Darkly funny, breathlessly exciting and teasingly erotic in equal measure, this was the work of a master director firing on all cylinders and the end results put most
other contemporary movies of its type to shame.
Coming home for vengeance The most recent film in our top 20 is a lasting phenomenon and, more critically, an influence on
other contemporary movies.
Not exact matches
Sloppy writing gives savvy
movie - cum - music fans the impression that this demographically challenged film doesn't know the difference between Nashville and Austin, or in
other words, the schism which divides
contemporary country music into its inimical sides: mainstream and alternative, just like rock, or any number of musical genres.
And all along the way, asides and puns, in - jokes and
contemporary references, and countless references to
other movies.
Blame the picture's settings, various brightly - lit exteriors and
contemporary environments (office buildings, college campuses)-- even when the
movie is in a grand old house, our aged heroes» Chow - duh Society huddled together in pools of shadow, scaring each
other with spooky stories, the joke seems to be that someone is always turning on the lights.
I Am Legend perhaps revealed that Mr. Lawrence could handle
contemporary screen icons, as did Constantine, which starred Keanu Reeves, Shia LaBeouf, and Tilda Swinton among
other potentially hazardous alchemy; but the show also affirmed that Mr. Lawrence could handle adaptations of science fiction literature (the script for Catching Fire is credited to Michael Arndt, but under a pseudonym, after having written Little Miss Sunshine and several animated
movies).
Dialing up Arcade Fire, Of Monsters and Men, and The Lumineers (and practically every
other contemporary band you can think of that writes rousing, lighter - raising pop hymns), the two - thirds mark of the
movie is essentially defined by sequences serving as launch pads for yet another life affirming music moment (the score by Theodore Shapiro also employs the help of autumnal indie pop troubadour Jose Gonzalez to mildly better effect).
Written and directed by Dr. M.K. Asante, the
movie is narrated by former U.S. Poet Laureate Maya Angelou and features
contemporary interviews with Karenga, rapper Chuck D, pro football Hall of Famer Jim Brown and numerous
other luminaries who weigh in on the value of Kwanzaa and its seven principles: Umoja (Unity), Kujichagulia (Self - Determination), Ujima (Collective Work and Responsibility), Ujamaa (Cooperative Economics), Nia (Purpose), Kuumba (Creativity) and Imani (Faith).
Lee's
movies have examined race relations, colorism in the black community, the role of media in
contemporary life, urban crime and poverty, and
other political issues from his perch at «Da World Headquarters of 40 Acres and Mule Filmworks located in the home of his beloved borough of Brooklyn.
The Commuter would not be half as much fun if it explicitly pointed out those references or acknowledged its own ridiculousness, in the manner of
other contemporary, self - aware Hollywood action
movies.
Sometimes I think it's easier for me to draw inspiration from recent
movies than from
other contemporary painters, because I can set myself apart more easily from the current trends of the art world.
Works by such Pop artists as the Americans Roy Lichtenstein, Andy Warhol, Claes Oldenburg, Tom Wesselman, James Rosenquist, and Robert Indiana and the Britons David Hockney and Peter Blake, among
others, were characterized by their portrayal of any and all aspects of popular culture that had a powerful impact on
contemporary life; their iconography — taken from television, comic books,
movie magazines, and all forms of advertising — was presented emphatically and objectively, without praise or condemnation but with overwhelming immediacy, and by means of the precise commercial techniques used by the media from which the iconography itself was borrowed.
Combining desolate landscapes with trite romantic phrases taken from popular
movies, Roland Barthes» poetry, or
other contemporary media made out of neon lights, Korean artist Jung Lee establishes herself as one of the prominent voices on
contemporary scene.