Sentences with phrase «other contemporary looks»
We have seen everything — oversized fits, sharp cuts, bold colors, and many other contemporary looks.
http://www.dreamingincashmere.com/ Not exact matches
As our review of Alister McGrath's latest book in this issue implies, he, along with many other contemporary science and religion writers, fails to make this discernment and thus, whilst making numerous helpful points, despairs of inferring properties of God from looking at nature.
For still another, it leads the community to look for other contemporary situations to which the text might speak.
The other is to look for external evidence — that is, the testimony of contemporaries or near contemporaries familiar with the book and presumably with the circumstances of its origin.
Three restaurants received a total remodel and two others were partially renovated to feature a more contemporary look.
IMO, though this line up looks great considering our contemporary form and all the other issues that surround the team and our players, I would rather order to see Jack replace Ramsey in this fixture.
With a neutral color palette and beautifully streamlined look to fit into any contemporary home, it features vibration, sounds, and a range of other baby - friendly benefits.
She modestly says that she's received a lot of attention among her contemporaries «partly because I just look so different from everybody else, I know many people just remember me before others».
A sentiment that, although it still holds validity (you just try to look anything other than sexy in a pair of Francesco Russo heeled boots), we now also have the option to look contemporary and creative within the boots - with - heels section.
On the other hand, if you're looking for a more relaxed environment, visit Musa, a contemporary restaurant, art gallery, and live music venue.
Among the other fiction films to look for in theaters or on VOD: John Michael McDonagh's Calvary, in which Brendan Gleeson gives a beautifully modulated performance as a dedicated priest who is no match for the disillusionment of his parishioners and the rage of another inhabitant of his Irish seaside village, determined to take revenge against the priesthood for the sexual abuse he suffered as a child; the desultory God Help the Girl, the debut feature by Stuart Murdoch (of Belle and Sebastian), all the more charming for its refusal to sell its musical numbers; Tim Sutton's delicate, impressionistic Memphis, a blues tone poem that trails contemporary recording artist Willis Earl Beal, playing a character close to himself who's looking for inspiration in a legendary city that's as much mirage as actuality; and two horror films, Jennifer Kent's uncanny, driving psychodrama The Babadook, with a remarkable performance by child actor Noah Wiseman, and Ana Lily Amirpour's less sustained A Girl Walks Home Alone at Night, which nonetheless generates some powerful political metaphors.
CONTEMPORARY WORLD CINEMA «A Ciambra,» Jonas Carpignano, Italy / France / USA / Germany «A Sort of Family,» Diego Lerman, Argentina / Brazil / France / Poland «Alanis,» Anahí Berneri, Argentina «Ana, mon amour,» Călin Peter Netzer, Romania / Germany / France «Angels Wear White,» Vivian Qu, China / France «April's Daughter,» Michel Franco, Mexico «Arrhythmia,» Boris Khlebnikov, Russi Finland / Germany «Beyond Words,» Urszula Antoniak, Netherlands / Poland «Birds Without Names,» Kazuya Shiraishi, Japan «Breath,» Simon Baker, Australia «Dark is the Night,» Adolfo Alix Jr., Philippines «Directions,» Stephan Komandarev, Bulgaria / Germany / Macedonia «Disappearance,» Boudewijn Koole, Netherlands / Norway «Euthanizer,» Teemu Nikki, Finland «Félicité,» Alain Gomis, France / Senegal / Belgium / Germany / Lebanon «Good Favour,» Rebecca Daly, Ireland / Belgium / Denmark / Netherlands «Hannah,» Andrea Pallaoro, Italy / Belgium / France «Insyriated,» Philippe Van Leeuw, Belgium / France / Lebanon «Life and nothing more,» Antonio Méndez Esparza, Spain / USA «Longing,» Savi Gabizon, Israel «Looking for Oum Kulthum,» Shirin Neshat, Germany / Austria / Italy / Lebanon / Qatar «Marlina the Murderer in Four Acts,» Mouly Surya, Indonesia / France / Malaysia / Thailand «Miami,» Zaida Bergroth, Finland «Motorrad,» Vicente Amorim, Brazil «Nina,» Juraj Lehotsk • •, Slovakia / Czech Republic «On Body and Soul,» Ildikó Enyedi, Hungary «Samui Song,» Pen - ek Ratanaruang, Thailand / Germany / Norway «Sergio & Sergei,» Ernesto Daranas Serrano, Spain / Cuba «The Big Bad Fox & Other Tales,» Benjamin Renner, Patrick Imbert, France «The Insult,» Ziad Doueiri, France / Lebanon «The Journey,» Mohamed Jabarah Al - daradji, Iraq / United Kingdom / France / Qatar / Netherlands «The Lodgers,» Brian O'Malley, Ireland «The Number,» Khalo Matabane, South Africa «The Royal Hibiscus Hotel,» Ishaya Bako, Nigeria «The Summit,» Santiago Mitre, Argentina / Spain / France «Tulipani, Love, Honour and a Bicycle,» Mike van Diem, Netherlands / Italy / Canada «Under the Tree,» Hafsteinn Gunnar Sigur • sson, Iceland / Denmark / Poland / Germany «Veronica,» Paco Plaza, Spain «Wajib,» Annemarie Jacir, Palestine / France / Germany / Colombia / Norway / Qatar / United Arab Emirates «Western,» Valeska Grisebach, Germany / Bulgaria / Austria
