Sentences with phrase «original works from the exhibition»

In the gallery below is images of original works from the exhibition, alongside a few choice quotes from the reviews that greeted it.

Not exact matches

The Weston Library's inaugural exhibition showcases original works from the world's best and brightest

This exhibition features 45 images from the project, along with contact sheets, copies of the original issue of the magazine and supporting materials that provide further context and documentation of Parks's work.

[10] Jones notes that Riley investigated Seurat's pointillism by painting from a book illustration of Seurat's Bridge at an expanded scale to work out how his technique made use of complementary colours, and went on to create pointillist landscapes of her own, such as Pink Landscape (1960), [10] painted soon after her Seurat study [13] and portraying the «sun - filled hills of Tuscany» (and shown in the exhibition poster) which Jones writes could readily be taken for a post-impressionist original.

With more than 100 works from the original exhibition and a big, richly illuminating catalog, «The Armory Show at 100: Modern Art and Revolution» at the New - York Historical Society offers an excellent opportunity to ponder such questions.

For this exhibition, they are shown for the first time as a ground for other works to be installed upon, departing further from their original incarnation as object to function as container for the works within.

Ranging in date from the 1960s to the present, this exhibition showcases more than 90 original works on paper.

Jointly, the works in the exhibition engage with questions of production and consumption, conceived from either sourced or original material.

The exhibition is able to unfold, through so much original material, just how crucial the frequent critical dialogue and encouragement coming from Freilicher was in forming and supporting the daily lives and work of these poets.

Well, the New - York Historical Society has an exhibition to celebrate, featuring 100 works from the original show itself: The Armory Show at 100: Modern Art and Revolution revisits those heady days when the American art world was changed forever.

This exhibition in London also brings together important archival material, such as rare propaganda posters from the original pavilion and a replica of Miró's infamous work El Segador (The Reaper) which disappeared when the pavilion was dismantled in 1937.

The exhibition will showcase original work that ranges from the highly experimental to the carefully refined.

In response to this event, from the 14th April the original exhibition will be reconfigured as a retrospective interrogation of work shown thus far.

The artist then traveled all over the United States and abroad tracking down the works from the 1927 exhibition aligning them with the outline of their position in the original images and photographed them in their current location.

will be accompanied by a fully - illustrated catalogue that features original texts from renowned scholars and contemporary artists, all considering what compels artists to draw through close study of specific works in the exhibition.

Biennial exhibition to benefit inaugural tour of VMFA's new artmobile Richmond, Virginia — The Virginia Museum of Fine Arts announces the return of Fine Arts & Flowers, a biennial museum - wide exhibition that pairs original interpretive floral arrangements with works from the museum's permanent collection from Oct. 24 - 28, 2018.

Featuring original works from: Yari Mena, Lindsey L. Tucker, Sabre Esler The MINT Internship Program culminates in a group exhibition of their artworks — wholly organized, curated, and installed collaboratively by the participants of the program, from inception -LSB-...]

Taking its name from Gloria (1956), an iconic work by Rauschenberg in the collection of the Cleveland Museum of Art, this exhibition explores the interests and actions of Rauschenberg in the 1950s through a younger set of eyes, those of internationally acclaimed artist Rachel Harrison (b. 1966), who has become known for her original approach to art - making that simultaneously addresses and analyzes the conventions of art and mass culture.

After continually selling his original artworks since the our Summer exhibition MIX, we have been working with Nick to create an impressive exhibition of re-worked masters paintings from the canon of art.

The Neue Galerie can manage only twenty from the original exhibition, along with other work and other shocks.

The Tang has commissioned an original wall drawing for the exhibition from contemporary Nigerian artist Victor Ekpuk, whose work is inspired by aesthetically rich and inherently secretive forms of textile - based written communication in Nigeria.

In commemoration of Alabama's Bicentennial, the Birmingham Museum of Art is proud to present The Original Makers: Folk Art from the Cargo Collection, an exhibition featuring more than 175 outstanding works of folk art from the Museum's permanent collection.

For the group show «1969 ``, a large scale exhibition at P.S. 1 Contemporary Art Center in New York that opens on Sunday 25, 20009, Stephanie Syjuco is reproducing two iconic works from MoMA's collection: Joseph Beuys» «Sled» and Robert Morris's «Untitled» felt work, which will be presented at P.S. 1 in lieu of the originals.

Curated by Stewart Waltzer, this comprehensive group show reprises Geldzahler's seminal exhibition and includes exemplary works by Josef Albers, Alexander Calder, John Chamberlain, Joseph Cornell, Mark di Suvero, Dan Flavin, Helen Frankenthaler, Adolph Gottlieb, Hans Hofmann, Donald Judd, Ellsworth Kelly, Roy Lichtenstein, Morris Louis, Robert Motherwell, Isamu Noguchi, Kenneth Noland, Claes Oldenberg, Jules Olitski, Robert Rauschenberg, James Rosenquist, Frank Stella and Andy Warhol, featuring works from the original exhibition.

Works included paintings, sculpture, original catalogues from past Schwarz exhibitions, as well as books of poetry published by Schwarz.

Original artworks and commentary by Mark Tansey (b. 1949), whose large scale monochromatic allegories reference the art of photography, a pivotal technology in the reproduction and dissemination of popular images; John Currin (b. 1962), who has referenced the art of Norman Rockwell, and whose provocative figural paintings reflect upon domestic and social themes that were prevalent, though differently portrayed, in the mid-twentieth century; Vincent Desiderio (b. 1955), whose dark intellectual melodramas re-imagine scenes of crime and adventure from pulp fiction; Lucien Freud (1922 - 2011), the painter of deeply psychological works that examine the relationship of artist and model; and Jamie Wyeth (b. 1946), son of noted painter Andrew Wyeth and grandson of illustrator N.C. Wyeth, whose images convey stories real and imagined, among other artists, will be featured in the exhibition and its accompanying catalogue.

