Sentences with phrase «original solo work»

Performance Iconic choreographer Bill T. Jones, co-presented by MASS MoCA and Jacob's Pillow Dance, will give a rare performance of original solo work inspired by his October 2016 visit to the gallery, on Saturday, March 4, at 8 pm.

Not exact matches

His current projects include indie / rock band «Kasador», studio cover band «The New Originals», solo works and a start up promotional video company «HW Media».

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If caught, enemies will rip them, and their entire party limb from limb • 6 player co-op or solo play — A multitude of varied playable characters await for players to choose from as they enter the fray in online co-op mode or solo mode for those willing to brave the horrific specimens alone • Terrifying Zeds — New enemies and fan favorites from the original game are back with expanded and smarter artificial intelligence, dishing out powerful attacks, working as a group to weaken the player's party and pushing the challenge level and fear factor to new levels • Unique Blend Of Weaponry — From modern militaristic assault rifles, brutal improvised makeshift weapons, classic historical guns, and off the wall «Mad Scientist» weapons, Killing Floor 2 has a unique blend of killing tools that will satisfy any gamer • Expanded Perk System — Perks from the original game have been reimagined with more added to the fold.

Matsumae, in collaboration with music label Brave Wave Productions, unveils her first - ever original solo album THREE MOVEMENTS, which celebrates her thirty years of working as a composer in the video game industry.

At this time, his work was also being recognized in Europe and Mexico; he was included in Documenta IX in 1992 and his solo show Original Re-Runs (aka, A Certain Lack of Coherence) traveled in Europe throughout 1993 and 1994.

Titled «Nobody is Watching» by Manuel Mathieu» this is a solo exhibition of original work by Manuel Mathieu.

In her first institutional solo show in Europe, the Mexican artist mines language and time, and questions distinctions between original and copy, to create a body of newly commissioned works.

Jordan Wolfson's «Riverboat Song» opens at David Zwirner's West 19th Street space on May 2: three new wall - based works by the artist premiere at the fair with Zwirner alongside an original series of paintings by the gallery's newest signing, Josh Smith - two solos in one booth (D29).

(Liu Wei's original concept was to unleash hungry dogs upon the sculptures, but when the «36 Solo Exhibitions» project in Shanghai in which they were to be shown in May 2006 was shut down, the work morphed into a more permanent presentation.)

The work by Lisa Gordon has been featured in solo exhibitions and museum shows across the United States, including Coors Western Art Exhibit & Sale in Denver, CO (2016 & 2017), Cowgirl Up at the Desert Caballeros Western Museum in Wickenburg, AZ (2006 & 2007), Heart of the West at the Cowgirl Hall of Fame in Fort Worth, TX (2005 - 2007), Originals at the Albuquerque Hall of Fame in Albuquerque, NM, and more.

She has had two more solo shows in the interim: Original Skin, an exhibition of print works and paintings at David Krut Projects in 2011; and Mainly Benoni at Nirox Projects in 2012.

Mickalene Thomas's rejoinder - the crux of her first solo museum exhibition, «Origin of the Universe,» which opened at the Santa Monica Museum of Art and is currently on view at the Brooklyn Museum - is rooted in this retrospective, and the physical fact of confronting the panel seems key to what she makes of it: three versions of the original (all works 2012), with herself and her partner alternately serving as the models for the cropped, attenuated figure disappearing under the folds of rumpled bed linens.

The original work was shown to the public for the first time at her solo exhibition «YOKO ONO: FROM MY WINDOW» at the Museum of Contemporary Art Tokyo (2015 - 2016).

Pratt Institute's Department of Film / Video and Photography will present a solo show of two bodies of work by artist Fred Camper titled «Figments,» that feature digitally altered images of increasingly low resolutions based on original single photographs.

Tetsumi Kudo: Garden of Metamorphosis accompanies the first solo museum presentation of this highly original but under - studied artist's work in the United States.

Haven Gallery in Northport, NY is hosting Sunder & Swell, a solo exhibition of new original works by Seattle based artist Syd Bee.

