Sentences with phrase «other contemporary american»

Eric Aho, Mary Abbott, Stuart Shils are other contemporary American painters I admire.

The films of Nicholas Ray, more than any other contemporary American director's, were singled out by the up - and - coming Cahiers du Cinéma crowd (on the cusp of their own splashy Nouvelle Vague) as justification for their politique des auteurs — more a personal stance on critical practice than dogmatic superstructure, and long since codified and ossified by academic film criticism into hierarchy - happy «auteur theory.»

That's lower than the predicted rate for any other contemporary American launch vehicle, including the Pegasus XL made by Orbital Sciences, Falcon I's direct competitor in the small - payload market.

We await the publication of his novels with almost evangelical zeal, eager to be entertained and edified by him as by no other contemporary American writer.

Not exact matches

He is the author of treatises on proxy voting and shareholder communications and his articles have appeared in The London Financial Times, The New York Times, The New York Law Journal, The American Lawyer, Insights, Pensions & Investments, The Corporate Governance Advisor, Directors & Boards, the Journal of Law and Contemporary Problems and other publications and professional blogs.

People in other societies can not afford contemporary Americans» discreet disregard for death.

John is similar to other converts to Orthodoxy in that he diagnoses two distinct problems in contemporary American Christianity.

From the other side of the pot emerged a single stream of Americans dressed alike in the contemporary standard dress and singing the national anthem.

The criticisms I have made of the contemporary American university do not even apply without qualification to those in other parts of the world.

Now, genetic analysis has proved that the skeleton is more closely related to contemporary Native Americans than to other global populations.

Kennewick Man's genome reveals that he is more closely related to contemporary Native Americans than to any other humans on the planet — dashing the remote possibility that he represents a mysterious migration from the east.

First Americans descended from the meeting and admixture of at least two populations of which one is related to contemporary East Asians and the other to present - day western Eurasians.

Sorry for the substantial critique, but I am particularly loving the contemporary Zune, and assume this, as very well as the high - quality critiques some other americans have prepared, will guidance by yourself come to a decision if it truly is the instantly determination for by yourself.

Other TIFF films focused on times in American politics that were similarly fraught, even if their contemporary resonance is less clear.

Other contemporary films have tried capture this slice of forgotten American society but few have done it as well, in as personal and individual a way, as PATTI CAKE$.

«Synced to a different time signature than other contemporary thrillers, The American is all long silent spells and existential dread.

In his first book on this subject, Cultural Literacy: What Every American Needs to Know, published in 1987, he explained why all children and adults need to learn the words, phrases, idioms, ideas, and other information that are an essential part of contemporary society and culture.

But the idea that American schools should explicitly familiarize children — especially those from other countries, cultures, or traditions — with a uniform body of knowledge in elementary and middle school falls upon contemporary ears as awkward, anachronistic, even inappropriate.

And yet it has become increasingly difficult to get approval for charters outside of the now - standard model, which implies that innovation is beginning to flag in the charter movement as in other parts of contemporary American culture.

And, unlike with other contemporary issues, the majority of Americans agree on this.

Now, other reviewers have weighed in — and most are enthusiastic about the idiosyncratic 1,100 page doorstop with more than 200 essays by contemporary writers and academics, including novelist Walter Mosley writing on what it means to be «hardboiled,» novelist Mary Gaitskill on why Norman Mailer moves her, and humorist Sarah Vowell on «American Gothic» and kitsch.

Jin, a Chinese - American, used Vautrin's diaries and other contemporary accounts of the massacre to research his novel.

In this and many other ways, it is the novel's particular brand of cynicism that is perhaps the most direct reflection of contemporary American society.

More than in any other Latin American country, the introduction of contemporary esthetic and functional conceptions is due to one man, Carlos Raúl Villanueva, a former student at the French school of Beaux Arts.

Award - winning Chef Michael Mina offers upscale, contemporary American steakhouse menu options like no other at BOURBON STEAK.

His work is in the collections of the Museum of Modern Art, New York; the Los Angeles Museum of Contemporary Art, California; The Broad Art Foundation, Santa Monica; Fundacio La Caixa, Barcelona; the Whitney Museum of American Art, New York; Musée National d'Art Moderne, Centre Pompidou, Paris; and Moderna Museet, Stockholm, among others.

