Sentences with phrase «other artworks in this exhibition»

And other artworks in this exhibition are from the approximately 50 works of art the museum adds to the collection each year.

Not exact matches

In addition to Mark di Suvero at Crissy Field, other site - specific projects during this period will include a city - wide exhibition including newly commissioned, site - responsive artworks at Los Altos in fall of 2013; a multi-location display of Doug Aitken's Empire trilogy (2008 — 14) in 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work serieIn addition to Mark di Suvero at Crissy Field, other site - specific projects during this period will include a city - wide exhibition including newly commissioned, site - responsive artworks at Los Altos in fall of 2013; a multi-location display of Doug Aitken's Empire trilogy (2008 — 14) in 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work seriein fall of 2013; a multi-location display of Doug Aitken's Empire trilogy (2008 — 14) in 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work seriein 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work series.

Entries are open until April 20th, after which point the crème de la crème of the submitted artwork will be chosen to appear in ACA's exhibition, which will kick off with an awards ceremony where artists can mix and mingle with potential buyers and other art industry professionals.

Updated February 1 - The BMA celebrates the evolution of its world - class collection in this stunning exhibition of more than 200 artworks — many on view for the first time — with masterworks by Degas, Kelly, Magritte, Matisse, Rodin, and many others given to the BMA during its enormously successful Campaign for Art.

Beginning today, an online exhibition of 18 artworks by African - American artists in the BMA's collection can be viewed by people around the world thanks to a new partnership between the Google Cultural Institute and more than 40 other organizations with African - American artworks and historical artifacts.

He joined the «Irascibles» in protest against the Met's exclusion of avant - garde artwork from its juried exhibitions, and he was also part of the Studio 35 three - day symposium on abstract art, which included — among others — Norman Lewis, James Brooks, Theodoros Stamos, and Willem de Kooning.

Inspiration / [N. Blaine [and others]-RSB--- Introduction — 151: The «9th St.» Exhibition, the First Annual: the emergence of the New York School — Documentation of artists» participation in the New York Painting and Sculpture Annuals, including the «9th St.» Exhibition and the Stable Gallery Annuals, 1951 - 1957 — From downtown to uptown: The Ninth Street Show continued as the New York Painting and Sculpture Annuals, at the Stable Gallery, 1953 - 1957 — Documentation of artists» participation in the New York Painting and Sculpture Annuals, at the Stable Gallery, 1953 - 1957 — Complete index of artists» participation in the New York Artists» Annuals, 1951 - 1957 — Fine arts photographers and the New York School — Statements, artwork and biographies from the artists of the «9th St.» Show, 1951 and the Second Annual, 1953 Stable Gallery, NY.

The artworks in the Eco-Visionaries exhibition present alternative views and ideas on humans» relation to nature ecologies, social ecologies, and mental ecologies - systems that are inextricably linked and affect each other.

Other projects in the works include artist and outreach workshops for at - risk youth groups and women's groups focusing on the power of autobiography and self - discovery and an original work of fiction inspired by the artwork on view at Girls» Club to be featured in the upcoming exhibition catalog, to be published in Spring 2014.

In the Museum's first use of a double - sided frame, the exhibition presents verified Clyfford Still artworks in juxtaposition with the undocumented painting's front composition, as well as other Still works that could relate to the painting's reverse compositioIn the Museum's first use of a double - sided frame, the exhibition presents verified Clyfford Still artworks in juxtaposition with the undocumented painting's front composition, as well as other Still works that could relate to the painting's reverse compositioin juxtaposition with the undocumented painting's front composition, as well as other Still works that could relate to the painting's reverse composition.

It is our hope that a century hence, in survey exhibitions of art of the late 20th and early 21st centuries, the artworks of Thornton Dial, Lonnie Holley, Ronald Lockett, the quilters of Gee's Bend, and dozens of others will be shown alongside works by artists who are today household names — together with other artists whose names have yet to surface.

In 2002, Gagosian Gallery, New York, mounted an exhibition of about 45 sculptures, paintings, drawings and other artworks by 22 artists shown at Ferus during its 10 - year lifetime.

In its implicit nature as opposed to a brutal revelation, the piece places the home as the centre of the exhibition, to which all the other artworks eventually all adhere.

When we research artwork or other objects and we find information about you in sources such as newspaper articles, exhibition catalogues, public auction results, or one of our contacts gives us feedback in relation to objects or persons they have been told about.

While the exhibition considers the art historical background of the relationship between artwork and viewer, and its growing status over time, it asks, how do these works engage and forge relationships with audiences in distinctively different ways from any other works of art?

