Sentences with phrase «other bigger galleries»

That's not only a big financial blow for a medium - sized or small gallery to absorb, it means that scores of new clients are being appropriated by these other bigger galleries.

White Cube, Ropac and other big galleries often make about 20 % of their sales in the secondary market as well: Hauser has been sharing part of the renowned collection of Helga and Walther Lauffs with Zwirner.

Not exact matches

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Until then, check out this gallery of the big SUV in Chicago, and see all the other fascinating vehicles at the Windy City show from our event page.

Bingin Beach 8th August 2014 Another day of perfect waves went down at Bingin the other day and a big thanks to our friends at EGO SURF PHOTOGRAPHY located right in front of the action for delivering us another sik photo gallery, high lights from the day.

The flash sale features a number of big titles, including Lone Echo (2017), Superhot VR (2017, From Other Suns (2017), and The Gallery Bundle with Episodes 1 & 2 to name a few.

And there were others: Rose Fried, Bertha Schaefer... The big - time galleries which came along and scooped up the proceeds — Janis, Castelli, Marlborough, Knoedler's, etc. — didn't show any interest until the reputations were made.

I have been showcasing my art on Facebook, Google, Twitter, Pinterest, Tumblr, YouTube and other social networks for years, but with little success — I guess the overall amount of artworks and artists on the net is so large, that it has become very difficult to get noticed at all, and even harder to make sales at all... I have changed my artworks and my gallery appearance several times over the years, adjusting to the latest SEO trends, but the big success is still waiting... http://www.artprintsposter.com/

This year, Lisson Gallery packed light, bringing us just this one big Opie on opening day; a handful of other Opies were scattered around the fair.

Thus it advantages big galleries at Art Basel and other fairs that Lower East Side gallerists like Canada don't get a seat at that table.

Among Langsam's other activities, she is curator of such exhibitions as Color as Structure at Frederieke Taylor Gallery in NYC and The Big Bang at SPACES Gallery in Cleveland, OH.

He didn't even have his first show in a bigger London gallery until 1996 — after his fabulous 1995 New York debut — after Hirst and the others were showing worldwide.

The response suggested others in the art world were anxious about the answer — anxious that Rosen's closing was bad on its own but also represented something much bigger that's been gathering on the New York art world horizon for a while, as a handful of galleries (mostly on the Lower East Side) have closed or moved citing difficult market conditions while collectors complain about not being able to afford even entry - level prices anymore.

It was bigger than other galleries.

A success story in its own right, the park is also part of a bigger one, a golden triangle of art spaces all within 30 miles of each other, completed by the Hepworth Wakefield Gallery and in Leeds, the Henry Moore Institute and Leeds Art Gallery.

A summer group show is about a gallery finding the biggest umbrella under which a wide range of artists, its own and others», can shelter.

There have been all these traveling exhibitions from the Saatchi Gallery or other big - time galleries with top names and third - rate work, and obviously some people have been privileged in that they are able to travel and visit galleries and museums in other cities.

Saltz was putting into words what anyone walking around an art fair (not just the big ones, it should be noted; the worst offenders seemed to be hipster galleries showing at the likes of Independent, New York, or Liste, Basel) during the last couple of years might have noticed: an abundance of abstract painting that seems to have no value other than a decorative one.

On one side, Blair Thurman's Undertow (2013) appears like the toothy maw of a performing lion, or a burst drum from which a glamorous assistant has just leapt; at the other end of the gallery, Steven Parrino's Skeletal Implosion (2001) swirls like the awning of a big top.

«We can divide the main gallery into eight spaces and give a reasonable size for everyone to work in... we want it to be part of an ongoing process which means we want them to get to know each other, show in each other's spaces, in the future develop contacts, and really build a much, much bigger integration of the art scenes here and in Berlin.

It beat out 30 other applicants to make the cut as one of the 13 galleries selected by a government - appointed committee to open what is touted to be the next big destination for contemporary art in Asia.

The project was published as a book in August 2017 (Press Publishing) and is available from the Eyes as Big as Plates website and various bookstores: Artbook @MoMA PS1, Printed Matter (NYC), The Kiasma Shop (Helsinki), Nide (Helsinki), Fotogalleriet (Oslo), Tronsmo (Oslo), Gallery FACTORY (Seoul), NevaBooks (Sweden) amongst others.

