Sentences with phrase «other abstract artists including»

Not exact matches

Included in the collection are specially commissioned works by portraitist Gilbert Stuart, contemporary abstract painter Maggi Brown, Martha Lloyd, Joe Greene, Tony Evanko, Ben Freeman, and other artists whose works are featured in guestrooms and throughout the hotel.

Other highlights include a London re-staging of Daniel Buren's iconic New York performance piece Seven Ballets in Manhattan (1975)(From Fri 30 Jan, 3 pm and throughout Feb and Mar) and a work by Russian artist Anna Parkina (Sat 12 Mar, 7 pm) merging live music, light and movement in an immersive abstract performance.

The gallery represents each of these artists, as well as other influential mid-century abstract painters including Roger Kuntz, June Wayne, and James Jarvaise.

Some of those prominent «uptown» galleries included: the Charles Egan Gallery, [30] the Sidney Janis Gallery, [31] the Betty Parsons Gallery, [32] the Kootz Gallery, [33] the Tibor de Nagy Gallery, the Stable Gallery, the Leo Castelli Gallery as well as others; and several downtown galleries known at the time as the Tenth Street galleries exhibited many emerging younger artists working in the abstract expressionist vein.

Simões de Assis Galeria de Arte will bring together eight historical works by the Brazilian modernist Cícero Dias (b. 1907, d. 2003), which represent the height of his abstract creations and were produced following his move to Paris, where he became associated with other prominent artists at the time including Alexander Calder, Fernand Léger, Joan Miró and Pablo Picasso.

Alexandra Luke organized the touring Canadian Abstract Exhibition in 1952 and in 1953 Ronald initiated an exhibition at Simpsons department store called «Abstracts at Home,» including his work and that of six other artists, Kazuo Nakamura, Luke, Bush, Cahén, Ray Mead and Tom Hodgson.

Other artists known for their abstract photography include Aaron Siskind, Hans Bellmer, Maurice Tabard, Andre Kertesz, and Charles Sheeler.

This includes paint (another tool at her disposal); Color Field painting; the brushstroke, squiggle, and line; Chinese and Japanese art; Indian miniatures; abstraction; figuration; abstract illusionism; inspirational posters; children's book illustrations; greetings cards; thrift store merchandise; wheels from bicycles, go carts, and strollers; buttons; embroidery and appliqué; mythology; essays on other artists.

Such were the concerns at the heart of the Spiral Group, whose only exhibition, the 1965 First Group Showing: Works in Black and White, is represented by works by Emma Amos, Reginald Gammon, Norman Lewis, Hale Woodruff, and others — along with additional works by these artists, including Woodruff's large abstract painting Blue Intrusion (1958).

A native New Yorker, he came of age as an artist during the late 1980s and early 1990s alongside other now established abstract painters, including Richmond Burton, Gail Fitzgerald, Daniel Levine, Carl Ostendarp, Kate Shepherd, Cary Smith, Dan Walsh, Mary Weatherford, and Stephen Westfall, among others.

With his roots in printmaking and Surrealism, British artist Stanley William Hayter's (1901 — 1988) theoretical writings on automatism and the expressive abstraction of his own work were a formative influence on Pollock and other abstract expressionists via his printmaking studio, Atelier 17, where Hayter taught Pollock and other well known artists including Pablo Picasso, Joan Miro, Max Ernst, Alexander Calder, Marc Chagall, Jacques Lipchitz and Alberto Giacometti.

On the other hand, both parts of Black in the Abstract make it perfectly clear that, on the whole, the quality of the work being produced by black artists whose practices include abstraction — as the inclusion of Hammons, McMillian and Donnett indicate, not everyone here is an «abstract painter» — does not suffer in comparison with that of their colleagues of other backgrounds, including major figures like Amy Sillman and Charline von Heyl, both of whom have work in Arning's Painting: A Love Story.

«Air Mail Stickers» will now be in the opening exhibition, along with other recent acquisitions by artists who are not American by birth but have resided here, including «July 4, 1967,» the Whitney's first work by the Japan - born conceptualist On Kawara, or «Blanco y Verde,» an abstract painting from 1959 by Carmen Herrera, the 99 - year - old Cuban - born artist, who now resides in Manhattan.

