Sentences with phrase «other abstract painters like»

Following separate experiments by other abstract painters like Hans Hofmann (1880 - 1966) and Lee Krasner (1908 - 84), Pollock himself began employing his splash / drip method in 1947, partly as a result of the surrealists» experience, and also (reportedly) after seeing how Navajo Indians in New Mexico made their sand paintings by sprinkling earth onto the ground to form intricate patterns.

It followed independent experiments by other abstract painters like his wife Krasner and the influential art teacher Hans Hofmann (1880 - 1966)- see the latter's 1940 painting Spring (Private Collection, Connecticut).

Not exact matches

An abstract painter, Greenbaum «wields a vast visual glossary, with her works sometimes reading like punchy, assured, confrontational statements and at other times ballooning quietly across the page like slow - capture botanical animation, never arriving at any kind of declaration,» Ali Fitzgerald has written.

On the other hand, both parts of Black in the Abstract make it perfectly clear that, on the whole, the quality of the work being produced by black artists whose practices include abstraction — as the inclusion of Hammons, McMillian and Donnett indicate, not everyone here is an «abstract painter» — does not suffer in comparison with that of their colleagues of other backgrounds, including major figures like Amy Sillman and Charline von Heyl, both of whom have work in Arning's Painting: A Love Story.

For Australian abstract painters to look back at this moment, and compare it to their own, could prove quite beneficial, and force a complete reversal of what we are always taught, that Blue Poles and other paintings like it signify the end of the line for painting, the last port of call before the inevitable disembodiment into performance and conceptual art.

Since then, collage has been used by many other artists: like the Dutch abstract painter Piet Mondrian, the UK artist John Walker and the American Jane Frank (known for their canvas collages).

Other artists I am always loving are abstract painters like Trudy Benson, Wendy White, Laura Owens, and artists that are creating immersive environments with 2D and 3D Elements like Liz Miller, Jim Drain, Diana Cooper.

She attended the Emily Carr University of Art and Design, where, like other artists of her generation, she encountered the instructor and abstract painter Elizabeth McIntosh, whose fresh and expansive approach to abstract painting has played a critical role in Mouton's art.

Other abstract painters who belonged to the group included the likes of Willem de Kooning (1904 - 97), and Jackson Pollock, as well as the abstract sculptor David Smith (1906 - 65).

The importance he placed on this use of observed reality underscores the difference between his work and that of other American abstract painters like Josef Albers (1888 - 1976) and Ad Reinhardt (1913 - 67).

The most important monochromatic, richly nuanced paintings that are primarily made of one color, including works by Ellsworth Kelly who, as one of the most radically abstract painters, will be central in the display together with other American artists like Nassos Daphnis, Marcia Hafif, Joseph Marioni, Allan McCollum, Steven Parrino, Stephen Prina.

The styles embraced by this term include Hard - Edge Painting, illustrated by the works of abstract painters like Al Held (b. 1928), Ellsworth Kelly (b. 1923), Frank Stella (b. 1936), and Jack Youngerman (b. 1926); Colour Stain Painting, exemplified by Helen Frankenthaler (b. 1928), Joan Mitchell (1926 - 92), and Jules Olitski (b. 1922); Washington Colour Painters, such as Gene Davis (1920 - 85), Morris Louis (1912 - 62) and Kenneth Noland (b. 1924); Systemic Painting, which covered the work of Josef Albers (1888 - 1976), Ad Reinhardt (1913 - 67), as well as Stella and Youngerman; Lyrical Abstraction, including works by Mark Tobey (1890 - 1976), Frankenthaler and others; Colour Field Painting, illustrated by the works of pioneers Barnett Newman (1905 - 70), Mark Rothko (1903 - 70), Clyfford Still (1904 - 80), and Hans Hofmann (1880 - 1966), as well as Frankenthaler, Noland, Stella, Olitski, Morris Louis, Ellsworth Kelly and Richard Diebenkorn (1922 - 93); and Minimal Painting which referred to pictures by Robert Mangold (b. 1937), Agnes Martin (1912 - 2004), Brice Marden (b. 1938), and Robert Ryman (bpainters like Al Held (b. 1928), Ellsworth Kelly (b. 1923), Frank Stella (b. 1936), and Jack Youngerman (b. 1926); Colour Stain Painting, exemplified by Helen Frankenthaler (b. 1928), Joan Mitchell (1926 - 92), and Jules Olitski (b. 1922); Washington Colour Painters, such as Gene Davis (1920 - 85), Morris Louis (1912 - 62) and Kenneth Noland (b. 1924); Systemic Painting, which covered the work of Josef Albers (1888 - 1976), Ad Reinhardt (1913 - 67), as well as Stella and Youngerman; Lyrical Abstraction, including works by Mark Tobey (1890 - 1976), Frankenthaler and others; Colour Field Painting, illustrated by the works of pioneers Barnett Newman (1905 - 70), Mark Rothko (1903 - 70), Clyfford Still (1904 - 80), and Hans Hofmann (1880 - 1966), as well as Frankenthaler, Noland, Stella, Olitski, Morris Louis, Ellsworth Kelly and Richard Diebenkorn (1922 - 93); and Minimal Painting which referred to pictures by Robert Mangold (b. 1937), Agnes Martin (1912 - 2004), Brice Marden (b. 1938), and Robert Ryman (bPainters, such as Gene Davis (1920 - 85), Morris Louis (1912 - 62) and Kenneth Noland (b. 1924); Systemic Painting, which covered the work of Josef Albers (1888 - 1976), Ad Reinhardt (1913 - 67), as well as Stella and Youngerman; Lyrical Abstraction, including works by Mark Tobey (1890 - 1976), Frankenthaler and others; Colour Field Painting, illustrated by the works of pioneers Barnett Newman (1905 - 70), Mark Rothko (1903 - 70), Clyfford Still (1904 - 80), and Hans Hofmann (1880 - 1966), as well as Frankenthaler, Noland, Stella, Olitski, Morris Louis, Ellsworth Kelly and Richard Diebenkorn (1922 - 93); and Minimal Painting which referred to pictures by Robert Mangold (b. 1937), Agnes Martin (1912 - 2004), Brice Marden (b. 1938), and Robert Ryman (b. 1930).

In any event, detached as it was from the unique horrors of the Great War and the Holocaust of World War II, Mexican muralism contrasted noticeably with the flight into abstract art (via movements like Abstract Expressionism and Art Informel) adopted by many other 20th century painters during the period 1930 - 1960.

One of the problems is that when works like Heilmanns receive praise for their wit and ingenuity, it downgrades the expectations and ambitions of other abstract artists; so that now, any number of painters think that slapping a few lines and shapes around on a canvas, in a manner that vaguely represents something or other — place, memory, feeling, whatever — constitutes an abstract painting, in which it is the very ambiguity of the work which constituting the «abstract» bit.

But others, like the Los Angeles assemblage sculptor Betye Saar, 89, and the Washington - based abstract painter Sam Gilliam, 81, are witnessing it firsthand.