Sentences with phrase «other art movements as»

Not exact matches

Eurythmy has been described as «poetry in motion», or «speech and tone made visible» and has been likened to other movement arts such as dance, Tai Chi and the Japanese Kabuki Theatre.

The opt - out movement is borne of opposition to using the tests to measure teachers and schools, and the time testing takes away from other subjects, such as art or science.

CRCG's state - of - the - art clinic operates as a referral center for dog rehabilitation, and our certified expert personnel work as a team with a referring veterinarian and other animal healthcare professionals to evaluate, restore and maintain a dog's (and cat's) physical function and movement.

Danyasa offers retreats, classes and teacher trainings in yoga and other movement arts, as well as surfing, adventure, exploration and relaxation surrounded by the verdant and resplendent natural beauty of Costa Rica's Southern Pacific Coast.

Other key features include a forward facing camera for video chat, gyro and motion sensors to pick up player movements and a stylus which gives the gamepad great potential as an art pad for all you budding sketchers out there.

During a panel called «The Art of Pranks» at the College Art Association (CAA) conference in New York last February, a participant identified as Clark Stoeckley, «artivist,» maintained an impassive demeanor as his scholarly copanelists delivered papers on Dada, Fluxus, and other notorious movements past and present.

The films and photographs that James Collins produced in the 1970s were very much of their moment: like other proponents of so - called Story Art (an overlooked movement that deserves more attention) such as Bill Beckley, Mac Adams and Peter Hutchinson, he created explicitly narrative images in a photographic - based practice.

Minimal Art allied with Conceptual Art, Pop Art and other movements, and formed the basis of what became known as Anti-Formalism.

Finally, in the late 1960s (partially as a response to minimal art, and the dogmatic interpretations by some to Greenbergian and Juddian formalism), many painters re-introduced painterly options into their works and the Whitney Museum and several other museums and institutions at the time formally named and identified the movement and uncompromising return to painterly abstraction as «lyrical abstraction».

After attending the San Francisco Art Institute (then known as the California School of Arts), Wiley, along with Robert Hudson, Bruce Nauman, Robert Arneson, and Roy DeForest, among others, formed the Bay Area Funk movement, which gained national notoriety after the infamous «Funk Art» exhibition in 1967 at the University Art Museum in Berkeley (now the Berkeley Art Museum and Pacific Film Archive).

While living in Washington, D.C., Louis, along with Kenneth Noland and other Washington painters, formed an art movement that is known today as the Washington Color School.

Others were «Take It or Leave It: Institution, Image, Ideology» at the Hammer Museum (2014), which surveyed the use of appropriation and institutional critique in art from the 1980s; and «Jack Goldstein X 10,000» at Orange County Museum of Art (2012) which was a retrospective on the artist who helped initiate an avant - garde art movement referred to as the «Pictures Generation.&raqart from the 1980s; and «Jack Goldstein X 10,000» at Orange County Museum of Art (2012) which was a retrospective on the artist who helped initiate an avant - garde art movement referred to as the «Pictures Generation.&raqArt (2012) which was a retrospective on the artist who helped initiate an avant - garde art movement referred to as the «Pictures Generation.&raqart movement referred to as the «Pictures Generation.»

Although both British and American pop art began during the 1950s, Marcel Duchamp and others in Europe like Francis Picabia and Man Ray predate the movement; in addition there were some earlier American proto - pop origins which utilized «as found» cultural objects.

Other exhibitions such as «It Takes a Nation: Art for Social Justice: With Emory Douglas, and the Black Panther Party, Africobra, and Contemporary Washington Artists» at American University in Washington, D.C., and «Ruddy Roye: When Living is a Protest» at Steven Kasher, make the connection between earlier black rights movements and today's Black Lives Matters activism.

Marcel Duchamp was a pioneer of the Pop Art movement and a pivotal influence of great artists such as Andy Warhol, Jim Dine, Ed Ruscha and others.

Be sure to check out booths by Galerie Ernst Hilger from Vienna, representing the works of artists such as Erró and Mel Ramos, along with exponents of Austrian modernism from the 1960s onward and the main exponents of the most important international art movements of the 20th century; Galerie Lisa Kandlhofer from Vienna, representing emerging and mid career artists; Galerie Thaddaeus Ropac from London, Paris and Salzburg, specialised in international, contemporary art representing around 60 artists and a number of renowned estates; SUPPAN FINE ARTS from Vienna, focusing on international and modern as well as representatives of art after 1945; and PIFO Gallery from Beijing, representing a selection of Chinese and international artists with a core focus on minimalism and abstraction; among others.

For Galvez, and perhaps as a modus operandi of the gallery itself, the pathways of non-objective abstract art created by, and funneled through, Malevich (b. Ukraine) and Mondrian (b. Netherlands), among others, are the seed - like lenses that grew into movements that thrived through the 20th century to the present.

