Sentences with phrase «original stage play»

Not only does this set include a great deal of bonus features pertaining to the film, but there is enough history about Fosse and the original stage play to please any theatre geek.
The writer of Into the Woods is James Lapine who adapted the original stage play musical that he wrote with Stephen Sondheim (who you may have heard of).
The original stage play dripped with»50s nostalgia (a mere 12 years after that decade had ended).
William Friedkin directs the screenplay by Tracey Letts, who wrote the original stage play on which this is based (I saw it back in 1999 in an off - Broadway theater so small that I got splashed when the table flipped over), with no small amount of gusto.

Not exact matches

And many of these lessons have been learned in the years since the original Wheat Belly was released, lessons played out on the broad public stage of over one million readers, all participating in this grand adventure.
In the original Broadway production of this William Inge play, Shirley Booth played Lola Delaney, the vulgar, dumpy, less - than - bright «shotgun bride» of recovering alcoholic Doc Delaney, played on stage by Sidney Blackmer, who won a Tony award for his efforts.
In 1947, Harrigan scored a personal triumph in the role of the irascible Captain in the original Broadway production of Mister Roberts; the play was co-written and staged by Joshua Logan, the husband of Harrigan's actress sister Nedda.
There are no adventure stages — like in the original Pirate Warriors game — to mix up the game play, nor are there any of the other major additions to the Dynasty Warriors formula like the tower defense - style monster summoning system of Dragon Quest Heroes.
Classic stages play even better than they did in their original appearance, transforming in the second act, new stages are incredibly creative and the soundtrack is just as good as the game's overall design.
He played Inspector Javert in the original London production of the stage musical Les Misérables.
With only one condition — that the bands on stage play their own, original tracks — Kristal's venue saw the early days of Talking Heads, Blondie, The Ramones, The Dead Boys, The Police, Iggy Pop and Patti Smith Group.
That was Peter Vincent, which Roddy McDowell played perfectly as an aging horror TV host in the original, and here has been reimagined as a Vegas stage magician played by David Tennant.
Overseen by Keith Clark, a trio of making - of featurettes kicks off with the longest of them, «None of Them Are You: Crafting Anomalisa» (30 mins., HD), a comprehensive overview of the production that includes stills and audio from a performance of the original «sound play» (which also featured Tom Noonan, David Thewlis, and Jennifer Jason Leigh, with the film's composer Carter Burwell conducting an orchestra off to the side), shedding light on its unique staging.
Why make a film about a television interview that took place over thirty years ago — a film, by the way, based on a STAGE PLAY that was based on the original series of 1977 interviews?
Nyman and Dyson's Ghost Stories has been running as a theatre production for over 10 years, and part of the original idea for the play was to transpose some of the techniques of horror cinema onto the stage, thus reinvigorating them.
Make that a mostly new cast, given that the current leading man, Bill Nighy, followed on from Michael Gambon in the original Richard Eyre staging of a play that has plenty to say about how we live and love now as it did during the Thatcherite era in which the writing is steeped.
Hugh Jackman The Potential: A virtual unknown when he was plucked by Bryan Singer from the London stage to play Wolverine when original choice Dougray Scott was held up on «Mission: Impossible II,» Hugh Jackman became an instant icon in the «X-Men» movies, and it was clear he had the charisma to do almost anything — drama, rom - com, musicals.
As for Lewis Milestone's 1931 original, dutiful to the stage play?
But as is, Into the Woods works, and the characters, beloved for so long, are brought to life beautifully with honor to the original play, without being too faithful to the stage interpretations.
Darren hit the stage to thank Stephen for being a mentor and for all of his amazing work within the community, and then performed an original interpretation of The Hunchback of Notre Dame «s «Out There,» playing the song on his guitar and from the heart.
Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.
Even if they didn't quite sound like the original acts, having live, grungy performances would have gone a long way to the authentic CBGB feel than a cavalcade of all - too - polished make - believe, though I will concede that it may have compromised the nightclub's rule on only playing original material on the stage to have what is essentially nothing but covers.
