Sentences with phrase «other contemporary artists who»

Other contemporary artists who use color blocking in their work include Carlos Alfonso, Paul Barlow, Anselm Reyle, Richard Tuttle, and Bryan Rowe.

Other contemporary artists who use Polaroid film are Dawoud Bey, William Wegman, Duane Hanson, Jeremy Kost, and Marie Cosindas.

Unlike other contemporary artists who claim the portrait as their métier, Packer isn't aiming to glamorize anyone, much less idealize them.

This weekly column, «First Person Artist,» features myself and other contemporary artists who will share their innermost thoughts on the creative process that culminated in a work of art or body of work.

Other contemporary artists who are keen on the late Belgian include Shahryar Nashat and Uri Aran, who have been awarded commissions by the Walker Art Center to make a series of Broodthaers - inspired films.

This panel will discuss drawing's unique potential as manifested in Kara Walker's work, as well as that of other contemporary artists who use drawing to reframe social identity as it intersects directly with politics.

Other contemporary artists who have made screen prints are Ryan McGinness, Takashi Murakami, Sarah Lucas, and Keith Haring.

Not exact matches

Perhaps the examples of Thomas Tallis and his pupil and friend William Byrd, both Roman Catholics, will give heart to contemporary Catholic artists — and those who like myself are Anglo - Catholic artists — as well as other writers in the Christian tradition who find themselves in the situation that Dana Gioia describes.

Among the other fiction films to look for in theaters or on VOD: John Michael McDonagh's Calvary, in which Brendan Gleeson gives a beautifully modulated performance as a dedicated priest who is no match for the disillusionment of his parishioners and the rage of another inhabitant of his Irish seaside village, determined to take revenge against the priesthood for the sexual abuse he suffered as a child; the desultory God Help the Girl, the debut feature by Stuart Murdoch (of Belle and Sebastian), all the more charming for its refusal to sell its musical numbers; Tim Sutton's delicate, impressionistic Memphis, a blues tone poem that trails contemporary recording artist Willis Earl Beal, playing a character close to himself who's looking for inspiration in a legendary city that's as much mirage as actuality; and two horror films, Jennifer Kent's uncanny, driving psychodrama The Babadook, with a remarkable performance by child actor Noah Wiseman, and Ana Lily Amirpour's less sustained A Girl Walks Home Alone at Night, which nonetheless generates some powerful political metaphors.

Calligraphy, miniature painting, Sufi mysticism, and other traditions are the starting point for a new generation of artists from the Islamic world who are using the language of contemporary art to inflect their work with multiple layers of meaning.

The Needle and The Milkmaid is a two - person show at New York's SAPAR Contemporary gallery, featuring new works by John Bisbee and Anna Schuleit Haber — artists who have admired each other's work for years.

EXHIBITION «Black Eye,» a group show that explores the shifting dynamics of race and identity over the past two decades, opens May 3 featuring 26 Black contemporary artists, a who's who among two generations — Sanford Biggers, Nick Cave, David Hammons, Deanna Lawson, Simone Leigh, Steve McQueen, Toyin Odutola, Gary Simmons, Xaviera Simmons, Hank Willis Thomas, Kehinde Wiley and Nari Ward, among others.

The opportunity to develop additional programming as the result of the Tooker loan allows PAFA to pursue a symposium on a group of artists, including Peter Blume, George Tooker, Ivan Albright, and other Americans who used a realist method to invent their own worlds by transforming the symbolic language of Old Master painting into a contemporary idiom.

Nicholas Hlobo, a South African visual artist who has been given prominent shows at the Tate Modern, the Institute of Contemporary Art / Boston, and other institutions, has joined Lehmann Maupin, a representative at the gallery said.

At the Met, «David Hockney» continues (until 25 February), examining the magnificent output of one of the greatest of contemporary artists, who has explored the fabric of life in London, Los Angeles, and his native Yorkshire, as he has moved back and forth across these worlds, interweaving one into the other as he has created the tapestry of his long life.

The atmospheric townhouse was designed by Soane himself, and houses an impressive collection of Egyptian, Greek, and Roman antiquities — ancient works, yes, but ones that have proven an inspiration to contemporary artists like Fiona Tan, who made a haunting recent film about the museum, and others.