Recent solo exhibitions La Femme Radicale or The Point of No Return, 2013, D+T Project Brussels (BE); The Absence of Work, 2012, Platform3, Munich (DE); The Factory of Forms, 2012, Manifesta Parallel, Genk (BE) and group shows Zero Hours, Art Sheffield 2013 Sheffield UK; Original Doubtat Plataforma Revolver, Lisbon; Throw a Rock and see what happens, Casa Encendida, Madrid; Vers une Hypothese Fort Du Bruissin Xll Lyon Biennial Lyon, Material Conceptualism at Anaant and Zoo Gallery, Berlin; Pacific Standard Time, LAXART, 2012, Los Angeles; Perform Now!

Pratt Institute's Department of Film / Video and Photography will present a solo show of two bodies of work by artist Fred Camper titled «Figments,» that feature digitally altered images of increasingly low resolutions based on original...

And until 20 April, the Pushkin State Museum of Fine Arts in Moscow exhibits a solo show of works from his series Les Derniers Hosneurs Rendus Aux Infortunes Illustrisismes Comtes D'Egmont Et De Horne, an homage to 19th century Belgian painter Louis Gallait, alongside the original paintings that inspired the photographs.

Petit Déjeuner is a print version of an original painting by Casey exhibited in Appetite For Life, a solo exhibition of his work at Ampersand in late summer, 2017.

It was Guggenheim's Art of this Century Gallery gave him his breakthrough solo exhibition in 1946, prompting Robert Motherwell to proclaim Still's work the «most original» of all of the early shows at Peggy's gallery, including Jackson Pollock, Mark Rothko, and Motherwell's own.

Now she has her first solo show at Scream gallery and her work has progressed while still remaining true to her original vision.

This solo presentation, curated by Chapter — to develop a suite of new work for a large scale, ambitious and original exhibition — will be the artist's first major commission at an international biennale.

Focus: Works from Mathaf Collection is a series of solo exhibitions, featuring artists from the Museum's Permanent Collection, inviting audiences to rethink their understanding of art history and its connection to the world through original research, writing, and curating.

Additionally, The Lodge Gallery will be presenting a solo booth (X9) of Paul Brainard's work at VOLTA NY 2016 featuring original drawings and sculpture.

www.kawsone.com Born 1974 Jersey City, New Jersey Lives and works in Brooklyn, New York Education 1996 BFA School of Visual Arts, New York, NY Grants 1998 Pernod Liquid Art Award Solo exhibitions 2018 Galerie Perrotin, Hong Kong 2017 WHERE THE END STARTS, Yuz Museum, Shanghai Contemporary Art Museum St. Louis, Missouri 2016 WHERE THE END STARTS, Modern Art Museum of Fort Worth, Fort Worth, Texas; Yuz Museum, Shanghai BFF, Central Embassy, Bangkok Galerie Perrotin, Seoul Yorkshire Sculpture Park, West Yorkshire 2015 Permanent Vacation II, Eden Rock St. Barths, St Jean Bay, St Barthélemy, French West Indies Along the Way, Brooklyn Museum, Nueva York Newcomb Art Gallery at Woldenburg Art Center, Tulane University, New Orleans, Louisiana Clean Slate, La Nave, Las Salinas, Ibiza Clean Slate, Shanghai Times Square, Shanghai 2014 Man's Best Fiend, Honor Fraser Gallery, Los Angeles, California Clean Slate, Harbour City, Hong Kong Final Days, CAC Málaga - Centro de Arte Contemporáneo, Málaga PLAY YOUR PART, Galería Javier López, Madrid 2013 Mary Boone Gallery, New York; in collaboration with Galerie Perrotin Pass the Blame, Galerie Perrotin, New York Ups and Downs, Nerman Museum of Contemporary Art, Overland Park, Kansas KAWS @ PAFA, Pennsylvania Academy of the Fine Arts, Philadelphia, Pennsylvania KAWS: Giswil, More Gallery, Giswill, Switzerland Ohhh..., Kaikai Kiki Gallery, Tokyo 2012 Imaginary Friends, Galerie Perrotin, Paris Companion (Passing Through), The Modern Art Museum of Fort Worth, Fort Worth, Texas The Nature of Need, Galerie Perrotin, Hong Kong KAWS: Down Time, High Museum of Art, Atlanta, Georgia 2011 KAWS: Companion, High Museum of Art, Atlanta, Georgia Focus: KAWS, The Modern Art Museum of Fort Worth, Fort Worth, Texas Hold the Line, Honor Fraser Gallery, Los Angeles, California Companion (Passing Through), The Standard, New York; Aldrich Museum of Contemporary Art, Ridgefield, Connecticut 2010 Companion (Passing Through), Harbour City, Hong Kong KAWS, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut Pay the Debt to Nature, Galerie Perrotin, Paris KAWS, Galería Javier López, Madrid 2009 The Long Way Home, Honor Fraser Gallery, Los Angeles, California 2008 KAWS, Gering & López, New York Saturated, Galerie Emmanuel Perrotin, Miami, Florida; travelling, curated by Pharrell Williams 2003 Original Fake, BAPE Gallery, Tokyo 2002 # @!

