Sentences with phrase «other by a black man»

by Sasha Stone and Ryan Adams A friend of mine said to me the other day, «two of the biggest box office hits of 2017, one directed by a woman and the other by a black man.»

Not exact matches

Roughly 40 percent of those murdered in the U.S. are black men killed by other black men.

I join many other adults in the black community when I advise any young black man that I influence of the importance of honoring and respecting the police, while also keeping his hands visible and consistently identifying the officer by his badge number.

The video comes after several other shootings of unarmed black men by white police officers, and has drawn outrage online for how police treated Harris, who died shortly after at the hospital.

Yet amid all the casual summer wear, in some neighborhoods more than others, Hasidic men wear dark three - piece suits crowned by black hats made of rabbit fur, and Hasidic women outfit themselves in long - sleeved blouses and nearly ankle - length skirts.

The old newspaper clipping shows two families, one descended from a white man and a black woman and the other descended from two white people, with the text, «Interesting researches by the Carnegie Institute disprove the popular notion that a «pass - for - white» person married to a pure white may have a negro child.»

With AIDS spiraling out of control in the ghettos the last thing Blacks need is to encourage activities that spread the disease, particularly to Black women who are tricked by men posing as straight but living in sin with other men and depositing their deadly AIDS virus into the bodies of innocent, unsuspecting women and hapless men.

In other words, while a woman might claim discrimination on the basis of sex, and a black man might claim it on the basis of race, neither sex nor race alone could capture the discrimination endured by a black woman.

The old newspaper clipping shows two families, one descended from a white man and a black woman and the other descended from two white people, with the text, «Interesting researches by the Carnegie Institute disprove the popular notion that a «pass - for - white» person married to a....

The black church is defined not by any or all of the traditionally accepted creeds but by the creed of liberation: the creed that one man does not have the right to oppress another, be the other black or white, baptized by immersion or by sprinkling, fashionably attired or running naked in the jungle.

Do you or other adults in your child's life tend to refer to people by race — «that black lady» or «that white man»?

It refers to, according to the Urban Dictionary, «a black person, especially a man, considered by other black people to be subservient to or to curry favor with white people.»

He desegregated his family stores, helped a black man become a 4 start general, supported the NAACP with money and in other ways, and supported numerous Civil Rights laws before 1964, Be he was a libertarian and believed the 1964 act infringed went too far by infringing basic liberties.

This event featured speakers from organizations including the Ali Forney Center, Hetrick - Martin Institute, Depressed Black Gay Men, Caribbean Equality Project, Audre Lorde Project and others with the goal of raising awareness about the challenges and barriers faced by LGBTQ young persons of color.

The incident, along with others, helped sparked national protests over the way black men are treated by police.

Advocates of such a change say the offense has ensnared tens of thousands of young black and Latino men who are stopped by the New York City police for other reasons but after being instructed to empty their pockets, find themselves charged with a crime.

In Mississippi, state health officials report that the number of new cases of HIV among black men aged 13 to 31 years who had sex with other men rose by 48 percent from 2005 to 2007.

UNC Lineberger researchers led by Ronald C. Chen surveyed 1,171 men diagnosed with prostate cancer in North Carolina, finding that while both white and black men were concerned about curing their cancer and the quality - of - life impacts of treatment, more black men considered other social and personal factors — such as recovery time and cost — to be very important in their treatment decision - making.

Tank: J.Crew [Sale Here], Jeans: Seven for All Man Kind [Similar Here], Scarf: Aldo, Shoes: TopShop [Here], Bag: Marc Jacobs [In Black Here], Hat: Forever21.Photos by: Erin Stevens.Tis the season for scarves, hats, trouser leg jeans and all other wonderful things.

If you're ready to start dating white men or black women in a way that cuts out all the uncertainty as well as most potential prejudice and rejection, then you can start visiting dating websites that are used by others interested in interracial dating.