In 2001 Hoyland was commissioned to design a mosaic mural for the Rome Metro as part of a much larger project involving other artists, mostly Italian (his friend the abstract painter Piero Dorazio, among them), and including Patrick Caulfield.

Highlights will include large - scale works by an array of artists that fuse the social and the abstract in visceral ways, including Jack Whitten, Julie Mehretu, and Kevin Beasley, among many others.

Highlights will include large - scale works by an array of artists that fuse the social and the abstract in visceral ways, including Jack Whitten, Kevin Beasley, Shinique Smith, and Serge Alain Nitegeka, among others.

The most significant of the often loosely defined movements of early contemporary art included pop art, characterized by commonplace imagery placed in new aesthetic contexts, as in the work of such figures as Andy Warhol and Roy Lichtenstein; the optical shimmerings of the international op art movement in the paintings of Bridget Riley, Richard Anusziewicz, and others; the cool abstract images of color - field painting in the work of artists such as Ellsworth Kelly and Frank Stella (with his shaped - canvas innovations); the lofty intellectual intentions and stark abstraction of conceptual art by Sol LeWitt and others; the hard - edged hyperreality of photorealism in works by Richard Estes and others; the spontaneity and multimedia components of happenings; and the monumentality and environmental consciousness of land art by artists such as Robert Smithson.

The Other nominees for the inaugural year included sculptor Richard Deacon, the collaborative duo Gilbert & George, abstract painter Howard Hodgkin and sculpture and installation artist Richard Long — but unlike his fellow nominees Morley just did not fit into any one particular genealogy; with his connection to Photorealism, or Super-realism — as he named it — later being discarded by the artist in favour of a more expressive method of painting — that critics deemed a kind of Neo-expressionism.

PULSE's consistently strong showing of international exhibitors include GALERIE STEFAN ROEPKE of Cologne, Germany, who will be featuring photographic landscapes by Sharon Harper and abstract paintings by Julie Oppermann; Nieves Fernandez Gallery of Madrid, Spain, offering works from artists such as Jordi Alcaraz, Danica Phelps, Jeff Cohen, and more; Purdy Hicks Gallery of London, UK, displaying contemporary photographs and drawings from Susan Derges, Bettina von Zwehl, Claire Kerr, and Andrzej Jackowski; Lawrie Shabibi of Dubai, UAE, presenting mixed - media pieces by local artists Nadia Kaabi - Linke, Sama Alshaibi, Driss Ouadahi, and Shahpour Pouyan; and Zemack Contemporary of Tel Aviv, Israel, exhibiting a group show with Phellippe Pasqua, Ofer Lellouche, Yuval Yairi and others.

As well as Schmidt and all former members of Die Brucke, other banned artists included members of the Der Blaue Reiter expressionist group, such as the abstract painter Wassily Kandinsky (1866 - 1944), the Russian Alexei von Jawlensky (1864 - 1941), the colourist Franz Marc (1880 - 1916) and the Swiss painter Paul Klee (1879 - 1940).

However, it also included a number of outstanding abstract painters such as the Englishman Winner Howard Hodgkin (b. 1932), as well as the German artists Georg Baselitz (b. 1938), Anselm Kiefer (b. 1945), and others.

Abstract Expressionism also provoked avant - garde responses from several other artists including Cy Twombly (1928 - 2011), whose calligraphic scribbling is part - drawing, part - graffiti; and the Californian abstract sculptor Mark Di Suvero (b. 1933) noted for his large scale iron / steel sculptures.

In addition to those Vorticist members mentioned above, certain other artists were closely associated with the movement including the much underrated painter David Bomberg (1890 - 1957), the US - born sculptor Jacob Epstein (1880 - 1959), who settled in Londin in 1905, and the American - born British photographer Alvin Langdon Coburn (1882 - 1966) noted for his avant - garde black - and - white abstract photographs, known as Vortographs.

These include works ranging in style from expressionistic to surrealist to cubist by Patrick Collins, Mainie Jellett, Colin Middleton, Jack B Yeats and others; abstract paintings by artists such as Josef Albers, Cecil King and William Scott, and more gestural works by Tony O'Malley and Richard Gorman.

Other artists who held Diebenkorn's attention at this time included Cézanne, Paul Klee, and contemporary abstract expressionists Robert Motherwell and William Baziotes.

