Sentences with phrase «original reviews of his film»

DVD extras include audio commentary by Cox and Wurlitzer, a making - of documentary, behind - the - scenes photos, and an amusing bit in which Cox pores over several of the original reviews of his film.

For more on Starlet and Sean Baker, check out our original review of the film and our recent interview with Baker discussing Tangerine.

Not exact matches

Netflix recently premiered the third film of Sandler's original deal, «Sandy Wexler,» which is getting more positive reviews than his other ventures on the platform.

(For those interested, my original review is here; the movie has, if anything, been creeping up my big board of Coens films ever since.)

Each day, EW.com publishes a myriad of featured stories, blog posts, TV - recaps, original videos, film reviews and photo galleries.

Our studio had its first ever $ 1 billion worldwide grossing film in Michael Bay's hit «Transformers: Dark of the Moon;» we successfully re-launched our «Mission Impossible» franchise with Tom Cruise, JJ Abrams and Brad Bird; our latest installment in the «Paranormal Activity» franchise had another $ 100 million dollar success; our first original animated film «Rango,» from director Gore Verbinski, earned rave reviews and more than $ 100 million at the domestic box office; and we released global phenomenon «Super 8,» directed by JJ Abrams, who will now direct the newest «Star Trek» for 2013.

Finally, we also have a look for you at the cover artwork for Paramount's original Jack Reacher in 4K (due on 6/26), along with Teenage Mutant Ninja Turtles (due 7/17), and both G.I. Joe live - action films (also due on 7/17), as well as the aforementioned Annihilation and Red Sparrow (from Fox) both of which we're reviewing now in 4K.

Said review must be original content and the use of editing press releases, sampling or interpolating other film reviews, or providing mere plot synopsis or studio - provided summaries, without actual critique, will not qualify as a completed review.

And while the splashy, claret - coated opera of the original Godfather is the film that kicked it all of, and The Godfather Part III is, well... y ’ know, it is perhaps (and certainly for the purposes of this review) the second instalment of director Francis Ford Coppola's sprawling Mafia opus upon which the Godfather trilogy's sepia - hued reputation pivots.

We didn't review it at the time of its original release in 2014, but James Marsh listed the film among his favorite Asian films of that year, saying:

And so we went back to the grindstone to bring you this list of 20 (plus a host of honorable mentions and also rans) of the films that very well might have made it onto our Most Anticipated list had we not already seen them, along with summaries of and links to our original reviews, and their release dates, where they have them.

The financial realities facing movies often have no place in my reviews — I find it boring if not depressing to bring up numbers and statistics, and I'm sure I've already lost people here — but I feel an obligation to come to the defense of producer Scott Rudin, who said damn the torpedoes and pushed through Garland's original vision for the film, despite fears from Paramount over Annihilation posing too much of an intellectual challenge for the general moviegoing public.

As Ebert noted in his original review, Minority Report is a film that works on our minds and our emotions made by a «master filmmaker at the top of his form.»

Later, he also reviews the RiffTrax Live edition of Time Chasers and interviews the original film's director.

You will not read a single review of Bad News Bears that does not compare it to both Michael Ritchie's original 1976 crowd pleaser and to Terry Zwigoff's brilliantly hilarious Bad Santa (2003), and those comparisons will find the new film wanting.

The restoration of the original version of The Gold Rush is covered in a 15 - minute short, there's a technical analysis commentary track by Chaplin biographer Jeffrey Vance, and an illustrated booklet featuring an essay by film critic Luc Sante and James Agree's review of the 1942 version.

The latter is the lone basis of this review, which is preferable to a pan & scan source, but the inaccessibility of the original version of the film for those wanting it in its original aspect ratio is frustrating, especially given that the unrated edition runs two minutes shorter than its theatrical counterpart for reasons I can't be sure of without screener copies of both to compare.

For our 2004 review of the film's out - of - print original DVD, read on.

Nominated for two Oscars (original screenplay and the since - retired best adapted score), the film celebrates the 50th anniversary of its original theatrical release this summer with admission into The Criterion Collection, who assign it spine # 711 in a single - disc DVD and the one - Blu - ray, two - DVD Dual - Format Edition reviewed here.

I realize it's problematic to review a film on the basis of what it might have been, but when that same film substitutes a vision that's vastly less intriguing and original than the one offered by its source, it's a fair tactic, and what's onscreen here is just another zombie picture, gigantic but otherwise unremarkable.

/ Film Edge of Tomorrow is getting a sequel (with both Emily Blunt and Tom Cruise returning) and its riffing on the original film's tagline for its title: Live Die Repeat and Repeat Collider why Rian Johnson asked JJ Abrams to make a small switch to the ending of The Force Awakens to help out The Last Jedi The New Yorker Anthony Lane reviews Guardians of the Galaxy Vol 2.

Paul Feig of course... Scott J. Davis and special guest Kat Kourbeti take a break from reviewing to discuss the first trailer for Ghostbusters, the new reboot / quasi-sequel to the original 1984 and 1989 films.

My more detailed thoughts about the film itself can be found in my original review of the Dolby Digital DVD, but The Haunting provides an unusual case in that more than any other movie I can recall, my enjoyment of the story stemmed largely from the audio.

And while it's beyond doubt that every review of this film must mention Heathers at least once (I've gone and done it twice now) as the go - to precursor, that isn't to suggest that this film is bereft of original ideas and its own serrated and incisive manner.

With Good Luck Chuck just around the bend, and making such a desperately naked play to position itself as the next Wedding Crashers, I figured it's time to re-post a slightly redacted version of that film's original review, originally published in Screen International upon its theatrical release in 2005.

Yet, against the odds, this film has garnered very good reviews, being called a faithful remake of the much - loved original film (apart from, erm, not being about karate at all, but kung fu)-- but of course something today's kids might relate to a little more closely.

Earlier this year, Joel Edgerton addressed the bad reviews of his Netflix original movie Bright, arguing that David Ayer's L.A. - set racial allegory — in which he played a soulful Orc trying to retrieve a magic wand — needed to be «reviewed by public opinion rather than through the highbrow prism of film criticism.»

Plagued by bad word of mouth and harsh reviews from critics (receiving a 9 % at Rotten Tomatoes), the original film suffered another blow when director Josh Trank distanced himself from the final version of the film the day before its release.

This is an edited version of Seán Crosson's original review published after the film's premiere at the Galway Film Fleadh in July 2016.

I reviewed the film in 2009 (read the feature review here) and it since placed on scores of Top Ten lists and critics awards and received Academy Awards nominations for Best Picture and Best Original Screenplay.

Way Too Indie provides you with the best indie movie reviews, coverage of the latest film festivals, podcasts, original editorials, must see trailers, and current independent filmmaking news.

Coinciding with the release of Pacific Rim Uprising in theaters today [read our reviews here and here], Legendary Comics has unveiled a brand new trailer for its prequel series Pacific Rim Aftermath, the six - part prologue set nine years after the original 2013 film and one year before the events of Uprising.

New Mystery — New Mystery, the world's best new original short stories and reviews of books and film.

The reviews are in for «Alien: Isolation,» with critics calling it a truly terrifying and atmospheric experience in the same vein of the original «Alien» film that, for some, will overstay its welcome.

The short film in question is Papers, Please: The Short Film, based on the cult classic 2013 indie title, Papers, Please (one of my personal favorite indie titles, which I now feel I underrated in my original review).