The Original Makers: Folk Art from the Cargo Collection is an exhibition of works from the permanent collection of the Birmingham Museum of Art — all drawn from a major gift of Caroline Cargo, together with gifts from her late parents Dr. and Mrs. Robert and Helen Cargo.

The revelation can be architectural - as in his 1973 work at the Galleria Toselli in Milan, where he had layers of paint stripped from the walls to expose the original plaster surface - or functional, as in his piece for the Claire Copley Gallery in Los Angeles, in which he made public the business operation of the gallery by removing the wall dividing the exhibition area from the office and storage space.

Published in conjunction with Lévy Gorvy's exhibition of the work, this fully illustrated catalogue features a newly commissioned essay by Michael Bracewell based on a recent interview with the artists, an original poem by Kostas Anagnopoulos, newspaper reviews from the inaugural exhibition at the Sonnabend Gallery, and a facsimile of the postal sculpture

On the announcement for the original exhibition of this series of works (Holly Solomon Gallery, February 1978), MacConnel reproduced an ink drawing of two baseball players executed in a style copied from contemporary Chinese pattern books.

Published in conjunction with Lévy Gorvy's exhibition of the work, this fully illustrated catalogue features a newly commissioned essay by Michael Bracewell based on a recent interview with the artists, an original poem by Kostas Anagnopoulos, newspaper reviews from the inaugural exhibition at the Sonnabend Gallery, and a facsimile of the postal sculpture A Day in the Life of George & Gilbert, the sculptors (1971).

The original work was shown to the public for the first time at her solo exhibition «YOKO ONO: FROM MY WINDOW» at the Museum of Contemporary Art Tokyo (2015 - 2016).

Distinct from an exhibition catalog or even a monographic survey, artist books typically combine images, texts and original works for certain price points, but are conceived as self - contained works of art in themselves.

This second instalment covers the period from 1967 — 70, showcasing global artists working after, and in some cases, in dialogue with, the original exhibition.

This museum - quality exhibition juxtaposes for the first time historical works by Japanese artists belonging to the original Mingei movement — whose techniques derive from traditional methods of craftsmanship, as seen in many of the Japanese artifacts on display — with the works of modern and contemporary artists, designers and architects, who keep alive the philosophy of Mingei today.

The point is made clearly with the exhibition's elegant scenography, in which works of the 60s from outside the U.S. and Great Britain are installed against huge installation photographs of the original show, inserting the Other into Primary Structures.

The Guild Hall exhibition includes works by some of America's acclaimed artists from FAPE's Original Print, Photography and Site - Specific Collections.

The exhibition is an interactive and colorful installation that echoes the original works from 1954: clear plastic tubes filled with water and bright ink hang suspended in the main rotunda, illuminated by the light streaming down from Frank Lloyd Wright's iconic oculus.

A fully illustrated catalogue has been published which includes discourses on the art, statements from the artists and original works of art offered in recognition of the seminal nature of the exhibition.

Image: Work by JR June 18th — August 9th, 2011 Featuring original works from Banksy, Faile, Shepard Fairey, Sixeart, Os Gêmeos, Mark Jenkins, JR, KAWS, Barry McGee, José Parlá, Judith Supine, Swoon, Titi Freak, Dan Witz Carmichael Gallery is pleased to announce Playing Field, an exhibition of artwork from the collections of our collectors.

Published in conjunction with Lévy Gorvy's exhibition of the work, this fully illustrated catalog features a newly commissioned essay by Michael Bracewell based on a recent interview with the artists, an original poem by Kostas Anagnopoulos, newspaper reviews from the Sonnabend exhibition and a facsimile of the postal sculpture A Day in the Life of George & Gilbert, the Sculptors (1971).

Alongside Uras's own work, the exhibition presents an original Iznik plate dating from the first half of the sixteenth century, on loan from the collection of The Metropolitan Museum of Art.

Featured in the Pace Prints exhibition will be several bodies of work by Samaras, published by Pace Editions over the past six decades.Book from 1968 is a sculptural multiple composed of original silkscreen prints, paper foldouts, embossing and die - cuts.

His prints and drawings from the early thirties represent early examples of surrealism created in the United States, an astounding achievement considering Castellon produced these inventive, original works before his travels abroad and before the New York premiere of the Museum of Modern Art's seminal exhibition, Fantastic Art, Dada and Surrealism.

A: Postcards From The Edge is an exhibition and benefit sale of original, postcard - sized works on paper by established and emerging artists.

The artist is known for his highly original, large - scale sculptural installations, of which the significant examples My Brother / Brancuzi (1995), The Grand Machine / THEAREOLA (2002), and Untitled (from the body of work: My Madinah: In pursuit of my ermitage...)(2004) will feature in this exhibition.

On exhibition will be works from the Wells Street Gallery period (1957 - 1959) as well as examples of recent work by a majority of the original artists associated with the -LSB-...]

The Corcoran installation was arranged by artist, whereas in the two main galleries, the Intuit exhibition presents works by artists from the original 1982 show that are intermingled with objects by contemporary African American artists whose aesthetics or biography resonate with those of the earlier generation.

Then on the 13th of September, all the works will return together, re-placed to their «original position» with a public event from 6 pm - 8.30 pm involving a music performance at 7:30 pm, the composition of which will mimic the structure of the exhibition.

As the Chrysler will present this exhibition in a larger space than the original show, we'll feature additional selected Lalique works from both gracious private collectors and the Chrysler's permanent collection.