Other artists famous for creating abstract sculptures include Joan Miro, Mark di Suvero, Donald Judd, Len Lye, Sir Anthony Caro, Jean Tinguely, Isamu Noguchi, Frederick Kiesler, Naum Gabo, Jacob Epstein, Louise Bourgeois, Marcel Duchamp, and Kurt Schwitters.

Situated neither within Constructivist nor Minimalist movements, his pared - down vocabulary of lines and squares, refined colour palette and precise measurements nevertheless positioned Calderara closely with other minimalist painters at the time, including Piet Mondrian and Josef Albers, both of whom the artist admired greatly.Such singular geometric lyricism came to the fore in Calderara's seminal work Painting Infinity, which he created in 1959 at the age of 56 — the same year he created his first fully abstract painting, Quadrati e Rettangoli.

The most important monochromatic, richly nuanced paintings that are primarily made of one color, including works by Ellsworth Kelly who, as one of the most radically abstract painters, will be central in the display together with other American artists like Nassos Daphnis, Marcia Hafif, Joseph Marioni, Allan McCollum, Steven Parrino, Stephen Prina.

Other highlights include a striking 1932 abstract by WPA artist Ross Moffett, which appeared in the 1994 exhibition of the Penny and Elton Yasuna Collection at the Provincetown Art Association and Museum.

His books include Scene jezika [Scenes of language](Belgrade, 1989), Pas Tout (Buffalo, 1994), Prolegomena za analitičku estetiku [Prolegomena for analytical aesthetics](Novi Sad, 1995), Postmoderna [Postmodernism](Belgrade, 1995), Asimetrični drugi [The asymmetrical other](Novi Sad, 1996), Estetika apstraktnog slikarstva [Aesthetics of abstract painting](Belgrade, 1998), Pojmovnik moderne i postmoderne likovne umetnosti i teorije posle 1950 [Glossary of modern and post-modern visual arts and theory after 1950](Belgrade and Novi Sad, 1999), Paragrami tela / figure [Paragrams of body / figure](Belgrade, 2001), Anatomija angelova [Anatomy of angels](Ljubljana, 2001), Figura, askeza in perverzija [Figure, asceticism and perversion](Koper, 2001), Martek — Fatalne figure umjetnika: Eseji o umjetnosti i kulturi XX stoljeća u Jugoistočnoj, Istočnoj i Srednjoj Europi kroz djelovanje umjetnika Vlade Marteka [Martek — Fatal figures of the artist: essays on 20th - century art and culture in South - Eastern, Eastern and Central Europe through the work of Vlado Martek](Zagreb, 2002), Impossible Histories — Historical Avant - gardes, Neo-avant-gardes, and Post-avant-gardes in Yugoslavia, 1918 — 1991 (Cambridge Mass, 2003), Politike slikarstva [The politics of painting](Koper, 2004), Pojmovnik suvremene umjetnosti [Glossary of contemporary art](Zagreb and Ghent, 2005), Konceptualna umetnost [Conceptual art](Novi Sad, 2007), Epistemology of Art (Belgrade, 2008) etc..

The works are grouped into five categories: «Assembling,» referring to assemblage art, «Artists / Gallerists,» a look at artists who, lacking gallery representation, simply opened their own venues, «Front Runners,» some of the most visible of these artists, «Post / Minimalism and Performance,» including practitioners of the Finish Fetish style and other abstract works and «Los Angeles Snapshot / Friends,» which looks at these artists» relationships with artists of other ethnic backgrounds to provide greater cArtists / Gallerists,» a look at artists who, lacking gallery representation, simply opened their own venues, «Front Runners,» some of the most visible of these artists, «Post / Minimalism and Performance,» including practitioners of the Finish Fetish style and other abstract works and «Los Angeles Snapshot / Friends,» which looks at these artists» relationships with artists of other ethnic backgrounds to provide greater cartists who, lacking gallery representation, simply opened their own venues, «Front Runners,» some of the most visible of these artists, «Post / Minimalism and Performance,» including practitioners of the Finish Fetish style and other abstract works and «Los Angeles Snapshot / Friends,» which looks at these artists» relationships with artists of other ethnic backgrounds to provide greater cartists, «Post / Minimalism and Performance,» including practitioners of the Finish Fetish style and other abstract works and «Los Angeles Snapshot / Friends,» which looks at these artists» relationships with artists of other ethnic backgrounds to provide greater cartists» relationships with artists of other ethnic backgrounds to provide greater cartists of other ethnic backgrounds to provide greater context.

