Sentences with phrase «other artistic practices»

Unlike many other Pictures - affiliated artists who use photography, James Welling established a deep and remarkably sincere commitment to his primary medium even as he undertook an extensive investigation of its long - standing intermediary role in other artistic practices: Abstract and representational painting and sculpture along with film, architecture, and, more recently, dance have all crucially informed the artist's oeuvre.

Other artistic practices mirror the sociality of larping without necessarily borrowing its vocabulary.

The works selected for Public address this aspect of sculpture as the pieces claim space or territory through size, scale, intensity and sound, among other artistic practices.

The group show, whose title is inspired by a song from the 1970s funk band the Ohio Players, looks at issues of society, sexuality and black womanhood — in works that are variously inspired by folk art traditions, Afro - Caribbean folklore and myriad other artistic practices.

CARDON Well because all of a sudden you're holding some kind of power to evaluate other artistic practices.

Together with the gallery that, as its publisher, shared offices with it until 1998, the magazine established a significant dialogue with the international art scene, thanks to a focus expanded from photography into other artistic practices, including film and video.

Not exact matches

The art of intimacy, or relating in depth, like other artistic skills, must be cultivated through disciplined practice.

The children participate in music, drama and a variety of other artistic activities, practice hands - on skills such as knitting, gardening and woodworking.

The adoption of this new material coincided with other changes in past societies often including differing agricultural practices, religious beliefs and artistic styles.

I've seen this in fellow artists and former students: Artists are often inspired by fields outside of the arts, and exposure to those other fields of study serves to deepen their artistic practice.

Nimah loves creating coloring books as a way to involve others in art and her artistic practice without putting too much pressure on them to be «artists» themselves.»

Alongside her painting practice, she teaches online courses focused on helping others uncover and develop their own unique artistic self expression.

Manister's artistic worldview and method is underpinned by the humanist vision of the older generation, but his commitment to forging an individual practice is not hampered by the same kind of high - seriousness and obdurate self - belief often found with other painters working «after the fall.»

Others incorporate everyday actions such as knotting, wrapping, or tying into their artistic practice, as in Lynda Benglis's knot sculpture Sierra and Sheila Hicks's stacked bundles of thread in Banisteriopsis II.

Far from attempting to isolate writing as an autonomous (art) practice, the speakers addressed the linguistic «poiesis» (making) as a model, or common denominator for constructions which may bind artistic practises to other things, places and professions.

The presented artistic contexts and conceptual positions in these four female artists» practices include references to mainstream comedy's systems and authors, and some are more explicitly gendered than others with literal and implied connections to the female body.

What power — and what risk — does one assume in baring oneself in artistic practice, or in inviting others to do so?

The St. Louis program looked at the intersection of climate change science, artistic practice, and civic engagement, and included programs from the Judd Foundation, Mary Miss, Tattfoo Tan, and Washington University, among others.

He doesn't like to be called a curator, but part of his artistic practice involves organizing collections of other artists» things.

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.

If you are or were part of an avant - garde center, gallery, non-profit organization, publication, artist group, or other type of artistic initiative that operated according to an alternative or avant - garde mission or practice, we are interested in hearing from you.

But whereas that exhibition consolidated an emergent artistic practice, Other Primary Structures consolidates a highly problematic form of global art history, one that is no less hegemonic than the narrative from which it supposedly departs.

The exhibition will feature Aguiñiga's «AMBOS (Art Made Between Opposite Sides)» series alongside seven other projects from her ongoing design and artistic practice in photographic documentation, radio broadcasts, ephemera, data and an installation.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

This crucial change in artistic practice during the Romantic period is considered alongside other new technologies that allowed artistic criticism to take new forms.

Central Saint Martins student Eva Cookney on Becoming The Other, an exhibition exploring ethnography / anthropology within artistic practice that she participated in at Rivington Place this May.

Organized by Rhizome's Artistic Director, Michael Connor, Brushes convenes artists Laura Brothers and Andrej Ujhazy, art historian Alex Bacon, and others to explore digital painting as a practice for screen - based display and online circulation, against the backdrop of a current surge of interest in digital painting for the gallery.

In other words, it's a battle over the very legality of appropriation art, and every lawsuit that addresses this third - rail of contemporary artistic practice sets a legal precedent that can have market repercussions.

The high quality of Goya's artistic practice inspired Simon to acquire more works by this artist than any other in his collection — nearly 1,400 prints, three paintings and one double - sided drawing.

Most recently, Havel has begun engaging other aspects of his personal self into the work by casting books found in his library, choosing those that relate closely to his own artistic practice.

As self - contained as the MoE project is, it also allowed Cox to engage in dialog with other artists, a welcome break from his solitary artistic practice.

