Sentences with phrase «other color captures»

No other color captures the holiday spirit better than GOLD.

Not exact matches

It will help show not just the color of the product but even the other factors that only a macro lens can capture such as texture, evenness of application, etc..
In two other papers Vuckovic took a different approach to electron capture, by modifying a single crystal to trap light in what is called a color center.
Given that cameras are designed to optimally capture color, many have concluded that their ability to detect an array of colors should be superior to that of humans and other primates — and wondered why our vision is the way it is.
Unlike most other genres, whether a biopic succeeds with flying colors in capturing, or...
It'll automatically expose for people, capture wider color gamuts, and apparently do 100 billion other things every time you take a photo, all within 20 milliseconds.
The first sensor is for capturing RGB colors whereas the other sensor captures the monochrome images.
In Splat Zones, two teams verus each other like in Turf War, except in this, they fight over certain zones in the arena, that are captured by inking it with your color.
Ann Korologos Gallery is pleased to present Winter in the West, a group exhibition presenting works by renowned artists Dan Young, Andy Taylor, Peter Campbell, Dinah Worman, and Simon Winegar, and other artists who are capturing the variety in color, texture, and mood of Western snowscapes.
Other highlights of the exhibition include her Neverland series from 2002, where she photographed objects, either alone or in groups, on fields of color; Figure Drawings from 1988 - 2008, featuring an installation of 40 framed images of the human figure; Objects of Desire from 1983 - 1989, where she made collages of found photographs and rephotographed them against bright background of red, blue, green, yellow, and black; Renaissance Paintings from 1991, featuring individual figures and objects from disparate Renaissance paintings isolated and re-photographed against monochrome backgrounds; Doubleworld from 1995, where the artist transitioned from collaging and re-photographing found images to creating stylized arrangements for the camera; Stills from 1980, where the artist compiled and re-photographed over 70 clippings of press photos that capture people falling or jumping off tall buildings; Available Light from 2012, incorporating many of her techniques utilized over the course of her career; and Modern History from 1979, in which she has re-photographed the front page of the newspaper with the text redacted.
Many used the transparency and the lightness of the tones to capture the shifts of light occurring in nature, while others used the intensity of color to produce images which play with different tones, and values.
While his teacher is noted for his black - and - white images, Epstein is a master of color photography, capturing on film the American experience as well as images from countries throughout the world — he has traveled extensively and realized series on locales including Vietnam, India, Berlin, and his hometown of Holyoke, Massachusetts, among others.
Other highlights include Edgar Arceneaux's nine - channel video installation «The Alchemy of Comedy... Stupid» (2006), featuring a performance by comedian David Alan Grier; Tammy Rae Carland's «I'm Dying Up Here» (2011), a series of large - scale color photographs of female stand - up comedians captured mid-act, emphasizing the vulnerability of performance; Stanya Kahn's absurdist, pathos - filled video «Lookin Good, Feelin» Good» (2012), shown alongside a selection of her humorous line drawings; and an installation of Sara Greenberger Rafferty's visceral photographic works, for which she manipulates images from the history of late 20th century comedy.
The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.
At other times, single firgures balancing on boards playfully allude to Botticelli's «The Birth of Venus» and Dufy-esque views from a beachside hotel capture California colors in a testament to the painter's versatility.
Other times, colored bands radiating outward in unforetold patterns captures attention.
In chess, the King may move only one space in any direction (except when castling), while all other pieces might move more than one space (pawns in their first move, and if they have achieved opponent's home row by exchanging for any previously captured piece of their color).
The P9 Plus has a 12 MP dual - lens setup on the back, one with an RGB sensor specifically for color reproduction and the other purely for capturing black and white detail.
One lens is used for color reproduction and the other for capturing black and white details.
Among other improvements over older iPhones, the 7 has the ability to capture more colors and shoot in raw format.
However, just like in the P9, one 12MP sensor shoots in monochrome and the other captures the colors.
One of the lenses capture color while the other is monochrome.
One camera has a traditional RGB sensor, meaning it takes color photos; the other has a monochrome sensor, meaning it only captures scenes in black and white.
One of these rear camera sensors is 12MP while the other is an 8MP wide - angle shooter, and both of them are able to capture color images (so no monochrome feature here).
One of the rear cameras is a color lens while the other shoots in monochrome; the dual shooters work together to capture images in true black and white without conversion, and there's selective focus to blur out the background.
As for the dual - lens setup, one 12MP lens is used for capturing regular shots while the other is a monochrome sensor that is aimed at producing much better colors and even better quality images in low - light conditions.
The P9 has a 12 MP dual - lens setup on the back, one with an RGB sensor specifically for color reproduction and the other purely for capturing black and white detail.
or) G comes with a Dual 13MP +13 MP rear camera with Dual tone LED flash, one is a monochrome sensor that captures details, and the other is an RGB sensor that captures the color information.
A few other settings and you are all good to capture some good photos, with neat colors.
And just like the Huawei P9, one of the sensor captures RGB colors and the other one captures monochrome.
The P20 Lite may task one of its sensors with capturing colors, whereas the other module could be of the monochrome variety, with that particular approach to mobile photography already being employed by a wide variety of the firm's smartphones, including those that launched as part of the P10 family last year.
One of the two 26 mm ASPH lenses is likely mounted above a monochrome sensor, whereas the other one is tasked with capturing colors, with Huawei already having a long history of utilizing such a system in collaboration with Leica.
For comparison, each of the two cameras on the Honor 8 boasted 12 megapixels, one of which captures an image in color, and the other in monochrome.
Compared to others, the Virb's video quality isn't a standout, and often captures colors that just look wrong.
It repeatedly and consistently captures the most accurate colors, the most detail, and tackles challenging lighting scenarios that make the other smartphone cameras weep.
Viewing angles are good, and the wallpapers provided in the phone seem to have a little oversaturation of colors, but it is all good on the camera captures and other content viewed in the device.
Also, like we've seen with previous Huawei phones, one camera on the Z2 Force shoots regular color shots while the other capture monochrome images.
SELECTED ACCOMPLISHMENTS ✔ Covered a 5 hours emergency transmission efficiently ✔ Edited video tapes for successful delivery of 20 episodes of a nature show ✔ Enhanced video quality by 30 % by utilizing effective color capturing techniques ✔ Reduced reel and other costs by implementing cost effective digital camera techniques
Virtual home remodelers and home management websites — Popular big box retailers have designed complex home management websites to help homeowners store paint colors, product numbers and other detailed information as a way to capture consumers» attention online and cultivate customer loyalty.
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