Sentences with phrase «other contemporary artists in»

Inez Storer was chosen to exhibit newly commissioned works along side sixteen other contemporary artists in response to a selection of tales from Jewish folklore.

This piece will showcase Franz West's interest in using the work of other contemporary artists in his own work.

Senior curator of modern art Stephanie Barron had not read the article but described a «rich history» with the artist: «We've probably devoted more solo exhibitions to him than any other contemporary artist in the last 20 years.»

Not exact matches

Perhaps the examples of Thomas Tallis and his pupil and friend William Byrd, both Roman Catholics, will give heart to contemporary Catholic artists — and those who like myself are Anglo - Catholic artists — as well as other writers in the Christian tradition who find themselves in the situation that Dana Gioia describes.

One particular fascination of Fassbinder's was the way the ghosts of the past, specifically those of World War II, haunted contemporary German life — an interest that wedded him to many of the other artists of the New German Cinema movement, which began in the late 1960s.

Among the other fiction films to look for in theaters or on VOD: John Michael McDonagh's Calvary, in which Brendan Gleeson gives a beautifully modulated performance as a dedicated priest who is no match for the disillusionment of his parishioners and the rage of another inhabitant of his Irish seaside village, determined to take revenge against the priesthood for the sexual abuse he suffered as a child; the desultory God Help the Girl, the debut feature by Stuart Murdoch (of Belle and Sebastian), all the more charming for its refusal to sell its musical numbers; Tim Sutton's delicate, impressionistic Memphis, a blues tone poem that trails contemporary recording artist Willis Earl Beal, playing a character close to himself who's looking for inspiration in a legendary city that's as much mirage as actuality; and two horror films, Jennifer Kent's uncanny, driving psychodrama The Babadook, with a remarkable performance by child actor Noah Wiseman, and Ana Lily Amirpour's less sustained A Girl Walks Home Alone at Night, which nonetheless generates some powerful political metaphors.

Collaborate with other artists from different disciplines and engage in critical dialogue about contemporary arts practices.

Seventeen contemporary comics artists look back at the torture, torment, and wild enthusiasms of their teens in an anthology for readers facing adolescence as well as those already on the other side.

Included in the collection are specially commissioned works by portraitist Gilbert Stuart, contemporary abstract painter Maggi Brown, Martha Lloyd, Joe Greene, Tony Evanko, Ben Freeman, and other artists whose works are featured in guestrooms and throughout the hotel.

In Marbella, the Black Box Theatre offers plays in Spanish and English; the unusual Bonsai Museum features one of Europe's most important collections of Bonsai Trees; and the Museum of Spanish Contemporary Engravings exhibits works by Picasso, Miró, Tapies, Chillida and several other important Spanish artistIn Marbella, the Black Box Theatre offers plays in Spanish and English; the unusual Bonsai Museum features one of Europe's most important collections of Bonsai Trees; and the Museum of Spanish Contemporary Engravings exhibits works by Picasso, Miró, Tapies, Chillida and several other important Spanish artistin Spanish and English; the unusual Bonsai Museum features one of Europe's most important collections of Bonsai Trees; and the Museum of Spanish Contemporary Engravings exhibits works by Picasso, Miró, Tapies, Chillida and several other important Spanish artists.

These Scottish artists were not highly regarded in the 1920s and 30s when they originally worked, but late in the 20th century their art had a profound effect on contemporary Scottish and other British artists.

In a new book, My Name Is Charles Saatchi and I Am an Artoholic (out next month in the United States from Phaidon Press), Saatchi partially lifts the veil on his life by answering questions on topics ranging from his favorite artists to his influence on the contemporary - art market and other collectors to what makes him laugIn a new book, My Name Is Charles Saatchi and I Am an Artoholic (out next month in the United States from Phaidon Press), Saatchi partially lifts the veil on his life by answering questions on topics ranging from his favorite artists to his influence on the contemporary - art market and other collectors to what makes him laugin the United States from Phaidon Press), Saatchi partially lifts the veil on his life by answering questions on topics ranging from his favorite artists to his influence on the contemporary - art market and other collectors to what makes him laugh.

