Sentences with phrase «other contemporary issues»

Learners explore the politics of mental disorders, emerging diagnoses, and other contemporary issues.

Goldblatt continues to explore the consciousness of South African society today, looking at the condition of race relations after the end of apartheid while also tackling other contemporary issues, such as the influence of the AIDS epidemic.

And, unlike with other contemporary issues, the majority of Americans agree on this.

Not exact matches

And Fiha Rashed, from Mount CC, said: «We are here to play the cricket, to engage in contemporary issues, to use the common space, to build and strengthen our interfaith relationships, in terms of addressing community cohesion, equality, and many of the other issues that face the global community.»

I find that most of my Christian friends who talk about homosexuality are either determined to not think about the issue because of tradition and fear or are on the other end and choose not to think about the issue because the pressure of contemporary culture (in our part of the world) is to equate my sexuality with the colour of my skin which is, in light of history, a silly equation but we should just adjust our understanding to accomodate.

But contemporary evangelicals also seem to be a house divided on other theological issues they address - consider their discussion on the role of women, their definitions of social ethics, and their responses to homosexuality.

Parish clergy and other pastoral workers should be aware of the issues facing the young; they should research them and preach and teach about Christian approaches to such contemporary questions.

As our review of Alister McGrath's latest book in this issue implies, he, along with many other contemporary science and religion writers, fails to make this discernment and thus, whilst making numerous helpful points, despairs of inferring properties of God from looking at nature.

In this issue, among other things, we make the link with the contemporary crisis of culture in and out of the Church.

The Pope's prophetic, even otherworldly positions on ecumenism, capital punishment, third «world debt relief, and a host of other issues of contemporary politics seem to be grounded in this insistence that our notions of justice be derived from the perfect justice and mercy of God.

On the other hand, to celebrate the integrity of the tradition, its documents and declarations, to give impetus to the continued reflection of the church on issues of contemporary meaning and value, is to experience the renewing power of being a part of a community of faith, of having an identity which transcends the anomic character of «doing your own thing» and going it alone.

Before we do that we need to remember many other things, especially the way the passion of Jesus has been employed through millennia by Christian believers for the oppression of Jews.17 We should consider also the need of a people for a homeland, an issue poorly illumined by either the memory of the passion of Jesus alone or contemporary social sciences.

IMO, though this line up looks great considering our contemporary form and all the other issues that surround the team and our players, I would rather order to see Jack replace Ramsey in this fixture.

In other words, Granju would have us believe that that a women with decades of scholarship in the area of gender studies, a woman with impeccable feminist credentials, has engaged in one of the leading issues in contemporary mothering and contemporary feminism for no better reason than to promote increase her income.

Here's what's new and ready to stream now on Netflix, Amazon Prime, Hulu, HBO Now, Showtime Anytime, FilmStruck, video - on - demand, and other streaming services... Two acclaimed shows that tackle contemporary issues through the prism of science fiction are back for their respective second seasons.

It touches on other vital contemporary issues like refugees and radicalization and it is all completely organic to the story.

(1) The political issues explicitly confronted in Haneke's work — the alienating rituals of late capitalism, immigration, multiculturalism, the legacies of colonialism, the origins of fascism, the media's relationship with violence — further encourage the idea that he is attuned to the contemporary world, and prepared to engage with it, with a commitment matched by few other directors today.

Lee's movies have examined race relations, colorism in the black community, the role of media in contemporary life, urban crime and poverty, and other political issues from his perch at «Da World Headquarters of 40 Acres and Mule Filmworks located in the home of his beloved borough of Brooklyn.

His academic work has been published in Science, Educational Researcher, the Journal of Learning Analytics, Social Education, Contemporary Issues in Technology and Teacher Education, and other venues.

By leveraging emerging technologies to engage social studies teachers in critical reflections about contemporary and historical issues, #sschat and others are influencing the manner in which social studies educators think about teacher learning and professional development.

Girls Will Be Girls: Raising Confident and Courageous Daughters by JoAnn Deak, Ph. D. (Hyperion, $ 23.95, 320 pages, ISBN 078686768X) deals with overcoming the obstacles particular to girls as they struggle with body image, self - esteem, intellectual and physical growth and other issues while getting mixed messages from contemporary culture.

For other readers — and I hope there are many — Citizen Canine will likely be their introduction to contemporary hot - button animal welfare issues such as breed - discriminatory laws and TNR.

Like Haacke, Asher, Broodthaers, Fraser, Robert Barry, Louise Lawler, and others, they effect change in ways that are both political and poetic, while responding to a diverse range of contemporary issues, from the rise of a speculative art market to cutbacks in public services.

Other artists critically addressed issues of contemporary life in a new, media - saturated technological environment.

In presenting their work alongside other contemporaries and artists of later generations, we can trace a fascinating and ongoing dialogue that engages a variety of issues, including materiality, repetition, nature, and subjectivity.

The other core issue is where the hole in contemporary art occurs that facilitates this kind of decision - making.