A French - American painter, sculptor, chess player and writer whose work has been associated with Dadaism and many other avant - garde movements, Marcel Duchamp is commonly considered as one of the artists who helped define the revolutionary developments in plastic arts in the begining of the twentieth century.

«Drawing Surrealism,» co-organized by the Morgan Library & Museum in New York and the Los Angeles County Museum of Art, clearly demonstrates why no other art movement of the modern era is as ubiquitous as SurrealiArt, clearly demonstrates why no other art movement of the modern era is as ubiquitous as Surrealiart movement of the modern era is as ubiquitous as Surrealism.

Border Zones and Liminal Bodies This screening features short video art pieces by 12 U.S. and international artists that invite viewers to contemplate contemporary issues, such as migration and refugee crises, disability and the body in movement, feminicide in Ciudad Juárez, water insecurity, and other issues.

Recognized as a defining force of the alternative space movement, MoMA PS1 stands out from other major arts institutions through its cutting - edge approach to exhibitions and direct involvement of artists within a scholarly framework.

His 1966 exhibition at the School of Visual Arts in New York, Working Drawings and Other Visible Things on Paper Not Necessarily Meant to Be Viewed, is regarded as a seminal moment in the origins of the Conceptual Art movement.

And then, there was everything else in between: Pop Art, which employed aspects of mass culture (unlike Abstract Expressionism), Fluxus, as a Dada - derived anti-art nihilist movement, Art Brut or Outsider Art if you want, new realism in France, and all the other forms of realism, which emerged in Great Britain, Socialist Realism in the Russian Soviet Republic, etc..

[24] However, addressing Tiravanija's work (amongst others) as paradigmatic of relational art, Claire Bishop challenges his (and RA's) emancipatory claims and criticises him (as part of the RA movement) for benefiting from «ubiquitous presence on the international art scene» and «collaps [ing] into compensatory (and self - congratulatory) entertainment.»

As with other movements, the form of works is varied — collectors can choose from works on paper, editions, sculptures or flat art, starting from around # 5,000 and rising into the millions for the most important pieces.

From the Robinsons point of view, the success of the «new» movement can be attributed to the art flippers among others who are betting on the safe sales and qualities such as elegance, simplicity and other convenient features that can be well incorporated into high - end interior design.

[6] They did not constitute an art movement as such, but rather a «support and critique family that helped each other go on their individual paths.»

Coinciding with the first ecological movements in the USA and Europe, Land Art was first created in the 1960s by artists working concurrently but sepa - rately from each other, as a critical reaction to the classical genre of sculpture and the commercial art markArt was first created in the 1960s by artists working concurrently but sepa - rately from each other, as a critical reaction to the classical genre of sculpture and the commercial art markart market.

As we already mentioned, the show is not focusing only on Pop Art, but on other contemporary art movements as welAs we already mentioned, the show is not focusing only on Pop Art, but on other contemporary art movements as weArt, but on other contemporary art movements as weart movements as welas well.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Politics as Practice includes four groups: March Group, Judson Church's Hall of Issues, The Center, and Spiral Group, which examined the viability of politics as a subject for art and channeled a new sense of social urgency in addressing Cold War politics, the civil rights movement, and the legacy of World War II, among other concerns.

Other modern movements cited as influential to postmodern art are conceptual art and the use of techniques such as assemblage, montage, bricolage, and appropriation.

Described as the first - ever exhibition to present the perspectives of women of color «distinct from the primarily white, middle - class mainstream feminist movement — in order to reorient conversations around race, feminism, political action, art production, and art history,» featured artists include Camille Billops, Beverly Buchanan, Elizabeth Catlett, Jeff Donaldson, Jae Jarrell, Wadsworth Jarrell, Samella Lewis, Lorraine O'Grady, Faith Ringgold, Betye Saar, Lorna Simpson, and Carrie Mae Weems, among others.

We recently wrote about contemporary abstraction, and the fact that abstract art survived only as part of other movements.

Pop Art was quicker than any other art movement of the twentieth century to gain entrance to art markets, and was widely exhibited and enthusiastically received as soon as it began to emerge on the scene in the UArt was quicker than any other art movement of the twentieth century to gain entrance to art markets, and was widely exhibited and enthusiastically received as soon as it began to emerge on the scene in the Uart movement of the twentieth century to gain entrance to art markets, and was widely exhibited and enthusiastically received as soon as it began to emerge on the scene in the Uart markets, and was widely exhibited and enthusiastically received as soon as it began to emerge on the scene in the USA.

His earliest work, the Protoinvestigations, were done when he was only twenty years old and as they are considered among the first works of the Conceptual art movement they are included in collections such as The Museum of Modern Art, The Guggenheim, The Whitney, Centre Pompidou, The Tate Gallery, The Reina Sophia, Madrid, among many others, and constitute a youthful record in most of these major collectioart movement they are included in collections such as The Museum of Modern Art, The Guggenheim, The Whitney, Centre Pompidou, The Tate Gallery, The Reina Sophia, Madrid, among many others, and constitute a youthful record in most of these major collectioArt, The Guggenheim, The Whitney, Centre Pompidou, The Tate Gallery, The Reina Sophia, Madrid, among many others, and constitute a youthful record in most of these major collections.

