Sentences with phrase «other color genes»

The color of the mask will depend on what other color genes the dog has.

Since all colors can happen, the actions of other color genes may confuse the issue or make it impossible to know if a dog is genetically blue merle.

Because the Merle gene is dominant over other color genes breeding a Merle parent with a non Merle parent will statically guarantee at least one puppy in a little of four or more will be born with a Merle patterned coat.

Not exact matches

Tsien's lab, meanwhile, tinkered with the GFP gene to see if it could be made to produce light in any other colors.

For example, mice have been given an extra color vision gene in the lab, and it has been shown that the protein manufactured by that gene expands the scope of their vision by enhancing their ability to see longer - wavelength light without any other changes in the brain.

The gene IRF4 helps regulate melanin in the body, which determines - among other things - hair color.

A particular form of the gene known as TPCN2, for example, bestows brown hair in modern humans; any other form means hair that's another color.

A rare eye disorder marked by color blindness, light sensitivity, and other vision problems can result from a newly discovered gene mutation identified by an international research team, including scientists from Columbia University Medical Center (CUMC).

If the genes related to color and the genes involved in this aspect of vision sit near each other on the genome, they are more likely to be inherited together.

The researchers discovered that changes in genes involved in the interbrain (the site of the pineal gland and other endocrine glands), for color vision, hormones and the colorful dewlap that males bob to attract females, may contribute to the formation of boundaries between species.

They and their collaborators began to study black and gray wolves living in Yellowstone National Park, first looking for differences in genes known to influence color in birds, mice, cattle, and other animals.

If you look globally things are different because for demographic reasons there will be an enormous increase in the proportion of Africans which will change the world's genetic balance for skin color and other genes; but within the developed world so far this has had little effect.»

Unlike some other common vision disorders, such as age - related macular degneration, color blindness is a heritable disorder caused by a single gene that is defective or absent.

Genes, alone or in combination, determine what features a person inherits from his or her parents, such as blood type, hair color, eye color and other characteristics, including risks of developing certain diseases.

Then came the real test, determining whether the recessive yellow gene drove out dominant genes for other colors.

Color is actually governed by several sets of genes, some that produce the color itself, others that influence intensity, pattern, amount and distribution of white markings, or distribution of pigment on individual hColor is actually governed by several sets of genes, some that produce the color itself, others that influence intensity, pattern, amount and distribution of white markings, or distribution of pigment on individual hcolor itself, others that influence intensity, pattern, amount and distribution of white markings, or distribution of pigment on individual hairs.

The dog's color can vary greatly with different mutated alleles on other genes.

If, on the other hand, the gene was introduced by cross breeding with another breed such as the Weimaraner (which is a dd breed) then the silver colors actually represent a breed impurity.

In addition to offering genetic testing services for the detection of color genes and of targeted canine diseases, VetGen offers other valuable services.

If one of the parents carried — let's say for example — the dominant brindle gene instead, the pup could be either solid blue, brindle (brownish with streaks of other colors), or even pied (large white patches).

Such a dog could have a genetic make - up (genotype) that includes the genes for other colors.

Coat color in dogs is influenced by more than seven genes, some of which actually mask the effects of others).

Although many other colors of dogs exist, their versions of genes that code for those colors are not going into this new breed.

Linked to the genes that control this extended puppyhood are other genes that affect coat color.

The most dominant allele will not produce mask or yellow, so dogs that have one copy will have coat color determined by other genes.

The mutation of the MLPH gene which is responsible for dilute color in a number of other breeds is present in the Aussie.

Mantle colored dogs with either one copy or no copies of the harlequin gene are physically indistinguishable from each other.

Information on FCI and other standards, the significance of color in Cotons, and the need for promoting healthy bloodlines to maintain a vigorous gene pool.

Both Gene & Kinna desire to live in a world where humans are respected and treated equally by other humans regardless of their gender, skin color, and ethnic background.

This locus is a relative newcomer in our understanding of canine color, and includes traits formerly attributed by some to other genes.

These anomalies occur only with the dominant white gene, and even some cats with that dominant gene are exceptions if they are born with even small patches of color other than white.

A dog with two variant copies of the MLPH gene will have a blue, charcoal, Isabella (lilac) or fawn coat color depending on the other coat color genes present in the individual.

* Note: Normal results do not exclude inherited mutations not tested in these or other genes that may also contribute to coat colors and traits in dogs.

Characterized by a light reddish orange point and pink paw pads and a nose, these Siamese cats have been bred with other breeds carrying the orange gene to get their red - colored points.

Although this study yielded only two data points, the findings suggest that both dun - colored coats and uniform coat colors did exist prior to domestication, but that, because of the dominance of the dun gene, dun coats were probably more frequently occurring than other coat colors among ancient wild horses.

White cats have white coats because the gene for white fur trumps all other potential colors.

This breed also carries the gene for heterochromatic eyes, in other words, eyes of different colors.

Some colors occur through careful selection, others appear out of the blue e.g. Lilac (Lavender) appeared in normally blue (gray) Korats due to mutation or recessive (hidden) genes.

Painters such as Kenneth Noland, Helen Frankenthaler, Dan Christensen, Sam Francis, Larry Zox, Ronnie Landfield, Larry Poons, Jules Olitski, Gene Davis, Ronald Davis, Sam Gilliam and others successfully used water - based acrylics for their new stain, color field paintings.

During the early to mid-1960s Color Field painting was the term for the work of artists like Anne Truitt, John McLaughlin, Sam Francis, Sam Gilliam, Thomas Downing, Ellsworth Kelly, Paul Feeley, Friedel Dzubas, Jack Bush, Howard Mehring, Gene Davis, Mary Pinchot Meyer, Jules Olitski, Kenneth Noland, Helen Frankenthaler, Robert Goodnough, Ray Parker, Al Held, Emerson Woelffer, David Simpson, and others whose works were formerly related to second generation abstract expressionism; and also to younger artists like Larry Poons, Ronald Davis, Larry Zox, John Hoyland, Walter Darby Bannard and Frank Stella.

In 1965, Louis and Noland, as well as Gene Davis, Howard Mehring, Thomas Downing, and Paul Reed, were featured in an exhibition at the now defunct Washington Gallery of Modern Art, called the «Washington Color Painters,» and since then, this group of artists, along with a few others, has been known as the Washington Color School.

«In particular, Washingtonians will enjoy seeing beloved local artists Gene Davis, Sam Gilliam, Morris Louis and Kenneth Noland in the company of other great Color Field painters.»

Some consider Feeley part of the Color Field arm of Abstract Expressionism as well, while other critics such as Gene Baro saw an independent artist unrelated to the abstract expressionist legacy — «in the way that baroque art is remote from ancient Egyptian art and presumes different standards of value and habits of mind.»

In the 1950s, she took weekend studio classes at American University, working briefly with Jacob Kainen, one of a group of abstract painters — Gene Davis, Morris Louis, and Kenneth Noland were others — gaining national attention as the Washington Color School.