Not exact matches
In order to construct a house, bricks and
other building materials are necessary; so are the builders who put the materials into place; and so is the
architectural plan which determines the
form of the house.
individuals with disabilities continually encounter various
forms of discrimination, including outright intentional exclusion, the discriminatory effects of
architectural, transportation, and communication barriers, overprotective rules and policies, failure to make modifications to existing facilities and practices, exclusionary qualification standards and criteria, segregation, and relegation to lesser services, programs, activities, benefits, jobs, or
other opportunities;
The rocks on the side of the canyon have half finished Buddha statues,
architectural forms and
other things calved out of them.
Other contributors allying their medium and
architectural forms include Hélène Binet, Nadav Kander, Luisa Lambri, Catherine Opie, Thomas Ruff, and Filip Dujardin.
In his mature monochromatic work he continued this theme by distilling
forms and sensitive spatial relationships, refined from observations of the world around him — plant and
architectural forms, and
other subtle
forms like those found in fleeting shadows and reflections.
In her compositions Jebavy often includes glassware
forms that call to mind
other Baroque artworks, such as Bernini's expansive Baldachin in St. Peter's Cathedral, or illusionistic Italian ceiling paintings and cathedrals, building altar - like
architectural spaces that are at once intimate, domestic, and banal, and monumental, metaphysical, and transcendental.
Do our needs and desires determine
architectural forms, or is it the
other way around?
She is widely known for her simultaneous engagement with academic scholarship and contemporary
architectural practice and for interest in the intersection of architecture and
other art
forms.
Her current work focuses on interpretations of
architectural forms, and
other manmade objects.
The Glass House was the start of Johnson's 50 - year odyssey of
architectural experimentation in
forms, materials, and ideas, through the addition of
other structures - the Brick House / Guest House, Pond Pavilion, Painting Gallery, Sculpture Gallery, Ghost House, Library / Study, and Da Monsta — and the methodical sculpting of the surrounding landscape.
It's no accident that many of his best drawings over the years have taken the
form of grandly elaborate blueprints and
architectural renderings, making him a charter member of what I like to think of as the schematic school of late Modernism (
other members would include Bruce Nauman, Lee Lozano and Chris Burden).
Renée Green's (b. 1959) exhibition Within Living Memory is a meditation spurred by inhabiting an
architectural icon — Le Corbusier's Carpenter Center — while exploring the historical and institutional legacies of modernism's
other forms, including cinema, visual art, poetry, music, and literature.
In his vertical poems, Andre experimented with
form and the disruption of language by taking words from their common
architectural orientation (horizontal lines that read left to right) and re-ordering them to create a new system of reading; the words are stacked on top of each
other as individual particles, but still construct a readable sentence.
Tobey C. Moss Gallery presents
architectural / architectonic
form in works of art by Peter Krasnow, by Jules Engel, by Helen Lundeberg, by Lou Jacobs Jr, by Werner Drewes, by William Dole, by David P. Levine, by Clinton Adams, by Oskar Fischinger, by Leonard Edmondson and
others.
Derived from the figure and mythic narratives, Hadzi's sculpture references antiquity and classical artifacts — abstracted anatomical
forms, columnar and
other architectural elements, helmets, weaponry and body armor function as visual metaphors for ancient cultures.
Other major international exhibitions by Sosnowska include a solo show at New York's Museum of Modern Art in 2006, for which she used the existing space to create a three - dimensional sculpture of geometric
forms; «Loop» at Kunstmuseum Liechtenstein in 2007, a Moebius strip - like
architectural intervention; «Monika Sosnowska, Andrea Zittel.
Painted fabric over plaster and wood, Nikravan's
architectural jigsaw puzzles don't make sense; the objects feel alien, as if one is looking at the backside of a sculpture or through a window — some sit awkwardly on top of plexiglass plinths reminiscent of TV consoles
others are pinned on the wall their looping
forms unsatisfactorily interrupted.
Skibska, an artist whose roots lie in Communist Poland, has been greatly influenced by her
architectural background (in addition to the lack of creativity she found within it), coupled with her childhood hobbies of creating art in the
form of dioramas out of found materials, which included — among
other things — broken glass.