And in the essay, Peet talked about aging in Hollywood, a topic that has been discussed by
other actresses such as Meryl Streep, Sarah Silverman and Maggie Gyllenhaal, who told TheWrap last May that she was turned down for a role in a movie because she, at 37, was too old to play the love interest of a 55 - year - old man.
The beautiful, diminutive Mexican actress Salma Hayek who plays Frida and had a lifelong ambition to play that role, co-produced the film with a host of others and thereby beat out
other actresses such as Madonna and J. Lo who also wanted the part.
Not exact matches
Let's only listen to actors,
actresses, athletes, rap stars and
other such noble and wise minded people.
Namely
such designs can be seen on
actresses in movies, stylish business women and
other categories of women who actively follow the fashion trends.
Members include rich and successful men and young and attractive women,
such as doctors, lawyers,
other professionals, financiers, benefactors along with beautiful, intelligent and classy college students, aspiring
actresses and models.
The website has millions of rich and successful men and young and attractive women,
such as doctors, lawyers,
other professionals, financiers, benefactors along with beautiful, intelligent and classy college students, aspiring
actresses and models.
These movies and a few
others show that Whoopi was a serious
actress when she did «The Color Purple», and «Ghost», and we really lost her when she started playing second hand characters
such as nuns («Sister Act» sequels), and playing off the radar «Star Trek» characters not to mention we totally lost her when she went from acting into the daytime talk show circuit of garbage.
Unlike
other actresses - turned - models, Hutton achieved critical acceptance fairly rapidly, earning respectable reviews for
such projects as the 1977 TV miniseries The Rheinman Exchange and the 1984 adventure film Lassiter (in which she played a literally bloodthirsty villainess).
Grainger first came to the attention of American audiences in the television series THE BORGIAS, and has appeared in
such television productions as BONNIE & CLYDE, playing the titular role of Bonnie and earning nominations from the Critics» Choice Awards for Best
Actress in a Movie or Mini-Series and the Satellite Award for
Actress in a Miniseries or a Motion Picture Made for Television; and in LADY CHATTERLEY»S LOVER among
others.
Other notable French
actresses,
such as Nathalie Baye, Juliette Binoche and Sandrine Bonnaire, also continue to build upon substantial careers in which they have portrayed a variety of complex characters.
Most recently, the
actress starred alongside Jake Gyllenhaal in Lionsgate's Stronger, and has also appeared in films
such as The
Other Half, Two Lovers and a Bear, Woman in Gold, and The Vow.
The Irish
actress Saoirse Ronan fills Susie with
such yearning and vitality in both life and death that contemplating the character's desecration is arduous in the extreme, but the sanitising by Jackson and his co-writers Fran Walsh and Philippa Boyens on one hand, and the glorifying of Susie's post-murder consciousness on the
other, cost the movie integrity.
I recently had the opportunity to conduct a short interview with
actress Diva Tyler, who has appeared in TV shows
such as («Eastbound & Down», «Single Ladies», «Local Talent», and «Constantine»), among many
others.
No formal boycott was announced, but only two of the five supporting
actress nominees — Alison Janney and Mary J Blige — were interviewed, while
other prominent early arrivals
such as Mira Sorvino and Ashley Judd did not speak to him.
But «Flaked» is
such a flavorless affair that there's scant suspense about the ongoing story, leaving little over which to get excited
other than a series of guest - star - punctuated interludes, with Heather Graham as Chip's estranged
actress wife, Kirstie Alley as Dennis» hippy - dippy mom and Annabeth Gish (briefly) as a developer.
Director Rupert Wyatt is still on board regardless, having screen tested
actresses,
such as Lea Seydoux (Spectre, Blue is the Warmest Color) and
others.
Tom Kitt and Brian Yorkey's rock musical Next to Normal debuted on Broadway eight years ago and, in addition to winning three Tony Awards (Best Original Score, Orchestration and Performance by a Leading
Actress in a Musical), it accomplished something no
other such work had done since 1996's Rent: It won the Pulitzer Prize for Drama.
Captivity, on the
other hand, is considerably less ambitious and considerably more exploitive, and as
such,
actress Elisha Cuthbert's participation can be dismissed as just another former TV star paying her dues in the horror genre.
On the
other hand, in the company of incandescent
actresses such as Catherine Keener, Frances McDormand and Joan Cusack in «Friends With Money,» Aniston — ostensibly the biggest name in the cast — faded out, becoming blurry and indistinct almost like that actor played by Robin Williams in Woody Allen's «Deconstructing Harry.»
There are
other standouts in the pack,
such as German director Tom Tykwer's (Heaven, The Princess and the Warrior) whirlwind romance between an American
actress, played by Natalie Portman (V for Vendetta, Revenge of the Sith), falling for a blind Parisian, as well as Sylvain Chomet's (The Triplets of Belleville, The Old Lady and the Pigeons) quirky tale of a mime who finds his soul mate in another mime while in prison.
Other categories followed the expected pattern of the Oscars,
such as Supporting
Actress going to Allison Janney for her role in I, Tonya.
That is no fault of her own, since she performs the lead role capably, or at least no less capably than any
other young
actress bogged down by
such a shallow script.
I can't imagine the Academy going for Black Swan in
such a big way as the BFCA did, but on the
other hand it could surely rack up quite a few nominations if they really love it: Picture, Director,
Actress, Screenplay, Cinematography, Editing, Costume Design and so on.
In our season 8 premiere episode, Academy Award ® - nominated filmmaker and
actress Greta Gerwig talks about her theatrical beginnings, what she learned working with filmmakers Noah Baumbach, Mike Mills, and
others in
such films as Frances Ha and 20th Century Women, and taking the leap to write and direct her own film, the critically acclaimed Lady Bird.
In 2007, film critic Jonathan Romney described Starr's new silent film Theda: «In a 40 - minute black - and - white film Theda British artist Georgina Starr, best known for her series of works inspired by the 1965 thriller Bunny Lake is Missing, pays tribute to this stormiest of divas and undertakes an archeology of gestural art of the silent - era
actress (Theda Bara), drawing on the styles of several
other now forgotten grande - dames,
such as Barbara La Marr and Maud Allan... the film is divided into three parts «prelude», «act» and «epilogue»... but «prelude» is the real coup: in a long single take, Starr runs through the codified expressive repertoire of the Theda - era performer with
such precision that any ironic distance evaporate.
This group of portraits includes well - known figures
such as playwright,
actress, and author Alice Childress; the sociologist Horace R. Cayton, Jr.; the community activist Mercedes Arroyo; and the widely published academic Harold Cruse; alongside more anonymous individuals of a nurse, a ballet dancer, a taxi driver, a businessman, a local kid who ran errands for Neel, and
other children and their families.
In the mode of New York Pop art, which Wesselmann played an integral role in shaping, some of these motifs are specific to their moment,
such as the framed portrait of the
actress Mary Tyler Moore, while
others recur throughout Wesselmann's oeuvre, from the round orange to the vase of flowers and the radio.