Eyes as Big as Plates is currently touring with the Norwegian National Museum and has previously been shown at Fotogalleriet (Oslo), Pioneer Works (NYC), Shoot Gallery (Oslo), The Museum of Contemporary Arts Kiasma, NADA Miami, Art Toronto, The Nordic House (Reykjavik), The Finnish Institute in Oslo, Paris and Stockholm, Tetley Brewery (Leeds), Seibu Shibuya (Tokyo), Villa Borghese (Rome), Bemis Center for Contemporary Arts (Nebraska US), Bogota International Photo Biennale (Colombia), gallery FACTORY in Seoul Korea, Finlandia University Gallery (Michigan US), The Nordic House (Faroe Islands), The National Museum of Greenland, amongst Gallery (Oslo), The Museum of Contemporary Arts Kiasma, NADA Miami, Art Toronto, The Nordic House (Reykjavik), The Finnish Institute in Oslo, Paris and Stockholm, Tetley Brewery (Leeds), Seibu Shibuya (Tokyo), Villa Borghese (Rome), Bemis Center for Contemporary Arts (Nebraska US), Bogota International Photo Biennale (Colombia), gallery FACTORY in Seoul Korea, Finlandia University Gallery (Michigan US), The Nordic House (Faroe Islands), The National Museum of Greenland, amongst gallery FACTORY in Seoul Korea, Finlandia University Gallery (Michigan US), The Nordic House (Faroe Islands), The National Museum of Greenland, amongst Gallery (Michigan US), The Nordic House (Faroe Islands), The National Museum of Greenland, amongst others.

Eyes as Big as Plates is currently touring with the Norwegian National Museum and has previously been shown at The Museum of Contemporary Arts Kiasma (Helsinki), NADA Miami, Art Toronto, Fotogalleriet (Oslo), Pioneer Works (NYC), Shoot Gallery (Oslo), The Nordic House (Reykjavik), The Finnish Institute in Oslo, Paris and Stockholm, Tetley Brewery (Leeds), Seibu Shibuya (Tokyo), Villa Borghese (Rome), Bemis Center for Contemporary Arts (Nebraska US), Bogota International Photo Biennale (Colombia), gallery FACTORY (Seoul), Finlandia University Gallery (Michigan), The Nordic House (Faroe Islands), The National Museum of Greenland, Kunsthall Grenland (Porsgrunn), amongst Gallery (Oslo), The Nordic House (Reykjavik), The Finnish Institute in Oslo, Paris and Stockholm, Tetley Brewery (Leeds), Seibu Shibuya (Tokyo), Villa Borghese (Rome), Bemis Center for Contemporary Arts (Nebraska US), Bogota International Photo Biennale (Colombia), gallery FACTORY (Seoul), Finlandia University Gallery (Michigan), The Nordic House (Faroe Islands), The National Museum of Greenland, Kunsthall Grenland (Porsgrunn), amongst gallery FACTORY (Seoul), Finlandia University Gallery (Michigan), The Nordic House (Faroe Islands), The National Museum of Greenland, Kunsthall Grenland (Porsgrunn), amongst Gallery (Michigan), The Nordic House (Faroe Islands), The National Museum of Greenland, Kunsthall Grenland (Porsgrunn), amongst others.

Besides the big former Golden Vale Milk Plant and the City Gallery, other venues will be pressed into service.

Staged in Detroit, the all - day performance that begat the biggest iron, lead, bronze, and copper gallery monument featured — among other Caligula - like excesses — a freezing barge ride down the Detroit river, cars being dredged up, a legless actress, and a barrelful of snakes.

Other projects include Big Mouth: The Amazon Speaks, his book with the American anthropologist Stephen Nugent about their visit to Northern Brazil, (Fourth Estate in 1990); Today's Nude with Alan Kane and Artangel for Channel 4 in 2009; Art Everywhere with the Art Fund in 2013 (on billboards, 57 of Britain's favourite paintings) and in 2014 he painted a portrait of Randy Lerner for the National Portrait Gallery.

The previous exhibit in Canaday, the big gallery for temporary shows, featured 11 giant irregular polygons by Frank Stella, and another major show down the hall held paintings by Fernando Botero, often said to have earned more from his art than any other living artist.

1996 Sarah Staton Superstore, Up & Co, New York, USA Absolut Blue and White, Inverleith House, Edinburgh, Scotland The Unbelievable Truth, Stedelijk Museum Bureau, Amsterdam, Netherlands; Tramway, Glasgow, Scotland Fucking Biscuits and Other Drawings, Bloom Gallery, Amsterdam, Netherlands Big Girl / Little Girl, Collective Gallery, Edinburgh, Scotland White Hysteria, Contemporary Art Centre of South Australia, Melbourne, Australia Toons, Gallerie Campbells Occasionally, Copenhagen, Denmark Upset, James Colman Fine Art, London, England

help with essay.I've come to know that i have certain preferences for specific types of art forms, and notice that I tend towards certain styles over others, and while I still get the occasional dud, I feel less like I've just «wasted a day» cooped up in a boring gallery, which is a big downer if you have limited time on your holidays like I do.

I think this is a good thing as with galleries in other areas getting bigger by the minute hopefully those on the LES with continue their somewhat positively different ethos and approach.»