Carola, U.S.A. 1960 Translation from French and adaptation by Jean Renoir, Robert Goldsby and Angela Goldsby of Renoir's original three act play Director: Jean Renoir Assistant Director: Robert Goldsby Sets: John T. Dreier Costumes: Shan Slattery Technical Assistant: Herbert Schoeller Stage Manager: Larry Belling Cast: Deneen Peckinpah (Carola Janssen), Robert Martinson (General von Clodius), Eileen Coltrell (Mireille), Caroline Rosqui (Josette), Sydney Field (Campan), Dan Moore (Henri), David Grimsted (Colonel Kroll), James Tripp (Parmentier), Duke Stroud (Camille), Malcolm Green (Lieutenant Keller), Robert Phalen (First French Gestapo Member), Charles Head (Second French Gestapo Member), David Vilner (First German Military Policeman), Dan Rich (Second German Military Policeman), Tony Loeb & Cliff Ghames (Members of the Gestapo), Jim Mantell & Lewis Brown (German Soldiers), Wendy Goodman, Shelia Ryan & Susan Brewer (Actresses), Miles Snyder & Stephen Vause (Actors).
We're debuting a brand new Thoroughbreds featurette in which Finley explains how the story morphed from its original form — a stage play — into a wholly cinematic experience.
Van Groeningen, working from an original idea and stage play by Heldenbergh, adroitly alternates the events of the film with Didier's band's songs; in other words, The Broken Circle Breakdown owes a greater kinship to Cabaret than to Once — even though, at its best, its intent leans more towards the personal than the political.
Urban rotely plays a character we've seen a million times, Minka Kelly fails to convince as a detective, and poor Mackenzie Crook, late of the original The Office and some marvelous stage work, is stuck playing yet another nerdy lab geek.
The book's original mu - sic, which is cued by specific page turns, was written by Danielewski's friend Chris - topher O'Reilly, who'd composed the pieces for a staged shadow play of the story when the book was first published in limited Dutch release in 2005.
In the months to come the Pottermore Correspondent will report on the forthcoming Warner Bros. feature film Fantastic Beasts and Where to Find Them, based on an original J.K. Rowling screenplay, and the stage play Harry Potter and the Cursed Child, a new story by J.K. Rowling, Jack Thorne and John Tiffany, written by Jack Thorne, which is set to open in London in 2016.
She appeared in and contributed original material to the play Coming Out at On the Fringe in Los Angeles, and two of her short plays have been staged in Oregon: Annalee's Bench by Red Octopus Theatre in Newport and Weather Guy at the Majestic in Corvallis.
What could have been a run - of - the - mill coming - of - age story is elevated through Booth's clear prose, and the detailed, expertly researched descriptions of the original staging of Hamlet, as well as the ways in which the play's staging changed over the years and under different directors.
Based on an original new story by J.K. Rowling, John Tiffany and Jack Thorne, Harry Potter and the Cursed Child is a new play by Jack Thorne and the first official Harry Potter story to be presented on stage.
It can also be played in Omega form, giving the stage a look and feel much like in the Street Fighter II ® original.
- Iizuka has received a ton of requests from fans to have their own original characters appear in Sonic games - while that couldn't happen, Sonic Forces» custom character recognizes that fan desire - the avatar was created with the idea of «making straight high - speed action» - this time the concept is that all three styles (Modern, Classic, Avatar) would be high - speed based - make selections for the face, mouth, body color, and gender of custom characters - each species will also have their own unique skills, such as wolves being able to pull nearby rings - you can't change custom characters in the middle of the game - there is some sort of feature that's unlocked after you've cleared the game once related to this - the new avatar style will have a speedy and rhythmic style like Modern Sonic, but also different vectors from Sonic - this includes differences in timing for pressing buttons, or the Wisps giving the avatar trickier movements - the story aims to depict heroes that would feel like Sonic - by controlling different characters, the devs hope to show a story that extends to explaining the world setting as well - the story concept has been «Hero Army vs. Eggman's Army» from the start - when wondering who should be made playable among the heroes, the idea came up for Classic Sonic - the character setting for the avatar is a civilian in an area occupied by Eggman who stands up and fights together with Sonic - during stages, you'll hear radio contact from partners like Tails and Amy - Sonic and the rest of the gang form a resistance to stand against Eggman's army, so they relay information from headquarters - boss characters like Chaos and Metal Sonic will appear in Eggman's army - details on the new character (Infinite) are being kept secret - the main part of the storyline is that Eggman gathers strong enemies in the past to form an all mighty army - some people might be wondering why Shadow is on the enemy's side, but they can find out more by experiencing the story - the team thinks Japanese fans are taking a liking to the serious story and character customization features - there were some struggles with the new engine in early stages, but now they've moved to a smooth development process - the team knew they wanted to bring the game to Nintendo's new console before they even knew it was the Switch - the Switch info came to them during the middle of the game's development - SEGA knew Nintendo fans would want to play Sonic's new game, which is why they personally worked to bring it to Switch - SEGA plans to show the game in Japan at Tokyo Game Show 2017 in September - the team is also working on providing new information, including news that would be unique to Japan
Players will be pleased to play with the original stage 256 bug — perfect for PAC - MANiacs!
