Sentences with phrase «original score makes»

A strong visual emphasis on the sensory experience and a gorgeous original score makes Blind pure cinema.

As Steve Pond points out, the official list of 77 films competing for Best Original Score makes for easily the narrowest field of the general categories.

The original score makes full use of all channels.

Not exact matches

This is an incredibly difficult question to answer for a variety of reasons, most importantly because over the years our once vaunted «beautiful» style of play has become a shadow of it's former self, only to be replaced by a less than stellar «plug and play» mentality where players play out of position and adjustments / substitutions are rarely forthcoming before the 75th minute... if you look at our current players, very few would make sense in the traditional Wengerian system... at present, we don't have the personnel to move the ball quickly from deep - lying position, efficient one touch midfielders that can make the necessary through balls or the disciplined and pacey forwards to stretch defences into wide positions, without the aid of the backs coming up into the final 3rd, so that we can attack the defensive lanes in the same clinical fashion we did years ago... on this current squad, we have only 1 central defender on staf, Mustafi, who seems to have any prowess in the offensive zone or who can even pass two zones through so that we can advance play quickly out of our own end (I have seen some inklings that suggest Holding might have some offensive qualities but too early to tell)... unfortunately Mustafi has a tendency to get himself in trouble when he gets overly aggressive on the ball... from our backs out wide, we've seen pace from the likes of Bellerin and Gibbs and the spirited albeit offensively stunted play of Monreal, but none of these players possess the skill - set required in the offensive zone for the new Wenger scheme which requires deft touches, timely runs to the baseline and consistent crossing, especially when Giroud was playing and his ratio of scored goals per clear chances was relatively low (better last year though)... obviously I like Bellerin's future prospects, as you can't teach pace, but I do worry that he regressed last season, which was obvious to Wenger because there was no way he would have used Ox as the right side wing - back so often knowing that Barcelona could come calling in the off - season, if he thought otherwise... as for our midfielders, not a single one, minus the more confident Xhaka I watched played for the Swiss national team a couple years ago, who truly makes sense under the traditional Wenger model... Ramsey holds onto the ball too long, gives the ball away cheaply far too often and abandons his defensive responsibilities on a regular basis (doesn't score enough recently to justify): that being said, I've always thought he does possess a little something special, unfortunately he thinks so too... Xhaka is a little too slow to ever boss the midfield and he tends to telegraph his one true strength, his long ball play: although I must admit he did get a bit better during some points in the latter part of last season... it always made me wonder why whenever he played with Coq Wenger always seemed to play Francis in a more advanced role on the pitch... as for Coq, he is way too reckless at the wrong times and has exhibited little offensive prowess yet finds himself in and around the box far too often... let's face it Wenger was ready to throw him in the trash heap when injuries forced him to use Francis and then he had the nerve to act like this was all part of a bigger Wenger constructed plan... he like Ramsey, Xhaka and Elneny don't offer the skills necessary to satisfy the quick transitory nature of our old offensive scheme or the stout defensive mindset needed to protect the defensive zone so that our offensive players can remain aggressive in the final third... on the front end, we have Ozil, a player of immense skill but stunted by his physical demeanor that tends to offend, the fact that he's been played out of position far too many times since arriving and that the players in front of him, minus Sanchez, make little to no sense considering what he has to offer (especially Giroud); just think about the quick counter-attack offence in Real or the space and protection he receives in the German National team's midfield, where teams couldn't afford to focus too heavily on one individual... this player was a passing «specialist» long before he arrived in North London, so only an arrogant or ignorant individual would try to reinvent the wheel and / or not surround such a talent with the necessary components... in regards to Ox, Walcott and Welbeck, although they all possess serious talents I see them in large part as headless chickens who are on the injury table too much, lack the necessary first - touch and / or lack the finishing flair to warrant their inclusion in a regular starting eleven; I would say that, of the 3, Ox showed the most upside once we went to a back 3, but even he became a bit too consumed by his pending contract talks before the season ended and that concerned me a bit... if I had to choose one of those 3 players to stay on it would be Ox due to his potential as a plausible alternative to Bellerin in that wing - back position should we continue to use that formation... in Sanchez, we get one of the most committed skill players we've seen on this squad for some years but that could all change soon, if it hasn't already of course... strangely enough, even he doesn't make sense given the constructs of the original Wenger offensive model because he holds onto the ball too long and he will give the ball up a little too often in the offensive zone... a fact that is largely forgotten due to his infectious energy and the fact that the numbers he has achieved seem to justify the means... finally, and in many ways most crucially, Giroud, there is nothing about this team or the offensive system that Wenger has traditionally employed that would even suggest such a player would make sense as a starter... too slow, too inefficient and way too easily dispossessed... once again, I think he has some special skills and, at times, has showed some world - class qualities but he's lack of mobility is an albatross around the necks of our offence... so when you ask who would be our best starting 11, I don't have a clue because of the 5 or 6 players that truly deserve a place in this side, 1 just arrived, 3 aren't under contract beyond 2018 and the other was just sold to Juve... man, this is theraputic because following this team is like an addiction to heroin without the benefits