The event will also celebrate the launch of Long - Sharp Gallery's new project space in none other than the Big Apple.

Other big transactions included a $ 12 million Calder and two $ 2.5 million Lucio Fontanas at Helly Nahmad Gallery (which was manned by the indicted namesake dealer's father and brother), two other $ 2 million Stingels at Massimo di Carlo and Gagosian, and a $ 7 million Robert Ryman from 1966 at Dominique Other big transactions included a $ 12 million Calder and two $ 2.5 million Lucio Fontanas at Helly Nahmad Gallery (which was manned by the indicted namesake dealer's father and brother), two other $ 2 million Stingels at Massimo di Carlo and Gagosian, and a $ 7 million Robert Ryman from 1966 at Dominique other $ 2 million Stingels at Massimo di Carlo and Gagosian, and a $ 7 million Robert Ryman from 1966 at Dominique Levy.

2008 Never let the truth get in the way of a good story, Site Gallery, Sheffield, UK A Recent History of Drawing & Writing, ICA, London, UK Playtime, Betonsalon, Paris, FR Panorámica ciclo de video, Bailando sin salir de casa, Museo Tamayo arte contemporáneo, Bosque de Chapultepec, Mexico, MX Wouldn't it be nice, Somerset House, London, UK Out of sight, Proyectos Monclova, Mexico, MX AWOL — Biennale of Young Artists, META Cultural Foundation, Bucharest, RO Wouldn't it be nice, Centre d'art Contemporain, Zurich, CHSelf Storage, Curatorial Industries, San Francisco, US I desired what you were, I need what you are, Galleria Maze, Torino, IT Within the big Structure, Megastructure, Berlin - Mitte, Berlin, DE Delirious Beijing, PKM Gallery, Beijing, CN Life on Mars, 55th Carnegie International, Carnegie Museum of Art, Pittsburgh, US Revolutions — forms that turn, 16th Biennale of Sydney, AU As it presents itself, Whitstable Biennale, Whitstable, UK Featuring, Galerie Chez Valentin, Paris, FR The flight of the Dodo, Project Arts Centre, Dublin, IE One of these things is not like other things, Unosunove Gallery, Rome, IT Art Now Curate, Tate Modern, London, UK Inaugural Show, Marz Galleria, Lisbon.

Our biggest challenge was navigating Edel Assanti's initial growth phases, from a pop - up initiative to a project space and finally to a fully functional gallery, while simultaneously each having full - time jobs at other galleries.

Hauser & Wirth has had a smaller gallery on East Sixty - ninth Street since 2009, but now that it represents Paul McCarthy, Roni Horn, and several other important American artists exclusively, Iwan has decided that they need «a bigger playground.»

In the late 80s, Miro opened a second gallery in Florence where, she says, «there were no other big contemporary art galleries to tread on the toes of».

Among other distinctions, he represented Britain at the Sao Paulo Bienal in 1967, when that big international jamboree still carried a certain weight in the world's artistic affairs, and in 1973 his work was accorded a full retrospective at the Tate Gallery in London.

From January — March 2016, people attended events at big museums, small galleries and other locales — from free and teen - friendly events and exhibitions to performances and parties around town.

State University, Atlanta GA Juror Choice Award, Ninth Annual Arizona State University Art Museum Short Film and Video Festival, Tempe, AZ 2004 Self - Inflicted, Fe Gallery, Pittsburgh PA Flow, Sun Trust Plaza Gallery, Atlanta GA Rampant, Fe Gallery, Pittsburgh PA Painted Realities, Lamar Dodd Art Center, LaGrange GA 2003 Film / Video GA, MOCA GA, Atlanta GA Animation Impulse: Video Art and the Generated Image, Cheekwood Museum of Art, Nashville, TN Animation Extravaganza, 27th Annual Atlanta Film Festival, Atlanta, GA Juror Choice Award, Seventh Annual Arizona State University Art Museum Short Film and Video Festival, Tempe, AZ Looks Good on Paper, Second Edition, Spruill Gallery, Atlanta, GA 2002 Georgia Triennial, City Gallery East, Atlanta, GA Georgia Triennial, Museum of Arts and Sciences, Macon, GA 2002 Georgia Triennial, Telfair Museum of Art, Savannah, GA Georgia Triennial, Albany Museum of Art, Albany GA Wild Life: The Other Tradition, Polk Museum of Art, Lakeland FL 2001 Art and Science International Exhibition, National Gallery of Art, Beijing, China Hardware, Eyedrum, Atlanta, GA 2000 Do It, Atlanta College of Art Gallery, Atlanta, GA Cute, Georgia Museum of Art, University of Georgia, Athens, GA 1998 Boy Toys, Nexus Contemporary Art Center, Atlanta, GA Scale, Relatively Speaking, Art in General, New York, NY 1997 My Big Back Yard, Art in General, New York, NY

If the clock faces tell us that time is one subject of Ross - Ho's show, then the dirty, outsized wine glasses, cups, forks, art materials and tools scattered across two big tables in the centre of the gallery tell us that scale is her other topic.

