Sentences with phrase «other collective exhibitions»

Not exact matches

To mark the milestone, Williams is curating a spring exhibition at Kavi Gupta featuring his work with the other four original members of the collective — Jeff Donaldson (1932 - 2004), Wadsworth and Jae Jarrell, and Barbara Jones - Hogu (1938 - 2017).

As a founding member of the artists collective TABOO he helped curate 13 exhibitions and has independently curated over 10 other.

The other two co-founders of the collective have forthcoming posthumous exhibitions.

The collective set up its own space, Hafriyat - Karaköy, in 2006, holding exhibitions and gatherings, and hosting other artists and collectives who deal with similar issues — many of whom I mention below.

He was involved in other different solo and collective exhibition projects for several galleries in France and he has also carried out several happenings in different urban contexts in the USA and the UK.

As the artist makes clear in her exhibition statement: «I work from the simple assumption that the collective story of my little piece of geography with its many inhabitants shares fundamental similarities to other closely observed locations.

On the occasion of the exhibition Maren Hassinger: The Spirit of Things, Jenkins will discuss his diverse body of video and performance work and historical past collaborating with artist Maren Hassinger, as part of Jenkins involvement in Studio Z, a collective of artists that included Hassinger, Barbara McCullough, Franklin Parker, David Hammons and Senga Nengudi, and others in the 1970s.

Moving beyond the formative years of Helhesten, the exhibition will trace the confluence of Jorn's collective with other groups, such as the Dutch Experimental Group and the Belgian Revolutionary Surrealists, to eventually form Cobra from 1948 to 1951.

Retrospectives look back over the work of a single artist; other common types are individual expositions or «solo shows», group expositions (collective exhibitions or «group shows»), or expositions on a specific theme or topic («survey shows»).

She is part of the curatorial collective TO WHOM IT MAY CONCERN that, amongst others, will curate the exhibitions WAHALA - On Representation, Authenticity, Expectations and Other Inflated Concepts featuring artists Katrin Ströbel, Emeka Udemba, Jean Ulrick Désert, Köken Ergun, Alex Martinis Roe and William Cordova, as well as Perhaps all the Dragons of our Lives are Princesses - On Somatic Morphing featuring artists Athi Patra Ruga, and Johannes Paul Raether.

These notions include travel, perseverance, the initiative journey, spiritual growth, home and family, deceptions of reality and comradeship amongst many others, these themes can be witnessed throughout the exhibition and in particular in the group show featuring relevant works by artists selected by the collective.

CAC is founded in 2013 by the entrepreneur Dillion ZHANG, independent curator LI Zhenhua, and artist HU Jieming, and presented pioneering projects such as Extra Time with Raqs Media Collective and Jeffrey Shaw & HU Jieming Duo Solo Exhibitions, among others.

He has participated in dozens of collective exhibitions, including the most important biennials such as Venice (four times), Lyon, Seville, Lüttich, Bucharest, Taipei, Liverpool, Montreal, Sydney and São Paulo, among others.

In the CCS Bard Galleries, Personal Protocols and Other Preferences: A Collective Exhibition with Works by Michael Beutler, Esra Ersen, and Kirstine Roepstorff, and in the Hessel Museum of Art, I've Got Something in My Eye ANNANDALE - ON - HUDSON, NY — This summer, CCS... read more →

Since 2013, she has curated at the Philadelphia collective art space Little Berlin where she organizes month - long exhibitions, film screenings, performances, weekend - long festivals, artist critiques, and other public events.

He is curator of the collective exhibitions Transcripciones (Museo Universitario del Chopo, 2014), Fonema (in collaboration with Enrique Arriaga, Ex Teresa Arte Actual, 2015), Una red de líneas que se intersecan (ESPAC, 2016) and La nueva onda del silencio (El cuarto de máquinas, 2017), among others.

Anthony Graves and Carla Herrera - Prats, working collaboratively as Camel Collective, premiere their multi-channel video installation Something Other Than What You Are, the first solo exhibition of this group in the United States.

Inspired by Pan Yuliang and her decision to open the 1977 exhibition to others, this May in Paris, the exhibition Pan Yuliang: A Journey to Silence invited artists Hu Yun, Huang Jing Yuan, Wang Zhibo and art historian Mia Yu to form a research group functions as a collective subjective agency.