Tim Burton's direction is fantastic — the only scenes he doesn't wow with are the ones both he and the viewer are bored with — Danny Elfman's score makes the movie in a way no one's done since John Williams and the original Star Wars trilogy, Michael Keaton's mesmerizing and there's a whole lot of good stuff.

While you don't want to focus on a film's score / soundtrack, Tarantino also uses music from his favorite films and repurposes them in clever ways to make the point that he's not just a serious film buff — he's an original filmmaker.

It's quiet to an almost eerie degree — there's no original score — and it isn't out to make a grand if - only - the - world - were - more - tolerant statement.

But the score that Goldsmith provided helped make the film somewhat enjoyable — although if you want to see The Haunting, you're better off seeing the original black and white version.

Actress — Hailee Steinfield Adapted Screenplay — The Social Network Original Screenplay — Inception Animated Feature Film — Toy Story 3 Foreign Language Film — Biutiful Documentary Feature Film — Exit Through the Gift Show Art Direction — Inception Cinematography — Inception Costume Design — Alice in Wonderland Film Editing — Inception Make Up — The Wolfman Original Score — The Social Network Original Song — «I See the Light» Tangled Sound Editing — Inception Sound Mixing — Inception Visual Effects — Inception

And yet slowly, La La Land started picking up award after award: for cinematography, Original Score, Original Song, and Best Director, making Damien Chazelle (at 32) the youngest person to ever win Best Director.

The film makes its home video debut on a beautifully - mastered Blu - ray and DVD combo edition mastered from the restored elements at a corrected 20 frames per second and accompanied by an original score composed and performed by Neil Brand, Gunther Buchwald, and Frank Bockius.

The score by Benjamin Wallfisch and Hans Zimmer is no patch on Vangelis» original but makes an excellent partner to Theo Green's sound design; it combines into an engrossing sensory experience which begs to wash over you.

The score also sounds too much like a retread of the original score, making it hollow and uninteresting.

SOUNDS: My fellow film critic Eric D. Snider said it first, but I'll make sure he's not the last... Clint Mansell's score blends perfectly with the original music with «Swan Lake.»

The five BAFTA awards «Budapest» took — score, makeup and hair, costume design, production design and an original screenplay prize for Anderson — might all be Oscar wins too, making it the night's most celebrated movie.

There's a reasonable base of material, but 55 minutes is far too long to present it in its best light, and it's a pity that this film - one which seems most unlikely to have a lengthy soundtrack made up exclusively of original score - is the one whose music has been released, when the infinitely - superior Remember the Titans score is unreleased.

Just a few years ago Saving Mr. Banks only picked up a measly Original Score nod, despite seeming tailor - made for AMPAS love.

