Sentences with phrase «other contemporary sources»

Enhanced with maps, archival documents, news photos, and other contemporary sources.

Not exact matches

This distrust motivates Garff to search for other sources; he is interested in everything any of his contemporaries ever wrote about Kierkegaard.

These are not mine, but the words of «authentic, scholarly sources based on the Quran and sunnah, and other reliable contemporary scholarly opinions.»

On the other hand, there is not a single contemporary source recording the life of Christ.

America is doing more than any other nation to spread the kind of political structures that can best prepare the globe for God's ultimate work of establishing the final kingdom, Webb contends, and he proceeds to quote from a variety of sources to support a role for providence in contemporary theological thinking while interpreting America's rise to world power as a divine blessing that comes with special responsibilities.

Not understanding the necessary interworking of traditional, Biblical, and contemporary sources (even in a theology that seeks Biblical authority as its ultimate norm), certain evangelicals have fallen prey to a new form of «traditionalism»; others have retreated to a «Biblicism»; still others have found themselves in theological bondage to contemporary standards.

There simply is no other starting - point that takes seriously enough the radical view of the nature of the sources which the results of contemporary research are forcing upon us.

The Vatican seems oblivious of one of the most obvious and impressive facts about contemporary theology - that one can not draw the traditional lines between Catholic theological efforts and those that spring from other parts of the Christian tradition or even from non-Christian sources.

While much of the content is currently in the public domain or sourced from the company's other site, Daily Lit, a different model is underway in which classics are paired with contemporary content.

That's why this list will be the opportunity to find other sources of free ebooks compatible with Google Play, including the ones from contemporary authors.

'' News / Prints: Printmaking and the Newspaper» (at IPCNY, New York, closed October 19) included historical editorial cartoons, Meiji - era Japanese newspapers, collages using newsprint as a found object and other works of contemporary art in its exploration of newspapers as both primary and secondary sources for art.

An introductory section of the exhibition will showcase works by Titian, Veronese, Bassano, and other contemporaries as a way to understand both Tintoretto's sources as well as his originality.

Another source of contemporary British multiple editions is Damien Hirst's business Other Criteria.

Other important one - person exhibitions include «Lynda Benglis,» in 2016 at Aspen Art Museum, Aspen, CO; «Lynda Benglis: Water Sources,» in 2015 at Storm King Art Center, New Windsor, NY; and «Lynda Benglis: Dual Natures, Retrospective,» in 1991 at High Museum of Art, Atlanta, GA (traveled to Contemporary Art Center and New Orleans Museum of Art, New Orleans, LA; and San Jose Museum of Art, San Jose, CA).

Through the works of the most important artists of contemporary art - among others Robert Indiana, Tom Wesselmann, Andy Warhol, Tracey Moffatt, Francesco Clemente, Marc Quinn, Gilbert & George, Francesco Vezzoli, Vanessa Beecroft - and essays by Danilo Eccher, Federico Vercellone, Pierangelo Sequeri, Mattia Fumanti and Woody Allen, the volume deals with one of the universally recognized feelings which has always been a source of investigations and representations, Love, telling the different facets and infinite declinations.

This work is related to other works like Condition 1 and Condition 2 of 2012, in which Zheng adds to his repertoire of mark making techniques and image sources by reaching into folk traditions that are fading from the contemporary Chinese consciousness.

Language, broadly speaking, has long been a central concern for many black contemporary artists — Glenn Ligon, Pope.L, Lorna Simpson and Carrie Mae Weems come to mind — but this younger generation draws inspiration directly from literary sources: the poetry of Amiri Baraka, Tisa Bryant, Moten, Harryette Mullen, Claudia Rankine and others.

While the sources of some works lie in her personal history (the circumstances of her childhood and family life under Communist rule in the former Yugoslavia), others lie in more recent and contemporary events, such as the wars in her homeland and other parts of the world.

Scala's most recent exhibition is Fairy Tales, Monsters, and the Genetic Imagination (2012), an international survey that explores the symbolism of the hybrid body in contemporary works inspired by sources ranging from folklore and science fiction to recent advances in genetic engineering, prosthetics, and other aspects of bodily adaptation.

2009Now You See It, Aspen Art Museum, Aspen CO, (catalogue) ARTLV 08, Tel Aviv Museum of Art, Tel Aviv, curated by Andrew Renton Altogether Elsewhere, Zoo Art Fair, London, UK (catalogue) Processed: Considering Recent Photographic Practices, Leubsdorf Gallery, Hunter College, New York, NY, curated by Amie Scully (catalogue) Looking Through the Other End of the Telescope, Scottsdale Museum of Contemporary Art, Scottsdale, AZ (catalogue) Pictural Abstraction, Tache - Levy Gallery, Brussels, Belgium The Act of Drawing, VIVID, Birmingham, UK Video Art: Replay, Part 1: Asking Not Telling, ICA, Philadelphia, PA The Source, Cubitt Art Gallery, London, UK, curated by Michelle Cotton (catalogue) Are You With Me, Small A, New York, NY