At the other end of Tate Britain, the contemporary artist Olafur Eliasson, who created The Weather Project — the wildly popular Turbine Hall commission at Tate Modern in 2003 — has been given a room where he is showing new works inspired by Turner.

Sometimes dubbed India's Damien Hirst, Subodh Gupta is one of India's leading contemporary artists, who creates mainly large - scale sculptures and installations (from stainless steel Indian kitchenware and other found objects) that address the country's changing social landscape.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

After the 1995 public debut of its International Artist - In - Residence (IAIR) program, Artpace quickly earned an international reputation for commissioning new artwork from artists who went on to become major figures in contemporary art, including Nancy Rubins, Felix Gonzalez - Torres, Cornelia Parker, Isaac Julien, Teresita Fernandez, Christian Marclay, Arturo Herrera, Trevor Paglen, Rachel MacLean, Mark Bradford, and others.

The exhibition presents over 50 historical and contemporary artists who make use of dolls, toys, mannequins, robots and other surrogates to create an expressive genre.

The panel of guest selectors comprising Anya Gallaccio, Alan Kane, and Haroon Mirza has chosen 46 artists who now join an illustrious roster of New Contemporaries alumni that includes Tacita Dean, Mona Hatoum, Damien Hirst, Mike Nelson and Laure Prouvost amongst many others.

View from Inside, the biennial's principal exhibition, features 48 contemporary Arab artists from 13 countries, as well as numerous additional artists and scholars who are involved with exhibitions, workshops, and other related events at participating venues throughout Houston.

Mackie's latest paintings restage the trivial rivalries and immense cultural status of these artists and others, including James Abbott McNeill Whistler, who publicly argued with not one, but three of his contemporaries: John Ruskin, John Everett Millais, and Oscar Wilde.

«This is the biggest fear for most artists for whom there is serious demand,» said Allan Schwartzman, a veteran art adviser and curator, who, like others involved in selling work, described an increasingly complex interplay between contemporary artists» market value, collector base and long - term reputation.

Unlike other contemporary artists such as Fabian Marcaccio who deconstructs the medium quite literally by silk — screening impastoed gestures and exposing the stretcher; and Joseph Marioni, David Simpson, or other monochromatic painters who have reduced the medium to its most essential elements; Doig steadfastly reflects an ambiguous yet familiar place between high and popular culture, and familiar locations and nowhere.

The exhibition includes works by the great contemporary artists who conducted the Villa Iris Visual Arts Workshops in Santander in the past twenty years, plus works by a number of other key artists who have been awarded the Visual Arts Scholarship since it was first established in 1993.

This event considers the function of text, artist's writing and artistic language as departure points to explore the necessity of writing for a wide range of contemporary artists» working today such as Martha Rosler, Hito Steyerl, Jonas Staal, Cai Gu - Qiang, Miguel A. Lopez, Marion von Osten and the many others who emphasize the act of writing as either a significant part, or as the main site of their artistic production.

In this exhibition six contemporary abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — were asked to select one or two of their recent paintings to be shown alongside works by other artists who have had a significant impact on their thinking and the development of their practice.

Not all art labelled as contemporary art is modernist or post-modern, and the broader term encompasses both artists who continue to work in modern and late modernist traditions, as well as artists who reject modernism for post-modernism or other reasons.

LONDON — Prices for contemporary German artists — Sigmar Polke, Georg Baselitz and Blinky Palermo, among others — soared to new levels at Sotheby's here on Wednesday night in an auction that featured 34 works from the collection of Count Christian Duerckheim, a German industrialist who became obsessed with what he calls «the art of his time.»

The two highly - anticipated fairs will showcase more than 120 international contemporary and modern galleries from 50 countries, representing more than 1,200 artists who have exhibited at Art Miami, Art Basel, Design Miami, The Armory Show, Masterpiece, Expo Chicago and Art Dealers Association of America's The Art Show, among others.

None of the four artists - Michael Raedecker, Tomoko Takahashi, Wolfgang Tillmans and Glenn Brown - are anything other than established, fashionable figures in contemporary art, including three who are not British - born but live and work in London.

