We list some
of the most conspicuous etiologies: pain
of childbirth, 3:16; the relative position
of man and woman in society, 3:16; the intractability
of man's natural environment and the consequent necessity
of his hard labor, 3:17 - 19; man's irrevocable consignment to death, 3:19; the antipathy between the nomad and the agriculturalist and perhaps also the
origin of violence in
human relationships in the Brothers, 4:1 - 16; and the frustrating fact in the
human situation
of fundamental communication thwarted by plurality
of speech and wide geographical dispersion, 11:1 - 9.
In these fragmented images where one doesn't know where something starts and where it begins, where the notions
of origins and originals are deconstructed, the theme
of violence is metaphorically being reproduced — the spectators are exposed to the traces
of violence on amputated
human bodies.