Sentences with phrase «other color field»

Morris and other Color Field painters used the heroic scale associated with AbEx painting, but eschewed the egotistic and self - referential gesturalism that characterized the earlier movement.

In some ways, Louis's immersive works seem to have more of an affinity with paintings by other Color Field artists like Newman and Rothko than they do with Frankenthaler's stains; they evoke sublime, magisterial experiences of caves and grottos (as in the somber «Curtain,» with its stalactitelike points) or waterfalls (in the luscious «Tet,» on loan from the Whitney Museum of American Art).

She gained fame with her invention of the color - stain technique — applying thin washes of paint to unprimed canvas — in her iconic Mountains and Sea (1952), a motivating work for Morris Louis, Kenneth Noland, and other Color Field painters who emerged in the»60s.

In addition to connecting his use of central forms and repeated motifs, often in a symmetrical cluster, to the work of Morris Louis, Kenneth Noland and other Color Field painters, Feeley's supporters often emphasize the affinity they share with Noland's targets and chevrons.

The project references Kenneth Noland (1924 - 2010) and other Color Field painters of the 1960s.

«Border Theory» revives painting techniques pioneered by Helen Frankenthaler, Morris Louis and other Color Field painters in the 1950s and 1960s.

Mark Rothko, Barnett Newman and other color field artists would take Avery's color experiments further into the non-objective realm.

The basic point about Louis's work and that of other Color Field painters, sometimes known as the Washington Color School in contrast to most of the other new approaches of the late 1950s and early 1960s, is that they greatly simplified the idea of what constitutes the look of a finished painting.

Not exact matches

Other instruments will measure water and different key chemical components, probe the inner workings of the powerful magnetic field, monitor charged particles driving the solar system's brightest auroras, and, of course, return some stunning close - up color images.

As a field, we are still not sure why some lineages diversify and use many more color receptors than others, but with this study, we can frame new hypotheses to answer these questions.

Furthermore, the color marker means that if any resistance developed we would see it in the field, and could address it with other methods such as the application of pesticides which OX513A is susceptible to.

Nutritional optic neuropathy, a damage of the optic nerve with reduction of color vision and visual field defects may be caused by lack of certain vitamins or other nutrients in a chronic alcoholic on a poor diet [19].

Helpful tips on «anti - bias / multicultural» teaching include bringing in speakers from other ethnic groups, taking purposive field trips, and discussing skin color and the biases of staff members.

«Teachers generally don't go into teaching for money, especially in these days when they have access to all other lines of work,» in contrast to years past when women and men of color went into education because they were blocked from some fields, Johnson says.

one was a background field and accent color, while the other was the line art and detail color.

I have a lot of information I want to share with other writers, and I know this is a field where self - publishing really sells better (in my opinion) and I feel better equipped to market writing books than I did something like the coloring book.

While I don't have a Droid or Android - based device (other than the nook color) I do find myself fielding a lot of questions about what programs to use on the platform, so this was very informative for me.

Other than the gender, shirt color, glove color, and a few other generic fields, there is essentially no way to replicate yourself physically in The Golf Other than the gender, shirt color, glove color, and a few other generic fields, there is essentially no way to replicate yourself physically in The Golf other generic fields, there is essentially no way to replicate yourself physically in The Golf Club.

Toss in the ability to lessen the effects of gravity, some color - coded force fields, and a handful of others elements I'll let you discover on your own and what you end up with is a perfectly - paced progression of challenges that never feel too easy or too difficult.

Poons, Christensen, Davis, Landfield, Seery, Lipsky, Zox and several others created paintings that bridge Color Field painting with Lyrical Abstraction and underscore a re-emphasis on landscape, gesture and touch.

Hofmann was one of the first theorists of color field painting, and his theories were influential to artists and to critics, particularly to Clement Greenberg, as well as to others during the 1930s and 1940s.

Along with John Hoyland, Walter Darby Bannard, Larry Zox, Ronald Davis, Ronnie Landfield, John Seery, Pat Lipsky, Dan Christensen [29] and several other young painters a new movement that related to Color Field painting began to form; eventually called Lyrical Abstraction.

Sometime in 1940 Rothko makes his last figurative painting, then experiments with Surrealism, and eventually does away entirely with any figural suggestion in his paintings, abstracting them further and paring them down to indeterminate shapes floating in fields of color - Multiforms as they were called by others - which were greatly influenced by Milton Avery's style of painting.

Piero Dorazio (Rome, June 29, 1927 - Perugia, May 17, 2005) was an Italian painter, whose work was related to Color field, Lyrical Abstraction and other forms of abstract art.

In Reinhardt it's not one color disrupting a grid, it's a collection of colors so dark there is not one of them that can ground the others: no field, only figures; when a field works as a frame, another kind of figure.

Painters such as Kenneth Noland, Helen Frankenthaler, Dan Christensen, Sam Francis, Larry Zox, Ronnie Landfield, Larry Poons, Jules Olitski, Gene Davis, Ronald Davis, Sam Gilliam and others successfully used water - based acrylics for their new stain, color field paintings.