The remake also offers an Original Mode which allows to play the same puzzle stages from the originOriginal Mode which allows to play the same puzzle stages from the originaloriginal game.
The music has a few original tracks, but the redone tunes from the original Donkey Kong Country are the real show - stealers, always matching the mood of whatever stage they're played in.
- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects
Deckard Cain is also another kick to the nostalgia glad for fans, with the iconic character playing a major role in the early stages and even being voiced by the original voice actor to give fans that little extra nod.
- Blaze your merciless path of devastation through an expansive non-linear game world with 100 + stages of cortex - shattering cubic mayhem - Test your guts and reflexes against the unrelenting challenge of a design based on randomness, where no level ever plays out exactly the same way twice - Battle a host of insidious enemies that combine abilities to create chaotically unpredictable emergent challenges - Unleash hyper - destructive weaponry to achieve ever greater chain combo supremacy and elevate your score to legendary heights - Seek and destroy brutal boss enemies to unlock a series of wickedly challenging multi-boss duels - Bang your head to the hypnotic beats of a full original soundtrack by visionary techno composer Joey Schmidt Your ultimate indie arcade action nightmare begins now.
Each world has up to six stages and a boss, and while things might start feeling a wee bit familiar to those who played the original Splatoon, to anyone who hasn't it's a great experience.
Mario Party 9 ditches the original boards, coins and set number of turns style and has you playing a more linear map or stage and has you run through it from start to finish in a fashion similar to the Board Game Island mode from Wii Party.
I didn't own all of the Mega Man games for my NES — games were a luxury commodity during my formative years — but I owned the original Mega Man, and somehow 7 year old me was able to play through this game while «Old Me» struggles to clear the first part of Gutsman's stage.
Play it in - browser, via the free Unity3D plug - in, at PlayJoyride.com For this hobby videogame project I served as project lead (original concept, core gameplay design, team management) and engine programmer, in addition to designing one stage and doing a little bit of art.
One of my favorite worlds is a play on the fire / ice tropes of platformers that is reminiscent of Freezeflame Galaxy from the original Super Mario Galaxy, and picking of that there is another stage that plays with perspective in a very cool manner.
Last year we debuted our brand new original franchise Days Gone by playing a live on - stage demo where Deacon St. John encounters a Horde — resulting in a desperate battle for his life.
There were four in the version I played, ranging from old favourites (such as Battle Course 1 from the SNES original) to brand new stages like one based on Urchin Underpass from Splatoon.
Most younger gamers today could probably handle themselves pretty well when playing the original Ninja Gaiden, but I can almost guarantee that a good portion of them will take a trip to YouTube when they find out how difficult it is to traverse through stage 2 - 2.
It was already announced that PS4 owners will get to play as classic Snake from the original MGS and now Xbox One owners know that they will be able to play as cyborg ninja Raiden in an exclusive stage titled «Jamais Vu»
Playing on the nostalgic feeling fans have with the Mario franchise, see classic retro stages from the original Mario titles, through to the current generation completely re-imagined into something out of Mario's worse nightmare.
Developer Natsume hasn't stopped there when it comes to new features adding a couple of new stages that play just as well if not better than its originals along with a boss rush mode and online leaderboards.
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