Artists in the exhibition include artist collectives such as Jikken Kobo (Experimental Workshop), Hi Red Center (Takamatsu Jiro, Akasegawa Genpei, Nakanishi Natsuyuki), and Group Ongaku (Group Music); critical artistic figures such as Okamoto Taro, Nakamura Hiroshi, Ay - O, Yoko Ono, Shiomi Mieko, and Tetsumi Kudo; photographers Moriyama Daido, Hosoe Eikoh, and Tomatsu Shomei; illustrators and graphic designers Yokoo Tadanori, Sugiura Kohei, and Awazu Kiyoshi; and architects Tange Kenzo, Isozaki Arata, and Kurokawa Kisho, among others.

The current display of the collection keeps the clusters of works that focus on artists Chohreh Feyzdjou (1955 — 1996), Simon Häntai (1922 — 2008), Présence Panchounette (artist collective, active1969 - 1990), and Phillip Thomas (1952 — 1995), which highlight symbolic and formal operations employed by these four artists, and the ways in which such approaches reflect and resonate with other artworks included in the exhibition.

According to Elizabeth Dee Gallery, the exhibition «stages an environment for the potential of collective exchange in the form of personal declarations that become part of an enduring and ongoing artwork... Engagement with Piper's interactive installation offers the possibility to assess one's own philosophical obligations and to reevaluate complicit relationships to others.»

Textiles and sculptures included in the exhibition are by Pio Abad, artist collective Slavs and Tatars, Jeremy Deller & Ed Hall, a work by Russian Constructivist, Liubov Popova from 1924, Leah Dixon and Timur Novikov among others.

2002 CAB Gallery Retrospective 1999 - 2001, Essor Gallery Project Space, London, UK Between Language and Form, Yale University Art Gallery, New Haven, Connecticut, US Amsterdam Revisited: Adam & Eve On Sex, Tolerance and other Dependencies, De Appel, Amsterdam, NL Reaction - A Global Response to 9/11, Exit Art, New York, US Art Aficionado Auction of Cigar Box Art, Birmingham Museum of Art, Birmingham, Alabama, US Just Remember: It's Vienna, Galerie Hubert Winter, Vienna, AT Welfare State International, London, UK Light & Shadows..., Galerie Anselm Dreher, Berlin, DE From the Observatory, Paula Cooper Gallery, New York, US Galerie Pietro Spartà, Chagny, FR Coolecção Onnasch: Aspectos da Arte Contemporânea, Museu Serralves / Museu Arte Contemporânea, Porto, PT Conceptual Art 1965 - 1975 from Dutch and Belgian Collections, Stedelijk Museum Amsterdam, NE DIN Art 4 - 560 Künstler und 1 Formular, Museum für Kommunikation, Hamburg, DE 2002 Benefit Silent Auction and Gala, White Columns, New York, US Parole, Parole, Parole, Galleria Civica di Arte Contemporanea, Trento, IT Water - Sand — Space, The International Art Exhibition: Sharjah Art Museum, UAE; Städtischen Galerie Wolfsburg, DE Private Views, London Print Studio Gallery, London, UK Collections, Stedelijk Museum, Amsterdam, NL Startkapital, K21 Kunstsmamlung Nordhein - Westfalen, DE 20 Years in Danish Art, Stalke Galleri & Galleri Kirke Sonnerup, DK The Artists» Memory, Stadtische Museen Jena, Kabinett im Stadtmuseen, DE Ideal Avalanche, The Pond, Chicago, Illinois, UK Pièes de Collection / Oeuvres Contemporaines, Une Proposition de Françoise et Jean - Philippe Billarant, Ecole Supérieure des Beaux - Arts de Nîmes, ESBAN @ Hôtel Rivet, FR Hors d'Oeuvre, Artist's Pages, Le Journal de l'art Contemporain en Bourgogne, No. 10, FR Frenetic Interferences a presentation of MEMORY / CAGE EDITIONS, Museum Store of The New Museum of Contemporary Art, New York, US Sens Giratoire Exposition Collective Peintures, Photographies, Installations PASSAGES, Centre d'Art Contemporain, Troyes, FR Ilona Ruegg, Kunsthalle Bern, Bern, CH Kunst und Schock Der 11, September und das Geheimnis des Anderen, Eine Austellung mit Bildern und Texten in Zusammenarbeit mit Lettre International, Haus am Lützoplatz, Berlin, DE Art Unlimited, Basel Art Fair, Basel, CH Les Horizons du Paysage, curated by François Montliau & Hubert Besacier, Maison de la Culture de Bourges, FR Ansammlungen von Ingrid Wald und Gerhard Jaschke («Freibord»), Sommerallerie, Unterretzbach, AT Out of Print Edição Esgotada, Museu Serralves, Museu de Art Contemporaneâ, Porto, PT De Concert, Oeuvres d'une Collection Privé, Frac des Pays de la Loire, FR What About Hegel (And You)-RRB-?