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Based in Berlin, Thomas Scheibitz's recent notable exhibitions include ONE - Time Pad originating at MMK, Museum für Modern Kunst, Frankfurt Am Main and traveled to Baltic Center for Contemporary Art, 2012 - 2013 (solo); Thomas Scheibitz: Lineage ONE / Stilleben & Statistics, Jarla Partilager, Berlin, 2011 - 2012 (solo); Thomas Scheibitz: Il flume e le sue fonti / The River and its Source, Collezione Maramotti, Reggio Emilia, Italy, 2011 (solo); Surveyor: An exhibition of human exploration, observation, and construction of the landscape, organized by Curator Heather Pesanti, Albright - Knox Art Gallery, Buffalo, NY, 2011 (group); If Not in This Period Of Time - Contemporary German Painting1998 - 2010, Museu de Arte de São Paulo, Brazil, 2010 - 2011 (group); A moving plan B - chapter ONE, Selected by Thomas Scheibitz, The Drawing Room, London, 2010 (group); Der ungefegte Raum, Galerie im Taxispalais, Innsbruck, Austria, 2010 (solo); among others.

Lacking the aura of inaccessibility that surrounds other contemporary works of art, his instantly recognizable creations appeal to the general public and draw on countless art historical sources, such as Surrealism, Pop Art, and Dada.

1983 Presence Descrete, Musee des Beaux - Arts de Dijon, Dijon, FR Radio by Artists, Walter Phillips Gallery, The Banff Centre School of Fine Arts, Banff, CA In Other Words: Artists Use of Language - Part 2, Franklin Furnace, FR The Chinese Chance, an American Collection, The Butler Institute of American Art, Youngstown, Ohio, US Projects and Performances, Islip Art Museum, Islip, New York, US Live to Air, Franklin Furnace, New York, US Halle für Neue Kunst, Schaffhausen, CH The Rainer Speck Collection, Museum Haus Lange und Museum Haus Esters, Krefeld, DE Sculpture, Leo Castelli Gallery, New York, US Summer Show from the Collection, Van Abbemuseum, Eindhoven, NL Collection of the Museum Van Hedendaagse Kunst, Gent, Belgium, Musee d'Art Contemporain, Montreal, CA Projetto Genazzano, La Zattera di Babele, Genazzano, IT Conceptual, Rhonda Hoffman Gallery, Chicago, Illinois, US When Words Become Works, Minneapolis College of Art and Design, Minneapolis, Minnesota, US Masterworks of Conceptual Art, Paul Maenz, Cologne, DE Language, Drama, Source and Vision, The New Museum of Contemporary Art, New York, US ARS 83, The Art Museum of Ateneum, Helsinki, FI Word Works, Walker Art Center, Minneapolis, Minnesota, US Between Words and Things, Clare College, Cambridge, UK Festival d'Automne a Paris, Paris, FR The First Show: Painting and Sculpture from 8 Collections 1940 - 1980, The Museum of Contemporary Art, Los Angeles, California, US Hundreds of Drawings, Benefit Exhibition and Sale, Artists» Space, New York, US December Exhibition, Anthony d'Offay Gallery, London, UK American Video, Arts Council of Great Britain, London, UK There But For, screening Infermental II (video magazine), Hamburg, DE

Established in 1988 and located in a beautiful renovated warehouse which forms part of the historic Albert Dock, Tate Liverpool is home to two main types of artworks: fine art selected from the Tate Collection and also special shows of contemporary art (sourced from other UK collections).

However there is nothing nostalgic in her pictures, which were first published on her Instagram feed (kathyryan1 with 96K followers); she has a great talent for commissioning new and interesting contemporary photography, often from unexpected sources, in particular from artist photographers such as Taryn Simon and Thomas Struth, among many others.

According to director of the art galleries Sydney Jenkins, «With the Collection Dialogue series, we intermittently present collection works with loaned pieces by contemporary artists or from other sources to set up a kind of conversation or dialogue between art objects.

Hannah Hoch, Richard Huelsenbeck, John Heartfield, and others pioneered the technique of photomontage, using preexisting photographs, often drawn from mass - media sources, to create composite images that sharply critiqued German society and culture in the aftermath of World War I. Drawing on the foundations of Dada, neo-avant-garde artists of the 1950s like Robert Rauschenberg and Jasper Johns created assemblages that brought collage techniques into three dimensions — laying the groundwork for much contemporary sculpture — as well as works on paper that incorporated found elements drawn from the mass media and everyday life.

My guess would be that's something like the current price for doing all the needed load balancing with contemporary lead - acid battery storage, counting ramping up the lead industry to satisfy the sourcing and management of that much lead and sulfuric acid — in other words, it's somebody saying «it would cost the Earth * to do that» as an argument that there will be no progress in energy storage, so it'd be a waste to build more renewables.

Their sources include church records, commissions of inquiries into glacier disasters, taxes on farms affected by glaciers, town records, population records, illustrations and lithographs, observations by travellers and scientists, scientific papers, historic articles on glaciers from contemporary sources in English, French, German and Italian, correlation with wine and grain harvest dates, alpine clubs, mountaineers and tree line / plant growth records amongst other sources.

Unlike Indigenous societies in other nations, such as Canada and New Zealand, the presumption of terra nullius by the colonizer meant that the sources and pretexts of Indigenous law and custom were not sought, which compounds the difficulty of defining the authority of customary law in the contemporary context.

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