Challenging Traditional Identities (1996), Action / Abstraction: Pollock, de Kooning, and American Art, 1940 — 1976 (2008), Other Primary Structures (2014); Take Me (I'm Yours)(2016); and The Arcades: Contemporary Art and Walter Benjamin (2017).

Works representing «a pan-African sensibility in contemporary art» by American artist Robert Colescott, Ghanaian artist El Anatsui, and British artist Cornelia Parker, among others, will be on view in the last gallery.

While Johnson's works are grounded in a dialogue with modern and contemporary art history, specifically abstraction and appropriation, they also give voice to an Afro - futurist narrative in which the artist commingles references to experimental musician Sun Ra, jazz great Miles Davis, and rap group Public Enemy, to name just a few, with various symbols including that of Sigma Pi Phi (also known as the Boulé), the first African American Greek - letter organization, and writings by civil rights activist W. E. B. Du Bois, among others.

The contemporary art survey — a mix of performance, film, photography, sculpture, painting and other work — runs through May 27 at the Whitney Museum of American Art in New York.

In his lifetime, Kelley held solo exhibitions at numerous institutions worldwide, including the Musée du Louvre, Paris; Institute of Contemporary Art, London; Tate Liverpool; Museum Moderner Kunst, Vienna; Los Angeles County Museum of Art; Whitney Museum of American Art, New York; and Hirshhorn Museum and Sculpture Garden, Washington, D.C, among many others.

JUST SAY NO There have been repeated calls for museums — beginning with the Contemporary Art Museum St. Louis in 2016, and continuing with the Whitney Museum of American Art, the Walker Art Center and others this year — to censor, even destroy, offending works of conteContemporary Art Museum St. Louis in 2016, and continuing with the Whitney Museum of American Art, the Walker Art Center and others this year — to censor, even destroy, offending works of contemporarycontemporary art.

Other exhibitions have taken place at the Aldrich Museum of Contemporary Art, Ridgefield, Connecticut; Hood Museum of Art, Hanover, New Hampshire; Portland Art Museum, Maine; Ogunquit Museum of American Art, Maine; National Academy, New York; and American Academy of Arts and Letters, New York.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

Her work has been exhibited at the Museum of Modern Art, New York; the Museum of Contemporary Art, Chicago; the Walker Art Center, Minneapolis; Whitney Museum of American Art, New York; Los Angeles Museum of Contemporary Art, Los Angeles; Jeu de Paume, Paris; and Haus der Kunst; Munich amongst others, as well as important international exhibitions such as the Hugo Boss Prize at the Guggenheim Museum, New York, Documenta XI in Kassel, Germany, and the 56th Venice Biennale, Venice, Italy.

Exhibitions include A Study in Midwestern Appropriation, The Hyde Park Center, Chicago, IL, curated by Michelle Grabner; Decade: Contemporary Collection 2002 - 2012, Albright - Knox Art Gallery, Buffalo, NY; 2010, Whitney Biennial, curated by Francesco Bonami and Gary Carrion - Murayari, Whitney Museum of American Art, NY (2010); and Gerhard Richter and the Disappearance of the Image in Contemporary Art, Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, Italy (2010), among others.

Notable solo exhibitions include the Whitney Museum of American Art, New York (1996); the Hara Museum of Contemporary Art, Tokyo (1992); the Stedelijk Museum, Amsterdam (1992); and The Museum of Modern Art, New York (1980), among others.

Her work is included in the collections of the Solomon R. Guggenheim Museum, the Museum of Modern Art, the Whitney Museum of American Art, New York, the Hirshhorn Museum and Sculpture Garden, Washington, DC; the Los Angeles County Museum of Art, and the Museum of Contemporary Art, Los Angeles, among others.

His work is included in the collections of the Metropolitan Museum of Art, the Whitney Museum of American Art, the New Museum of Contemporary Art, the San Francisco Museum of Modern Art, and the Centre Pompidou in Paris, among others.