Her first feature length film links to the work of other contemporary female directors — Andrea Arnold's Red Road (2006) and Fish Tank (2009), Clio Barnard's The Arbor (2010) and The Selfish Giant (2013); and Carol Morley's Dreams of a Life (2011)-- who unsentimentally yet respectfully look at the poor and marginalised in Britain, especially children and young women.
If you're as terrified as I am by the content and tone of contemporary political debates in the US, then you will either be greatly cheered or terribly ashamed (or both) when you take a look at a very different approach to dealing with «the other» in our lives.
For my taste, the grille is much too big, and the surfaces around it too diverse, with elements pointing up and down at various places, with only the top and bottom of the grille and the bar below the chin inlet emphasizing the horizontal.This is again a very good - looking car with some conventional contemporary elements and a few others out of the past, like the inverse - curved backlight that recalls the 1974 Citroën CX and some Pininfarina sports cars from about the same period.
It isn't that the 735i is unpleasant - looking; it just doesn't have the compact muscularity of the 535i or the elegant sleekness of the 635i, or the contemporary verve of other luxury cars.
But, in comparison to other cars in the segment like the Buick Verano or the CT 200h, the ILX treats viewers to a contemporary look, forgoing an overly - staid or overtly - futuristic approach.
On the other hand, the dashboard houses an advanced music system, steering wheel, and an instrument panel, which altogether gives a contemporary look to its cockpit.
Top that off with the easiest manual convertible roof in the business, other than Miata I suppose, and you've got a contemporary looking icon.
Seventeen contemporary comics artists look back at the torture, torment, and wild enthusiasms of their teens in an anthology for readers facing adolescence as well as those already on the other side.
There are other choices for those looking for something more contemporary.
Other local artists to look for include painter and sculptor Michael Tieman at Haystack Gallery, contemporary painter David Marshall at Modern Villa Gallery and ceramicist Jay Stewart at House of the Potter.
However even the most cursory look at 2001's other titles shows that its charms have stood the test of time much better than its contemporary's.
Contemporary printmaking is also a feature of the gallery's stock with works by Frank Auerbach, Lucian Freud, William Kentridge, Grayson Perry, Marc Quinn to name a few and we continue to look at other new publications to introduce to our collectors.
«Kerry James Marshall: Painting and Other Stuff,» the first comprehensive survey of his practice, is on view in Antwerp, Madrid, Copenhagen and Barcelona (and includes a catalog); «Look See,» his first exhibition with David Zwirner Gallery, his representative in London, opens; and he receives the Wolfgang Hahn Prize for contemporary art from the Museum Ludwig in Cologne, Germany.
As it turns out, they had a new task for Stephanie Lane: They now wanted a more contemporary - looking — yet still classical — Roll of Honor to acknowledge founders, chairmen, and other vital donors.
Goldblatt continues to explore the consciousness of South African society today, looking at the condition of race relations after the end of apartheid while also tackling other contemporary issues, such as the influence of the AIDS epidemic.
We look at the evolution of this delightfully engaging category from Picasso's pottery shop to recent pieces by Cindy Sherman and other contemporary artists.
As an incessant voice in contemporary German painting for more than half a century, he has witnessed the development of his country since World War II and in this light his resume of the state of affairs of his native country seems uplifting: «Actually we have the same or similar problems as all other countries nowadays... we're looking ahead.»