Best Picture: Moonlight Best Director: Damien Chazelle (La La Land) Best Actor: Casey Affleck (Manchester by the Sea) Best Actress: Emma Stone (La La Land) Best Supporting Actor: Mahershala Ali (Moonlight) Best Supporting Actress: Viola Davis (Fences) Best Original Screenplay: Manchester by the Sea Best Adapted Screenplay: Moonlight Best Cinematography: La La Land Best Editing: Hacksaw Ridge Best Production Design: La La Land Best Costume Design: Fantastic Beasts and Where to Find Them Best Makeup and Hairstyling: Suicide Squad Best Sound Mixing: Hacksaw Ridge Best Sound Editing: Arrival Best Original Score: La La Land Best Original Song: «City of Stars» (La La Land) Best Animated Feature: Zootopia Best Documentary Feature: O.J.: Made in America Best Documentary Short: The White Helmets Best Animated Short: Piper Best Live - Action Short: Sing Best Foreign Language Film: The Salesman

It should come as no surprise that the key ingredient to the soundtrack's roaring success is the return of original series composer David Wise, who made a triumphant return with Tropical Freeze after an extended hiatus from scoring mainstream titles.

The Blu - ray debut features the commentary track recorded by Carpenter for the original DVD release and the vintage promotional featurette «The Making of John Carpenter's Vampires,» plus the trademark isolated score audio track and booklet with an essay by Julie Kirgo.

Erik Anderson January 14, 2015 2014/2015 Predictions, Best Actor, Best Actress, Best Adapted Screenplay, Best Animated Feature, Best Cinematography, Best Costume Design, Best Director, Best Film Editing, Best Foreign Language Film, Best Make - Up & Hairstyling, Best Original Score, Best Original Screenplay, Best Picture, Best Production Design, Best Sound Editing, Best Sound Mixing, Best Supporting Actor, Best Supporting Actress, Best Visual Effects, Film, Oscars, Predictions, Slider, The Gold Rush Gang Leave a comment

(The Academy does make an exception if «Äútwo composers function as equal collaborators in producing the score, each contributing a substantial amount of original music for the film.

Costume Design ** Director of Photography ** Editing ** Make Up & Hair ** sponsored by MAC Cosmetics Original Score ** Production Design ** Sound **

Official Premise: Climb aboard for a magical carpet ride with nonstop laughs, action - packed adventure and Academy Award (R)- winning music that will make your heart soar (1992: Best Music, Original Song, «A Whole New World,» Original Score).

There's also footage of trips made to do research and compile sound effects; recording studio sessions with the original Japanese cast, including Yasuko Sawaguchi eating Kentucky Fried Chicken as she was providing the voiceover for Chihiro's mother eating; scoring sessions with Joe Hisaishi; and even a segment about the closing credits theme song, which was originally intended for another Ghibli production that fell through.

Their For Your Consideration page lists the following awards as the ones they're hoping to get noms for: Best Picture, Best Director, Best Adapted Screenplay, Best Actor, Best Supporting Actor, Best Supporting Actress, Best Cinematography, Best Art Direction, Best Film Editing, Best Original Score, Best Costume Design, Best Make - Up, Best Sound Mixing, Best Sound Editing, and Best Visual Effects.

From the look of this second, considerably revamped trailer — which is set to the film's score rather than the first trailer's original music choice of the Beastie Boys» «Sabotage» — I think this one is going to make more fans a lot happier.

As artistic director Peter von Bagh writes, the aim is «to make film screenings shimmer like live performances — through our efforts to guarantee the original format, the best technical care...» (1) And indeed thanks to that care, which includes live accompaniment by great musicians or the use of a large orchestra for new commissioned scores, or again the availability of new and recently restored prints within the walking space of four close venues, the experience of watching a film becomes something unique, a concert - like event.

Best - case scenario: Shot using anamorphic lenses that haven't been used since the»60s and with an original score by Ennio Morricone, The Hateful Eight could see Tarantino surpass his usual exploitation influences and make an old - fashioned Western epic worthy of Sergio Leone.