Rich Men Online Dating Free Alex Rodriguez — The group, which headed to a large private room to assess each other, had been invited by the high - end app Luxy, which promotes itself as «the No. 1 online millionaire dating site for rich, wealthy... «These men are more worldly and... Best Rich Men Dating Site to Meet Rich Men Online Free Dating Sites In Europe Dating — BlackProfiles.co.uk — Caters to African, Black British, African American, Caribbean and the Black European communiMen Online Dating Free Alex Rodriguez — The group, which headed to a large private room to assess each other, had been invited by the high - end app Luxy, which promotes itself as «the No. 1 online millionaire dating site for rich, wealthy... «These men are more worldly and... Best Rich Men Dating Site to Meet Rich Men Online Free Dating Sites In Europe Dating — BlackProfiles.co.uk — Caters to African, Black British, African American, Caribbean and the Black European communimen are more worldly and... Best Rich Men Dating Site to Meet Rich Men Online Free Dating Sites In Europe Dating — BlackProfiles.co.uk — Caters to African, Black British, African American, Caribbean and the Black European communiMen Dating Site to Meet Rich Men Online Free Dating Sites In Europe Dating — BlackProfiles.co.uk — Caters to African, Black British, African American, Caribbean and the Black European communiMen Online Free Dating Sites In Europe Dating — BlackProfiles.co.uk — Caters to African, Black British, African American, Caribbean and the Black European community.

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The trilogy's smart take on time travel paved the way for Joseph Gordon - Levitt to hunt his older self (played by Bruce Willis) in «Looper,» for Will Smith to prevent an alien invasion in «Men in Black 3,» and for a pair of engineers to manipulate each other's fates in «Primer.»

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In rich black and white, it's the story of an aspiring young New York filmmaker (Steve Buscemi) in the throes of his creative struggle, his beautiful neighbor and muse (Jennifer Beals), and a lovable con man (Seymour Cassel), chasing their dreams in quintessential 1990s NYC amidst a cast of oddball characters played by Stanley Tucci, Sam Rockwell, Will Patton, Jim Jarmusch, Debi Mazar, Carol Kane, and others.

Not a traditional soundtrack — only three of the 14 songs on the record actually appear in the film — but rather an «inspired by» type of situation, the album joins other number - one charting companion albums of film - adjacent music such as, um, somewhat less - inspired collections like Men In Black: The Album and The Hunger Games: Songs From District 12 And Beyond.

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Created by Stan Lee and Jack Kirby, the minds behind Spider - Man, the Fantastic Four and other Marvel comics, the Black Panther holds a unique position in comic book history.

Directed by Joe and Anthony Russo, Avengers: Infinity War stars Robert Downey Jr. as Iron Man, Chris Evans as Captain America, Chris Hemsworth as Thor, Mark Ruffalo as the Hulk, Jeremy Renner as Hawkeye, Scarlett Johansson as Black Widow, Anthony Mackie as the Falcon, Paul Rudd as Ant - Man and Elizabeth Olsen as Scarlet Witch, among others.