On one hand, Man Made is an interactive design exhibition, and on the other, it is an active platform for working with a collective of West African artisans whose objects and presence have become a significant part of the Harlem community.

This was followed by exhibitions by Enrico David, Nathalie Djurberg and Hans Berg, Haroon Mirza, Nari Ward, and other artists and collectives, such as Adhocracy.

Contributors to the Marrakech Biennale include curator Omar Berrada, who will present a specific show within the larger exhibition on the body of work and the archive of the late Moroccan critic and filmmaker Ahmed Bouanani; artists Yto Barrada and Mona Hatoum; a small survey of the art movement initiated by the Casablanca School; and architect Khaled Malas with documentation of his ongoing collaboration with a collective of artists and craftsmen in Ghouta and other areas of Syria to build windmills out of found materials to generate electrical power for hospitals.

Other exhibitions they have curated include Broadcasting Project, dedicated to Nikola Tesla at the Technical Museum, Zagreb (2002), Looking Awry at Apexart, New York (2003), Side - effects at the Museum of Contemporary Art, Belgrade (2004), Normalization at Gallery Nova, Zagreb (2004), Collective Creativity at Kunsthalle Fridericianum, Kassel (2005), Final Exhibition at Galerija Nova, Zagreb (2006), and the 11th Istanbul Biennial (2009).

Corresponding to her critically acclaimed exhibition Harriet Tubman and Other Truths [which was co-produced by Grounds For Sculpture and Goya Contemporary, with guest curators Patterson Sims and Lowery Sims], this latest exhibition [curated by Amy Eva Raehse] further develops narrative around social and political injustices, sexism, racism, violence, systems of power, and biases within the artist's personal history, and our collective experience.

The art from AfriCOBRA and other African American art collectives from the 1960s and 70s is the focus of the DIA's upcoming exhibition «Art of Rebellion: Black Art of the Civil Rights Movement,» which opens July 23 in conjunction with a partner exhibition at the Charles H. Wright Museum of African American History.

SELECTED EXHIBITIONS 2018 In (di) visible, Station Museum of Contemporary Art, Houston, TX; Cameron Museum of Art, Wilmington, NC 2017 Translatio Imperii, Gutterbox Gallery, Raleigh, NC Digiscapes, Curated by Anthony Hamilton, Lump, Raleigh, NC Art on Paper, Curated by Emily Stamey, Weatherspoon Art Museum, Greensboro, NC Objectifying Myself: Works by Women Artists from the Pennsylvania Academy of Fine Arts, William Benton Museum of Art, Storrs, CT For Liberty and Justice for Some, Walter Maciel Gallery, Los Angeles, CA Shimmer, Light and Design Gallery, Chapel Hill, NC 2016 Seeping of a Ghost, Gallery Bastejs, Riga, Latvia (solo) Musings on an Origin, Spectre Arts, Durham, NC Typecast, Hillyer Art Space, Washington, DC 2015 Heterotopias as Other, Nha San Collective, Hanoi, Vietnam (solo) 2014 The Orient, The Occident, Galerie Quynh, Ho Chi Minh City, Vietnam (solo) Summer Shuffle: Contemporary Art @ PAFA Remixed, Pennsylvania Academy of Fine Arts The Mother Load, The Center for Creative Connections, Dallas Museum of Art, TX 2013 Contemporary Vietnamerican Art, Maier Museum of Art, Lynchburg, VAThe Linda Lee Alter Collection of Art by Women, Pennsylvania Academy of Fine Arts, PA 2012 Alter / Altar: Meditations on the Past, The Morris and Gwendolyn Cafritz Foundation Art Center Collisions of Clamor and Calm, Galerie Quynh, HCMC, Vietnam Art HK 12, Hong Kong International Art Fair, with Galerie Quynh 2011 Bite Sized Monsters, Modern Eden, San Francisco, CA 2010 Twombly House / Ephemeral Museum, Portland, OR Outwin Boochever Portrait Exhibition, National Portrait Gallery, Smithsonian Institution, Washington D.C 2009 Family Pictures, Root Division, San Francisco, CA 2008 In Transition Russia, Municipal Centre for Contemporary Art, Yekaterinburg National Centre for Contemporary Arts, Moscow, Russia 2007 House of Adoration, Galerie Quynh Contemporary Art, HCMC, Vietnam (solo) House of Adoration, Ryllega Experimental Art Gallery, Hanoi, Vietnam (solo) Small Works, Morris Graves Museum of Art, Eureka, CA 2006 Portrait of a Contemporary Family, First Street Gallery, Eureka, CA Portrait of a Family, Southern Exposure, San Francisco, CA National Juried Exhibition, Marin Art Center, Marin, CA Juror: Rene de Guzman Small Works Invitational, Gallery Dog, Eureka, CA Out of Context, Huntington Beach Art Center, Huntington Beach, CA Face Paint, Bucheon Gallery, San Francisco, CA 2004 Monster Drawing Rally, Southern Exposure, San Francisco, CA Supernatural, Southern Exposure, San Francisco, CA Go West!