The aforementioned Production Design, Original Score, Sound Editing, Sound Mixing, and Visual Effects could be the only place Fury can conceivably make a stand.

Is it really worth getting excited at the possibility of the Academy's music branch being progressive enough to make room for Daft Punk in this year's list of Best Original Score nominees?

Blade Runner 2049 Rated R for violence, some sexuality, nudity and language Rotten Tomatoes Score: 88 % In Theaters I'll be honest — I've never been a big fan of the 1982 original ski - fi thriller starring Harrison Ford as a cop whose job it is to hunt down Replicants: synthetic humans who have been made illegal due to instability.

The ambiguity of resident boogeyman Michael Myers is part of what makes the original Halloween so damn creepy, and it's Carpenter's nerve - jangling musical score that amplifies the suspense to almost unbearable levels.

The Big Sick, this year's biggest Amazon - backed Oscar contender, scored only a Best Original Screenplay nomination, but it has also made more than $ 42 million at the box office to date.

Aiding the beautiful cinematography is another pulse - pounding and emotional original score from Johann Johannsson (a frequent collaborator of director Denis Villeneuve) that really heightens the simultaneous feelings of suspense and dread whenever the humans make contact.

Barber made the Academy Awards shortlist this year for Best Original Score for Best Picture nominee «Manchester by the Sea,» directed by Kenneth Lonergan (also a nominee for Best Director).

Best Costume Design, Make - Up / Hair, Original Score and Production Design, Academy Awards 2015; Best Original Screenplay, Production Design, Music and Make Up / Hair at the 2015 BAFTA Awards; Best Film (Comedy / Musical) at the 2015 Golden Globes; Winner of the Silver Berlin Bear, Grand Jury Prize at Berlin Film Festival 2014

The horror and ultimate pathos audiences felt for Kong in the original 1933 production of King Kong still resonates in Max Steiner's ground - breaking score, and the composer gets some decent attention in the length making - of documentary on Warner Bros.» 2 - disc edition of King Kong, which arrived just in time for Christmas.

The presence of characters like Luke and Leia Skywalker, as well as John Williams» majestic score, is a constant reminder of what made us fall in love with the original trilogy in the first place.

DVD Extras Original theatrical trailers, deleted scenes (which make for some interesting viewing), out - takes, audio commentary by Ridley Scott, artwork & photo galleries, original story boards, isolated original score, and alternate musiOriginal theatrical trailers, deleted scenes (which make for some interesting viewing), out - takes, audio commentary by Ridley Scott, artwork & photo galleries, original story boards, isolated original score, and alternate musioriginal story boards, isolated original score, and alternate musioriginal score, and alternate music track.

A Reminder List of works submitted in the Original Score category will be made available with a nominations ballot to all members of the Music Branch, who shall vote in the order of their preference for not more than five achievements.

One could see Academy favorite Gustavo Santaolalla singled out for his Original Score, but if there's one more craft category that might make room for August, it's Art Direction, as production designer David Gropman meticulously packed and dressed the Oklahoma home that was purchased specifically for the production.

Its original score was really from Romeo and Juliet and the rest of the songs just inserted to make the list more interesting.

Erik Anderson February 19, 2015 2014/2015 Predictions, Best Actor, Best Actress, Best Adapted Screenplay, Best Animated Feature, Best Cinematography, Best Costume Design, Best Director, Best Documentary Feature, Best Film Editing, Best Foreign Language Film, Best Make - Up & Hairstyling, Best Original Score, Best Original Screenplay, Best Original Song, Best Picture, Best Production Design, Best Sound Editing, Best Sound Mixing, Best Supporting Actor, Best Supporting Actress, Best Visual Effects, Film, Oscars, Predictions, Slider, The Gold Rush Gang Leave a comment

