After David Robbins achieved art - world success with his photographic work Talent (1986)-- in which he depicted Cindy Sherman, Jeff Koons, Jenny Holzer and 15
other contemporary artists as entertainers — he became progressively disenchanted with the art world, and in 1996 returned to his hometown of Milwaukee, Wisconsin to pursue what he termed «alternatives to art.»
There is
no other contemporary artist as maverick to the art market as Damien Hirst.
Not exact matches
Perhaps the examples of Thomas Tallis and his pupil and friend William Byrd, both Roman Catholics, will give heart to
contemporary Catholic
artists — and those who like myself are Anglo - Catholic
artists —
as well
as other writers in the Christian tradition who find themselves in the situation that Dana Gioia describes.
Among the
other fiction films to look for in theaters or on VOD: John Michael McDonagh's Calvary, in which Brendan Gleeson gives a beautifully modulated performance
as a dedicated priest who is no match for the disillusionment of his parishioners and the rage of another inhabitant of his Irish seaside village, determined to take revenge against the priesthood for the sexual abuse he suffered
as a child; the desultory God Help the Girl, the debut feature by Stuart Murdoch (of Belle and Sebastian), all the more charming for its refusal to sell its musical numbers; Tim Sutton's delicate, impressionistic Memphis, a blues tone poem that trails
contemporary recording
artist Willis Earl Beal, playing a character close to himself who's looking for inspiration in a legendary city that's
as much mirage
as actuality; and two horror films, Jennifer Kent's uncanny, driving psychodrama The Babadook, with a remarkable performance by child actor Noah Wiseman, and Ana Lily Amirpour's less sustained A Girl Walks Home Alone at Night, which nonetheless generates some powerful political metaphors.
Seventeen
contemporary comics
artists look back at the torture, torment, and wild enthusiasms of their teens in an anthology for readers facing adolescence
as well
as those already on the
other side.
View works by
contemporary Ubudian
artists as well
as traditional schools of art such
as Batuan — practiced by Brahman
artists — and Sanur, which features highly stylized paintings of sea creatures and
other animals.
The art museums, the Neka and Agung Rai, among
others, display traditional
as well
as contemporary work done by not only local but also expatriate
artists.
Museum of Stones, a massive installation by Brancusi - influenced Isamu Noguchi, will be supplemented with fifty works by thirty
other contemporary artists,
as well
as by fifteen ancient Chinese rock - related objects, which are on loan from the Met.
Since launching in 2011, the Prize has established itself
as a tastemaker for some of the most exciting
contemporary artists in painting and drawing, recognising emerging talent ahead of
other prizes for recent graduates, such
as Catlin and Bloomberg New
Contemporaries.
Also one of America's foremost publishers of
contemporary fine art prints and sculpture, Chalk & Vermilion Fine Arts and its Martin Lawrence retail galleries represent a number of today's most popular
artists from around the world, such
as Philippe Bertho, Fanny Brennan, Robert Deyber, Erté, François Fressinier, Kerry Hallam, Liudmila Kondakova, Felix Mas, and
others.
While Johnson's works are grounded in a dialogue with modern and
contemporary art history, specifically abstraction and appropriation, they also give voice to an Afro - futurist narrative in which the
artist commingles references to experimental musician Sun Ra, jazz great Miles Davis, and rap group Public Enemy, to name just a few, with various symbols including that of Sigma Pi Phi (also known
as the Boulé), the first African American Greek - letter organization, and writings by civil rights activist W. E. B. Du Bois, among
others.
Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981
Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation,
Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979
Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978
Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL;
Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and
Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975
Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black
as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York
Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972
Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young
Artists: New York 1970, Greenwich, CT
In a provocative article titled «The Curious Case of
Contemporary Ink Painting» (Art Journal, Fall 2010), art historian Joan Kee has recently suggested that despite being chosen to represent South Korea in international biennials in the 1960s, Suh and other Mungnimhoe painters were marginalized in their own country by being classed as «ink painters» rather than as contempor
Contemporary Ink Painting» (Art Journal, Fall 2010), art historian Joan Kee has recently suggested that despite being chosen to represent South Korea in international biennials in the 1960s, Suh and
other Mungnimhoe painters were marginalized in their own country by being classed
as «ink painters» rather than
as contemporarycontemporary artists.