They work collaboratively (though not as a collective); whether through the creation and development of their work in conversation with others, curatorial projects, residencies and exhibition making.

In conjunction with her opening exhibition at The MAC, «Muriel Hasbun: barquitos de papel and other stories, Hasbun and the MAC invite all participants to bring photocopies of family photos, letters from home, documents and other memorabilia to make paper boats to add to the installation and to the artist's growing collective archive.

Gregos has curated a group exhibition with only two Danes among eighteen artists or collectives from ten other countries, infusing both depth and breadth into a topic that is not simply a «thumbs up or down» decree but a complex discussion relevant to Danish society and of utmost urgency world - wide.

Beginning with the establishment of Spiral art collective in 1963, the exhibition explores how debate raged among and beyond African American visual artists as to what it meant to make and show art, who it was for and how to relate it to the Civil Rights movement and other campaigns for racial empowerment.

She has held solo exhibitions in Japan & Kuwait, and participated in collective exhibitions and screenings in Dubai, Beirut, New York, London, Berlin, Paris & Shanghai among others.

Gallery 1313 seeks artists, curators, collectives and other creative professionals to hold events at the gallery, such as artist talks, critical panel discussions, poetry readings, acoustic music nights and more, to compliment our regular exhibitions and create a forum for discussion, exchange and engagement.

In addition to TVR's forum, it features several other events as well as an exhibition of work by members of the featured collectives — EverydayClimateChange, Invisible Borders, Kamoinge, Piece of Cake, Rawi (ya), and WRRQ — which remains on view in the gallery through March 9.