Mahershala Ali — ««The Hunger Games: Mockingjay (Parts 1 and 2),» «The Curious Case of Benjamin Button» Anthony Anderson — «The Departed,» «Hustle & Flow» Adam Beach — «The Departed,» «Hustle & Flow» Kate Beckinsale --- «Love & Friendship,» «The Aviator» Chadwick Boseman --- «Captain America: Civil War,» «Get on Up» John Boyega — «Star Wars: The Force Awakens,» «Attack the Block» Betty Buckley --- «Wyatt Earp,» «Carrie» Rose Byrne — «X-Men: First Class,» «Bridesmaids» Julie Carmen — «The Milagro Beanfield War,» «Gloria» Enrique Castillo — «Déjà Vu,» «Bound by Honor» Morris Chestnut — «G.I. Jane,» «Boyz N the Hood» Cliff Curtis — «Live Free or Die Hard,» «Training Day» Idris Elba — «Beasts of No Nation,» «Pacific Rim America Ferrera — «Cesar Chavez,» «End of Watch» Vivica A. Fox — «Kill Bill,» «Independence Day» Andrew Garfield — «99 Homes,» «The Amazing Spider - Man» Greta Gerwig — «Frances Ha,» «To Rome with Love» Jesse D. Goins — «The Ugly Truth,» «Patriot Games» Bruce Greenwood — «Flight,» «Star Trek» Carla Gugino — «Watchmen,» «Night at the Museum» Luis Guzmán — «Punch - Drunk Love,» «Carlito's Way» Dennis Haysbert — «Dear White People,» «Wreck - It Ralph» Tom Hiddleston — «Crimson Peak,» «Marvel's The Avengers» James Hong — «Safe,» «Mulan» Oscar Isaac — «Ex Machina,» «A Most Violent Year» O'Shea «Ice Cube» Jackson * — «Ride Along,» «Friday» Dakota Johnson — «Black Mass,» «Fifty Shades of Grey» Cherry Jones — «Whiskey Tango Foxtrot,» «Signs» Michael B. Jordan — «Creed,» «Fruitvale Station» Daniel Dae Kim — «The Divergent Series: Insurgent,» «Crash» Regina King — «Ray,» «Jerry Maguire Brie Larson — «Room,» «Trainwreck» Byung - Hun Lee — «Terminator Genisys,» «G.I. Joe: The Rise of Cobra» Nia Long — «Keanu,» «Boyz N the Hood» Sal Lopez — «The Astronaut Farmer,» «Full Metal Jacket» Ignacio López Tarso — «Under the Volcano,» «Nazarin» Patti LuPone — «Parker,» «Driving Miss Daisy» Peter Mackenzie — «Trumbo,» «42» Rachel McAdams — «Spotlight,» «Midnight in Paris» Eva Mendes — «The Place beyond the Pines,» «Hitch» Tatsuya Nakadai — «Ran,» «Kagemusha» Adepero Oduye — «The Big Short,» «12 Years a Slave» Marisa Paredes — «The Skin I Live In,» «All about My Mother» Nate Parker — «Beyond the Lights,» «Red Tails» Harold Perrineau — «Zero Dark Thirty,» «28 Weeks Later» Jorge Perugorría — «Che,» «Strawberry and Chocolate» Silvia Pinal — «Vintage Model,» «The Exterminating Angel» Freida Pinto — «Immortals,» «Slumdog Millionaire» Michelle Rodriguez — «Avatar,» «Girlfight» Anika Noni Rose — «For Colored Girls,» «Dreamgirls» Cecilia Roth — «Lucia Lucia,» «All About My Mother» Mark Rylance — «Bridge of Spies,» «The Other Boleyn Girl» Pepe Serna — «The Black Dahlia,» «The Ballad of Gregorio Cortez» Martin Starr — «I'll See You in My Dreams,» «Adventureland» Elizabeth Sung — «Memoirs of a Geisha,» «The Joy Luck Club» Sharmila Tagore — «Dhadkan,» «The World of Apu» Tessa Thompson — «Creed,» «Dear White People» Lorraine Toussaint — «Selma,» «Middle of Nowhere» Glynn Turman — «Super 8,» «Men of Honor» Gabrielle Union — «Top Five,» «Bad Boys II» Jacob Vargas — «The 33,» «Jarhead» Alicia Vikander — «The Danish Girl,» «Ex Machina» Emma Watson — «The Bling Ring,» «The Perks of Being a Wallflower» Damon Wayans, Jr. — «Big Hero 6,» «Let's Be Cops» Marlon Wayans — «The Heat,» «Requiem for a Dream» Rita Wilson — «It's Complicated,» «Runaway Bride» Daphne Zuniga — «Staying Together,» «Spaceballs»

* Among other options, you can find straightforward decency, as evidenced by Captain America (Chris Evans); wayward pilgrims in search of redemption, like Black Widow (Scarlett Johansson), Gamora (Zoe Saldana) and Bucky Barnes (Sebastian Stan); rakes, including Stark and Quill; talented people of privilege learning to carry the mantle of responsibility, including Doctor Strange and Black Panther (Chadwick Boseman); goofballs such Ant - Man (Paul Rudd); and promising young people, including Peter Parker and Shuri (Letitia Wright).

