Sentences with phrase «other authors or publishers»

As long as your book is pleasing its customers, the Amazon machine treats you just like any other author or publisher.

Not exact matches

While this strategy works just fine for large publishers that already have established brands and get thousands of shares on any new article they publish (such as Mashable or TechCrunch), a more pragmatic approach is needed for just about every other business.It's true that getting quality inbound links starts with great content on your client's website, but the missing link is getting journalists, contributors, authors, and editors at quality publications to become aware of that content so that they can link to it when writing relevant stories / articles.
The Carnegie Corporation, it should be said, is not the author, owner, publisher or proprietor of these or of the other publications issued by the staff of The Study of Theological Education in the United States and Canada, and is not to be understood as approving by virtue of its grant any of the statements made or views expressed therein.
That reminds me, I was looking on the Hesperian Foundation website (publishers of «Where There is No Doctor» and other such titles for developing countries, and which illustrious author should they be selling in the store but Ina May, «America's leading midwife» (or something similarly gushy).
5.1.1 Remove, cover, obscure, or alter the authors» names or the Publisher's copyright notices, trademarks, logos, or other means of identification or disclaimers as they appear in the Licensed Materials;
«Green open access,» by contrast, means that the publisher can restrict access to a paper, but that the author archives a freely available copy of the paper in an institutional repository, or some other archive, often after 6 or 12 months.
Thanks in part to several legal fights, journal fees in the Netherlands have become public, and calculations by Waaijers have shown that Elsevier charges two or even three times as much per article by Dutch authors as three other large publishers.
Some other papers, published in traditional subscription - based journals, are made freely available on an author's website or through an institutional or government archive, often after a 6 - or 12 - month «embargo» imposed by the publisher to protect subscription revenue.
Teachers can reuse and edit premium content, upload their own schemes of learning, search for activities created by other teachers or reliable authors and publishers, or create their own content using 20 + pre-built activity templates, all mapped on learning objectives.
As early implementers, these educators have gone both to the «source» of the standards and used other proxies for quality and alignment: They've worked directly with and learned from the standards» authors themselves and / or used tools created by them (e.g., the Publishers» Criteria developed by Student Achievement Partners and several other groups).
Otherwise, book publishers normally devote their marketing dollars and other resources toward authors that are huge successes or are making a major debut.
feedback is more in the book preview area, and that is from other authors / publishers, and that is as much or as little as you want.
Horizons will make it possible for thousands of authors, whose manuscripts Harlequin or other traditional publisher can not publish, to see their books in print.
Others are effectively pyramid schemes — publishers who have published their own, or friends», work and who are looking for «authors» to sign on and spread social media contacts.
When a book doesn't meet your sales expectations, be careful not to blame other people, such as your readers, your publisher, or even God (I've actually heard some authors hold the Almighty responsible).
This also catches Authors like Norman Spinrad and some other Authors who for one reason or the other either don't currently have a US publisher or who's works have been out of print for years and are just now self publishing those old works.
I don't really see any disadvantages for reader, publisher or author coming since we need each other and can not afford to antagonise any of the parties without opening up competition to restore the equilibrium.
Some authors are even selling the rights to some of their books to traditional publishers while keeping control of others, or selling print rights and keeping those to e-books.
«Hybrid publishing» is not a term all publishers or authors in this space use; other terms that describe this type of publishing include «author - assisted publishing,» «independent publishing,» «partnership publishing,» «copublishing,» and «entrepreneurial publishing.»
Author will not, without written consent of Publisher, write, print, publish or produce, or cause to be written, printed, published or produced, during the continuance of this Agreement, any other edition of said Work, any work derived from the Work, or any other work in any form tending to compete or interfere with or injure the sale of the Work in any manner.
The Author will not publish or authorize the publication of any other work which would adversely affect the sale of the Work without the Publisher's prior written consent.
But there's one other skill or ability you have to look for as an author when trying to find top literary agencies to get you a top publisher and book deal.
Author agrees he will not undertake without the written consent of Publisher, to write, print, publish, produce, or cause to be written, printed, published, or produced, (alone, in conjunction with others or through any other arrangement) anything for publication in book form before the work has been delivered.
I do talk to the CEO's of the biggest publishers but I can assure you that when we happen to see each other at charity functions or industry functions the people who run publishing companies don't sit around taking about how long their company takes to revert rights to authors.