Füsun Eczacıbasi's six - story home in Istanbul's old city is a beacon of contemporary art filled with video installations and other works by Turkish and international artists, including an animation by the South African William Kentridge, a transformed door by Polish artist Alicja Kwade, and films by Turkish artists Ali Kazma, Inci Eviner, and Extrastruggle.

Since launching in 2011, the Prize has established itself as a tastemaker for some of the most exciting contemporary artists in painting and drawing, recognising emerging talent ahead of other prizes for recent graduates, such as Catlin and Bloomberg New Contemporaries.

In addition to the 1988 Courbet retrospective, Nochlin organized other seminal shows, like «Women Artists: 1550 to 1950» at the Los Angeles County Museum of Art, which she curated with Ann Sutherland Harris in 1976, and «Global Feminisms: New Directions in Contemporary Art,» which she curated with Reilly for the Brooklyn Museum's Elizabeth A. Sackler Center for Feminist Art in 200In addition to the 1988 Courbet retrospective, Nochlin organized other seminal shows, like «Women Artists: 1550 to 1950» at the Los Angeles County Museum of Art, which she curated with Ann Sutherland Harris in 1976, and «Global Feminisms: New Directions in Contemporary Art,» which she curated with Reilly for the Brooklyn Museum's Elizabeth A. Sackler Center for Feminist Art in 200in 1976, and «Global Feminisms: New Directions in Contemporary Art,» which she curated with Reilly for the Brooklyn Museum's Elizabeth A. Sackler Center for Feminist Art in 200in Contemporary Art,» which she curated with Reilly for the Brooklyn Museum's Elizabeth A. Sackler Center for Feminist Art in 200in 2007.

From giant installations and elusive sculptural pieces challenging everyday objects to powerful and other - worldly visual narratives, NOW is a national arts programme that celebrates female contemporary artists working in mainland China today.

Other artists critically addressed issues of contemporary life in a new, media - saturated technological environment.

Works representing «a pan-African sensibility in contemporary art» by American artist Robert Colescott, Ghanaian artist El Anatsui, and British artist Cornelia Parker, among others, will be on view in the last gallery.

While Johnson's works are grounded in a dialogue with modern and contemporary art history, specifically abstraction and appropriation, they also give voice to an Afro - futurist narrative in which the artist commingles references to experimental musician Sun Ra, jazz great Miles Davis, and rap group Public Enemy, to name just a few, with various symbols including that of Sigma Pi Phi (also known as the Boulé), the first African American Greek - letter organization, and writings by civil rights activist W. E. B. Du Bois, among others.

During this unique five - year project IMMA will present a series of different and exclusive Lucian Freud related exhibitions, with a new programme of events and openings each year, including works and new commissions by other modern and contemporary artists in response to Freud, and will reveal exciting new perspectives on this major artist today.

The Atlanta Contemporary Art Center is featuring three 2009 grantees from San Francisco (Gobel, Smith, and Walker) in this exhibition, along with two other artists.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

Massachusetts College of Art and Design's Bakalar & Paine Galleries are a venue unlike any other, offering professionally and imaginatively curated exhibitions featuring influential, emerging and well - known artists from throughout the world of contemporary art in the largest free contemporary art space in New England.

