriani's muzak for the original Italian version of Baron Blood deserved to be replaced by Les Baxter's more eerie, orchestral score when AIP initially released that film in North America.
One of the most original and charming films of the year, it is an imaginative interpretation of the Snow White fairy tale that combines the visual power of silent cinema with the dramatic force of an orchestral score to create an entirely unique method of storytelling.
More than 25 years since Legend «s release, only Jerry Goldsmith's original orchestral & synth - embellished score has received a definitive CD release (via Silva Screen), whereas Tangerine Dream's electronic replacement score for the North American edit has yet to be issued on disc in its complete unexpurgated form.
The Return of a Legendary Composer - The illustrious Hitoshi Sakimoto, original composer of the Valkyria Chronicles series and countless other emotional epics, returns to provide a sweeping orchestral score for Valkyria Chronicles 4.
Wonderboy III's original chiptune score has been re-recorded as an orchestral one in one of the more impressive adaptations in many years.
(«The Knights» Theme», The Order 1886 [shared w / Jason Graves]-RRB-; nominated — Hollywood Music in Media Awards, «Best Score — Videogame» (ABZU); nominated — Movie Music UK 2015, «Best Video Game Score» (Assassin's Creed: Syndicate); winner — Movie Music UK 2015, «Best Original Song» («Underground,» Assassin's Creed: Syndicate [shared w / Tripod]-RRB-; winner — International Film Music Critics Association, «Best Original Score for a Video Game» (Assassin's Creed: Syndicate); winner — Annual Game Music Awards, «Best Score, Cinematic / orchestral» (Assassin's Creed: Syndicate); nominated — Annual Game Music Awards, «Artist of the Year: Western Composer» (Assassin's Creed: Syndicate, Sunset); nominated — MundoBSO.com, «Best Videogame Soundtrack» (Assassin's Creed: Syndicate); winner — IGN.com, Best of 2015, «Best Original Music» (Assassin's Creed: Syndicate); nominated
(«Underground», Assassin's Creed: Syndicate [shared w / Tripod]-RRB-; nominated — Game Audio Network Guild Awards, «Best Audio for an Indie Game» (The Banner Saga); winner — Game Audio Network Guild Awards, «Best Soundtrack Album» (The Banner Saga); nominated — Game Audio Network Guild Awards, «Best Original Instrumental» («Of Our Bones, The Hills», The Banner Saga); nominated — BSO GoldSpirit Awards, «Best Score for a Video Game» (The Banner Saga); nominated — International Film Music Critics Association, «Best Original Score for a Video Game» (The Banner Saga); nominated — SXSW Gaming Awards, «Excellence in Musical Score» (The Banner Saga); nominated — NAVGTR Game Awards, «Original Dramatic Score, New IP» (The Banner Saga); nominated — Annual Game Music Awards, «Best Score, Cinematic / orchestral» (The Banner Saga); nominated — Annual Game Music Awards, «Artist of the Year: Outstanding Contribution, Western Composer» (The Banner Saga, Soul Fjord); nominated — Annual Game Music Awards, «Outstanding Achievement: Music Production» (The Banner Saga); winner
Game Informer hailed Jason's original score for SONY»S supernatural hit UNTIL DAWN as a «superb dynamic orchestral score» and GameSpot called it «a chilling soundtrack... which crescendos and subsides to highlight panic, terror, and anguish.»
Afrika Original Soundtrack is the quintessential outdoor adventure score, melding captivating themes with a grand orchestral performance, while emulating classic adventure movie scores in the best way.
With a penchant for creating powerful emotions and memorable themes, Hulick's original scores range from fantasy landscapes and sweeping sci - fi to orchestral bombast, intimate piano and small string ensembles.
Many people prefer that software designers take the original game, modify the graphics to a 32 - bit color palette, add a magnificent orchestral score, and release it as a «what could have been» title had technology allowed it.
and, like most Kirby games, a beautiful musical score that will, sadly, probably become underappreciated (the game playfully uses orchestral pieces for most stages, whether original or remixed tunes, while the aforementioned secret stages pull a classic track right out of Kirby's past).
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