Sentences with phrase «original title of the film»

McCarthy plays Susan Cooper (whose name was the original title of the film), a valuable but desk - bound CIA analyst who is thrust into the field to infiltrate the world of a deadly arms dealer.

Holmes has an Aryan rival, of course, and despite a few half - hearted intimations at ratiocination, the whole thing serves mainly as a colourless rehash of Indiana Jones and the Temple of Doom (indeed, the original title of the film was Sherlock Holmes and the Pyramid of Fear) that makes up for its lack of any particular racism with a sort of amazing amount of girl abuse.

The original title of my film was always Fat Girl, but since I am French and not at all bilingual, it was for reasons more mysterious than an anglicism.

In fact, the original title of the film «Maryland» is the name of the abode, that is stage to the home - invasion.

Not exact matches

Netflix's target for original movies next year compares with a 2017 slate of about 50 film titles that it has released or is scheduled to debut globally.

A Good Woman - the original title of Lady Windermere's Fan - adapted by Howard Himelstein and directed by Mike Barker, is a much straighter attempt at filming Wilde.

As on the bonus discs afforded Kung Fu Panda, Monsters vs. Aliens, How to Train Your Dragon, and Shrek Forever After, the title attraction of Disc 2 is an all - new spin - off short retaining the film's original voice cast (well, two members of it).

In keeping with the popular social media trend of «Throwback Thursday» (#TBT), we will from time to time take a moment to focus on the classic trailers, posters, and promotional items from some of our favorite Halloween - themed movies, TV shows, and more, continuing today with a flashback viewing of the original trailer for the sixth film in the Halloween franchise, originally titled Halloween 666: The Origin of Michael Myers (1995).

Starring Paul Rudd (Ant - Man), in his first feature film, as Tommy Doyle, and introducing J.C. Brandy as the new Jamie Lloyd (taking over the role from Danielle Harris), «Halloween 666» is the original title for what would ultimately become the infamous «Producer's Cut» of Halloween: The Curse of Michael Myers, a very different version of which was released in theaters in 1995.

B + The U.S. title of Olivier Assayas» new film, Something in the Air, misleads from the direct implications of the original Apès Mai, translated literally as «After May».

The harsh, violin - heavy original score is rigid and haunting, accompanied late in the film by a heavy dose of the symbolic title song from the musical «Camelot», which became forever connected with the Kennedy family.

Under both its original title When Ladies Meet and its TV - dictated cognomen Strange Skirts, this dated but enjoyable film has become a «standard» on the various cable TV services of Ted Turner.

Most of this is surprising, because Todd Phillips and the original film title were great ideas.

The cover of their The Happy Ending blu - ray is embarrassing — it's a fraction of the film's original movie poster blown up and set off center with the title written in thin blue lettering that's nearly indecipherable.

Each year we get a master list of all the eligible films and then need to divide the titles into Adapted and Original for the screenplay...

This was actually a film which had the original title of Man of War, but Bruce like the Tears title, so apparently there was some deal made where it could be used as the title in agreement for Bruce doing Die Hard 4.

- The original title of the movie was «Tomorrow Never Comes» - Anthony Hopkins was cast as Elliott Carver and joined the production, but dropped out after three days because filming was disorganized and chaotic and there was no completed shooting script - First Bond film since Diamonds Are Forever to have a running time of less than two hours.

There are a couple of familiar key tracks here (Hank Levy «s, which gives the film its title, and Duke Ellington «s «Caravan,» among them), but an overwhelming amount of the music in the film is original and from composer Justin Hurwitz, who played in a band with Chazelle at Harvard.

Peter Jackson's (The Desolation of Smaug, An Unexpected Journey) version should have the secondary title, «Been There, Done That», as he's not only revisiting many of the same tropes that made his original Lord of the Rings trilogy a gargantuan success among films, but also viewers will likely watch these movies once and are content to close out the chapter without giving them any second thought.

The ultimate haptic heroine of the AFI FEST was the unnamed protagonist of Krotkaya (A Gentle Creature), the third narrative film of the Berlin - based Ukrainian filmmaker Sergei Loznitza.45 The Russian title is that of the original short story by Dostoyevsky (1876) about a meek young woman inexplicably committing suicide, but, in its country of production (France), the film is called Une Femme douce — like the 1969 adaptation of the same story by Robert Bresson directed.

Although the trailer (and the film's new title) focuses on a theft of this cash, Lehane's original short story is about Hardy's character, Bob, finding an injured pit bull puppy in the trash and resolving to take care of it and protect it from its abusive former owner.

Hawks, who also wrote the original story, tells you exactly what the film is about in the opening shots: a spectacular wreck on a dirt track, the animated response of the spectators leaping up to get a better view, and then the title.