During the early to mid-1960s Color Field painting was the term for the work of artists like Anne Truitt, John McLaughlin, Sam Francis, Sam Gilliam, Thomas Downing, Ellsworth Kelly, Paul Feeley, Friedel Dzubas, Jack Bush, Howard Mehring, Gene Davis, Mary Pinchot Meyer, Jules Olitski, Kenneth Noland, Helen Frankenthaler, Robert Goodnough, Ray Parker, Al Held, Emerson Woelffer, David Simpson, and others whose works were formerly related to second generation abstract expressionism; and also to younger artists like Larry Poons, Ronald Davis, Larry Zox, John Hoyland, Walter Darby Bannard and Frank Stella.

Greenberg, art critic Michael Fried, and others have observed that the overall feeling in Pollock's most famous works — his drip paintings — read as vast fields of built - up linear elements often reading as vast complexes of similar valued paint skeins that read as all over fields of color and drawing, and are related to the mural - sized late Monets that are constructed of many passages of close valued brushed and scumbled marks that also read as close valued fields of color and drawing that Monet used in building his picture surfaces.

Taking its example from other European modernists like Joan Miró, the Color Field movement encompasses several decades from the mid 20th century through the early 21st century.

Magna, a special artist use acrylic paint was developed by Leonard Bocour and Sam Golden in 1947 and reformulated in 1960, specifically for Morris Louis and other stain painters of the color field movement.

Abstract Expressionism preceded Color Field painting, Lyrical Abstraction, Fluxus, Pop Art, Minimalism, Postminimalism, and the other movements of the 1960s and 1970s and it influenced the later movements that evolved.

Woodward Gallery features emerging and established artists and shows Surrealism, Abstract Expressionism, Pop Art, Color Field painting, Minimalism, Conceptual Art, Neo-expressionism, and Street Art among other movements.

Widely recognized as an influential American post war painter, Morris Louis became an inspirational figure for other artists in the Color Field movement in the 1960s.

The Mitchell - Innes & Nash exhibition poses that this idea, and others explored in Color Field painting, are critically relevant to developments in contemporary art: the notion of a painting rooted in process and material rather than gesture and reference.

But his adaptation of sharp diagonals — an attribute of form mostly foreign to Color Field painters, other than Kenneth Noland's Chevrons (1963 — 64)-- offered Odita the potential to grapple with emotional content through formal conflict.

Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.

The continuation of abstract expressionism, color field painting, lyrical abstraction, geometric abstraction, minimalism, abstract illusionism, process art, pop art, postminimalism, and other late 20th - century Modernist movements in both painting and sculpture continued through the first decade of the 21st century and constitute radical new directions in those mediums.

Through ongoing, generous donations from Dr. Daum and other patrons, and judicious purchases with funds from an endowment for acquisitions, the museum's permanent collection has grown to encompass more than 1,500 artworks by some of the most highly regarded artists of the past 50 years, including Pop art practitioners, Color Field painters, Neo-Expressionists of the 1980s and 1990s, and artists of diverse practices who have emerged during the last 20 years.

From a distance they resemble Color Field paintings in which the upper and lower halves harmonize or play off each other formally.

«There's this tension between this pristine color field and minimalist side of his work and this other side that's very messy, human, vulnerable and imperfect,» Gavlak said.

In her paintings of the 70s, Steir often combined realistically painted flowers with a grid or color field, on one hand paying homage to admired Minimal artists Sol LeWitt and Agnes Martin, and on the other, questioning the dichotomy between abstraction and figuration.

This includes paint (another tool at her disposal); Color Field painting; the brushstroke, squiggle, and line; Chinese and Japanese art; Indian miniatures; abstraction; figuration; abstract illusionism; inspirational posters; children's book illustrations; greetings cards; thrift store merchandise; wheels from bicycles, go carts, and strollers; buttons; embroidery and appliqué; mythology; essays on other artists.

In other works from this period, he activates the field with swirling and twisting linear gestures in contrasting colors: it is a turbulent vision in which everything threatens to come loose, explode.

In response to the landscape and sky of the Finger Lakes region of upstate New York, he began to explore gradient fields of blue, with ribbons of other colors as punctuation.

Influenced by both textiles and jazz, these paintings create around themselves a field of active energy as color interaction and mark improvisation blend and riff off each other.

Backlit by a gossamer haze of swirling colors, shadowy violets and seeping crimsons and piercing teals, a field of figures whirl around each other, figures such as the faces of men and women, disembodied hands, dogs at play in a forest, horses and bulls, isolated trees, and buildings frozen in space.

Abstract Expressionism can be divided into two tendencies: Action painting, which included Jackson Pollock, Willem de Kooning, Mark Tobey, Lee Krasner, Joan Mitchell and Grace Hartigan, among many, many others; and Color Field Painting, which included such artists as Mark Rothko, Helen Frankenthaler, Jules Olitski, Kenneth Noland and Adolph Gottlieb.

Thus, we could see in Stamos's paintings of the 1960s — with their expanses of near - monochrome pigment and spare deployment of geometric shapes — an affinity with color - field canvases by Jules Olitski, Helen Frankenthaler, and other painters championed by the formalist critic Clement Greenberg.

The layering of marks, painterly swirls and colored fields create forces within the composition that act upon each other resulting in a dynamic spin that sends the allusion of landscape and space into sweeping movements.

Liza: Working with other people, influences and changes the way that I think, whether they be Zulu bead workers in South Africa or 500 volunteers in Westchester County, New York, working on a 1,500 square foot installation of Color Field.