Singh uses the history and physicality of materials
as springboards for spatial interventions and philosophical inquiry, while Önürmen's work shares similar tactics
as the
other two
artists in revealing the relationships and discrepancies between personal and public experience
as seen through the lens of
contemporary media.
Although several sculptures employ crackle glaze and
other nods to traditional pottery, the works in this exhibition are notable for the wide range of effects achieved with such
contemporary materials
as epoxy resin, catalyzed polyurethane, and high - gloss automotive paint mixed to the
artist's specifications and applied with an airbrush.
The opportunity to develop additional programming
as the result of the Tooker loan allows PAFA to pursue a symposium on a group of
artists, including Peter Blume, George Tooker, Ivan Albright, and
other Americans who used a realist method to invent their own worlds by transforming the symbolic language of Old Master painting into a
contemporary idiom.
More recently, Katz expanded his relationship with Colby,
as well
as several
other Maine museums, with regular gifts of paintings and
other works of art by
contemporary artists through his own foundation.
In the late 1960s and»70s, in particular, these
artists and
others used everyday materials
as a challenge to the commercialised
contemporary gallery system.
Among her many residencies, lectures and teachings,
other accomplishments include
Artist talk Skt Hans arts Foundation; Talk and studio visits at Sam Fox School, Washington University, St. Louis;
Artist in residency at Sazmanab Center for
Contemporary Art, Tehran, Iran;
Artist in residency at Monte residency, Buenos Aires, Argentina;
as well
as lecturer for a creative writing class at New York University.
At the Met, «David Hockney» continues (until 25 February), examining the magnificent output of one of the greatest of
contemporary artists, who has explored the fabric of life in London, Los Angeles, and his native Yorkshire,
as he has moved back and forth across these worlds, interweaving one into the
other as he has created the tapestry of his long life.
Often features artworks by
contemporaries and
other artists as part of her installations, and works in a variety of media.
In Golden Arches, the
artist has intentionally avoided the use of plastic and
other contemporary mass - produced industrial goods, opting instead for such traditional sculpting materials
as plaster, bronze and gold.
As Monet, or Still or Rothko — indeed as most other great contemporary artists — Diebenkorn demonstrates that it is possible to construct a universe by exploring a single idea to its frontiers» (T. Albright, quoted by G. Nordland, Richard Diebenkorn, New York, 1987, p. 189
As Monet, or Still or Rothko — indeed
as most other great contemporary artists — Diebenkorn demonstrates that it is possible to construct a universe by exploring a single idea to its frontiers» (T. Albright, quoted by G. Nordland, Richard Diebenkorn, New York, 1987, p. 189
as most
other great
contemporary artists — Diebenkorn demonstrates that it is possible to construct a universe by exploring a single idea to its frontiers» (T. Albright, quoted by G. Nordland, Richard Diebenkorn, New York, 1987, p. 189).
In his capacity
as Director, Beers works with both emerging and established
artists and has initiated multidisciplinary projects including the Award for Emerging Art; the annual open group exhibition
Contemporary Visions; and various international collaborations with universities, and
other galleries.
They are organized alphabetically by subject, under such entries
as «Art and Capitalism,» «Childhood,» «Entropy (After Smithson),» «Matter,» «My Work,» «
Other Artists,» and «Poetry,» and they include Andre's reflections on Michelangelo and Duchamp, on Stein and Marx, and such
contemporaries as Eva Hesse, Robert Smithson, Robert Morris, and Damien Hirst.
avafoperates with a hedonistic spirit, and engages in frequent collaborations with musicians, designers, dancers and
other artists, challenging conventional assumptions about authorship and the role of the
artist's persona in society and the
contemporary art world with their core beliefs
as foundation: «share, generosity, contaminate, be contaminated, devour, be devoured, travel, and spread».