Her other publications include articles in American Art, Art Journal, and Art Nexus, and the book Contemporary Puerto Rican Installation Art: the Guagua Aerea, the Trojan Horse and the Termite.

Other important solo exhibitions include Asia Society in New York (2011 - 12), Baltic Centre for Contemporary Art in Newcastle, UK (2009), Malmo Konsthall in Sweden (2006), Whitney Museum of American Art in New York (2003), Museum of Fine Arts in Boston (2002), Walker Art Center in Minneapolis (2002), Museum of Contemporary Art in Chicago (1999), Foundation Cartier in Paris (1999), and the Institute of Contemporary Arts in London (1998).

«Black Fire: A Constant State of Revolution» Featuring works by modern and contemporary artists, «Fire» includes works by Hendricks, Cox, Robert Colescott and Martin Puryear, among others that reflect the African American experience from 1964 to the present.

The opportunity to develop additional programming as the result of the Tooker loan allows PAFA to pursue a symposium on a group of artists, including Peter Blume, George Tooker, Ivan Albright, and other Americans who used a realist method to invent their own worlds by transforming the symbolic language of Old Master painting into a contemporary idiom.

The reliable, high - caliber art show one has come to expect from Daimler Contemporary is still there, as a sort of show - inside - the - show featuring American Abstract Art, mainly by Josef Albers and the Washington Color School plus other German immigrants to the US.

His artwork is represented in many distinguished museums throughout the world as well as prestigious private and corporate collections, including The Metropolitan Museum of Art, The Whitney Museum of American Art, The Museum of Modem Art in New York City, The Museum of Contemporary Art in Los Angeles, St. Louis Art Museum, Louisiana Museum of Art in Denmark, Musée Beaubourg in Paris, The Paine Weber Collection, and many others.

His solo exhibitions include, among others, Almine Rech in Paris and Mascota in Mexico (2018), Valentin in Paris (2017, 2015), Michael Jon & Alan in Miami (2017), Almine Rech Gallery in London and Brussels (2016), Retrospective in Hudson, NY, American Contemporary in New York City, Rod Barton in London (2014), Karma in New York City (2014), Marfa Book Company in Marfa, Texas (2015, 2013), Torri in Paris, Renwick in New York City (2011), the Chinati Foundation in Marfa, Texas (2010).

Frazier is the recipient of many awards, including a fellowship from the John Simon Guggenheim Memorial Foundation (2014), Gwendolyn Knight and Jacob Lawrence Prize of the Seattle Art Museum (2013), the Theo Westenberger Award of the Creative Capital Foundation (2012), the Louis Comfort Tiffany Foundation Award (2011), and Art Matters (2010) Her work can be found in public and private art collections such as the Brooklyn Museum; Carnegie Museum, Pittsburgh; Centre National Des Arts Plastiques, France; JP Morgan Chase Collection, Library of Congress, Washington, D.C.; Museum of Contemporary Art, Chicago; Museum of Contemporary Photography, Columbia College, Chicago; Nacher Museum at Duke University, Durham, N.C.; Spelman College Museum of Fine Art, Atlanta; Whitney Museum of American Art, New York; Zabludowicz Collection, London, and Pomeranz Collection, Vienna, among others.

Raymond Pettibon's works have been exhibited around the world and have been displayed at several of the most important U.S. art museums, including the Whitney Museum of American Art (New York), the Museum of Contemporary Art (Los Angeles) and many others.

Tara Donovan's work is held in numerous important private and public collections, including Albright - Knox Art Gallery, Buffalo; Brooklyn Museum of Art; Dallas Museum of Art; Indianapolis Museum of Art; The Institute of Contemporary Art, Boston; Metropolitan Museum of Art, New York; Milwaukee Art Museum; Museum of Contemporary Art, San Diego; Museum of Fine Arts, Boston; St. Louis Art Museum; Wadsworth Athenaeum Museum of Art and Whitney Museum of American Art, New York, among others.

Museum representation includes the Art Institute of Chicago, Metropolitan Museum, Whitney Museum, Museum of Modern Art, Museum of Contemporary Art / Chicago, National Museum of American Art, Scottish National Gallery, Museum Boymans, Rotterdam, and many others.