Other accessions include a mixed media piece called Ornithology by Stella Waitzkin, an abstract painting by Irene Rice Pereira, and a red plexiglas sculpture by Washington artist Mimi Herbert.

Note: In addition to Klein and Mathieu, other important European abstract painters of the 50s / 60s included: Serge Poliakoff (1906 - 69), Maria Helena Vieira da Silva (1908 - 92), Alfred Manessier (1911 - 93), Wols (1913 - 51), Nicolas de Stael (1914 - 55), Asger Jorn (1914 - 73), Pierre Soulages (b. 1919), Karel Appel (1921 - 2006), and the French - Canadian artist Jean - Paul Riopelle (1923 - 2002).

Other important artists involved with the movement included Hans Hofmann, Robert Motherwell, and Mark Rothko; among other major abstract expressionists were such painters as Clyfford Still, Theodoros Stamos, Adolph Gottlieb, Helen Frankenthaler, Lee Krasner, and Esteban VicOther important artists involved with the movement included Hans Hofmann, Robert Motherwell, and Mark Rothko; among other major abstract expressionists were such painters as Clyfford Still, Theodoros Stamos, Adolph Gottlieb, Helen Frankenthaler, Lee Krasner, and Esteban Vicother major abstract expressionists were such painters as Clyfford Still, Theodoros Stamos, Adolph Gottlieb, Helen Frankenthaler, Lee Krasner, and Esteban Vicente.

Other important contributors to action painting include: Mark Tobey noted for his White Writing style of calligraphic gesturalism; Franz Kline, an artist whose works include colour field compositions as well as vigorous gestural work, sometimes compared to gigantically enlarged fragments of Chinese calligraphy); Robert Motherwell (in his series entitled Elegy to the Spanish Republic, and his powerful black and white paintings); Cy Twombly (in his gestural works based on calligraphic, linear symbols) and Adolph Gottlieb (noted for his abstract surrealist series including Pictographs, Imaginary Landscapes and Bursts).

Other major painters and sculptors drawn to Paris included the Czech abstract painter Frank Kupka (1871 - 1957), the Cubist Juan Gris (1887 - 1927), the alcoholic genre - painter Maurice Utrillo (1883 - 1955), the Surrealist Salvador Dali (1904 - 89), the Romanian sculptor Constantin Brancusi (1876 - 1957), the Russian artists Ossip Zadkine (1890 - 1967), Mikhail Larionov (1881 - 1964), Natalia Goncharova (1881 - 1962) and Wassily Kandinsky (1866 - 1944), the Hungarian optical artist Victor Vasarely (1906 - 97), the leading theorist of Surrealism Andre Breton (1896 - 1966), the painter Jules Pascin (1885 - 1930), born in Bulgaria of Spanish and Italian stock, and the Russian - French colourist and lyrical abstractionist Nicolas de Stael (1914 - 1955).

Several other artists also experimented with the style, including Francis Picabia, Albert Gleizes, Fernand Léger and the American abstract painter Patrick Henry Bruce.

Others include the calligraphic painter Mark Tobey (1890 - 1976) and the American tachist Sam Francis (1923 - 94), as well as the St Ives abstract artist Patrick Heron (1920 - 99).

While the individual contributions of such artists as Louise Bourgeois and Eva Hesse have been widely acknowledged, «Revolution in the Making» offers a narrative that includes many other artists who have contributed to the evolution of abstract sculpture through their working methods and materials.

Other abstract artists whose works were grounded in nature include Manoucher Yektai, who absorbed the ideas of abstract expressionism and the School of Paris; Sohrab Sepehri whose semi-abstract compositions drew on imagery of desert landscapes from his native Kashanor; and Abolghassem Saidi known for his lyrical and sensuous style.

Other artists who have interested her include Gorky, Franz Kline, and Pierre Soulages and Bram van Velde (both were associated with Europe's post-World War II abstract - art tendency known as «art informel»).

Envisioning diagrams as «abstract machines activated through performance or thought», Plague of Diagrams invites 27 artists to participate in the exhibition and its programme, including performances by Ami Clarke and Plastique Fantastique, as well as participation by Benedict Drew and Joey Holder, among others.