He organized award - winning exhibitions and publications including solo presentations by Lynda Benglis, Judith Godwin, Jane Hammond, Joseph Marioni, Rashaad Newsome, Chuck Ramirez, and Sandy Skoglund, among
other artists,
as well
as American Art Since 1945: In a New Light; New Image Sculpture; Andy Warhol: Fame and Misfortune; Beauty Reigns: A Baroque Sensibility in Recent Painting; Made in Germany:
Contemporary Art from the Rubell Family Collection; Telling Tales:
Contemporary Narrative Photography, and Something to Say: The McNay Presents 100 Years of African American Art.
As an
artist he is best known for Talent, eighteen «entertainer's headshots» of
contemporary artists including Cindy Sherman, Jeff Koons, Jenny Holzer and
others, and The Ice Cream Social, a project comprising installations, performances, a novella, and a TV pilot.
Another Land: After Noguchi represents The Noguchi Museum's ongoing engagement with
contemporary artists, writers, designers, musicians, and
others as a means of illuminating the scope of Noguchi's vision and his continuing impact on our culture.
His theme was the development of ten
contemporary artists, beginning with Duncan Grant
as the most senior and ending with Prunella Clough, then aged 31 (the
other artists were L.S. Lowry, Anthony Levett - Prinsep, Ivon Hitchens, Keith Vaughan, John Armstrong, John Piper and John Napper).
While participating in programs within the
contemporary art world at large, Studio Society Members build meaningful relationships with fellow Members,
as well
as artists, curators and
other leaders in our community and beyond.
«Seasonal reading... Amongst
other recently published monographs, the revised and enlarged edition of Phaidon's Luc Tuymans, from its
Contemporary Artists Series is opportune
as it is just in time for his major show at Tate Modern in the Summer of 2004.
Frielicher, along with
other artists including Jackson Pollock, Willem de Kooning, and Betty Parsons lived and worked on the East End, and it's still a thriving magnet for
contemporary artists such
as Julian Schnabel, Jennifer Bartlett, Chuck Close, Annie Leibovitz, Mary Heilmann, and Lynda Benglis.
Few
contemporary artists have developed a visual vocabulary
as immediately recognizable
as the Chicago - born
artist Christopher Wool's — and what's remarkable is that he was able to achieve this distinction across a number of different series, from his influential text paintings to his elegantly minimal canvases marked by fences and
other repetitive forms to his dynamic gestural abstractions that borrow from graffiti culture.
Other exhibitions such
as «It Takes a Nation: Art for Social Justice: With Emory Douglas, and the Black Panther Party, Africobra, and
Contemporary Washington
Artists» at American University in Washington, D.C., and «Ruddy Roye: When Living is a Protest» at Steven Kasher, make the connection between earlier black rights movements and today's Black Lives Matters activism.
LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international
contemporary artists Collaborating with a variety of institutions and organizations, such
as universities, museums, and theaters
as well
as other types of spaces, industries, and entities Offering additional programs such
as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-
artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established
artist, and LAND 3.0 projects feature new work by lesser known or emerging
artists
Be sure to check out booths by Galerie Ernst Hilger from Vienna, representing the works of
artists such
as Erró and Mel Ramos, along with exponents of Austrian modernism from the 1960s onward and the main exponents of the most important international art movements of the 20th century; Galerie Lisa Kandlhofer from Vienna, representing emerging and mid career
artists; Galerie Thaddaeus Ropac from London, Paris and Salzburg, specialised in international,
contemporary art representing around 60
artists and a number of renowned estates; SUPPAN FINE ARTS from Vienna, focusing on international and modern
as well
as representatives of art after 1945; and PIFO Gallery from Beijing, representing a selection of Chinese and international
artists with a core focus on minimalism and abstraction; among
others.
While Mike Kelley took this up in the 1980s, and
artists such
as Sheila Pepe, Sheila Hicks, and Josh Faught have plotted
other trajectories of textile in the expanded field, Susan Cianciolo's work reopens these questions surrounding the matriarch, the amateur, artisanship, and collectivity in the context of the accelerated speed of
contemporary cultural production.
