Understanding depth and perspective like few
other blockbuster directors, Trevorrow reserves the leap - out - from - the - screen moments until strictly necessary, but you'll really feel like you bought a ticket to Jurassic World.
Not exact matches
In no
other sense, however, does the word «logical» apply to writer -
director Luc Besson's return to
blockbuster form — which is to say, his latest aggressively stylish, self - consciously feminist, gratuitously globe - trotting pulp - trash extravaganza.
, Kurt Russell Drops Out of Django Unchained, Argo Trailer, Gangster Squad Trailer 49:25 —
Other Stuff We Watched: Saturday Night Live, Kicking It, English Premiere League Soccer, Demons, Demons II, Haywire, Assault on a Queen, The Asphyx, Platform Moon, Face Off, The Silent Partner, Shark Night, Road to Perdition, Ed Wood, Veep, The Pitch, Celebrity Apprentice 1:40:00 — Junk Mail: Too Negative,
Director's Voices + Beakman's World vs. Bill Nye the Science Guy, Tony Stark Meets the General, Cult / Character Actors in
Blockbusters, Darren Aronofsky's Noah, Being Approached by Film Junk Fans, Nothing But Trouble, Spielberg vs. Kubrick vs. Nolan vs. Tarantino 2:07:30 — This Week's DVD Releases 2:09:30 — Outro
The following quote from Ryan Coogler, writer and
director of Black Panther — a superhero
blockbuster — on working with Rachel Morrison, supports the notion that there is no reason for the dearth of women cinematographers behind the camera when shooting action — or any
other kind of scene.
With the news (which we reported at Flickering Myth) that
director Bryan Singer is in pre-production on the latest X-Men
blockbuster, X-Men: Apocalypse, some
other interesting news on the plans possibly in place for the rest of the X-Universe.
We talk about the film's various strengths, the rich themes woven into the story, the meteoric rise of
director Ryan Coogler, the incredible villain, how it compares to
other Marvel movies (there are more than a few insults lobbed at Doctor Strange), how Marvel movies changed after the dissolution of the story group, what Black Panther means for the future of the MCU and for
blockbusters in general, and more.
Part of this may be due to
director Taika Waititi, who is a newbie in the world of big - budget
blockbusters, but like many
other directors tapped to helm Marvel movies (including Gunn and Watts) has an intriguing background in indie cinema that would seem to have little to do with IMAX - worthy digital bombast.
Under the competent hands of America's most consistently mediocre
director (Ron Howard, subbing in for the LEGO guys), Solo is a perfectly fine bit of
blockbuster action filmmaking, with a capable cast and some neat special effects upholding a wholly conventional screenplay with nary a hint of the idiosyncrasy that has marked every
other Star Wars film, for good or for ill.
Zero Dark Thirty 2012, 157 minutes, R /
Director: Kathryn Bigelow / Writer: Mark Boal / Stars: Jessica Chastain, Jason Clarke, Joel Edgerton, Jennifer Ehle, Mark Strong, Kyle Chandler, Edgar Ramirez, James Gandolfini, Chris Pratt Buy It: Blu - ray Combo • DVD • Instant Video The search for Osama bin Laden seemed as appropriate as any story for director Kathryn Bigelow and producer - screenwriter Mark Boal to tackle after their little Iraq War drama The Hurt Locker held on to win the Best Picture Oscar, defeating among other movies the behemothic blockbuster directed by Bigelow's ex-husband James
Director: Kathryn Bigelow / Writer: Mark Boal / Stars: Jessica Chastain, Jason Clarke, Joel Edgerton, Jennifer Ehle, Mark Strong, Kyle Chandler, Edgar Ramirez, James Gandolfini, Chris Pratt Buy It: Blu - ray Combo • DVD • Instant Video The search for Osama bin Laden seemed as appropriate as any story for
director Kathryn Bigelow and producer - screenwriter Mark Boal to tackle after their little Iraq War drama The Hurt Locker held on to win the Best Picture Oscar, defeating among other movies the behemothic blockbuster directed by Bigelow's ex-husband James
director Kathryn Bigelow and producer - screenwriter Mark Boal to tackle after their little Iraq War drama The Hurt Locker held on to win the Best Picture Oscar, defeating among
other movies the behemothic
blockbuster directed by Bigelow's ex-husband James Cameron.
Veteran sound designer Ben Burtt, composer John Morgan, film historian Rudy Behlmer, and
directors Peter Jackson and Joe Dante, among
others, describe the revolutionary ideas Steiner and Spivack employed in what remains a standard in
blockbuster filmmaking for the action / fantasy genre.
The majestic finale of Peter Jackson's
blockbuster trilogy won Best Picture, along with 10
other Oscars, including one for Jackson as Best
Director.