In How to See: Looking, Talking and Thinking about Art David Salle strips away complicated theory and describes contemporary art in the plain language artists use when talking to each other.
Other notable recent exhibitions include Leap Before You Look: Black Mountain College 1933 — 1957, which premiered in 2015 at the Institute of Contemporary Art, Boston, and then traveled to the Hammer Museum, Los Angeles, and the Wexner Center for the Arts at Ohio State University, Columbus.
His series Whitewashed looks at how contemporary Western culture interprets Oriental tradition from its own perspective, and speaks to the phenomenon of transforming, reproducing, and consuming those original images to fit other public and social tastes.
Steinberg's response to that landmark text was the 1962 Harper's essay «Contemporary Art and the Plight of its Public,» in which he made a startlingly democratic appeal: «May we then drop this useless, mythical distinction between — on the one side — creative, forward - looking individuals whom we call artists, and — on the other side — a sullen, anonymous, uncomprehending mass, whom we call the public?»
His work is about the business of looking, whether he's painting dense Caribbean forests in layers of dripping paint (recalling his multi-million selling near - contemporary Peter Doig), or the Birmingham parks where he played as a child, (his various attempts to paint the scene over-layering each other in a way that brings to mind the master of dour Slade School - realism, William Coldstream).
Everything falls faster than an anvil expands this reading to look at contemporaries from this period, as well as artists working today; who take the things of everyday life, the clichés of popular culture, and twist them into the other - worldy.
Altered States looks at contemporary artists who explore psychedelia (mostly painting and some constructions with a mix of figuration, geometric and Op imagery) against a back drop of 1960s Op Art, figurative and Color Field paintings, as well as original rock posters from concerts at the Fillmore West, Avalon Ballroom and other San Francisco venues to set the stage and create the mood.
While I'd love for the Museum of Fine Arts, Houston to pass on one of its never - ending «once in a lifetime» opportunities to rent other museums» Impressionist collections, it's hard to see how San Antonio's interests don't include giving the city its first look at a significant concentration of works by the artist Green has argued made the most important painting of the 20th century — especially since SAMA's contemporary collection includes painters such as Hans Hofmann and Richard Diebenkorn whom Matisse influenced.
2009Now You See It, Aspen Art Museum, Aspen CO, (catalogue) ARTLV 08, Tel Aviv Museum of Art, Tel Aviv, curated by Andrew Renton Altogether Elsewhere, Zoo Art Fair, London, UK (catalogue) Processed: Considering Recent Photographic Practices, Leubsdorf Gallery, Hunter College, New York, NY, curated by Amie Scully (catalogue) Looking Through the Other End of the Telescope, Scottsdale Museum of Contemporary Art, Scottsdale, AZ (catalogue) Pictural Abstraction, Tache - Levy Gallery, Brussels, Belgium The Act of Drawing, VIVID, Birmingham, UK Video Art: Replay, Part 1: Asking Not Telling, ICA, Philadelphia, PA The Source, Cubitt Art Gallery, London, UK, curated by Michelle Cotton (catalogue) Are You With Me, Small A, New York, NY
When it was first exhibited in the 1880s, Wheeler's pensive look captivated some viewers, while the painting's bold palette agitated others.5 Again, Chase gestured to the Old Masters, and Hals in particular, but he also nodded to his contemporary James McNeill Whistler's famous portrait of the artist's mother (1871; Musée d'Orsay).
Rather, it looks at how Goya's vibrant designs tell the story of his artistic development as he studied the Spanish Royal Collection, which was rich in inspirational historic pictures by Titian, Rubens, Teniers and Velázquez, as well as contemporary works by Mengs, Bayeu, Tiepolo and others.
While her contemporaries staged the relations between painting and photography, Sillman chose instead to look at other mass media forms of image making, selecting the diagram as her lever to open the historical nature of painting to the present.