I have less and less patience with people who claim that Amazon has or is striving for some kind of evil monopoly that will subjugate authors and readers when all the evidence to date is that they will treat authors better than any publisher and provide readers with cheaper books, a bigger selection, and a better customer experience than any other retailer.
You can also go cruise on Google for other «best of 2015» fiction lists, such as those from or by Small Presses, Independent Publishers, more Indie / Self - Pubbed authors, Debuts, Flash Fiction, and on and on.
Other than Hugh Howey / Bella Andre / Colleen Hoover retaining e-book rights, that is... A time - limited option makes sense to me — publishers, use these rights within 3 years or the author gets them back, kind of thing.
Plenty of authors publish themselves and are then picked up by a literary agent or traditional publisher, and others have left their traditional publisher to publish their own work.
There are other reasons publishers may choose to make a book free, such as for a promotion or because the author / publisher just wants to get the information in front of an audience.
For other countries, ask local authors or publishers.
We do not accept responsibility for any loss, monetary or otherwise, incurred by the author and / or publisher or any other person or organisation during these investigations.
Ebooks have none of those added costs, which is why they should be less regardless of the advance paid to the author or other expenses the publisher incurs in bringing a book to market.
After a while, some authors, not wanting to negotiate with publishers themselves, or feeling they didn't have the skill, started hiring others to do their negotiating for them.
So, it's not just a matter of the author or US publisher giving Amazon or Apple or BN or Whoever a thumbs - up to sell away the English language eBook from their distribution channels in other countries.
But while everyone else here is taking author's creative content and using it to make an income, we indie authors are supporting ourselves by not giving our rights or work away to publishers, doing everything ourselves, taking control over our own marketing platforms, and urging other authors to do the same.
In newer models, they may partner with authors (e.g.: Harper Studio) or communities (e.g.: Cursor) instead of «financing» them via exorbitant advances that rarely earn out, but the other aspects remain critical to the role of being a publisher.
I worked the Association's booth on Saturday afternoon, ready to answer questions for the many publishers, authors, freelance editors, and occasional artists or other publishing professionals that stopped by the booth.
Alan Rinzler: There was a piece in the New York Times that Perseus has started a self - publishing division, joining Bloomsbury and many other companies in offering authors a self - publishing resource where they get 70 percent of the royalties and the author is the publisher — and they provide some services if you pay for them, just like iUniverse or Exlibris or Author Solutions or Lulu or Aauthor is the publisher — and they provide some services if you pay for them, just like iUniverse or Exlibris or Author Solutions or Lulu or AAuthor Solutions or Lulu or Amazon.
When you mention your book title in a blog post (or anyone's book title) Always hyperlink the title to amazon and Lachesis Publishing or the web site of the author you are writing about, or their publisher's site or any other site where the books you mention are sold.
Like many other authors who are discarded or ignored by mainstream publishers for one reason or another, I had found a voice in the writing community and had discovered the confidence to self - publish, which up until that point, would have found it difficult to do so.
We also have promotional material that you can take to writers» conferences, writing groups, and other events where authors, agents, or publishers gather.
(Actually, the authors who will really make money in this new world are those who can write fast or who have backlists they own and sell to both traditional publishers and have other projects up at the same time to take advantage of this promotion.)
The author / publisher shall not be liable for any loss of profit or any other damages, including but not limited to special, incidental, consequential, or other damages.
Unlike vocal protests from other authors lately, Ahlberg's stance wasn't due to the common issues of Amazon's growing chokehold over the book industry or the tired topic of publisher contract terms.
There are many cases where authors participate in large scale discussions with agents, publishers and help each other recognize new opportunities or even just vent.
We're starting to do collaborations with our work with the ABA (American Booksellers Association) where we're doing local self - publishing nights with the local bookstores, bringing together the local self - publishers and having them run clinics for other aspiring self - published authors or people who are trying to get a handle on what this space is... The catalog keeps growing with new authors all the time, new languages all the time, and even as the total business grows, that percentage of self - published sales remains shockingly consistent.»
Incidentally, no other retail ebook platform offers anywhere close to this many book categories, meaning when the book is uploaded elsewhere by the author or publisher, the options to describe the book accurately for better discover can be pretty limited.
I fully agree with you that Kobo (and others), should create a system to separate books by indie authors or otherwise self - published books from books published by traditional publishers.
Be it a marketplace, an online writing tool, or a distribution channel — and be it aimed at publishers, authors or other industry professionals — emerging tech needs to feel intuitive to its users.
IMO, you and the other authors could have chosen other publishers or to publish your own books.
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