Not exact matches
Similar to Alois's threads of yarn that never touch but always interact when meeting the eye, the sliver of space between each boulder allows the
figure and
ground relationship to
oscillate, creating this ameba visual sensation.
Gestural brushstrokes impart physicality yet glide weightlessly over smooth surfaces as
figure ground relationships
oscillate and conflate.
Oscillating between high formal contrasts —
figure and
ground, image and object, surface and depth — Vanessa Maltese's practice takes its point of derivation from discussions on painting - as - object or painting - as - architecture.