Iron Man, Spider - Man, Captain America, Thor, Black Widow, Hulk, Black Panther and dozens of other characters all being played by A-list celebrities — including Robert Downey Jr., Scarlett Johansson, Benedict Cumberbatch, Bradley Cooper — must unite to defeat the entity with the power to end the universe: Thanos, played by Josh Brolin.

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Captain America will be joined by Iron Man, Black Widow, Hawkeye and a whole host of others in «Captain America: Civil War».

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January Dog Day Afternoon (1975, Sidney Lumet) 35 mm — 5.6 Always Shine (2016, Sophia Takal)-- 6.1 The Other Side (2015, Roberto Minervini)-- 6.7 Silence (2016, Martin Scorsese) DP — 8.6 Hidden Figures (2016, Theodore Melfi) DP — 3.9 Lumière and Company [segment](1995, Zhang Yimou) + Café Society (2016, Woody Allen)-- 6.2 [up from 5.7] Valley of Love (2015, Guillaume Nicloux)-- 6.0 Happy Hour (2015, Ryûsuke Hamaguchi)-- 7.6 + Moonlight (2016, Barry Jenkins) DP — 6.8 [up from 6.4] Red Sorghum (1987, Zhang Yimou)-- 6.7 Live by Night (2016, Ben Affleck) DP — 4.4 Paterson (2016, Jim Jarmusch) DP — 7.2 Don't Think Twice (2016, Mike Birbiglia)-- 3.6 A Monster Calls (2016, J.A. Bayona) DP — 4.9 + Silence (2016, Martin Scorsese) DP — 8.7 [up from 8.6] Indignation (2016, James Schamus)-- 5.9 + Elle (2016, Paul Verhoeven) DP — 7.3 [same] Split (2016, M. Night Shyamalan) DP — 5.8 Ju Dou (1990, Zhang Yimou)-- 7.0 Chronicle of a Summer (1961, Jean Rouch & Edgar Morin)-- 6.9 + The Nice Guys (2016, Shane Black)-- 5.8 [down from 5.9] Hunt for the Wilderpeople (2016, Taika Waititi)-- 5.2 + Cemetery of Splendour (2015, Apichatpong Weerasethakul)-- 7.4 [up from 7.2] Throne of Blood (1957, Akira Kurosawa) 35 mm — 7.0 20th Century Women (2016, Mike Mills) DP — 6.9 Tampopo (1985, Juzo Itami) DP — 6.2 Swiss Army Man (2016, Daniel Scheinert & Daniel Kwan)-- 3.1 The Bad Sleep Well (1960, Akira Kurosawa) 35 mm — 7.0 The Mermaid (2016, Stephen Chow)-- 6.0 Black Girl (1966, Ousmane Sembène)-- 7.0 Christine (2016, Antonio Campos)-- 4.4 Resident Evil (2002, Paul W.S. Anderson)-- 6.3 Resident Evil: Apocalypse (2004, Alexander Witt)-- 5.4 Resident Evil: Extinction (2007, Russell Mulcahy)-- 6.6 Resident Evil: Afterlife (2010, Paul W.S. Anderson)-- 6.9 Resident Evil: Retribution (2012, Paul W.S. Anderson)-- 7.3 Resident Evil: The Final Chapter (2016, Paul W.S. Anderson) 3D — 7.2 Raise the Red Lantern (1991, Zhang Yimou)-- 7.2 Julieta (2016, Pedro Almodóvar) DP — 6.5

As far as 1950s giant insect movies go, this effort by the director of Creature of the Black Lagoon and Incredible Shrinking Man amongst others isn't all that bad.

