Sentences with phrase «other abstract expressionist paintings»

His surfaces were more raw and immediate than other abstract expressionist paintings.»

Not exact matches

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Are the Asian - American artists inspired by abstract expressionists, or are they drawn to the Asian elements of the style, in turn appropriated from Chinese, Japanese and other non-western art and culture, from calligraphy, Sung painting and Zen Buddhism, from John Cage and DT Suzuki, from the Gutai artists and Sung painting?

Soon after the month - long Corcoran Gallery solo exhibition, Jane Frank began to apply not just spackle but a variety of other materials - sea - weathered or broken glass, charred driftwood, pebbles, what appears to be crushed graphite or silica, and even glued - on patches of separately painted and encrusted canvas (canvas collage)- to her jagged, abstract expressionist paintings.

These «Modernist» landmarks include the atonal ending of Arnold Schoenberg's Second String Quartet in 1908, the expressionist paintings of Wassily Kandinsky starting in 1903, and culminating with his first abstract painting and the founding of the Blue Rider group in Munich in 1911, and the rise of fauvism and the inventions of cubism from the studios of Henri Matisse, Pablo Picasso, Georges Braque, and others, in the years between 1900 and 1910.

Frankenthaler, Louis and Noland formed the core of a group known as the colour field painters, though the critic Clement Greenberg preferred one of his own clunking coinages, «post-painterly abstractionists», meaning that after the «painterly» surfaces of the abstract expressionists, the purely colour - based paintings of Noland and the others marked out a different and more advanced stage of art's march to absolute abstraction.

Unlike with some other movements, there are no formulas for making an abstract expressionist painting.

Last week, Dean Sobel, the CSM's founding director, and Brad Cloepfil, the head of Allied Works Architecture, unveiled the final design for the museum, which will house a collection of 2,400 paintings and other works by the renowned abstract expressionist.

But among the things they had in common was a rejection of the gestural painting favoured by the abstract expressionists and other abstract painters, and the personal agonising associated with Auerbach, Bacon and what would come to be known as the School of London.

Explore this magical collection of glass sculptures, then look for other inspiring color combinations in abstract expressionist paintings on the Museum's third floor.

Bound by their 50 x 50 cm paper and defined by their pencil planometrics, the evocative title of the series pays a debt to Frank Stella, but they also make nods to other abstract expressionists, notably Barnett Newman, to the earlier suprematist paintings of Kazimir Malevich, to Sol LeWitt and Agnes Martin, to ancient Chinese cities as squares, to Islamic caravanserai and Italian cloisters, to the houses within houses of Oswald Mathias Ungers, and even to the composition of Greek chorus and 1970s CBGB punk — that is to say, to all the good things in life.

Many others of the New York based abstract expressionists went on to explore and create black and white paintings: Pollock, Motherwell, Barnett Newman and Franz Kline.

The exhibition also includes paintings by other celebrated abstract expressionists such as Robert Motherwell, Clyfford Still, and Jackson Pollock, who shared Rothko's search toward total abstraction.

Henner reaches back in time with other works as well: for example the 18 aerial landscape photos that show a striking similarity to abstract expressionist paintings from the 1940s.

Rubin explores plant life and a variety of other subject matter, to discover forces and interconnections; yielding essential rhythms, active powerful paintings, reminiscent of the abstract expressionists.

The first international modern art movement to come out of America (it is sometimes referred to as The New York School - see also American art), it was a predominantly abstract style of painting which followed an expressionist colour - driven direction, rather than a Cubist idiom, although it also includes a number of other styles, making it more of a general movement.

Some Americans art historians believed that your work possessed a kind of symbolic and emotional content that reflected the experience of the war more accurately than other painters and, in a way, different form the paintings of the abstract expressionists.

The gallery had long lacked cohesion, being composed overwhelmingly of abstract expressionist paintings, but with just enough individual works from other movements or periods to frustrate any attempt to make sense of it.

Many of the other kids were making quite adequate abstract expressionist paintings under the influence of De Kooning of course.

Ms. Flack, then a self - described «wild abstract expressionist» who was slinging paint at her canvases from 40 feet, had other plans.

I remember there were paintings of political and cultural signs like a profile of a figure, sometimes mixed in with writings in Hebrew, other times barely sustained among floods of expressionist and highly charged abstract gestures.

Together with Kenneth Noland (b. 1924) and Frank Stella (b. 1936), he is considered to be one of the leaders of the generation of American painters that succeeded the New York School of Abstract Expressionism, except that his development differs markedly from the others because, from the beginning, he rejected the influence of US abstract expressionist painting and turned directly to a personal re-examination of European, and especially French, sources of postmodernist art.

Art historians had begun using the term «abstract expressionism» at the end of World War I to refer to Kandinsky and other Europeans who painted abstractly with expressionist brushwork.

By doggedly ploughing his own furrow, Hartung in a sense refused to choose between two simplistic visions of abstract art: on one side, eruptive and chaotic painting, based on pure intuition, combined with the expressionist, gestural, lyrical, informal and Tachiste tendencies of post-war painting; and, on the other, control, precision and systems, whose notions belong more to the realm of Geometric Abstraction.

The paintings of Pollock and other abstract expressionists are big enough to enfold and absorb you.

Among early modernist non-literary landmarks is the atonal ending of Arnold Schoenberg's Second String Quartet in 1908, the Expressionist paintings of Wassily Kandinsky starting in 1903 and culminating with his first abstract painting and the founding of the Expressionist Blue Rider group in Munich in 1911, the rise of fauvism, and the introduction of cubism from the studios of Henri Matisse, Pablo Picasso, Georges Braque and others between 1900 and 1910.

Like many other works in the show, David Hammons» juice - splattered KOOLAID DRAWING defies classification: it resembles a rose colored, saccharine, abstract expressionist painting, but the titled claims it is a drawing.

A «Berlin room» shows off works made for or in the city: Francis» huge abstract expressionist painting «Berlin Red,» commissioned for the city's Neue Nationalgalerie in 1969; and Kienholz» «Volksempfaengers,» made up of radios and other objects from Berlin junk shops and flea markets.

Neither purely abstract nor expressionist, the style embraced two broad groupings: the school of «Action Painting» (a style of gestural painting) whose leading members included Jackson Pollock and Willem De Kooning; and the more passive style of Colour Field Painting practised by Mark Rothko andPainting» (a style of gestural painting) whose leading members included Jackson Pollock and Willem De Kooning; and the more passive style of Colour Field Painting practised by Mark Rothko andpainting) whose leading members included Jackson Pollock and Willem De Kooning; and the more passive style of Colour Field Painting practised by Mark Rothko andPainting practised by Mark Rothko and others.

Other exponents of abstract expressionist painting, notably Kline and De Kooning, used similar methods although not to the same extent as Pollock.

By rejecting the use of an easel and other more traditional painting techniques, he carved out a unique niche for himself in post-war abstract expressionist painting.

For other abstract expressionist works like those by Hans Hofmann, see: Greatest 20th - Century Paintings.

Note: For developments among American abstract expressionists, during the period 1955 - 65, read about Post-Painterly Abstraction, and its individual schools such as Colour Field Painting (involving Clyfford Still, Mark Rothko, Barnett Newman, Helen Frankenthaler and others), and Hard - Edge Painting (Ellsworth Kelly, Frank Stella and others).

For other movements similar to abstract expressionist painting, see Art Movements, Periods, Schools (from about 100 BCE).

On the other, it does not consider the possibility — contentious, but very real — that it is a precisely a submerged figuration, and an openness to the sensuous experience of the world that runs through, and perhaps even created, the diversity of abstract expressionist - type painting.