Sentences with phrase «other composers such»

It has worked directly with all these and other composers such as Louis Andreissen, Gloria Coates, Roger Doyle, Michael Maierhof and Steve Reich.

Not exact matches

The people included in this group are composers such as Koji Kondo, Shinobu Takana, Mahito Yokota, and many others from 3rd parties who have contributed to the tunes of Mario.

Hop over to the other similarly sterling yakker to hear DP Peter Deming (later cinematographer for David Lynch, Wes Craven, and Sam Raimi), co-screenwriter Richard Jefferies, and composer Terry Plumeri go into all aspects of the production, such as the possibility of a remake, the Chris Walas film The Vagrant (also written by Jefferies), and how the film was so very angry.

You never quite know what you're going to get from Howard — I don't think there's ever been another major film composer who has gone through such a wide range of styles (of course lots of other film composers have written in a wide range of styles, but not like Howard, with no real sign of consistency of individual voice between them) and such a wide range of quality, with his music as likely to be dull and sometimes worse than that as it is to be compositionally and emotionally soaring and inspired.

With its flowing harmonies, «Disobedience» works equally well as an example of modern classical music at its most thankfully harmonious, Herbert dresses strings lines over each other with gossamer delicateness in a way that's also reminiscent of the hypnotic film works of ephemeral composer Michael Convertino («Bed or Roses») in a way that awakens with its womens» growing self empowerment, also calling to the ear such diverse, ultra-melodic composers as Claude Debussy and Richard Wagner.

In addition to its focus on the tactility of film, his work is infused with the influences of other art forms, including painting, which he studied in college, and music, which features prominently in his collaborations with celebrated composers such as John Adams, Jóhann Jóhannsson, and Steve Reich.

The Oscar - winning composer — and Rock and Roll Hall of Famer — once brought Americana melancholy to weighty dramas such as «The Natural» and «Avalon,» but then got pigeonholed as the composer of Pixar (scoring the «Toy Story» films, among others).

The music of «Castlevania» was composed by both Kinuyo Yamashita and Satoe Terashima, two veteran musicians who made a name for female video game composers in a time and place when such were rare, though the two worked independently of each other and never fully collaborated on their tracks.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

There are other musician's unions, both local chapters and international, though concerns over contracts and composer rights negotiations can cause some level of trepidation if one does not understand the intricacies of such things.

Several other game composers such as Greg Edmonson, Mike Reagan and more will attend for an hour - long Q&A panel followed by a meet and greet signing.

1 are written by Tomoya Ohtani, who is most well known as the main composer for many Sonic the Hedgehog games, but has also worked on other SEGA titles such as Nights: Journey of Dreams and Rhythm Thief.

Yuzo Koshiro (composer for legendary titles such as Ys, The Revenge of Shinobi, Streets of Rage Series, and many others), and Sasakure.UK have been doing the OSTs for the entire...

Uematsu went for a decidedly less classical style, and other Japanese composers went for modern pop and rock (such as Falcom's «Sound Team JDK»).

She provides a colorful commentary and anecdotes about her life and her collection, which ranges from puppets found in the trash in Palermo to works and correspondence by her many friends, including painters, sculptors, poets, photographers and filmmakers, dance and art critics, musicians and composers, such as Fairfield Porter, Giorgio Morandi, Peter Rockwell, Meret Oppenheim, Edwin Denby, Rudy Burckhardt, Francesca Woodman, Elliott Carter, Alvin Curran, and many others.

He views his work as «An elaborate community forum, as much as a work of sculpture,» and as such, the gallery doubles as a stage for singer - songwriters, pop artists, poets, and composers, together with panel discussions, community forums, and other forms of creative public debate and engagement.

Next to this core engagement for female artists, BROADWAY 1602 also represents other cultural agents and outstanding personalities of the New York postwar avant - garde, such as The Archive of Experiments in Art and Technology (E.A.T.), David Tudor & Composers Inside Electronics (CIE), and collaborations with the The George and Helen Segal Foundation, Robert Whitman and the Robert Anton collection.

Throughout their relationship they worked together on various collaborations, along with other leading creative minds such as composer John Cage and choreographer Merce Cunningham.

Throughout her creative career, she collaborated with other well - known artists such as Jasper Johns, Robert Rauschenberg, Larry Rivers, composer John Cage, and architect Mario Botta, as well as dozens of less - known artists and craftspersons.

Beginning in 2004, Arsham began producing scenography for ballets, symphony orchestras, operas and music videos, working with composers and choreographers such as Merce Cunningham, Pharrell Williams and Jonah Bokaer, among others.

YBAs have been heavily criticized for their lack of craftsmanship and other artistic qualities, by numerous art critics as well as such luminaries as the composer Simon Rattle, and the playwright Tom Stoppard.

Pushing the magazine format to its limits, the project features small - scale prints and multiples by: Dada and Surrealist luminaries such as Marcel Duchamp, Man Ray and Meret Oppenheim; Pop artists Richard Hamilton and Roy Lichtenstein; composers Terry Riley and La Monte Young; and up - and - coming Conceptual and post-studio artists such as Joseph Kosuth and Bruce Nauman, among many others.

From 1979 on, Brown collaborated with Robert Rauschenberg, Donald Judd, and other contemporary artists, and with composers such as John Cage and Laurie Anderson.

Participating artists may include Lucas Artists Literary Fellows and Guest Artists such as: American poet and author of Marvel Comics» World of Wakanda, Yona Harvey; author of The Possibilities of Mud (Kórima 2014) and Bloodline, Joe Jiménez; poet and children's book author Willie Perdomo; experimental composer / musician Hans Tammen; sound artist, saxophonist and composer Neil Leonard; and powerhouse vocalist, songwriter and producer Jennifer Johns; among others.

For example, I was just musing the other day about whether it wouldn't be possible — and sensible — to construct a digital record of published music such that a composer could easily discover whether a melodic line had already been taken, as it were.

(his birth name is 椙山 浩一, which is pronounced the same)(born April 11, 1931) is the lead composer of the Dragon Quest series, with other works done for Japanese TV shows, such as Space Runaway Ideon, Cyborg 009 and Gatchaman.