Directed by Joe and Anthony Russo, the movie stars Robert Downey Jr. as Iron Man, Chris Evans as Captain America, Chris Hemsworth as Thor, Mark Ruffalo as the Hulk, Jeremy Renner as Hawkeye, Scarlett Johansson as Black Widow, Anthony Mackie as the Falcon, Paul Rudd as Ant - Man and Elizabeth Olsen as Scarlet Witch, among others.

The list of icons making appearances was truly unprecedented: Superman soars twice — once in the «return» and the other as Ben Affleck; Crockett and Tubbs exude cool; Ethan Hunt falls short; Captain Jack Sparrow sets the stage for the finale; Jack Black sometimes wears stretchy pants; Huey Long is resurrected and somehow over-played by Sean Penn; the mass appeal of the DaVinci Code novel fizzled onscreen; Robert Altman's amazing career ended with an excellent adaptation of a radio series starring Garrison Keillor's made for radio face; Johnny Depp tried to untrack his career with The Libertine; Nicolas Cage was front and center in the disastrous remake of The Wicker Man, but if the preview is any indication, his sleep - walk was merely a tune - up for this year's Ghost Rider; Woody Allen (with Scarlett Johansson as his muse) re-emerged with his best comedy since Crimes and Misdemeanors; amazingly, Jen and Vince's real life break - up was more entertaining than the film version; and while on - set hook - ups seem to the norm, how could the dreadful You, Me and Dupree have been an aphrodisiac for Kate and Owen?

Closely resembling the Men in Black movies, Ghost, Ghostbusters, Beetlejuice, Heaven Can Wait and its remake Down to Earth, as well as many other movies, R.I.P.D. comes across as almost totally lifeless, as if it were on autopilot, or generated by a computer that had been fed certain data and asked to spit out a movie.

- based on the first two films - New York City is attacked by the nefarious chitauri warriors - civilians are pinned beneath wreckage - Captain America, Hawkeye, and Black Widow have to rescue them by destroying wrecked cars and other debris - these civilians are guarded by chitauri - Captain America can not only walk through flames, but he can now extinguish them with his shield - characters can also team up for special combo attacks - these moves are context - sensitive - stand on a marked area and wait for your teammate (or A.I. buddy) to walk over and press a button - Captain America uses his shield as a platform for Black Widow, and she bounces into the air and sprays bullets down - Thor rings Captain America's shield like a bell, destroying objects and enemies nearby - Captain America can reflect Iron Man's energy attack to destroy airborne chitauri - more than 100 all - new characters in the game - all - new New York City hub

- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing

Question Bridge assembles a series of questions posed to black men, by and for other black men, along with the corresponding responses and portraits of the participants.

Edited by Peter W. Kunhardt, Jr. and Felix Hoffman, the book features a compelling array of highlights from seminal series made for picture magazines over four decades including Harlem Gang Leader, Back to Fort Scott, Alberto Giacometti, Alexander Calder, A Man Becomes Invisible, Fashion, Segregation in the South, Duke Ellington, Muhammad Ali, The March on Washington, and Black Muslims, among others.

On display are works by Marcel Duchamp (the famous «Air de Paris», Parisian air enclosed in an ampule), Ernesto Neto («Mentre ninety accade», an installation consisting of pouches filled with sand, black pepper, turmeric, ginger, and cloves), Piero Manzoni (the infamous tin can filled with «Merda d'artista ``, Sissel Tolaas (a white cube filled with the cold sweat of 11 men who suffer from serious phobias), Kristoffer Myskja (a machine that smokes cigarettes), and many others.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Thomas, who also does photography and film and other media, once made an exhibit of Nike «swoosh» logos superimposed onto the bodies of black men, recalling the branding of slaves by their owners.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature: Contemporary Art from the Collection, Broad Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21: Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of Contemporary Art, Cleveland, Cleveland, OH Down, Museum of Contemporary Art, Detroit, Detroit, MI