Disc 2 — Original U.S. Theatrical version with Tangerine Dream score: 89 minutes, with English Dolby Surround / Documentary: «Creating A Myth: The Making of Legend» (51:00) / Isolated Score by Tangerine Dream / «Lost Scenes» «Alternate Opening: Four Goblins» (10:33 — 2.35:1 Ltbx) and «Faerie Dance» (2:45 — recreation with audio, and 80 images of photos and storyboards) / Bryan Ferry's «Is Your Love Strong Enough?&rscore: 89 minutes, with English Dolby Surround / Documentary: «Creating A Myth: The Making of Legend» (51:00) / Isolated Score by Tangerine Dream / «Lost Scenes» «Alternate Opening: Four Goblins» (10:33 — 2.35:1 Ltbx) and «Faerie Dance» (2:45 — recreation with audio, and 80 images of photos and storyboards) / Bryan Ferry's «Is Your Love Strong Enough?&rScore by Tangerine Dream / «Lost Scenes» «Alternate Opening: Four Goblins» (10:33 — 2.35:1 Ltbx) and «Faerie Dance» (2:45 — recreation with audio, and 80 images of photos and storyboards) / Bryan Ferry's «Is Your Love Strong Enough?»

- A Brand - New Extensive Documentary Looking Back at a Most «Excellent Adventure,» featuring Stars Keanu Reeves, Alex Winter, and several other members of the cast and crew - Bill & Ted Go To Hell — A Brand - New Extensive Documentary Revisiting a «Bogus Journey,» featuring Stars Keanu Reeves, Alex Winter, and several other members of the cast and crew - The Most Triumphant Making - Of - The Original Bill & Ted: In Conversation with Chris & Ed - The Hysterical Personages of Bill & Ted - Score!

Extras include an isolated score track in 2.0 mono DTS - HD; an audio commentary with film historians Eddy Friedfeld, Paul Scrabo, and Lee Pfeiffer, which is quite good and provides plenty of insight into the making of the film and its status as a New Hollywood film that's been forgotten and worth rediscovery (I concur); the film's original theatrical trailer, presented in HD; a scroll - through of the current Twilight Time catalogue; and as always, an excellent 8 - page insert booklet with an essay by the great Julie Kirgo.

Introduction by Omar Sharif (1:40), Disc 1, Side A (just before film) / Audio Commentary by Actors Omar Sharif, Rod Steiger and Director David Lean's widow Sandra Lean / Isolated Score by Composer Maurice Jarre / 30th - anniversary behind - the - scenes documentary «Doctor Zhivago: The Making of a Russian Epic» (60:23, indexed with 21 chapters with photos), Disc 2 / Vintage «Zhivago: Behind The Camera with David Lean» (10:12), Disc 2 / Vintage «David Lean's Film of Doctor Zhivago» (7:13), Disc 2 / Vintage «Moscow In Madrid» (4:27), Disc 2 / Vintage «Pasternak» (8:46), Disc 2 / New York Press Interviews with Julie Christie (10:07), Disc 2 / New York Press Interviews with Omar Sharif (18:52), Disc 2 / Geraldine Chaplin Screen Test (3:14), Disc 2 / «This Is Julie Christie» (1:06), Disc 2 / «This Is Geraldine Chaplin» (1:08), Disc 2, / «This Is Omar Sharif» (1:38), Disc 2 / «Chaplin In New York» (2:14), Disc 2 / Original release Trailer

The oddest aspect of the DVD's multiple audio tracks lies in the Spanish dub track, which often features no music in scenes where there's score in the French and English tracks and completely different cues elsewhere, making one believe that all elements had to be recreated for the Spanish print, relying on awfully sparse sound effects, Spanish dialogue recorded in a sterile environment, and stock music in place of Newman's original score.

Taking advantage of DVD's gargantuan storage capacity, these original mono tracks are noticeably more quiet than their fully mixed counterparts, but they often exclude the vocal material from the characters — making a deeper examination of Stalling's scoring nuances even more possible.