In 2012 she curated exhibitions such as You, Me, We, She, an all - female exhibition including artwork by Martha Wilson, DISBAND, Mika Rottenberg, Annika Eriksson, Johanna Billing, Corita Kent, and Justine Kurland, among others.

This organization brings in working art educators to give lectures, organizes field trips to conferences and hosts art exhibitions featuring artwork by Art Education students, among other duties.

This revised presentation is organized by Robert Scalise, Assistant Director for Exhibitions and Collections at the UB Art Galleries in collaboration with The Art Students League of New York, and will include additional artwork from the university's significant collection and other lenders.

Original artworks and commentary by Mark Tansey (b. 1949), whose large scale monochromatic allegories reference the art of photography, a pivotal technology in the reproduction and dissemination of popular images; John Currin (b. 1962), who has referenced the art of Norman Rockwell, and whose provocative figural paintings reflect upon domestic and social themes that were prevalent, though differently portrayed, in the mid-twentieth century; Vincent Desiderio (b. 1955), whose dark intellectual melodramas re-imagine scenes of crime and adventure from pulp fiction; Lucien Freud (1922 - 2011), the painter of deeply psychological works that examine the relationship of artist and model; and Jamie Wyeth (b. 1946), son of noted painter Andrew Wyeth and grandson of illustrator N.C. Wyeth, whose images convey stories real and imagined, among other artists, will be featured in the exhibition and its accompanying catalogue.

Considered a context - specific exhibition with sound, The Marfa Sessions includes installed sound environments and acoustic spaces; visual artworks with an integral aural element; and sound by visual artists who usually work in other media.

As a DIA curator, I researched our extraordinary painting collection, enhanced our permanent galleries by displaying our artwork in new ways, curated temporary exhibitions, visited private and public art collections with our patrons, and identified new works for acquisition among many other things — the work curators perform is one of the most interesting in the museum profession because of the multiplicity of duties that it entails.

This elegant volume, published in conjunction with an exhibition at the San Francisco Museum of Modern Art, features large - scale color plates of over 250 artworks by 140 artists of international renown, such as Jackson Pollock, Robert Rauschenberg, Alberto Giacometti, Richard Diebenkorn, and many others.

Temporary exhibitions, which often include artworks borrowed from other collections that relate to items in The Frick Collection, are seen as an important form of research and constitute an original contribution to knowledge.

More than two hundred works — paintings, sculptures, installations, videos and films, from the holdings of the Nationalgalerie are complemented by approximately one hundred and fifty works on loan from other collections In addition, 400 artworks, magazines and documents are presented in the exhibition from national and international collectionIn addition, 400 artworks, magazines and documents are presented in the exhibition from national and international collectionin the exhibition from national and international collections.

The highest - profile victory, however, went to performance artist and «dancing economist» Tino Sehgal for his piece in Massimiliano Gioni's «The Encyclopedic Palace» exhibition featuring a man and a woman sitting on the floor, one of them rhythmically uttering incantatory sounds of a vaguely Eastern, quasi-spiritual tenor while the other strikes poses that could possibly be derived from historical artworks.

The artworks in the exhibition, along with others acquired as part of the initiative, will become part of the Guggenheim's permanent collection under the auspices of the Guggenheim UBS MAP Purchase Fund.

Building on the story of the very first silkscreens in contemporary art, the exhibition, Late Series, presents two artworks from some of the most important later series by Rauschenberg, amongst other Borealis, Urban Bourbon, Night Shades, Scenarios and his last one: Runts.

Documents relating to John Biggers» work as an artist and arts advocate include planning and promotional material from a number of public exhibitions of Biggers» work as well as handwritten research notes on African art; financial documents about loans and sales of his work; artwork and sketches by Biggers and other artists; as well as a significant amount of material from Biggers» tenure as the head of the Art Department at Texas Southern University in Houston.

Artworks created by artists in Latin America, the Middle East, Africa, Asia, and Eastern Europe at around the time Primary Structures was shown are being presented now, in 2014, in an exhibition organized by Jens Hoffmann at the Jewish Museum called Other Primary Structures.

It brought, among other artworks, those that had been in recent exhibitions at its bases in Berlin and London, including pieces by Bill Viola, Francesco Clemente and Tim Noble and Sue Webster.

This exhibition, following the Kemper Art Museum's 2011 exhibition Island Press: Three Decades of Printmaking, presents a survey of artworks created in the last decade by over a dozen visiting artists, including Radcliffe Bailey, Orly Genger, Trenton Doyle Hancock, Nina Katchadourian, Dario Robleto, James Siena, and Paula Wilson, among others.