The U.S. title of Olivier Assayas» new film, Something in the Air, misleads from the direct implications of the original Apès Mai, translated literally as «After May».

Special Features: • Brand new 2K transfer from the original camera negative • High Definition Blu - ray (1080p) and Standard Definition DVD presentations • Optional English SDH subtitles for the deaf and hard of hearing • Audio commentary with co-writer and producer Mardi Rustam, make - up artist Craig Reardon and stars Roberta Collins, William Finley and Kyle Richards • New introduction to the film by director Tobe Hooper • Brand new interview with Hooper • My Name is Buck: Star Robert Englund discusses his acting career • The Butcher of Elmendorf: The Legend of Joe Ball — The story of the South Texas bar owner on whom Eaten Alive is loosely based • 5ive Minutes with Marilyn Burns — The star of The Texas Chain Saw Massacre talks about working on Eaten Alive • The Gator Creator: archival interview with Hooper • Original theatrical trailers for the film under its various titles Eaten Alive, Death Trap, Starlight Slaughter and Horror Hotel • US TV and Radio Spots • Alternate credits sequence • Reversible sleeve featuring original and newly commissioned artwork by Gary Pullin • Collector's booklet featuring new writing on the film, illustrated with original archive stills andoriginal camera negative • High Definition Blu - ray (1080p) and Standard Definition DVD presentations • Optional English SDH subtitles for the deaf and hard of hearing • Audio commentary with co-writer and producer Mardi Rustam, make - up artist Craig Reardon and stars Roberta Collins, William Finley and Kyle Richards • New introduction to the film by director Tobe Hooper • Brand new interview with Hooper • My Name is Buck: Star Robert Englund discusses his acting career • The Butcher of Elmendorf: The Legend of Joe Ball — The story of the South Texas bar owner on whom Eaten Alive is loosely based • 5ive Minutes with Marilyn Burns — The star of The Texas Chain Saw Massacre talks about working on Eaten Alive • The Gator Creator: archival interview with Hooper • Original theatrical trailers for the film under its various titles Eaten Alive, Death Trap, Starlight Slaughter and Horror Hotel • US TV and Radio Spots • Alternate credits sequence • Reversible sleeve featuring original and newly commissioned artwork by Gary Pullin • Collector's booklet featuring new writing on the film, illustrated with original archive stills andOriginal theatrical trailers for the film under its various titles Eaten Alive, Death Trap, Starlight Slaughter and Horror Hotel • US TV and Radio Spots • Alternate credits sequence • Reversible sleeve featuring original and newly commissioned artwork by Gary Pullin • Collector's booklet featuring new writing on the film, illustrated with original archive stills andoriginal and newly commissioned artwork by Gary Pullin • Collector's booklet featuring new writing on the film, illustrated with original archive stills andoriginal archive stills and posters

Julia Stiles stars as the title character in «Blue,» a new web series produced by the YouTube channel Wigs, which is described as «a digital channel producing high - end, original, scripted dramatic series and short films about the lives of women.»

The original title for the film was We Want Sex, based on a real, chaotic mishap at the strikers» Westminster demo, when the right - hand half of their banner reading «We Want Sexual Equality» collapsed, leading to much cheerfully supportive drive - by hooting and wolf - whistling, in which this movie participates.

In spite of its title, Tarzan II is not a continuation in spirit or story of Disney's winning original film.

In fact, the experience of working on a film like this has only solidified why sequels and remakes will continue to be made instead of focusing more on original titles.

The only thing missing from the Japanese Blu - ray were teasers for other Ghibli titles and an image gallery that allows you to read the original Japanese script for the film — of course, that was all in Japanese, so there's not much point in including it here.

This term, which gave the film its original title, is the French language equivalent for «Day for Night», the technique of shooting in daylight but making it look like night through a combination of filters, under - exposure and specific printing techniques.

The Uninvited is DreamWorks's redo of the 2003 Korean chiller A Tale of Two Sisters, and it's rather appropriate that the title was changed, for while the film hews close to some of original writer - director Kim Ji - woon's basic concepts and a few specific shots, directors the Guard Brothers (Charles and Thomas) and screenwriters Craig Rosenberg, Doug Miro, and Carlo Bernard take a very loose spin on things plot wise — namely, reconfiguring the overall story into much more conventional American genre terms.

Though the film uses the pop - styled first half of Hancock's «Main Titles» for the original English language mono mix, Antonioni, or perhaps an executive, chose to substitute Hancock's livelier «End Title» music in place of the more subdued variation, which was slightly edited and placed over the film's End Credits.