Historicizing the shifting identity and role of this distinctly American version of modernism's «other,» the exhibition probes assumptions about creativity, artistic practice, and the role of the artist in contemporary culture.

This inspiration is seen in Fleming's artistic research and development — a hybrid output of his contemplative programming, media art, installation, and filmmaking practices in which he structures his work to elicit a selective attention towards witnessing and mutating the self - other dichotomy.

In a way that no other exhibition has done previously, Radical Women: Latin American Art, 1960 — 1985 will give visibility to the artistic practices of women artists working in Latin America and US - born women artists of Latino heritage between 1960 and 1985 — a key period in Latin American history and in the development of contemporary art.

A central aspect of his artistic practice has been deep collaborative relationships, particularly with performing artists such as Leigh Bowery, Michael Clark, Douglas Dunn, Yvonne Rainer, Mika Tajima and the New Humans, and many others.

This exhibition, featuring photographs from several projects and bodies of work, including the Rephotographic Survey Project, Water in the West, Third View, Yosemite In Time, and as yet unexhibited work from Lake Powell, will explore Klett's creative practice and the ways that working with others expanded his artistic contributions to the field.

PROGRAM Monday, April 25, 2016 2 PM: Reception at the BAI 3 — 6 PM: «Medium in Permanent Flux» Introduction to the history of recent drawing by Jan - Philipp Fruehsorge M.A. «Since the 1960s until most recently drawing, unlike any other artistic medium, has been continuosly undergoing a transformation process which led to a radically new view and defintion of its functions and practices.

At first thought, artistic and scientific practice might seem unrelated: one is focused on expression, the other on data.

The strategic plan, launched in October 2007, and the subsequent Action Plan released in 2008, outlined five overall directions for the Council over the next three to five years: reinforcing the Council's commitment to individual artists, working alone or collaboratively, as the core of artistic practice in Canada; broadening the Council's commitment to arts organizations to strengthen their capacity to underpin artistic practices in all parts of the country; enhancing the Council's leadership role in promoting equity in fulfilling Canada's artistic aspirations; making partnerships with other organizations, including other funders, a key element in the Council's approach to advancing its mandate; and enhancing the Council's capacity to support the arts and implement change by strengthening its structure, staffing and services.

The exhibition explores the evolution of Liu's artistic practice, and investigates the complex interactions between individual memory and history, and documentary evidence and artistic expression, among other themes.

It will house more than three - hundred paintings and drawings by Bartlett as well as the complete archive of his sketch books, photographs, journals, and other objects related to his artistic practice.

NCECA encourages participation from conference host city galleries and other exhibiting venues that may not have previously engaged with ceramic arts; after the conference many participants continue to be involved in the local and global conversation about and support for a clay - based artistic practice.

Sindy Butz's artistic practice includes the study of butoh dance, Aerial Movement and other contemporary dance techniques.

Artspace: Lately, the scope of your artistic practice has expanded to include other roles beyond photographer, including those of curator and archivist.

Each have a prolific multi-decade artistic career deserving of further scholarship, but a palpable coincidence further connects these three gures: Betty Parsons was the founder of the eponymous gallery which launched the careers of the likes of Pollock, Rothko and Newman; Arakawa and his wife co-founded the Reversible Destiny Foundation, seeking a new model for architectural practices by borrowing from disciplines including experimental biology, quantum physics, and medicine; Lohaus co-founded the Wide White Space gallery (WWS) in Antwerp in 1966, which exhibited artists such as Beuys, Broodthaers, Christo and many others.

One of the most unique aspects of studying art history at an art school was that I was required to develop my own artistic practice through hours of drawing classes, performance art classes, photography studios, and so on, which allowed me a much more intimate understanding of the artistic process — but it was also important to be surrounded by other ambitious creators.

RB It came out of my interest in «The Western Round Table on Modern Art» meetings where a group of men from art, literature, music, architecture, and other fields — among them were Marcel Duchamp, Arnold Schoenberg, and Frank Lloyd Wright — discussed artistic practice.

Exploring the connections between these and other seemingly disparate themes, the class aims to locate the Biennial within the context of current artistic and curatorial practices.

We could call these the «first» and «third» audiences of the Biennale, one that is immediately interested and involved in contemporary art, and one that is present in other ways, and which challenges the confines of contemporary artistic practices.

In PAFA's installation, the Morse painting is on one side of the gallery with objects that help provide a broader context for the themes of artistic practice and identity, while the other half of the gallery is hung salon - style with paintings from PAFA's collection that highlight the academic genres taught and exhibited at PAFA in the first half of the nineteenth century.