Describing himself as an urban activist, rather than the artist, Biancoshock is an Italian, known for producing artworks that are usually ephemeral in space, but limitless in time through the photography, video, exhibition or any other media.

Leslie Tonkonow Artworks + Projects opened in April 1997 in the landmark Starrett Lehigh Building in Chelsea with the exhibition, Critical Images, including major earlyworks by Vito Acconci, John Baldessari, Robert Barry, Dan Graham, Douglas Huebler, Joseph Kosuth, Lawrence Weiner and others.

In a follow up to the gallery's critically acclaimed group show «UPRISE / ANGRY WOMEN,» which opened during the week of the 2017 presidential inauguration, exhibition ONE YEAR OF RESISTANCE features artwork across all mediums addressing the issues our society has faced since the election such as immigration rights, women's rights, transgender rights, health care, climate change, white supremacy, gender equality, gun control, sexual harassment, as well as countless other issues which have given rise to mass protest throughout the United States and abroad over the past year.

Pierce's Future Exhibitions and Byrne's In Repertory, for example, are exhibited in «cannibalized» form, with the artworks sourcing each other as materiaIn Repertory, for example, are exhibited in «cannibalized» form, with the artworks sourcing each other as materiain «cannibalized» form, with the artworks sourcing each other as material.

This exhibition is the first time you have shown your drawings alongside artworks made in other media, right?

With support from a Andrew W. Mellon Foundation grant, the museum has launched a digital archive, making available videos of artist talks and panel discussions, artist biographies, images of artworks presented, installation views of the exhibition at the three venues where it appeared, and all eight essays published in the now - out - of - print exhibition catalog (at right), among other material.

The artworks in the exhibition are groupings that can work as cinematic frame - by - frame in some cases, and in others, as depictions of how fragmentation can complete an idea or visual expression.

Depending upon space requirements for our other exhibitions, Newcomb artwork are on not always on display in the Museum.

By re-photographing the well - known photo from an exhibition catalogue, and recreating it in two versions — one positive, the other negative — Sherrie Levine questions the «art - value» or «aura» that characterises the unique and original artwork.

For these five reasons, I would ask you to remove from Art in China or any other forthcoming exhibition, works that include live animals subject to harm, or the video reproduction of artworks that injured or abused animals.

In the short documentary from the series Women Artists (2016) by Claudia Müller, Grosse curates a fantasy exhibition by eight other female artists and discusses her selection of artists and artworks, the relationship between their practices, and guides the viewer through a virtual realisation of her ideal group exhibition.

In 2012, Occupy Museums launched Debtfair, an exhibition and organizing platform that groups artists and artworks by their debts and other financial realities.

Artworks in the exhibition that focus on the optic possess a dream - like, disembodied haziness, as they focus on the act of sight itself, leaving other aspects and characteristics of perception behind.

Through the re-contextualization of artworks encountered in other circumstances and contexts, the exhibition hopes to establish — albeit temporarily — a new «narrative», a conversation, of sorts, amongst artists and artworks, that seeks to illuminate and / or explore certain underlying tendencies, conditions, or connections that perhaps might otherwise have remained elusive or obscured.

«Historically, artworks by women, people of color, LGBTQ, and other marginalized people have been underrepresented in almost every art institution's exhibitions and collection,» said Njideka Akunyili Crosby, whose solo show at the BMA, Counterparts, closed in March.

For the «Touch» exhibition, ESMoA presented the magic of the LA art scene over the last four decades: i.e. portraits of artists in their studios by photographer Jim McHugh and a selection of original artworks by other artists.

-- Exhibition is open to 2d & 3d art — Submitting artists must currently teach 50 % to full time in public school grades K - 12 — No restrictions for date work was created, as long as it was made while teaching — Accompanying artist statement must address how teaching and art making impact each other in the artist's life — If selected, artwork must be delivered in person and ready to install in November (exact date TBD)-- Artwork must fit through a standard 32» door (or be able to be broken down to fit)-- The Nave Gallery will retain a 30 % commission for woartwork must be delivered in person and ready to install in November (exact date TBD)-- Artwork must fit through a standard 32» door (or be able to be broken down to fit)-- The Nave Gallery will retain a 30 % commission for woArtwork must fit through a standard 32» door (or be able to be broken down to fit)-- The Nave Gallery will retain a 30 % commission for work sold

As opposed to the sensory saturation offered by the exhibition's titular artwork, which achieves attention and accessibility through optical intensity, the two other works in the exhibition are spare enough to yield a palpable sense of disorientation if viewed immediately after Medi.

Other countries, including Italy, Japan and the Netherlands, promote their visual culture in the United States — sponsoring museum exhibitions, lending valuable artworks and so on.