The notions of fluidity and infinity often recur and are interpreted in his works; a critical turning point took place in 2011 with the solo exhibition «My Personal Universe», in which the Zhan Wang employed dynamite in the course of production allowing the artist to successfully recreate the original moment of the big bang, that the world subsequently came into being.

After several Street Pieces around East London (covered), VinZ opened his latest solo show «Tempus Fugit» last Thursday evening at RexRomae Gallery in Shoreditch which was curated by Rom Levy.Tempus Fugit is an exhibition of original works and sketches with their street counterparts on display.

The exhibition also includes the screening of a selection of films in their original format, as well as a solo piano concert by Michael Snow — a rare occasion to directly experience the subtle humour, immense sophistication and creative freedom of this multifaceted artist's work.

Beginning in the 1950s, Martha Jackson adopted a daring global perspective, actively exhibiting artists from around the world, giving women artists such as Louise Nevelson their first solo shows, educating the public, and cultivating devoted collectors at a time when few thought to buy original contemporary works.

It is with great pleasure that Galleri Christoffer Egelund can present one of Denmark's most ambitious artists, when Marco Evaristti introduces original works in the solo show, I Believe In Love After Death.

The ADAA solo booth presentation will serve as the debut of a major new body of work for the artist, entitled My Polaroid Years, comprised of almost 150 original Polaroids from her personal archive dated from 1988 — 2005.

Dash Shaw (BFA 2005 Illustration) Author, animator and cartoonist; published works include Cosplayers 1 & 2, Doctors, New School, 3 New Stories, The Unclothed Man in the 35th Century A.D., Bottomless Belly Button all published by Fantagraphics; New Jobs published by Uncivilized Books; BodyWorld published by Pantheon; Bottomless Belly Button was named Publishers Weekly's best graphic novel and one of Entertainment Weekly's top 10 books; New School was voted One the Best Books of 2013 by National Public Radio; animated short Seraph selected for 2013 Sundance Film Festival; animated series The Unclothed Man in the 35th Century A.D. aired on IFC.com (2009); solo exhibition of original writings and storyboards at Duke University's John Hope Franklin Center (2008); solo exhibition at the Museum of Comic and Cartoon Art (2010); Harvey Award nominee: Best Graphic Album for Bottomless Belly Button (2009); Ignatz Award nomination in the category of Outstanding Story for Galactic Funnels (2008); drawings featured in the film Rabbit Hole (2010); Sundance Writing and Directing Labs Fellow (2010); Cullman Center Fellow (2014).

In addition, a new, original work performed by Abramović will mark the longest duration of time that she has performed a single solo piece.

The title of the exhibition comes from a work by Scottish artist Scott Myles, who screen - printed the text «OPEN HOUSE» on The Modern Institute's Aird's Lane gallery office door, removed it from its original frame and re-installed it on the gallery wall as part of his 2017 solo show.

Through new and historical works by 24 of the artists currently shown by Lisson Gallery (out of more than 150 to have had solo shows over the past 50 years), this extensive presentation aims to collapse half a century of artistic endeavour under one roof, while telescoping its original aims into an unknowable future.

Upcoming solo exhibitions of his work will be presented at the Hirshhorn Museum and Sculpture Garden, Washington, DC and Museum für Moderne Kunst, Frankfurt, Germany, and he will be included in The Original Copy: Photography of Sculpture, 1839 to Today at the Museum of Modern Art, New York (August 2010), the Eighth Gwanju Biennial (September 2010) and Post Monument, XIV Biennale Internazionale di Scultura di Carrara, Italy.

Cary Leibowitz: Museum Show is the first comprehensive career survey and solo museum exhibition devoted to the New York - based contemporary artist.The exhibition features nearly 350 original artworks from 1987 to the present, including paintings, fabric works, multiples, installations, documentation, photography, and ephemera.