In a provocative article titled «The Curious Case of Contemporary Ink Painting» (Art Journal, Fall 2010), art historian Joan Kee has recently suggested that despite being chosen to represent South Korea in international biennials in the 1960s, Suh and other Mungnimhoe painters were marginalized in their own country by being classed as «ink painters» rather than as contemporary artistIn a provocative article titled «The Curious Case of Contemporary Ink Painting» (Art Journal, Fall 2010), art historian Joan Kee has recently suggested that despite being chosen to represent South Korea in international biennials in the 1960s, Suh and other Mungnimhoe painters were marginalized in their own country by being classed as «ink painters» rather than as contemporContemporary Ink Painting» (Art Journal, Fall 2010), art historian Joan Kee has recently suggested that despite being chosen to represent South Korea in international biennials in the 1960s, Suh and other Mungnimhoe painters were marginalized in their own country by being classed as «ink painters» rather than as contemporary artistin international biennials in the 1960s, Suh and other Mungnimhoe painters were marginalized in their own country by being classed as «ink painters» rather than as contemporary artistin the 1960s, Suh and other Mungnimhoe painters were marginalized in their own country by being classed as «ink painters» rather than as contemporary artistin their own country by being classed as «ink painters» rather than as contemporarycontemporary artists.

Along with three other contemporary artists, Jones created a new work in response to Thomas's practice.

Singh uses the history and physicality of materials as springboards for spatial interventions and philosophical inquiry, while Önürmen's work shares similar tactics as the other two artists in revealing the relationships and discrepancies between personal and public experience as seen through the lens of contemporary media.

Moderated by Ruba Katrib, Curator at SculptureCenter, «Defining Structures: Contemporary Minimal» gathers together artists a generation or two removed from those featured in Other Primary Structures, whose work has been influenced by Minimalist tradition.

Although several sculptures employ crackle glaze and other nods to traditional pottery, the works in this exhibition are notable for the wide range of effects achieved with such contemporary materials as epoxy resin, catalyzed polyurethane, and high - gloss automotive paint mixed to the artist's specifications and applied with an airbrush.

Largely installed in the galleries of the Linde Family Wing for Contemporary Art, the latter dedicated in September 2011 to exhibit the works of today, the displays highlight an exciting diversity of internationally recognized artists including: El Anatsui, Lynda Benglis, Kathy Butterly, John Cederquist, Tara Donovan, Mona Hatoum, Jenny Holzer, Alex Katz, Anish Kapoor, Ellsworth Kelly, Glenn Ligon, Josiah McElheny, Ken Price, Martin Puryear, Doris Salcedo, Kara Walker, Andy Warhol, Rachel Whiteread, and Fred Wilson among many others.

Lévy Gorvy specializes in private sales in the secondary market, with a focus on the work of Alexander Calder, Willem de Kooning, Lucio Fontana, Alberto Giacometti, Pablo Picasso, Robert Ryman, and Cy Twombly, among other important 20th century and contemporary artists.

BOOKSHELF Published to coincide with the exhibition, «Speaking of People: Ebony, Jet and Contemporary Art» features full - color images and contributions from Studio Museum in Harlem Director Thelma Golden, curator Lauren Haynes, and artist Hank Willis Thomas, among others.

In addition to Marshall, auction records were established for five other artists at Christie's May 10 Post-War and Contemporary Art evening sale, including Jean - Michel Basquiat (1960 - 1988).

Julia Grosse and Yvette Mutumba founded Contemporary And in 2013 to provide established and emerging artists, curators, art critics and other cultural producers from Africa and the Diaspora the opportunity to reach an international audience and expand their networks.

The artist's work is included in numerous museum collections worldwide including the Museum of Modern Art, New York; Whitney Museum of American Art, New York; The Solomon R. Guggenheim Museum, New York; Los Angeles County Museum of Art, Los Angeles; Walker Art Center, Minneapolis; Tate, London; Leeum, Seoul; Artsonje Center, Seoul; Museum of Contemporary Art, Tokyo; Mori Art Museum, Tokyo; and 21st Century Museum of Contemporary Art, Kanazawa, among many others.

It takes place alongside two other major UK presentations of Himid's work: Invisible Strategies, a solo exhibition at Modern Art Oxford and The Place is Here, a group show at Nottingham Contemporary which traces conversations between black artists, writers and thinkers in 1980s Britain.