Maybe Ceal Floyer and Lucy Skaer are big arte povera fans but their art owes as much to about 10 other modern art movements as it does to this one.

Having witnessed the rise of graffiti and urban art from its very beginnings, Danysz became an expert in the movement, writing books about the history of Street Art and curating major institutional group shows, as well as over fifty solo shows with artists including Shepard Fairey (aka Obey), Space Invader, JR and Vhils among many otheart from its very beginnings, Danysz became an expert in the movement, writing books about the history of Street Art and curating major institutional group shows, as well as over fifty solo shows with artists including Shepard Fairey (aka Obey), Space Invader, JR and Vhils among many otheArt and curating major institutional group shows, as well as over fifty solo shows with artists including Shepard Fairey (aka Obey), Space Invader, JR and Vhils among many others.

He found Conceptual art, as well as other «avant - gardist» movements that derived from Duchamp, «fascinating because of its desperation.»

It may seem almost absurd to even suggest that the influence of the works of the so - called French, German, and Italian «Post Impressionists,» «Futurists,» «Cubists,» and other «ists,» as exemplified by representative examples at the Armory show, can have any immediate, or even near future effect, upon the generally strong, good and, from the conventional art viewpoint, sane, American painting and sculpture of today, but there is no doubt that the study of these new groupings, called «movements» in painting and sculpture, which have so emphasized and influenced the art of Europe today, for the past 5 years, and even the derision which they have excited, and will continue to excite, has had and will have a stimulating effect.

Peckham - based artist, graffiti writer and contemporary artist Remi Rough stands apart from other street art - leaning practitioners in that his work is often referred to as «visual symphonies», thanks to his keen eye for the geometrical treatment of form, colour, line and space, and inspired by avant - garde movements such as Suprematism and Italian Futurism.

They have found themselves confronted with a problem beyond their solution, as we predicted last week, and the number of involved, tedious and lengthy essays on the new art movement in Europe, as evidenced by the exhibits of the «Cubists,» «Futurists» and all the other «Ists» at the Armory published of late in the dailies, is appalling.

Not only were the great collections that changed hands in the 19th and 20th centuries lost by the Corcoran to institutions in other cities and later to the National Gallery and the Smithsonian, but seminal movements in American art, such as the emergence in the 1950s and»60s of abstract expressionism, pop art and even the Washington Color School (which started in its own back yard!)

They did not form a particular art movement together, but instead acted as a support and critique family that helped each other go on their individual paths.

Exhibitions have showcased numerous contemporary art movements such as Minimalism, Neo-Expressionism, and Britart by Young British Artists, as well as avant - garde art from China, while featured artists have included outstanding figures like Andy Warhol (1928 - 87), Phillip Guston (1913 - 80), Richard Serra (b. 1939), Anselm Kiefer (b. 1945), Gerhard Richter (b. 1932), Donald Judd (1928 - 94), Damien Hirst (b. 1965), and Tracey Emin (b. 1963), among many others.

From the press release: «The exhibition is a celebration of contemporary mark making whilst embracing and taking inspiration from traditional art movements such as Futurism, Abstract Expressionism and Precisionism among others.

As the celebrity artist of the Pop Art movement, he - along with painter Roy Lichtenstein, sculptor Claes Oldenburg, and others - redefined contemporary art of the 1960s and 7Art movement, he - along with painter Roy Lichtenstein, sculptor Claes Oldenburg, and others - redefined contemporary art of the 1960s and 7art of the 1960s and 70s.

March: In the catalogue for the exhibition German Painting and Sculpture at the Museum of Modern Art, Alfred H. Barr, Jr., aligns Hopper (as well as several other American artists including Charles Sheeler) with the New Objectivity (Neue Sachlichkeit) movement.

The most significant of the often loosely defined movements of early contemporary art included pop art, characterized by commonplace imagery placed in new aesthetic contexts, as in the work of such figures as Andy Warhol and Roy Lichtenstein; the optical shimmerings of the international op art movement in the paintings of Bridget Riley, Richard Anusziewicz, and others; the cool abstract images of color - field painting in the work of artists such as Ellsworth Kelly and Frank Stella (with his shaped - canvas innovations); the lofty intellectual intentions and stark abstraction of conceptual art by Sol LeWitt and others; the hard - edged hyperreality of photorealism in works by Richard Estes and others; the spontaneity and multimedia components of happenings; and the monumentality and environmental consciousness of land art by artists such as Robert Smithson.

This is certainly not a «street art» show — an art form Banksy describes as «just as reassuringly white, middle class and lacking in women as any other art movement.»