From January — March 2016, attend events at big museums, small galleries and other locales — from free and teen - friendly events and exhibitions to performances and parties around town.

In the first gallery hang Eggleston's more widely known photographs; the second displays photographs by other photographers working in (or on) the South; and the third gallery is reserved rather irrelevantly for Deborah Luster's project from 1998 entitled One Big Self: Prisoners of Louisiana, in which she photographed inmates from three penitentiaries, printed their portraits on aluminum plates and locked up the plates in a steel cabinet.

Some of the artists who showed at the galleries, such as Robert Morris, Alex Katz, and Louise Bourgeois, went on the have big careers, and others, whose work was vital to the conversation at the time, are virtually unknown today.

In Big Bang (2006, Collection of MFA Overseer Lizbeth Krupp and her husband, George Krupp), Gersht references 18th - century Dutch artist Jan van Huysum's painting Hollyhocks and Other Flowers in a Vase (1702 — 20, National Gallery, London).

Selected Group Exhibitions 2008 Calvert22, London 2007 An Archeology, 176 Gallery, Camden, London 2006 The Triumph of Painting - Part 6, The Saatchi Gallery, London 2005 Dolore curated by Klarita Pandolfi and Harry Pye, Sartorial Contemporary Art, London 2005 404 Arte Contemporanea, Naples 2004 Mothers curated by Harry Pye, The Ragged School 2004 New Blood, Saatchi Gallery, London 2004 Girl on Girl, Transition Gallery, London 2003 New Displays, Saatchi Gallery, London 2002 It's only words, Ausgang curated by Liz Neal, Studio Voltaire, London 2000 RCA Secret, Royal College of Art, London Reviews Erotic Review, feature, May 2004 Tom Morton, Arena, June 2004 William Packer, Financial Times, 23 March 2004 Waldermar Janusceck, Sunday Times, 21 March 2004 Hephzibah Anderson, «Busy Lizzie», Evening Standard Metro, 19 - 25 March 2004 Jen Ogilvie, «Liz Neal at One in the Other», Time Out, 8 October 2003 unauthored review, «Liz Neal», Kultureflash issue 59, October 2003 Hannah Lack / Cath Clark, «Eyespy», Dazed and Confused, September 2003 Helen Sumpter, «Exhibitions and Exhibitionists», Big Issue, 12 August 2002 Francis Summers, «Kill Them All» Sleaze Nation, June 2002 William Packer, «Posers playing at being painters», Financial Times, 28 April 2001 Mark Wilsher, «Death to the Fascist Insect», What's On in London, 25 April 2001 Sarah Kent, «Death to the Fascist Insect» Time Out, 25 April 2001 Tanis Taylor, «Death to the Fascist Insect» Metro, 9 April 2001 Gemma de Cruz, «Maloney's Magnificent Seven», Art Review, April 2001 Magnus Brooke, «Death to the Fascist Insect».

Even though Expo Chicago is bigger this year — approximately 140 galleries to last year's 125 — it's still more modestly sized than other international fairs.

Selected group exhibitions include It Is What it Is, National Gallery of Canada, Ottawa (2010); Following a Line, Contemporary Art Gallery, Vancouver (2010); 17th Sydney Biennial, Sydney (2010); Cubes, Blocks and Other Spaces, Musée d'art contemporain, Montréal (2009); GETTING EVEN: Oppositions & Dialogues in Contemporary Art, Kunstverein Hannover (2009); eXponential Future, Morris and Helen Belkin Art Gallery, Vancouver (2008); Modelle für Morgen, European Kunsthalle, Cologne (2007); Canada Dreaming (Desires And Ideas For The Future By Artists Of The Biggest Country In America), Kunstverein Wolfsburg (2006); Die Jugend von heute / Youth of Today, Schirn Kunsthalle, Frankfurt - am - Main (2006); Post No Bills, White Columns, New York (2005); I feel mysterious today, Palm Beach Institute of Contemporary Art (2004); Making Space, Platform Garanti, Contemporary Art Center, Istanbul (2003); Das Spyder Män, Los Angeles Contemporary Exhibitions (2002); Belvedere, Henry Moore Institute, Leeds (2000).

On The Other Side at Kunstmuseum Winterthur — a compact gallery with big ideas, which in recent years has hosted exhibitions of work by such major names as Édouard Vuillard, Gerhard Richter and Richard Hamilton — is restricted to works in wood, metal and ceramics used in organic and constructed shapes