The film features winks to other zombie titles whilst remaining thoroughly original amongst the subgenre of films (it's certainly no horror film, that's for sure) plus multiple Twin Peaks references and one particularly wonderful nod to St Elmo's Fire.

By the end of the film, he icily hits home the film's original title, Alien: Paradise Lost with such precision.

/ Film Edge of Tomorrow is getting a sequel (with both Emily Blunt and Tom Cruise returning) and its riffing on the original film's tagline for its title: Live Die Repeat and Repeat Collider why Rian Johnson asked JJ Abrams to make a small switch to the ending of The Force Awakens to help out The Last Jedi The New Yorker Anthony Lane reviews Guardians of the Galaxy Vol 2.

«You'll have to come out sooner or later...» Vertical Entertainment has premiered a new trailer for a horror thriller titled Inside, a remake of the original French film of the same name by Alexandre Bustillo & Julien Maury.

Danny Boyle, Ewan McGregor and Robert Carlyle have reunited for a new version of Trainspotting, titled T2 Trainspotting which will revive the hit film's original characters and is due for release in the spring.

THE DVD The unaccountable popularity of the film and what appears to be genuine respect for all of their titles has led Fox to substitute their bare - bones, fullscreen DVD release of The Commitments with a Collector's Edition that preserves the original 1.85:1 aspect ratio (to my eye, it looks closer to 1.77:1) in an anamorphic transfer that is simply beautiful.

(Hong Kong film critic Stephen Teo has noted that the film's original title, A Fei Zhengxhuan, alludes to the Chinese title of Rebel Without a Cause:» «A Fei» is local Cantonese slang for unsavory youths and the full title may be interpreted as the life story of one.»)

«Brazilian writer - director Daniel Ribeiro expands his award - winning short film I Don't Want To Go Back Alone into this full - length coming - of - age drama, whose original title translates as Today, I Want To Go Back Alone, a subtle difference that reflects a shift in focus between the two films.

More straightforward and less of a puzzle than the original versions, it nonetheless builds a mystery around why Chastain's title character disappears, before casually dropping hints well into the film.

Special Features New 4K digital restoration of Charlie Chaplin's 1972 rerelease version of the film, featuring an original score by Chaplin, with uncompressed monaural soundtrack New audio commentary featuring Chaplin historian Charles Maland Jackie Coogan: The First Child Star, a new video essay by Chaplin historian Lisa Haven A Study in Undercranking, a new program featuring silent - film specialist Ben Model Interviews with Coogan and actor Lita Grey Chaplin Excerpted audio interviews with cinematographer Rollie Totheroh and film distributor Mo Rothman Deleted scenes and titles from the original 1921 version of The Kid «Charlie» on the Ocean, a 1921 newsreel documenting Chaplin's first return trip to Europe Footage of Chaplin conducting his score for «The Kid» Nice and Friendly, a 1922 silent short featuring Chaplin and Coogan, presented with a new score by composer Timothy Brock Trailers Plus: An essay by film scholar Tom Gunning

Les infidèles in its original title, the film is a compilation of sketches and shorts examining the French male's inability to remain faithful in marriage.

So while Annihilation bypasses cinemas in this country, do call out the movie industry for its lack of faith in filmmakers and film lovers; petition Netflix to team up with Curzon cinemas more to release its original movies theatrically in the UK; support smaller titles that do have cinema releases where possible; but don't spend your time lamenting the decline of cinema when the art of the visual medium is alive and kicking through Annihilation, in US theatres and on UK computers, phones, tablets and TVs.

It is unclear how much of that is due to the original French film, 1998's Le dîner de cons (titled The Dinner Game for English audiences), written and directed by the oft - translated Francis Veber (who is also responsible for the movies that became Fathers» Day, The Birdcage, The Toy, and Three Fugitives).

Bryan Singer, the architect of the original X-Men films returns to direct this ambitious and large - scale blockbuster which gets its title from the classic comic book storyline from Chris Claremont and John Byrne.

Olivia Newton - John and John Travolta capture the 1950s era well, and the film's soundtrack is one of the most enjoyable movie soundtracks of any year or genre, including the title track, «Summer Nights,» «You're the One that I Want» (which wasn't in the original stage musical), and «Greased Lightnin».»

Two of the four stories will be adaptations from the comics (including the title story) while two will be original SIN CITY stories Frank Miller wrote exclusively for the film.

A household name, the character of Bond has enough cultural heft and influence that he warrants interpretations from independent sources besides, and given that Sean Connery was lured out of a twelve - year retirement from the character — hence the title, Never Say Never Again — as well as the room for improvement left by the original Thunderball, the film had the potential to be more than just a cynical cash - in.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.