For a normal visitor, if he or she wants to understand, they have to understand the
artist's thinking or what an
artist wants to talk about, then they can enjoy the works
as they enjoy
other contemporary arts.
A Rail Curatorial Project lead by Phong Bui of the Brooklyn Rail, this exhibition focuses on
artists whose practice interrogates the
contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among
others, ultimately drawing attention to art
as it functions
as a lens for better understanding the time in which we live.
While
contemporary artist Pawel Althamer's depiction of three figures around a campfire becomes a focal point around which the
other sculptures — by
artists including Petr Galadzhev and Anatoly Osmolovsky — seem to be gathered.The display highlights the V - A-C collection, Moscow,
as part of the Whitechapel Gallery's programme of opening up rarely seen collections from around the world.
Glass Gallery Curated by Phong Bui and Rail Curatorial Projects A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, this exhibition focuses on
artists whose practice interrogates the
contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among
others, ultimately drawing attention to art
as it functions
as a lens for better understanding the time in which we live.
The Max Ernst Museum, located in Max Ernst's birthplace of Brühl, Germany, is dedicated to showcasing Ernst's work
as well
as other prominent Dada, Surrealist, and
contemporary artists.
In addition to
contemporary works by the gallery's stable of international
artists (including important L.A. figures such
as Paul McCarthy, Mark Bradford and Richard Jackson), there will also be museum - grade exhibitions organized by Schimmel and
other curators.
Border Zones and Liminal Bodies This screening features short video art pieces by 12 U.S. and international
artists that invite viewers to contemplate
contemporary issues, such
as migration and refugee crises, disability and the body in movement, feminicide in Ciudad Juárez, water insecurity, and
other issues.
As contemporary artists continue to push the boundaries of painting, photography, sculpture, video, installation art, and
other genres, the new galleries will provide the space to showcase, not just the present and past, but the very future of art.
At Turner
Contemporary, it will be displayed within the context of a trans - historical exhibition that includes figures such as Thomas Gainsborough, Joseph Wright and Angelica Kauffman, as well as major 20th - century and contemporary artists including Andy Warhol, Lucian Freud, Louise Bourgeois, Damien Hirst, Sarah Lucas, Ian Breakwell, Felix Gonzales - Torres and many others (over 100 work
Contemporary, it will be displayed within the context of a trans - historical exhibition that includes figures such
as Thomas Gainsborough, Joseph Wright and Angelica Kauffman,
as well
as major 20th - century and
contemporary artists including Andy Warhol, Lucian Freud, Louise Bourgeois, Damien Hirst, Sarah Lucas, Ian Breakwell, Felix Gonzales - Torres and many others (over 100 work
contemporary artists including Andy Warhol, Lucian Freud, Louise Bourgeois, Damien Hirst, Sarah Lucas, Ian Breakwell, Felix Gonzales - Torres and many
others (over 100 works in total).
The
artist's previous exhibitions include a recent solo exhibition entitled Lovelady, at the University of Texas, Austin, TX (2014),
as well
as various
other group exhibitions including Mote et Air du Temps, Paris, France (2011), Always the Young Strangers, Higher Pictures, New York, New York (2011), Post-Now, Marty Walker Gallery, Dallas, Texas (2010), and Perspectives 168,
Contemporary Arts Museum, Houston (2009).
Taking selected works from the Collection
as its point of departure, including seminal pieces by some of the most prominent
artists from Central, Eastern and South - East Europe since the 1960s, including historical works by Mladen Stilinović, Július Koller, Valie Export, Geta Brătescu, Edward Krasiński and Sanja Iveković, the exhibition stages an interplay between these and
other historical,
contemporary and newly produced works that interpret and critically examine the collection by
artists such
as Nika Dubrovsky, Tim Etchells, Marcus Geiger, Ashley Hans Scheirl, Vlatka Horvat, David Maljković, Oscar Murillo, Manuel Pelmus and Stephen Willats.
View from Inside, the biennial's principal exhibition, features 48
contemporary Arab
artists from 13 countries,
as well
as numerous additional
artists and scholars who are involved with exhibitions, workshops, and
other related events at participating venues throughout Houston.