With work by both post-war artists and emerging practitioners — including Pablo Picasso, Roy Lichtenstein, Bruce Nauman, Carolee Schneemann, Jason Rhoades, Martin Kippenberger, Elaine Sturtevant, Anna Oppermann, Tetsumi Kudo, and Andrea Zittel, among others — the exhibition reflects the museum's expanded curatorial purview in its new home, which creates intergenerational dialogues between post-war and contemporary artists, and champions new narratives that provide insight into the most innovative artists working today.

Other concurrent and upcoming shows include the McNay's Something to Say: The McNay Presents 100 Years of African American Art and Four Texans: The Next Chapter, Manifest at Blue Star Contemporary, RE: KONSTRIKSYON at the UTSA Main Art Gallery, the all - female Reclaimed show at the Linda Pace Foundation, and the three artists currently at the Artpace International Artist - In - Residence program: Rafa Esparza, Kapwani Kiwanga, and Carlos Rosales - Silva.

In the late 1960s and»70s, in particular, these artists and others used everyday materials as a challenge to the commercialised contemporary gallery systeIn the late 1960s and»70s, in particular, these artists and others used everyday materials as a challenge to the commercialised contemporary gallery systein particular, these artists and others used everyday materials as a challenge to the commercialised contemporary gallery system.

Among her many residencies, lectures and teachings, other accomplishments include Artist talk Skt Hans arts Foundation; Talk and studio visits at Sam Fox School, Washington University, St. Louis; Artist in residency at Sazmanab Center for Contemporary Art, Tehran, Iran; Artist in residency at Monte residency, Buenos Aires, Argentina; as well as lecturer for a creative writing class at New York University.

From the group of artists represented by Denver's William Havu Gallery, art critic Michael Paglia has selected a group of contemporary artists active in Colorado and other Western states.

At the Met, «David Hockney» continues (until 25 February), examining the magnificent output of one of the greatest of contemporary artists, who has explored the fabric of life in London, Los Angeles, and his native Yorkshire, as he has moved back and forth across these worlds, interweaving one into the other as he has created the tapestry of his long life.

Often features artworks by contemporaries and other artists as part of her installations, and works in a variety of media.

In Golden Arches, the artist has intentionally avoided the use of plastic and other contemporary mass - produced industrial goods, opting instead for such traditional sculpting materials as plaster, bronze and gold.

Selected group shows include: Artists and Architecture, Variable Dimensions, Emily Harvey Foundation, NY, USA (2016); Salvo é vivo - an homage, Galerie Mehdi Chouakri, Berlin, Germany (2016); By Olivier Mosset, Laleh June Galerie, Basel, Switzerland (2015); The Other Sight, Contemporary Art Centre, Vilnius, Lithuania (2014); In the Studio, Kunsthalle Athens, Greece (2014); I'm so sad my god, ISCP, NY, USA (2009).

EXHIBITION Works from Souls Grown Deep @ Metropolitan Museum of Art, New York, N.Y., Fall 2016: In November 2014, the Met acquired 57 contemporary works — paintings, drawings, and mixed - media sculpture — by Southern African American artists including Thornton Dial, Lonnie Holley, and Nellie Mae Roe, among others.

TRACE Projects is an artist - run project space in Neukölln, Berlin, hosting exhibitions, screenings, workshops and other events dedicated to contemporary art and experimentation.

During her residency she was able to establish a dialogue with other artists on the ideas of cultural art - representation in the context of a contemporary society.

It is likely that the House's current show, I Still Believe in Miracles, which celebrates 30 years of contemporary art shows at Inverleith House, from 1986 to 2016, is the last of its kind, featuring work from leading artists including Douglas Gordon, Jim Lambie, Richard Wright, Ed Ruscha, Louise Bourgeois and others.

In his capacity as Director, Beers works with both emerging and established artists and has initiated multidisciplinary projects including the Award for Emerging Art; the annual open group exhibition Contemporary Visions; and various international collaborations with universities, and other galleries.

The exhibition also highlights links between Josephson and other contemporary artists working in photography, film, and sculpture — including Roe Ethridge, Jessica Labatte, Marlo Pascual, Jimmy Robert, and Xaviera Simmons.