Apart from the many historical examples, other contemporary artists to have started out as assistants include conceptual artist Darren Bader and painter Rachel Howard, who helped sculptor Urs Fischer and Damien Hirst respectively.

Night Work brings together not only the seven Mapplethorpe images chosen by Scissor Sisters, but also other work by the artist, and the band's selection of works by major contemporary artists who have admired or been influenced by Mapplethorpe's aesthetic and attitude: Matthew Barney, Tom Burr, Dan Fischer, Neil Gall, Paul Lee, Glenn Ligon, Oswaldo Macia, Jack Pierson, Marc Swanson, Scott Treleaven, Banks Violette, and Gillian Wearing.

Not only does the Gallery 2 program broaden the audience's basis of visual reference and education — as it is important to explore the relationship of contemporary practice and historical lineage — but it also affords the gallery the opportunity to work and build relationships with artists who are represented by other galleries, artists whose trajectories hold a different primary focus than the gallery, as well as young artists.

Contemporaries Patrons are invited to explore the temporary studio space of 2014 Biennial artist Kevin Beasley, who is currently in residence with two other artists at The Studio Museum in Harlem.

While the field of social practice has had an increasingly high profile within contemporary art discourse, this book documents artists who have been under - recognized because they do not show in traditional gallery or museum contexts and are often studied by specialists in other disciplines, particularly within the Latin American context.

These sketchbook drawings of portraits of young men and erotic portrayals of male nudes contrasted with the work of other contemporary gay artists, such as Robert Rauschenberg and Jasper Johns, who considered Warhol «too swish.»

And today, contemporary visual artists and critics from New York and other major metropolitan areas, who have been and continue to be at the forefront of a progressive, changing art world - Yvonne Jacquette, Alex Katz, Rudy Burkhardt, Jonathan Borofsky, Kenneth Noland, Neil Welliver, Robert Indiana, Lucy Lippard, William Wegman - come to Maine to refocus and refresh their work in an inspiring landscape.

AB: The exhibition The Future is Female focuses on contemporary female artists who have drawn on the feminist art movement of the 1960s and 70s, which included, among others, Judy Chicago, Martha Rosler and Lynda Benglis.

Other artists selected for the show include a who's - who of international contemporary art, from Antony Gormley and Tracey Emin to Richard Tuttle and Leonardo Drew.

Everything falls faster than an anvil expands this reading to look at contemporaries from this period, as well as artists working today; who take the things of everyday life, the clichés of popular culture, and twist them into the other - worldy.

There's still no avoiding the experimental spatial illusionism in the works of Valledor and Fleming that punctuate the walls of the gallery — and it becomes obvious that other artists who have until now rarely been associated with the gallery's history, namely Linda Fleming and Patsy Krebs, shared the concerns of their contemporaries.

We are a group of young people who meet every Thursday at the South London Gallery, where we work together with contemporary artists, designers, film makers and each other to create a programme of events for other young people.

Altered States looks at contemporary artists who explore psychedelia (mostly painting and some constructions with a mix of figuration, geometric and Op imagery) against a back drop of 1960s Op Art, figurative and Color Field paintings, as well as original rock posters from concerts at the Fillmore West, Avalon Ballroom and other San Francisco venues to set the stage and create the mood.

Kabir Hussain is a master founder who has over 15 years of experience casting bronze sculptures for his own work as well as for other leading contemporary artists.

JD: One of the reasons we need it is because there are these big names in contemporary art who get the publicity, and yet there are all these other artists who deserve some appreciation.

The core team of Elvis Lopez (Ateliers» 89), Holly Bynoe (ARC Magazine) and Annalee Davis (Fresh Milk) work together alongside their colleagues from other thriving contemporary arts spaces throughout the Caribbean to identify and nominate promising emerging artists from across the French, Spanish, Dutch and English islands, who are then invited to participate in this unique and invaluable residency.

The convening also forefronted artists such as Postcommodity, Autumn Knight, and Guillermo Gomez - Pena, among others, who gave performances about identity and identity politics, called out the racial divides and absurdities in arts administration and funding structures, and lay bare contemporary colonizing forces.