10, No. 5, September / October 2011 «Prologue» (co-author: Josh Thorpe), Gordon Lebredt: Nonworks 1975 - 2008, (Centre for Contemporary Canadian Art: Toronto / Plug In Editions: Winnipeg), 2011 «And Other Essays,» C Magazine C105, Spring 2010 «Tris Vonna - Michell,» Art Papers 34:01, January / February 2010 «Yam Lau's Hutong House As I Imagine It,» (Yuanfen Media Art Space: Beijing), 2009 «The Reproduction of Space,» Space, WIDEN (Workshop for Inter-Discipline Novelty and Exchange), University of Toronto, April 2009 «Towards Infinity But Not Infinite,» Dynamic Encounters Panel, Universities of Art Association of Canada Conference, 2008 «Living the Image: Looking at Yam Lau's ScapeLand II,» The Fillip Review 8, 2008 «The Possibility of Art: Adorno and the Politics of Aesthetics,» Re-Thinking the Frankfurt School Graduate Conference, York University, 2007
Jack Tworkov, among others, included in the exhibition Leap Before You Look: Black Mountain College 1933 — 1957, at the Hammer Museum, Los Angeles, CA, curated by Helen Molesworth and organized by The Institute of Contemporary Art, Boston, MA.
Jack Tworkov, among others, included in the exhibition Leap Before You Look: Black Mountain College 1933 — 1957, organized by Helen Molesworth at the Institute of Contemporary Art / Boston.
The intensely engaging works of such contemporary artists as the Guerrilla Girls, Barbara Kruger, Jenny Holzer, Mark Lombardi, Trevor Paglen and others examine the political as a primary subject of their art, looking at the structures, interrelationships and language of influence and control.
Although my work doesn't look on the surface much like his, I think he taught me about using iconic signifiers and figures that I could project myself into for emotion and as an avatar in paint (like Scott McCloud describes in his amazing book, Understanding Comics, that we do as comic readers), and create figurative narrative allegories that hopefully resonate deeper than most political cartoons and relate to Goya and other art historical uses of politics and allegory as much as the imagery could relate to underground comics and contemporary worlds.
«Looking East» redresses those lapses by presenting work of masters like Pollock, de Kooning, and Rothko alongside their lesser recognized contemporaries, including painters Paul Horiuchi and Kenzo Okada, sculptors Ruth Asawa and Isamu Noguchi, and artists of Hawaii such as Satoru Abe, Bumpei Akaji, Isami Doi, Ralph Iwamoto, Tadashi Sato and others.
State University, Atlanta GA Juror Choice Award, Ninth Annual Arizona State University Art Museum Short Film and Video Festival, Tempe, AZ 2004 Self - Inflicted, Fe Gallery, Pittsburgh PA Flow, Sun Trust Plaza Gallery, Atlanta GA Rampant, Fe Gallery, Pittsburgh PA Painted Realities, Lamar Dodd Art Center, LaGrange GA 2003 Film / Video GA, MOCA GA, Atlanta GA Animation Impulse: Video Art and the Generated Image, Cheekwood Museum of Art, Nashville, TN Animation Extravaganza, 27th Annual Atlanta Film Festival, Atlanta, GA Juror Choice Award, Seventh Annual Arizona State University Art Museum Short Film and Video Festival, Tempe, AZ Looks Good on Paper, Second Edition, Spruill Gallery, Atlanta, GA 2002 Georgia Triennial, City Gallery East, Atlanta, GA Georgia Triennial, Museum of Arts and Sciences, Macon, GA 2002 Georgia Triennial, Telfair Museum of Art, Savannah, GA Georgia Triennial, Albany Museum of Art, Albany GA Wild Life: The Other Tradition, Polk Museum of Art, Lakeland FL 2001 Art and Science International Exhibition, National Gallery of Art, Beijing, China Hardware, Eyedrum, Atlanta, GA 2000 Do It, Atlanta College of Art Gallery, Atlanta, GA Cute, Georgia Museum of Art, University of Georgia, Athens, GA 1998 Boy Toys, Nexus Contemporary Art Center, Atlanta, GA Scale, Relatively Speaking, Art in General, New York, NY 1997 My Big Back Yard, Art in General, New York, NY
With a roster of artists at all points in their careers — younger and older emerging artists, others at midcareer, and some who are well - established — the Biennial provides a look at the current state of contemporary art in America.
Her numerous group shows include: 2nd Thessaloniki Biennale of Contemporary Art, Greece, «New Territories,» Lisbon, Portugal; «Looking at others,» Umjetnicki pavilion, Zagreb, Croatia; «Versus VI,» Velan Centro Darte Contemporanea, Turin, Italy; The Chisenhale Biennale, London; Art East Biennale, Bishkek, Kyrgyzstan; «Heroes & Holies,» Ev + a biennale, Limerick City Gallery, Ireland; «Stories of 2002 nights,» Briggite March Gallery, Stuttgart, Germany; «Contemporary art,» The Museum of Contemporary Arts, Tehran, Iran,