Born 1977, Mexico City, Mexico Solo Exhibitions 2018 «Under the immortal skin», T293, Rome 2018 «Temazcal», Michael Benevento, Los Angeles 2017 «Works and Days», Atlantis, Chevalier Roze, Marseille 2016 «Retrospectiva», Lulu, Mexico City 2016 «Chambres aver vue sur le champ», Untilthen, Paris 2016 «Paradise», DREI, Cologne 2016 «Frenetic Gossamer», Palais de Tokyo, Paris 2016 «Huellas de la Revolución Industrial», Museo Pietro Canonica a Villa Borghese, Rome 2015 «La bella durmiente», Museo Universitario del Chopo, Mexico City 2015 «Caramel Huysmans», Proyectos Monclova, Mexico City 2015 «The Contemporary Comedy: Glossy Mist», Clifton Benevento, New York 2014 «Luster Butterfly», T293, Rome 2014 «All That I Never Was», Michael Benevento, Los Angeles 2013 «Mariposas Migratorias», Clifton Benevento, New York 2012 «I miss my thread», Karma International, Zurich 2012 «The Equation of Desire», Kunsthalle Winterthur 2012 «The Bright of the Whisper», Kunstraum, Innsbruck 2012 «La Alcoba Doble», T293, Rome / Naples 2010 «Martin Soto Climent — A bridge between two towers», Clifton Benevento, New York 2010 «A Long Chapter One», Sorcha Dallas, Glasgow 2009 «El Mago», Martin Van Zomeren, Amsterdam 2009 «Laberintome», T293, Naples 2009 «Impulsive Chorus», X Initiative, New York 2009 «The Intimate Revolt», Karma International, Zurich 2009 «For your eyes only», La Sala, Mexico City 2009 «Martin Soto Climent», Michael Benevento, Los Angeles 2008 «Hidden Symmetries», Broadway 1602, New York 2008» Parabolic Dust», Broadway 1602, New York 2008 «01.18.08», T293, Naples 2007 «Vacio Contenido», Museo de Arte Carrillo Gil, Mexico City 2006 «Checkmate», Broadway 1602, New York 2006 «Study Objects», Nina Menocal Gallery, Mexico City 2005 «Other Objects», The Other Gallery, The Banff Center, Alberta 2005 «Biotic Project», Subway Station Tacuba, Mexico City 2004 «Cotton Candy Doves», MUCA, Mexico City 2004 «Throw Balls», UNAM — The University Cultural Building, Mexico City 2003 «Curious objects vol1», Curious objects vol2», The space, Mexico City 2003 «03-03-03», installation in Jardín Hidalgo, Coyoacán, Mexico City 2002 «It was green», Museum Desierto de los Leones, Mexico City 2001 «Empty Spaces (Journey Sensations)», Casa de la Cultura Malinalxochitl, Malinalco, Mexico 2001 «One of so Many, Young Artist Collective», Sebastián Foundation, Mexico City Group exhibitions 2018 «Dwelling Poetically: Mexico City, a case study», ACCA, Australian Centre for Contemporary Art, Melbourne 2017 &lExhibitions 2018 «Under the immortal skin», T293, Rome 2018 «Temazcal», Michael Benevento, Los Angeles 2017 «Works and Days», Atlantis, Chevalier Roze, Marseille 2016 «Retrospectiva», Lulu, Mexico City 2016 «Chambres aver vue sur le champ», Untilthen, Paris 2016 «Paradise», DREI, Cologne 2016 «Frenetic Gossamer», Palais de Tokyo, Paris 2016 «Huellas de la Revolución Industrial», Museo Pietro Canonica a Villa Borghese, Rome 2015 «La bella durmiente», Museo Universitario del Chopo, Mexico City 2015 «Caramel Huysmans», Proyectos Monclova, Mexico City 2015 «The Contemporary Comedy: Glossy Mist», Clifton Benevento, New York 2014 «Luster Butterfly», T293, Rome 2014 «All That I Never Was», Michael Benevento, Los Angeles 2013 «Mariposas Migratorias», Clifton Benevento, New York 2012 «I miss my thread», Karma International, Zurich 2012 «The Equation of Desire», Kunsthalle Winterthur 2012 «The Bright of the Whisper», Kunstraum, Innsbruck 2012 «La Alcoba Doble», T293, Rome / Naples 2010 «Martin Soto Climent — A bridge between two towers», Clifton Benevento, New York 2010 «A Long Chapter One», Sorcha Dallas, Glasgow 2009 «El Mago», Martin Van Zomeren, Amsterdam 2009 «Laberintome», T293, Naples 2009 «Impulsive Chorus», X Initiative, New York 2009 «The Intimate Revolt», Karma International, Zurich 2009 «For your eyes only», La Sala, Mexico City 2009 «Martin Soto Climent», Michael Benevento, Los Angeles 2008 «Hidden Symmetries», Broadway 1602, New York 2008» Parabolic Dust», Broadway 1602, New York 2008 «01.18.08», T293, Naples 2007 «Vacio Contenido», Museo de Arte Carrillo Gil, Mexico City 2006 «Checkmate», Broadway 1602, New York 2006 «Study Objects», Nina Menocal Gallery, Mexico City 2005 «Other Objects», The Other Gallery, The Banff Center, Alberta 2005 «Biotic Project», Subway Station Tacuba, Mexico City 2004 «Cotton Candy Doves», MUCA, Mexico City 2004 «Throw Balls», UNAM — The University Cultural Building, Mexico City 2003 «Curious objects vol1», Curious objects vol2», The space, Mexico City 2003 «03-03-03», installation in Jardín Hidalgo, Coyoacán, Mexico City 2002 «It was green», Museum Desierto de los Leones, Mexico City 2001 «Empty Spaces (Journey Sensations)», Casa de la Cultura Malinalxochitl, Malinalco, Mexico 2001 «One of so Many, Young Artist Collective», Sebastián Foundation, Mexico City Group exhibitions 2018 «Dwelling Poetically: Mexico City, a case study», ACCA, Australian Centre for Contemporary Art, Melbourne 2017 &lexhibitions 2018 «Dwelling Poetically: Mexico City, a case study», ACCA, Australian Centre for Contemporary Art, Melbourne 2017 «Deseo.

Something Other Than the Present was the second exhibition of work by members of Sparkplug 3, the third incarnation of DC Arts Center's artist collective program and the final exhibition I curated with Sparkplug.

The intriguing outdoor gardens and other parts of the exhibition are curated by Fallen Fruit, an art collective that examines concepts of neighborhood space, sustainability and citizenship through fruit, rethinking attitudes about food with activities such as mapping fruit trees in public areas and heirloom vegetable adoption.