The original photographic source is from another space we have lived in but is transferred by the making into another space» (quoted in Rippner 2002, p. 16).
Not exact matches
Through
photographic manipulation, Simmons attempts to deconstruct the intent and
original content of these
source photographs to construct an entirely new narrative link.
Some artists consider photography and video as unreliable and unstable media: Josh Brown's images of racecars point to the imperfect nature of both the
photographic medium and the spectator's vision, and Justin Phillipson employs video compression to distort his
source material to varying degrees, thereby disengaging the images from their
original source.
Her images play with the inherent
photographic qualities of their
original sources and the intimacy suggested by their small scale.