Specifically, Cherix succintly argues that current forays into printmaking allow artists (Rirkrit Tiravanija and Ai Weiwei, among others) to think through issues pertaining to censorship, copyright, and «relational art...» Extensively illustrated and inventively laid out, this book provides an excellent summation of the current state of printmaking and will prove invaluable to print scholars and scholars of contemporary art... Highly recommended.

A Rail Curatorial Project lead by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Glass Gallery Curated by Phong Bui and Rail Curatorial Projects A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Border Zones and Liminal Bodies This screening features short video art pieces by 12 U.S. and international artists that invite viewers to contemplate contemporary issues, such as migration and refugee crises, disability and the body in movement, feminicide in Ciudad Juárez, water insecurity, and other issues.

Contemporary artists aged 18 to 80 from around the world have created these artworks that were inspired by such issues as racism, sexism, discrimination, health care, climate change, transgender rights, white supremacy, gender equality, and gun control, among others.

«Artists like Nina Chanel Abney and Titus Kaphar address contemporary issues and allow visitors to make connections with other works in our collection.»

She has presented her work and collaborations domestically at Issue Project Room, Brooklyn; Katzen Arts Center, Washington, D.C.; Kelly Writers House, Philadelphia; The Museum of Contemporary Art, Los Angeles, Los Angeles; MoMA PS1, Long Island City; Ontological ‐ Hysteric Theater, New York; REDCAT, Los Angeles; Swiss Institute, New York; Whitney Museum of American Art, New York; and internationally at Museo Universitario Arte Contemporáneo, Mexico City, Mexico; and Teatr Weimar, Malmö, Sweden, among others.

A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, OCCUPY MANA focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Abney marries geometric #abstract shapes with digital elements of contemporary #culture, revitalizing narrative figurative #painting to address issues of politics, race, homophobia, celebrity and other incendiary topics (pictured - «Untitled (Yo 123)», 2015).

And therein lies the power of these artists and many others represented by the adventurous 333 Montezuma: by reinterpreting past masters, not only do these contemporary artists bring their forebears (and the contentious issues they addressed) alive today, but they also infuse even their newest works with the weight of history.

Her work has been performed and exhibited at Museo de Arte Moderno de Buenos Aires (AR), Center for Contemporary Arts (Vilnius, Lithuania), Festival Internacional Tsonami de Buenos Aires (Argentina), Roulette Intermedium (NY), Issue Project Room (NY), Floating Points Festival (NY), Ostrava Days Festival 2011 (Ostrava, Czech Republic), MATA Festival 2012 (NY), Experimental Intermedia (NY), Fridman Galley (NY), Kunstnernes Hus (Oslo, Norway) and Ende Tymes Festival (NY), Festival Punto de Encuentro organized by the Asociación de Música Electroacústica de España (Spain), among others.

In October 2012 Montserrat College of Art will welcome the Guerrilla Girls and other artists and academics to approach the topic of Art & Activism as it relates to art history, studio art and contemporary issues within artistic practice.

Through talks, symposia, performances and other events, Herron's public programming offers encounters with world - renowned artists while serving as a catalyst for discussions about timely issues related to contemporary art and culture.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Raissnia's projection - performances, often undertaken in collaboration with Aki Onda and Panagiotis Mavridis, have been held at Arnolfini — Center for Contemporary Arts (Bristol, UK), the Drawing Center (New York), Issue Project Room (New York), and Emily Harvey Foundation (New York), among others.

Zhu demonstrates that a contemporary exhibition need not be about commercialization or sales; it need not be exhibited in other public places, or even accepted by popular culture, which, for most contemporary artists, are seemingly unavoidable issues.

Shortlisted submissions are evaluated by the YYZ Programming Committee, which is comprised of contemporary artists and other cultural professionals with broad knowledge of diverse artistic practices and current issues in contemporary art.

Every two years, the CURRENT: LA Public Art Biennial will focus on an issue affecting Los Angeles and other global cities to inspire civic discourse and use contemporary art to deepen connections between people.

Some practice pure abstraction but seek to reform it so as to be responsive to contemporary issues; some mock the style as if it were antiquated and senile; others investigate its basic nature.

Contemporary Art Centre (Riga, Latvia) was founded in 2009 and supports the developments of emerging artists, curators, and theoreticians through exhibitions, lectures, publications, and other programs related to recent art, theory, and social issues.

Her other works also explore issues of gender and female identity in contemporary Islamic culture.

Recent independent curatorial projects include: CORPORATE OCCULT, let's talk about the body baby, NU Performance (2016), which presented works by international artists that dealt with contemporary issues surrounding gender and the body; Art in the Era of Digital Capitalism (2016), a conference considering the tendencies of acceleration and post-2011 institutional alternatives, which included Franco Bifo Beradi as its keynote speaker; and numerous others.

Designed to enhance classroom activities of various disciplines in the Visual Arts and to stimulate campus dialogue around topical issues of contemporary art, these thematically connected presentations will build on each other, offering students the opportunity to explore ideas from multiple perspectives over the course of the term.

Perhaps, as a growing number of museums focus their acquisitions and exhibition programming on contemporary art, the competing issues of curators seeking to examine the work of living artists from an historical vantage point and the career and market concerns of those very artists will result in other stand - offs.